| Photos (See all 79 | slideshow) | Videos (see all 9) |
Directed by | |||
| Adam McKay | |||
Writing credits(WGA) | ||
| Will Ferrell | (written by) & | |
| Adam McKay | (written by) | |
Produced by | |||
| Judd Apatow | .... | producer | |
| David B. Householter | .... | co-producer (as David Householter) | |
| Shauna Robertson | .... | executive producer | |
| David O. Russell | .... | executive producer | |
Original Music by | |||
| Alex Wurman | |||
Cinematography by | |||
| Thomas E. Ackerman | (director of photography) (as Thomas Ackerman) | ||
Film Editing by | |||
| Brent White | |||
Casting by | |||
| Juel Bestrop | |||
| Jeanne McCarthy | |||
Production Design by | |||
| Clayton Hartley | (as Clayton R. Hartley) | ||
Art Direction by | |||
| Gregg Davidson | (as Greg Davidson) | ||
| Virginia L. Randolph | (as Virginia Randolph-Weaver) | ||
Set Decoration by | |||
| Jan Pascale | |||
Costume Design by | |||
| Debra McGuire | |||
Makeup Department | |||
| Heather Cummings | .... | assistant makeup artist: pickups | |
| Denise Dellavalle | .... | key makeup artist | |
| Kimberly Greene | .... | makeup department head | |
| Melanie Mills | .... | makeup artist: pickups | |
| Edward Morrison | .... | hair stylist | |
| Toni-Ann Walker | .... | hair department head | |
| Erin Wooldridge | .... | makeup artist | |
| Joy Zapata | .... | key hair stylist | |
| Ryan McDowell | .... | prosthetic fabricator (uncredited) | |
Production Management | |||
| Mark Graziano | .... | post-production supervisor | |
| David B. Householter | .... | unit production manager (as David Householter) | |
| Diane L. Sabatini | .... | production supervisor (as Diane Sabatini) | |
Second Unit Director or Assistant Director | |||
| Rick Avery | .... | second unit director | |
| Jeff Bilger | .... | second second assistant director | |
| Basil Grillo | .... | second assistant director (as Basil Bryant Grillo) | |
| Matt Rebenkoff | .... | first assistant director | |
| Mark Trapenberg | .... | second second assistant director | |
Art Department | |||
| Jenny Baum | .... | on-set dresser | |
| Mark Bialuski | .... | gang boss propmaker | |
| Jeanne Bueche | .... | art department coordinator | |
| Alan Burg | .... | set dresser | |
| Amanda Crockett | .... | art department production assistant (as Amanda C. Crockett) | |
| Louise Del Araujo | .... | lead | |
| John R. Elliott | .... | construction coordinator | |
| Matthew Ferreira | .... | set dresser | |
| Glenn Forbes | .... | props | |
| Carmine Goglia | .... | stand-by painter | |
| Alex Hill | .... | illustrator | |
| P.K. MacCarthy | .... | storyboard artist | |
| Amie McCarthy | .... | assistant property master | |
| Mike Medina | .... | construction foreman | |
| Barbara Mesney | .... | set designer | |
| Mark Molina | .... | assistant art director | |
| Rick Polikowski | .... | propmaker | |
| Adam Tankell | .... | graphic designer | |
| Susie Thompson | .... | set dresser | |
| Sally Thornton | .... | set designer | |
| Mike Villarino | .... | construction coordinator: additional photography | |
| Randall D. Wilkins | .... | set designer (as R.D. Wilkins) | |
| Karen E. Burnett | .... | second on-set dresser (uncredited) | |
| Glenn Forbes | .... | property master: additional photography (uncredited) | |
| Tommy John | .... | painter (uncredited) | |
| Charles Kern | .... | stand-by painter (uncredited) | |
| Christopher Morente | .... | stand-by greens (uncredited) | |
| Michael Ruby | .... | supervising signwriter (uncredited) | |
| Jack White | .... | food stylist (uncredited) | |
| Suzy Zarate | .... | illustrator (uncredited) | |
Sound Department | |||
| Richard L. Anderson | .... | sound effects editor (as Richard Anderson) | |
| Bob Beemer | .... | supervising sound mixer | |
| Jessy Bender | .... | cableperson (as Jessica Bender) | |
