Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Ron Burgundy is the top-rated anchorman in San Diego in the '70s. When feminism marches into the newsroom in the form of ambitious newswoman Veronica Corningstone, Ron is willing to play along at first-as long as Veronica stays in her place, covering cat fashion shows, cooking, and other "female" interests. But when Veronica refuses to settle for being eye candy and steps behind the news desk, it's more than a battle between two perfectly coiffed anchor-persons... it's war. Written by
According to Mr. Burgundy himself, Ron's full name is Ronald Joseph Aaron Burgundy. See more »
During the big party at the start of the movie, a woman in the background changes clothes numerous times between shots. She is first seen in lingerie during Brick Tamland's kitchen intro, then a short dress, and then back to the lingerie outfit. See more »
There was a time, a time before cable. When the local anchorman reigned supreme. When people believed everything they heard on TV. This was an age when only men were allowed to read the news. And in San Diego, one anchorman was more man then the rest. His name was Ron Burgundy. He was like a god walking amongst mere mortals. He had a voice that could make a wolverine purr and suits so fine they made Sinatra look like a hobo. In other words, Ron Burgundy was the balls.
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At the opening, there is this proclaimation: "Based on actual events. Only the people, places and events have been changed." See more »
Consistent and thorough silliness keep this above-average comedy afloat
I went to "Anchorman" expecting another super-mainstream, lowest-common-denominator, SNL-derived romp. Now, these aren't the worst movies in the world, to be sure. "Happy Gilmore" and "Old School" are pretty agreeable ways to while away the time. But usually about an hour in to these affairs, I've had enough of the broadness and predictability, which starts to get downright oppressive. It's not just that they're lowbrow--it's that they're so overwhelmingly, disappointingly conventional.
Luckily, this isn't what "Anchorman" is. "Anchorman" is a refreshingly off-kilter outing from an unlikely source--Will Ferrell, the current reigning lord of middle-of-the-road fratboy Sandlerism. The film has a lot more in common with Mel Brooks and Zucker-Abrahams-Zucker than anything in the SNL family tree. It prizes out-and-out silliness and absurdity over bathroom humor and penis jokes (though there's plenty of the latter, don't worry), and pulls it off admirably. In essence, the key to this stuff is never letting off of the goofiness even for a second--the audience should never be allowed to take anything seriously.
"Anchorman" achieves this with exceedingly silly and bizarre dialogue complemented by killer comic performances from Ferrell, Paul Rudd, Vince Vaughn and Steve Carrel. You'd have to be lobotomized to maintain a straight face through lines like "It's made with bits of real panther. So you know it's good." and "I'm riding a big, furry tractor!" The direction and pacing are also pretty solid at times, and the requisite celeb cameos are very nicely done (especially in one particular scene which I wouldn't dream of ruining).
The film's not without its flaws, certainly. Chief among them is the wasting of one of the best comic character actors in the biz: Fred Willard. If ever there was someone born to play a smarmy local TV newsman, Willard is it. But he's inexplicably cast here as a dull station suit, while David Koechner plods through the sportscaster role that was clearly meant for him--passable but certainly not as inspired as Willard would have been. Also, I think that the story would have benefited if Vaughn and his cronies, the closest thing to villains in this lightheaded romp, had a little more face time.
But these are comparatively minor problems--the point is that Ferrel has given us something that's really funny in a way that's appreciably different from the endless SNL movie-mill. It's not Monty Python, but it is a healthy departure from what has become the comic mainstream. Most importantly, the laughs are frequent, long, and deep--check it out and you won't be disappointed.
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