The Beat Nicks are musician Nick Nero and poet Nick Beat, a pair of self-styled truth-seekers who'd better find a gig or they'll be out on the street. Their luck begins to change when they ... See full summary »
Mark Boone Junior,
Nobody Needs to Know is a story of Fame and the towns and industries and the people who create it and support it. It's the story of two actresses on divergent paths who unwittingly ... See full summary »
Portrait of an American innocent. In 1955, Bettie Page (1923-2008 ) waits to testify before a Senate subcommittee investigating the effects of pornographic material on American adolescents and juveniles. In flashbacks, we see her childhood in Tennessee, a brief marriage, a gang rape, and her going to New York City in 1949. There she takes acting lessons, models for photos, and acts in short films for adults, earning the nickname, "The Pin-Up Queen of the Universe." We see her relationship with merchants Irving and Paula Klaw, photographers John Willie and Bunny Yeager, boyfriends, and the public. Through it all, she is wholesome, sporting, and forthright - Eve before the fall. Written by
Was originally going to be 'Mary Harron''s follow up to I Shot Andy Warhol but for some unknown reason the financiers back out at the last minute. Around that time Harron was given a copy of the novel 'American Psycho' and she decided to make it her next film until she could find financiers for her Bettie Page movie. It then took almost five years to get the money for The Notorious Bettie Page. Guinevere Turner also co-wrote both this film and American Psycho (2000) with Harron. See more »
When Bettie first arrives in Florida and visits Bunnie's home, there is a 1959 Ford Galaxie 500 convertible in the driveway, although the scene is set as pre-1955. See more »
God gave me the talent to pose for pictures and it seems to make people happy. That can't be a bad thing, can it?
Not to me it's not, but what does God think?
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craft service - Grover Cleveland, craft service assistant - Benjamin Harrison See more »
For a film that's ostensibly about sex and leather, it doesn't have any right to be as oddly sweet as it is. The story of Bettie Page, a good Christian girl from the South who's momma wouldn't let her date until she married, who moved to New York and ended up becoming the most successful pin-up of her age, is driven by an outstanding performance from Gretchen Moll. Her Page can't quite reconcile the pictures that she takes (nobody's allowed to touch, it's all fun and respectful) with the pornography trials and supposed ill-effects that her images have on the world around her.
Page has been an inspiration to every burlesque artist since, not just because she had a figure to die for, but because she invested every picture with an innocent sense of fun that was uniquely sexy and simple at the same time. Rather like this film, in fact. Filmde in both black and white and glorious technicolour, it's a lovely way to spend a couple of hours.
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