| Photos (see all 48 | slideshow) | Videos (see all 11) |
Directed by | |||
| Michael Mann | |||
Writing credits(WGA) | ||
| Stuart Beattie | (written by) | |
Produced by | |||
| Bryan H. Carroll | .... | associate producer | |
| Gusmano Cesaretti | .... | associate producer | |
| Frank Darabont | .... | executive producer | |
| Michael Doven | .... | associate producer: Mr. Cruise | |
| Robert N. Fried | .... | executive producer (as Rob Fried) | |
| Peter Giuliano | .... | executive producer | |
| Julie Herrin | .... | associate producer | |
| Michael Mann | .... | producer | |
| Julie Richardson | .... | producer | |
| Chuck Russell | .... | executive producer | |
| Michael Waxman | .... | co-producer | |
Original Music by | |||
| James Newton Howard | |||
Cinematography by | |||
| Dion Beebe | |||
| Paul Cameron | (director of photography) | ||
Film Editing by | |||
| Jim Miller | |||
| Paul Rubell | |||
Casting by | |||
| Francine Maisler | |||
Production Design by | |||
| David Wasco | |||
Art Direction by | |||
| Daniel T. Dorrance | |||
Set Decoration by | |||
| Sandy Reynolds-Wasco | (as Alexandra Reynolds Wasco) | ||
Costume Design by | |||
| Jeffrey Kurland | |||
Makeup Department | |||
| Lois Burwell | .... | makeup artist: Tom Crusie | |
| Judith A. Cory | .... | hair stylist: Mr. Cruise | |
| Deidra Dixon | .... | hair stylist: Mr. Foxx | |
| Jake Garber | .... | special makeup effects artist | |
| Cleve Gunderman | .... | special makeup effects artist | |
| Keith Hall | .... | makeup department head | |
| Jamie Kelman | .... | special makeup effects artist | |
| John Kim | .... | makeup effects technician | |
| Araxi Lindsey | .... | hair stylist: Ms. Pinkett Smith | |
| LaLette Littlejohn | .... | makeup artist: Mr. Foxx | |
| Bart Mixon | .... | special makeup effects artist | |
| Matthew W. Mungle | .... | prosthetic makeup artist | |
| Matthew W. Mungle | .... | special makeup effects artist | |
| Kenny Myers | .... | makeup artist: Tom Cruise (as Kenneth R. Myers) | |
| Roddy Stayton | .... | hair department head | |
| Keith VanderLaan | .... | makeup effects creator: Captive Audience Productions | |
| Terrie Velasquez | .... | hair stylist | |
| Jay Wejebe | .... | key makeup artist | |
| Wesley Wofford | .... | prosthetics makeup | |
| Gabriel De Cunto | .... | special makeup effects artist (uncredited) | |
| Mary Kim | .... | makeup effects production supervisor (uncredited) | |
| Jim Knell | .... | production photographer: Captive Audience Productions (uncredited) | |
Second Unit Director or Assistant Director | |||
| Ty Arnold | .... | additional second second assistant director | |
| Carla Bowen | .... | second assistant director | |
| Bryan H. Carroll | .... | second unit director | |
| Gusmano Cesaretti | .... | second unit director | |
| Joel Kramer | .... | second unit director | |
| Michael Waxman | .... | first assistant director | |
| Wayne Witherspoon | .... | second second assistant director | |
| Susan M. Elmore | .... | second second assistant director (uncredited) | |
Sound Department | |||
| Jon Ailetcher | .... | sound mixer: second unit | |
| Mike Anderson | .... | boom operator | |
| Paul Aulicino | .... | assistant sound editor | |
| Bruce Barris | .... | first assistant sound editor | |
| Gary Blufer | .... | sound transfer | |
| Thom Brennan | .... | supervising foley editor | |
| Eddie Bydalek | .... | sound re-recordist | |
| Derek Casari | .... | adr engineer | |
| Derek Casari | .... | adr foley | |
| William Cawley | .... | assistant sound editor (as Bill Cawley) | |
| Mike Chock | .... | sound editor | |
| Marc Deschaine | .... | assistant sound editor | |
| Doc Kane | .... | adr mixer | |
| Elliott Koretz | .... | sound designer (as Elliott L. Koretz) | |