| Mark Binder | .... | supervising dialogue & adr editor | |
| Mike Chock | .... | sound effects editor | |
| Mark Coffey | .... | second assistant sound editor | |
| Donald Flick | .... | sound effects editor | |
| Kevin Hyde | .... | boom operator | |
| Ryan Isbell | .... | sound assistant | |
| Thomas Jones | .... | dialogue editor | |
| Shawn Ian Kerkhoff | .... | first assistant sound editor (as Shawn Kerkoff) | |
| Mark A. Mangini | .... | sound designer (as Mark Mangini) | |
| Mark A. Mangini | .... | supervising sound editor (as Mark Mangini) | |
| Scott Millan | .... | supervising sound mixer | |
| Piero Mura | .... | sound effects editor | |
| Ralph Osborn | .... | dialogue editor | |
| Fred Peck III | .... | sound re-recordist (as Fred W. Peck III) | |
| Erin Michael Rettig | .... | sound engineer (as Erin Rettig) | |
| Joan Rowe | .... | foley artist | |
| Sean Rowe | .... | foley artist | |
| Abel Schiro | .... | sound utility | |
| Solange S. Schwalbe | .... | dialogue editor (as Solange Schwalbe) | |
| Nick Shaffer | .... | sound effects recordist | |
| Andy Sisul | .... | second assistant sound editor | |
| Jim Stuebe | .... | sound mixer | |
| Devendra Damon Cleary | .... | sound utility: pre-shoots (uncredited) | |
| Jay Duerr | .... | auricle operator (uncredited) | |
Visual Effects by | |||
| Akemi Abe | .... | digital artist: title sequence animation | |
| Mike Bellamy | .... | lead colorist | |
| Christian Boudman | .... | Inferno artist: SPI | |
| Christian Boudman | .... | digital compositor | |
| Kelly Day | .... | compositing animator | |
| Roxanne Dorman | .... | visual effects editor | |
| Patrick Flanagan | .... | compositing artist: Pixel Magic | |
| Nate Haggard | .... | compositing artist: Pixel Magic | |
| James David Hattin | .... | lead 2D artist: Pixel Magic | |
| Richard R. Hoover | .... | visual effects supervisor: SPI | |
| Raji Kodja | .... | technical director: SPI | |
| Richard Kratt | .... | compositing artist: Pixel Magic | |
| John R. McConnell | .... | compositing artist: Pixel Magic | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic (as Raymond McIntyre Jr.) | |
| Reid Paul | .... | digital effects supervisor: Pixel Magic | |
| Reid Paul | .... | visual effects producer | |
| David A. Smith | .... | CG supervisor: SPI | |
| Diana Stulic | .... | visual effects producer: SPI (as Diana Stulic Ibanez) | |
| Trey Freeman | .... | visual effects artist (uncredited) | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic (uncredited) | |
| Evangeline Monroy | .... | visual effects coordinator (uncredited) | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title (uncredited) | |
| Jeff Varga | .... | digital effects artist (uncredited) | |
| Mitch Zeitlin | .... | video editorial coordinator: SPI (uncredited) | |
Stunts | |||
| Brian Avery | .... | stunt coordinator | |
| Brian Avery | .... | stunts | |
| Joni Avery | .... | stunts | |
| Mike Avery | .... | stunts | |
| Rick Avery | .... | stunt coordinator | |
| Charlie Brewer | .... | stunt double: David Koecher | |
| Mark Brooks | .... | bear stunts | |
| Joe Bucaro III | .... | stunts (as Joey Bucaro) | |
| Jack Gill | .... | stunts | |
| Gary Guercio | .... | stunts | |
| Nick Hermz | .... | stunt performer | |
| Lisa Hoyle | .... | stunts | |
| David Hugghins | .... | stunt double | |
| Michael Hugghins | .... | stunts | |
| Scotty Richards | .... | precision driving coordinator (as Scott Richards) | |
| Michelle Sebek | .... | stunt double | |
| Ty Williams | .... | stunts | |
| Wendi Bromley | .... | stunt double (uncredited) | |
| Sophia Crawford | .... | stunt double: Christina Applegate (uncredited) | |
| Christopher Leps | .... | stunt double: Kevin Corrigan (uncredited) | |
| Brian Machleit | .... | stunts (uncredited) | |
Animation Department | |||
| Graham Morris | .... | animator | |
