Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Ron Burgundy is the top-rated anchorman in San Diego in the '70s. When feminism marches into the newsroom in the form of ambitious newswoman Veronica Corningstone, Ron is willing to play along at first-as long as Veronica stays in her place, covering cat fashion shows, cooking, and other "female" interests. But when Veronica refuses to settle for being eye candy and steps behind the news desk, it's more than a battle between two perfectly coiffed anchor-persons... it's war. Written by
This film had been pitched to DreamWorks nearly 20 times before, following the successes of Old School and Elf. DreamWorks had little faith in the film, doubting Will Ferrell and Adam McKay were able to pull off an entire film based on news anchors. Despite the doubts the film would bomb, it grossed $84 million domestically and the director had so much extra footage they were able to make a second film out of it. See more »
In the scene after Veronica fills in for Ron, Garth lights a Cigar for Ed, however you can clearly see that the cigar hasn't been cut, making it impossible to smoke. See more »
There was a time, a time before cable. When the local anchorman reigned supreme. When people believed everything they heard on TV. This was an age when only men were allowed to read the news. And in San Diego, one anchorman was more man then the rest. His name was Ron Burgundy. He was like a god walking amongst mere mortals. He had a voice that could make a wolverine purr and suits so fine they made Sinatra look like a hobo. In other words, Ron Burgundy was the balls.
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At the opening, there is this proclaimation: "Based on actual events. Only the people, places and events have been changed." See more »
This absurd comedy had to convince me...and somehow it did
When Anchorman came into theaters, I avoided it like a dead sewer rat. When it came onto HBO, I pretended it didn't exist. In fact, I would not have even LOOKED at it had my remote control not stuck on the stupid channel. So I watched a few minutes. I didn't laugh. I wasn't surprised.
Then one day, surfing the premium movie channels, I was thoroughly unimpressed by the offerings. So I turned on Anchorman, about 5 minutes in. For the next hour and a half, I proceeded to laugh hysterically. Scene after scene, line after line, I found new reasons to laugh. By the end, I could hardly breathe.
Unconvinced that I had stumbled upon a a re-watchable movie, I tested and retested it over and over. And over. Result confirmed.
Anchorman tells a simple story: acclaimed (and consequently arrogant) news anchor Ron Burgundy is forced to adapt when an attractive new female member of the Channel 4 news team (Applegate) begins changing the way he and his quirky news team work. That's it. This story is predictable, prescription-esquire, boring. But Anchorman does not draw it's strength from story. It draws from the hilarious situations. It draws from randomness. It draws from brief--but memorable--cameos. It draws from those 100 or so unforgettable one-liners.
That is, if you're looking for cinema, for a fine work of craftsmanship, a eloquent script, and an Oscar nomination, go watch a FILM. If you find randomness hilarious, then watch this MOVIE.
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