| Elliott Koretz | .... | sound supervisor (as Elliott L. Koretz) | |
| Elliott Koretz | .... | supervising sound editor (as Elliott L. Koretz) | |
| Dawn Kratofil | .... | sound librarian | |
| Tom Lalley | .... | sound re-recordist engineer | |
| Mary Jo Lang | .... | foley mixer | |
| David Lucarelli | .... | adr recordist | |
| Craig Mann | .... | sound re-recordist | |
| Michael Minkler | .... | sound re-recording mixer | |
| Alyson Dee Moore | .... | foley artist (as Alyson Moore) | |
| Scott Morgan | .... | foley recordist | |
| Steve Nelson | .... | sound editor (as Steven F. Nelson) | |
| Myron Nettinga | .... | sound re-recording mixer | |
| Nancy Nugent | .... | dialogue editor (as Nancy Kyong Nugent) | |
| Lee Orloff | .... | production sound mixer | |
| Michael Payne | .... | sound editor | |
| Kurt Peterson | .... | sound rigger | |
| Charleen Richards | .... | adr mixer (as Charleen Richards-Steeves) | |
| John Roesch | .... | foley artist | |
| Kim Secrist | .... | sound editor | |
| Greg Steele | .... | adr mixer | |
| John C. Stuver | .... | supervising dialogue editor | |
| Becky Sullivan | .... | supervising adr editor | |
| Bill Talbott | .... | stage engineer | |
| Knox White | .... | boom operator | |
Special Effects by | |||
| Ozzy Alvarez | .... | lab technician | |
| John J. Downey | .... | special effects | |
| Matt Downey | .... | special effects | |
| Paula D. Fisher | .... | special effects office coordinator (as Paula Fisher) | |
| Thomas L. Fisher | .... | special effects coordinator | |
| Ronald D. Goldstein | .... | special effects foreman | |
| Harvey Lowry | .... | director of operations: Captive Audience | |
| Bruce Minkus | .... | special effects foreman | |
| Dirk Rogers | .... | life cast, mold maker, prop fabrication: W.M. Creations (uncredited) | |
Visual Effects by | |||
| Joseph Bailey | .... | digital compositor: big red pixel | |
| Ken Blackwell | .... | visual effects editor | |
| Jeremy Bloch | .... | digital effects artist: big red pixel | |
| Steven Fagerquist | .... | digital compositor | |
| Tyler Foell | .... | digital effects supervisor | |
| Tyler Foell | .... | visual effects producer | |
| Tarn Fox | .... | digital compositor: big red pixel | |
| Peter Gray | .... | 24p high definition systems engineer | |
| Perry M. Kimura | .... | digital film scanning and recording: EFilm/Deluxe | |
| John G. Kirby | .... | digital effects artist: big red pixel | |
| Katrina Leigh | .... | accountant: Big Red Pixel | |
| Jonah Loop | .... | visual effects producer: big red pixel | |
| David B. Moulder | .... | visual effects coordinator | |
| Patrick Phillips | .... | visual effects | |
| Liz Radley | .... | video & computer graphics supervisor | |
| Gerald Ragland | .... | digital intermediate assistant | |
| César Romero | .... | digital compositor | |
| Robert Rossello | .... | visual effects supervisor: Big Red Pixel | |
| David Sosalla | .... | visual effects supervisor: Pacific Title & Art Studio | |
| Robert Stadd | .... | visual effects supervisor | |
| John E. Sullivan | .... | visual effects producer | |
| John E. Sullivan | .... | visual effects supervisor (as John Sullivan) | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title | |
| Jeff Varga | .... | visual effects | |
| Andy Davis | .... | digital compositor: Big Red Pixel (uncredited) | |
Casting Department | |||
| Benjamin Gerry | .... | casting associate | |
| Chris Gray | .... | extras casting | |
| Barbara Harris | .... | voice casting | |
| Lindsey Hayes Kroeger | .... | casting associate | |
| Justine Hempe | .... | casting associate | |
| Ron Lunceford | .... | extras casting associate | |
| Jesse Jam Miranda | .... | casting associate | |
| Michele Short | .... | casting associate | |
