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The Notorious Bettie Page (2005)

6.6
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Ratings: 6.6/10 from 8,113 users   Metascore: 64/100
Reviews: 96 user | 110 critic | 38 from Metacritic.com

The story of Bettie Page, uber-successful 1950's pin-up model, one of the first sex icons in America, and the target of a Senate investigation (based on her bondage photos).

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Title: The Notorious Bettie Page (2005)

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Cast

Cast overview, first billed only:
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John Willie
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Maxie
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Preacher in Nashville
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Nervous Man
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Teacher
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Billy Neal
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Scotty
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Minister in Miami
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June
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Jerry Tibbs
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Storyline

Portrait of an American innocent. In 1955, Bettie Page (1923-2008 ) waits to testify before a Senate subcommittee investigating the effects of pornographic material on American adolescents and juveniles. In flashbacks, we see her childhood in Tennessee, a brief marriage, a gang rape, and her going to New York City in 1949. There she takes acting lessons, models for photos, and acts in short films for adults, earning the nickname, "The Pin-Up Queen of the Universe." We see her relationship with merchants Irving and Paula Klaw, photographers John Willie and Bunny Yeager, boyfriends, and the public. Through it all, she is wholesome, sporting, and forthright - Eve before the fall. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Good Girl. Bad Girl. Sinner. Saint. Who is. . . See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for nudity, sexual content and some language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

21 April 2006 (Canada)  »

Also Known As:

The Ballad of Bettie Page  »

Filming Locations:

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Box Office

Opening Weekend:

$143,131 (USA) (14 April 2006)

Gross:

$1,410,778 (USA) (23 June 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The characters of real-life bondage photographers Irving and Paula Klaw were actually brother and sister, not a married couple as many critics erroneously reported in reviews. See more »

Goofs

In one 'bondage shoot' scene, Norman Reedus shoots the bound Betty with a Leica camera, lens retracted. Collapsible lenses on Leicas need to be extended to shooting position for proper focusing. Shooting with a lens retracted will result in blurred pictures, and all photographers who shot with Leicas should know that. See more »

Quotes

Bettie Page: God gave me the talent to pose for pictures and it seems to make people happy. That can't be a bad thing, can it?
John Willie: Not to me it's not, but what does God think?
See more »

Crazy Credits

craft service - Grover Cleveland, craft service assistant - Benjamin Harrison See more »

Connections

References Mr. Blandings Builds His Dream House (1948) See more »

Soundtracks

It's a Good Day
Written by Dave Barbour (as David M. Barbour) and Peggy Lee
Performed by Peggy Lee
Courtesy of Capitol Records, Inc.
Under license from EMI Film & Television Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Truth About Sex in America
28 September 2005 | by (Toronto, Canada) – See all my reviews

Canadian filmmaker Mary Harron is a cultural gadfly whose previous films laid bare some the artistic excess of the Sixties and the hollow avaricious Eighties. With "The Notorious Bettie Page" she points her unswerving eye at Fifties America, an era cloaked in the moral righteousness of Joe McCarthy, while experiencing the beginnings of a sexual awakening that would result in the free love of the next decade. Harron and her co-writer Guinevere Turner, are clearly not interested in the standard biopic of a sex symbol. This is a film about the underground icon of an era and how her pure unashamed sexuality revealed both the predatory instincts and impure thoughts of a culture untouched by the beauty of a nude body. If the details of Bettie's life were all the film was concerned about, then why end it before her most tragic period was about to begin. Clearly, Harron is more interested in America's attitudes towards sexual imagery then and now. Together with a fearless lead performance by Gretchen Mol and the stunningly atmospheric cinematography of W.Mott Hupfel III, she accomplishes this goal admirably, holding up a mirror to the past while making the audience examine their own "enlightened" 21st Century attitudes towards so-called pornography. As America suffocates under a new conservatism, this is a film needed more than ever.


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