| Azariah Owens | .... | animation effects | |
| Kristen Sych | .... | animator (as Kristen Nicholas Sych) | |
Casting Department | |||
| Blythe Cappello | .... | casting | |
| Rich King | .... | extras casting | |
| Georgia Simon | .... | adr voice casting | |
| John Srednicki | .... | casting associate | |
| Kelly Hunt | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Mike Lutz | .... | set costumer | |
| Joseph T. Mastrolia | .... | costume supervisor | |
| Katrina Mastrolia | .... | costume supervisor | |
| Michelle Sandvig | .... | costumer (uncredited) | |
Editorial Department | |||
| Mike Bellamy | .... | final colorist | |
| Mellissa Bretherton | .... | additional editor (as Melissa Bretherton) | |
| Gary Burritt | .... | negative cutter | |
| Martin Cohen | .... | post-production executive | |
| David Orr | .... | color timer | |
| Michael Pedraza | .... | post-production assistant | |
| Dylan Quirt | .... | post-production assistant | |
| James Schermerhorn | .... | assistant editor: avid (as Jim Schermerhorn) | |
| Fulvio Valsangiacomo | .... | assistant editor (uncredited) | |
Music Department | |||
| Tom Calderaro | .... | orchestrator | |
| Debbi Datz-Pyle | .... | orchestra contractor | |
| Steve Dierkens | .... | assistant music editor | |
| George Doering | .... | musician | |
| Steve Durkee | .... | score mixer | |
| Steve Durkee | .... | score recordist | |
| Julie Eidsvoog | .... | music preparation | |
| M.B. Gordy | .... | musician: Percussion | |
| Todd Homme | .... | executive music supervisor | |
| Larry Mah | .... | digital score recordist | |
| Stefan Nordin | .... | assistant composer | |
| John Rodd | .... | score recordist | |
| Jeffrey Schindler | .... | conductor (as Jeff Schindler) | |
| Ellen Segal | .... | music editor | |
| Armin Steiner | .... | score mixer | |
| Armin Steiner | .... | score recordist | |
| James Thatcher | .... | musician: french horn | |
| Craig Wedren | .... | vocal coach | |
| Erica Weis | .... | music editor | |
| Hal Willner | .... | music consultant | |
Transportation Department | |||
| Michael W. Broomer | .... | driver | |
| Michael Menapace | .... | transportation coordinator (as Michael D. Menapace) | |
| Theresa M. Roehner | .... | driver (as Theresa Roehner) | |
| Ted Schambers | .... | driver: Will Ferrell | |
| Steve Bonner | .... | driver: special equipment (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
When Anchorman came into theaters, I avoided it like a dead sewer rat. When it came onto HBO, I pretended it didn't exist. In fact, I would not have even LOOKED at it had my remote control not stuck on the stupid channel. So I watched a few minutes. I didn't laugh. I wasn't surprised.
Then one day, surfing the premium movie channels, I was thoroughly unimpressed by the offerings. So I turned on Anchorman, about 5 minutes in. For the next hour and a half, I proceeded to laugh hysterically. Scene after scene, line after line, I found new reasons to laugh. By the end, I could hardly breathe.
Unconvinced that I had stumbled upon a a re-watchable movie, I tested and retested it over and over. And over. Result confirmed.
Anchorman tells a simple story: acclaimed (and consequently arrogant) news anchor Ron Burgundy is forced to adapt when an attractive new female member of the Channel 4 news team (Applegate) begins changing the way he and his quirky news team work. That's it. This story is predictable, prescription-esquire, boring. But Anchorman does not draw it's strength from story. It draws from the hilarious situations. It draws from randomness. It draws from brief--but memorable--cameos. It draws from those 100 or so unforgettable one-liners.
That is, if you're looking for cinema, for a fine work of craftsmanship, a eloquent script, and an Oscar nomination, go watch a FILM. If you find randomness hilarious, then watch this MOVIE.