| Pamela Lynn Thomas | .... | casting associate | |
| Vesper Burnett | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Terry Anderson | .... | assistant costume designer | |
| Corey Bronson | .... | costume supervisor | |
| Toby Bronson | .... | set costumer | |
| Kendall Errair | .... | costumer: Mr. Cruise | |
| Betsy Glick | .... | costumer | |
| Carlane Passman | .... | costume supervisor | |
| Carin Richardson | .... | key costumer | |
| Shoshana Rubin | .... | set costumer | |
| Jack Taggart | .... | head ager and dyer | |
Editorial Department | |||
| Mike Chiado | .... | digital intermediate technologist | |
| Martin Cohen | .... | post-production executive | |
| Rob Doolittle | .... | digital on-line editor | |
| Shane Harris | .... | assistant colorist | |
| Joe Hathaway | .... | telecine colorist | |
| Mo Henry | .... | negative cutter | |
| Alex Hepburn | .... | first assistant editor | |
| Kevin Hickman | .... | assistant editor | |
| Erin Michelle Hopkins | .... | assistant editor | |
| Brennan Ieyoub | .... | assistant editor | |
| Adam Kimmerlin | .... | assistant editor | |
| Mike Koz | .... | first assistant editor | |
| Nina Lucia | .... | first assistant editor | |
| Chris McCaleb | .... | post-production coordinator | |
| Meghan L. Noble | .... | assistant editor | |
| Brian Scott Olds | .... | post-production assistant | |
| Missy Papageorge | .... | digital intermediate producer | |
| Thatcher Peterson | .... | digital intermediate producer | |
| Sam Restivo | .... | post-production assistant | |
| Erik Rogers | .... | digital intermediate producer | |
| Kurt Smith | .... | laboratory color timer | |
| Stefan Sonnenfeld | .... | colorist | |
| Kristina Trirogoff | .... | first assistant editor | |
| Jorge Tanaka | .... | digital intermediate assistant (uncredited) | |
Music Department | |||
| Jon Ailetcher | .... | music playback | |
| Gui Amabis | .... | score coordinator | |
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Jeff Atmajian | .... | orchestrator | |
| Michael Boustead | .... | additional music editor (as Mike Boustead) | |
| Brad Dechter | .... | orchestrator | |
| Sandy DeCrescent | .... | music contractor | |
| Eddie Delena | .... | music recordist | |
| Eddie Delena | .... | score recordist | |
| Clay Duncan | .... | music score programmer | |
| Craig Eastman | .... | musician: rebecca, tenor violin and hurdy gurdy | |
| Michael Farrow | .... | additional score recordist | |
| James Flamberg | .... | music editor | |
| Bruce Fowler | .... | additional orchestrator conductor | |
| Thomas Graham II | .... | score recordist (as Thomas Graham) | |
| Vicki Hiatt | .... | music supervisor | |
| James T. Hill | .... | electronic score mixer | |
| James T. Hill | .... | electronic score recordist | |
| Todd Homme | .... | executive music supervisor | |
| Fred Johnston | .... | music playback | |
| Todd Kasow | .... | music editor | |
| Zachary Koretz | .... | composer: additional music | |
| Tim Lauber | .... | score recordist | |
| Jason Lloyd | .... | scoring crew | |
| Shawn Murphy | .... | score mixer | |
| Shawn Murphy | .... | score recordist | |
| David Olson | .... | assistant music editor | |
| Antonio Pinto | .... | composer: additional music | |
| Tom Rothrock | .... | composer: additional music | |
| Steven L. Smith | .... | music preparation | |
| Del Spiva | .... | additional music editor | |
| Tom Steel | .... | scoring crew | |
| Philip Tallman | .... | music editor | |
| Jim Weidman | .... | music editor | |
Transportation Department | |||
| Howard Bachrach | .... | transportation captain | |
| Rich Bennetti | .... | parking coordinator | |
| Jesse Blanco | .... | transportation cars | |
| Tom Briggs | .... | driver | |
| Mark Brown | .... | driver: production van | |
