The Beat Nicks are musician Nick Nero and poet Nick Beat, a pair of self-styled truth-seekers who'd better find a gig or they'll be out on the street. Their luck begins to change when they ... See full summary »
Mark Boone Junior,
Nobody Needs to Know is a story of Fame and the towns and industries and the people who create it and support it. It's the story of two actresses on divergent paths who unwittingly ... See full summary »
Portrait of an American innocent. In 1955, Bettie Page (1923-2008 ) waits to testify before a Senate subcommittee investigating the effects of pornographic material on American adolescents and juveniles. In flashbacks, we see her childhood in Tennessee, a brief marriage, a gang rape, and her going to New York City in 1949. There she takes acting lessons, models for photos, and acts in short films for adults, earning the nickname, "The Pin-Up Queen of the Universe." We see her relationship with merchants Irving and Paula Klaw, photographers John Willie and Bunny Yeager, boyfriends, and the public. Through it all, she is wholesome, sporting, and forthright - Eve before the fall. Written by
The real John Willie (portrayed by Jared Harris) never met Bettie Page. He did publish a photo of her in his Bizarre magazine, but it was shot by another photographer. Irving Klaw, who published many of Bettie's most famous photos, did publish some of Willie's Adv. of Sweet Gwendoline material. See more »
The film depicts Bettie as being OK with the fetish/costume/bondage modeling - and being quite naive as to the erotic uses of such photos. This is exactly opposite from how the real Bettie Page felt about modeling. Her attitude basically was that "God made us nude, so how bad could it be?" but the more extreme fetish posing fostered sexually deviant desires. The numerous fully nude shoots she did for amateur camera clubs bears this out. See more »
[for her photo shoot, Bettie is tied up wearing slinky lingerie]
Do you mind if I ask you a question, Bettie? What do you think Jesus would think about what you're doing now?
Well, Mr. Willie, I've thought about this quite a lot and I'm not really sure if I know anymore. I think God has given us some kind of talent and he wants us to use it. That's why he gives it to us.
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craft service - Grover Cleveland, craft service assistant - Benjamin Harrison See more »
For a film that's ostensibly about sex and leather, it doesn't have any right to be as oddly sweet as it is. The story of Bettie Page, a good Christian girl from the South who's momma wouldn't let her date until she married, who moved to New York and ended up becoming the most successful pin-up of her age, is driven by an outstanding performance from Gretchen Moll. Her Page can't quite reconcile the pictures that she takes (nobody's allowed to touch, it's all fun and respectful) with the pornography trials and supposed ill-effects that her images have on the world around her.
Page has been an inspiration to every burlesque artist since, not just because she had a figure to die for, but because she invested every picture with an innocent sense of fun that was uniquely sexy and simple at the same time. Rather like this film, in fact. Filmde in both black and white and glorious technicolour, it's a lovely way to spend a couple of hours.
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