Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Ron Burgundy is the top-rated anchorman in San Diego in the '70s. When feminism marches into the newsroom in the form of ambitious newswoman Veronica Corningstone, Ron is willing to play along at first-as long as Veronica stays in her place, covering cat fashion shows, cooking, and other "female" interests. But when Veronica refuses to settle for being eye candy and steps behind the news desk, it's more than a battle between two perfectly coiffed anchor-persons... it's war. Written by
In the night club, Ron plays jazz flute in the style of Ian Anderson, lead singer and flautist of Jethro Tull. Ron blurts out "Hey Aqualung!" at the end of the song, a lyric from the Jethro Tull song "Aqualung", the title track of their 1971 album. In addition, the riff that he plays on the flute just before he does so is the main riff of the same song. Indeed, the scene is rife with Tull references, as the pose Ron strikes at the end of the song is also a clear imitation of the band's logo of a flautist turned sideways with one leg up. See more »
When Ron is talking to his dog and eating his burrito in his car, cars are visible behind him, but in the wide shot there are no cars anywhere. See more »
There was a time, a time before cable. When the local anchorman reigned supreme. When people believed everything they heard on TV. This was an age when only men were allowed to read the news. And in San Diego, one anchorman was more man then the rest. His name was Ron Burgundy. He was like a god walking amongst mere mortals. He had a voice that could make a wolverine purr and suits so fine they made Sinatra look like a hobo. In other words, Ron Burgundy was the balls.
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At the opening, there is this proclaimation: "Based on actual events. Only the people, places and events have been changed." See more »
Written by Jack Fishman, Labatida Carlo Donida, Giulio Rapatti Mogol
Performed by Tom Jones
Chrysalis Copyrights Limited
Courtesy of Chrysalis Copyrights Ltd. part of the Chrysalis Group PLC See more »
In a year packed with comedies that were all a bit stupid and silly (and all seemed to feature Ben Stiller), Anchorman: The Legend Of Ron Burgundy reigns supreme above them all. This is a movie that is well aware of its own stupidity, and best of all, it is able to embrace it skillfully so that it is exactly as silly and immature as it wants to be. It is such a great comedy; I'd consider it the Naked Gun of our generation.
As apposed to many, many, other comedies, Anchorman actually gets better as it moves along. Most of the time a comedy like this will use up all the laughs in the first hour and then try to take a serious, lovey-dovey turn in the last act. There are more laughs in the last half hour than in the first half hour, which usually is never the case. It's as if there was some mathematical comedic formula that spread the laughs out in a way that it was consistently funny. Or, maybe they just got lucky. I dunno.
I loved all the characters in the movie, every role no matter how small had a great moment or two. Will Ferrel of course, the star of the movie who is just perfect as Ron. He's so so funny 'cause he's such a lovable idiot. Even Christina Appelgate, who was in a role that quite honestly anyone could have done, is able to make it her own and provide some laughs. There is a scene that has a lot of cameos that was hilarious as well. It was one of those moments that takes you completely by surprise.
So, what else can I say except that I loved Anchorman! It's the best "stupid" comedy I've seen in years. This is Will Ferrel at his best and it will be hard to top.
My rating: 9/10
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