| Gary Cheek | .... | driver | |
| Ken Farnell | .... | driver | |
| Chris Ferrence | .... | picture vehicle assistant | |
| Keith D. Fisher | .... | transportation co-captain | |
| J. Armin Garza II | .... | driver: camera car | |
| Bill Lopez-Arjona | .... | driver (as William Arjona) | |
| Bill Lopez-Arjona | .... | transportation | |
| John Lybrand | .... | driver: cast | |
| Cyril O'Neil | .... | picture car coordinator | |
| Aaron Skalka | .... | transportation coordinator | |
| Paul Tumber | .... | transportation | |
Other crew | |||
| Dominic Bartolone | .... | digital utility | |
| Fawn Boardley | .... | assistant: Ms. Pinkett Smith | |
| Chad Bronson | .... | assistant accountant | |
| Matthew B. Chamberlin | .... | key assistant location manager | |
| Christopher Ciketic | .... | assistant accountant | |
| Angie Lee Cobbs | .... | assistant production coordinator | |
| Keith Collea | .... | video | |
| Deborah A. Cornett | .... | post first assistant accountant | |
| Jeff Crandall | .... | staff assistant | |
| Jan Dennehy | .... | production accountant | |
| Ava DuVernay | .... | publicity consultant | |
| Mike Eisenberg | .... | assistant: Mr. Giuliano (as Michael L. Eisenberg) | |
| Eric Fierstein | .... | on-set location manager | |
| Peggy Flood | .... | additional voice | |
| Lisa K. Fowle | .... | video production assistant | |
| Ran Francke | .... | security: Jada Pinkett Smith | |
| Chris W. Freeman | .... | production assistant | |
| Sue Frey | .... | executive assistant: Mr. Cruise | |
| David Fulton | .... | publicist | |
| Sean P. Galvin | .... | production assistant | |
| Shawn Gillespie | .... | first assistant accountant | |
| Sydney Gilner | .... | script supervisor | |
| Monica Goldstein | .... | executive assistant: Mr. Mann | |
| Rob Gomes | .... | production assistant | |
| Mick Gould | .... | technical advisor (as Michael Gould) | |
| Kurt Greufe | .... | first assistant accountant | |
| Christopher Griffie | .... | production assistant | |
| Jennifer Hammon | .... | production assistant: Mr. Cruise | |
| Chris Hampel | .... | assistant: Mr. Mann | |
| Julie Hannum | .... | location manager | |
| Josh Harris | .... | assistant: Mr. Cruise | |
| David Hollander | .... | researcher | |
| Susan Hollander | .... | scenario coordinator | |
| Susan Hollander | .... | script coordinator | |
| Lindsay Hudson | .... | construction medic | |
| Martin L. Hudson | .... | assistant location manager | |
| Kenneth Hunter | .... | location scout | |
| Karen Jarnecke | .... | production coordinator | |
| Jay Johnson | .... | main title design | |
| Aakomon Jones | .... | co-choreographer | |
| Steve Karnes | .... | weapons armorer | |
| Michael Kehoe | .... | craft service | |
| Jason Z. Kemp | .... | production assistant | |
| John D. Kim | .... | voice-over | |
| Perry M. Kimura | .... | digital film scanning and recording | |
| Matti Klutz | .... | set production assistant | |
| Ove Langevei | .... | production assistant | |
| Steven S. Lee | .... | key assistant location manager | |
| Justin Liberman | .... | production assistant | |
| Thomas Longo | .... | extras coordinator: on-set | |
| Johnny Mack | .... | assistant: Mr. Foxx | |
| Chuck Maldonado | .... | dancer | |
| La Wanna May | .... | product placement | |
| Brendan McDonald | .... | production assistant | |
| Peter McKernan | .... | pilot: picture ship | |
| Meaghan F. McLaughlin | .... | set production assistant | |
| Dauv McNeely | .... | computer and video playback technician | |
| Steven R. Molen | .... | production executive | |
| Ellen J. Morris | .... | production assistant | |
| Guy Morrison | .... | assistant location manager | |
| Robert Nagle | .... | driving instructor | |
| Thomas E. Nicholson | .... | production assistant | |
| Cameron Pearce | .... | graphic advisor | |
| Gayle Phelps | .... | coyote trainer | |
| Janice Polley | .... | supervising location manager | |
| Bryant Powell | .... | stand-in | |
| Stan Purdy | .... | personal security | |
| Willy Roberts | .... | production assistant | |
| Fatima Robinson | .... | choreographer | |
| David Romano | .... | payroll accountant | |
| Sam Sako | .... | adr voice | |
| Ivor Shier | .... | helicopter pilot | |
| David Silverton | .... | production assistant | |
| Sabrina Somma | .... | construction medic | |
| Jina Song | .... | photo model | |
| Jeremiah Stafford | .... | production assistant | |
| Sheri St Lawrence | .... | second assistant accountant | |
| Charles A. Tamburro | .... | aerial coordinator (as Chuck Tamburro) | |
| Charles A. Tamburro | .... | pilot (as Chuck Tamburro) | |
| John Tamburro | .... | aerial coordinator | |
| John Tamburro | .... | pilot | |
| Hector Tinoco | .... | location manager | |
| Marshall Tyler | .... | assistant: Mr. Mann | |
| Coree Van Bebber | .... | assistant: Mr. Beebe | |
| Edward S. Viola | .... | digital imaging assistant | |
| Catherine Wall | .... | manufacturing foreperson | |
| Justin Wells | .... | digital utility | |
| Chris Winn | .... | key craft service | |
| Coco Yuon | .... | assistant location scout | |
| Chic Daniel | .... | police technical advisor (uncredited) | |
| Robert Deamer | .... | police technical advisor (uncredited) | |
| Liam Ford | .... | data manager: CO3 (uncredited) | |
| Asal Masomi | .... | production assistant (uncredited) | |
| John Minor | .... | location scout (uncredited) | |
Thanks | |||
| Jesse Jam Miranda | .... | very special thanks | |
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| The Departed | Live Free or Die Hard | Scarface | Karam | Chik yeung tin si |
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This is a collision of two lives All collapsed in the events of one night
The movie starts with Vincent (Tom Cruise) arriving to L.A., a guy who just looks perfect
Some people happen to people on purpose, in order to tell them something about their lives And they sit somewhere and share two or three lines, and they leave, and you know, your life is changed
When Max (Jamie Foxx) first meets Vincent, it was "who cares? He was a dreamer when he said: "I just saw the woman of my dreams I'm getting married in my mind right now." Vincent says, "I want you to disconnect so that when you guy do connect, it's like day and night." And continues "I got five stops to make. Collect signatures, see some friends, and then I got a 6 a.m. out of LAX. Why don't you hang with me?"
It's not until the offering of the money that you see really connect
"Collateral" projects in a much deeper way into Cruise/Vincent character He can become very quiet, and we can look at the screen, and we will feel that Cruise is totally in command He's a quick draw Vincent is fast As an assassin, he must be economical in his moves
The film focused some of the wildness, and what lurks below the surface of L.A. Just the opening shot, when we look at that cab driving out and we see the big paintings on the walls, it was just visual sophistication
The movie is not an action story It's a compelling drama with realistic action that works for the story And it is done for an emotional reason Cruise gives a dynamic performance as the cold-blooded killer Foxx is terrific as the honest hearted guy driving a cab for twelve years, and both come together suddenly like a spike in a railroad right here in this point where things were going to change in one night Jamie Foxx finds himself in the presence of a real adversary in the form of this bumbling cab driver, who has never fired a handgun in his life