| Photos (See all 52 | slideshow) | Videos (see all 8) |
| Jim Carrey | ... | Joel Barish | |
| Kate Winslet | ... | Clementine Kruczynski | |
| Gerry Robert Byrne | ... | Train Conductor | |
| Elijah Wood | ... | Patrick | |
| Thomas Jay Ryan | ... | Frank | |
| Mark Ruffalo | ... | Stan | |
| Jane Adams | ... | Carrie | |
| David Cross | ... | Rob | |
| Kirsten Dunst | ... | Mary | |
| Tom Wilkinson | ... | Dr. Mierzwiak | |
| Ryan Whitney | ... | Young Joel | |
| Debbon Ayer | ... | Joel's Mother | |
| Amir Ali Said | ... | Young Bully | |
| Brian Price | ... | Young Bully | |
| Paulie Litt | ... | Young Bully (as Paul Litowski) | |
| Josh Flitter | ... | Young Bully | |
| Lola Daehler | ... | Young Clementine | |
| Deirdre O'Connell | ... | Hollis | |
| rest of cast listed alphabetically: | |||
| Lauren Adler | ... | Rollerblader (uncredited) | |
Directed by | |||
| Michel Gondry | |||
Writing credits(WGA) | ||
| Charlie Kaufman | (story) & | |
| Michel Gondry | (story) & | |
| Pierre Bismuth | (story) | |
| Charlie Kaufman | (screenplay) | |
Produced by | |||
| Georges Bermann | .... | executive producer | |
| Anthony Bregman | .... | producer | |
| David L. Bushell | .... | executive producer (as David Bushell) | |
| Linda Fields | .... | associate producer (as Linda Fields Hill) | |
| Steve Golin | .... | producer | |
| Michael Jackman | .... | associate producer (as Michael A. Jackman) | |
| Charlie Kaufman | .... | executive producer | |
| Glenn Williamson | .... | executive producer | |
Original Music by | |||
| Jon Brion | |||
Cinematography by | |||
| Ellen Kuras | (director of photography) | ||
Film Editing by | |||
| Valdís Óskarsdóttir | (as Valdis Oskarsdottir) | ||
Casting by | |||
| Jeanne McCarthy | (as Jeanne Mccarthy) | ||
Production Design by | |||
| Dan Leigh | |||
Art Direction by | |||
| David Stein | |||
Set Decoration by | |||
| Ron von Blomberg | (as Ron Von Blomberg) | ||
Costume Design by | |||
| Melissa Toth | |||
Makeup Department | |||
| Michelle Johnson | .... | key hair stylist (as D. Michelle Johnson) | |
| Peter Owen | .... | wigs | |
| Kyra Panchenko | .... | key makeup artist | |
| Francesca Paris | .... | hair stylist: Mr. Carrey | |
| Noriko Watanabe | .... | hair stylist: Ms. Winslet | |
| Noriko Watanabe | .... | makeup artist: Ms. Winslet | |
| Allen Weisinger | .... | makeup artist: Mr. Carrey | |
| Rose Chatterton | .... | hair stylist (uncredited) | |
| Nicki Ledermann | .... | additional makeup artist (uncredited) | |
| Evelyne Noraz | .... | additional key makeup artist (uncredited) | |
Production Management | |||
| Ray Angelic | .... | assistant unit production manager | |
| David L. Bushell | .... | unit production manager (as David Bushell) | |
| Michael Jackman | .... | post-production supervisor (as Michael A. Jackman) | |
| Jeff Roth | .... | executive in charge of post-production | |
Second Unit Director or Assistant Director | |||
| Scott Ferguson | .... | second assistant director | |
| Michael Hausman | .... | first assistant director | |
| Peter Thorell | .... | second second assistant director | |
| Noelle Stehman | .... | additional second assistant director (uncredited) | |
| Adam T. Weisinger | .... | additional second assistant director (uncredited) | |
Art Department | |||
| Liz Bonaventura | .... | scenic (as Elizabeth Bonaventura) | |
| James Boniece | .... | key construction grip | |
| Garf Brown | .... | scenic | |
| Brian Buteau | .... | set dresser | |
| Ruth Deleon | .... | on-set dresser (as Ruth A. DeLeon) | |
| Paul George Divone | .... | shop craftsman | |
| James Donahue | .... | scenic | |
| Natalie N. Dorset | .... | assistant set decorator | |
| David Scott Gagnon | .... | set dresser (as D. Scott Gagnon) | |
| Emily Gaunt | .... | scenic | |
| Jonathan Graham | .... | key construction grip | |
| Roman Greller | .... | set dresser | |
| Anne Beiser Haywood | .... | charge scenic | |
| Brent Haywood | .... | construction coordinator | |
| James Hoff | .... | camera scenic (as Hollis James Hoff) | |
| Miguel Jimenez | .... | key construction electric | |
| Roberto Jiménez | .... | key construction electric (as Roberto Jiminez) | |
| Hinju Kim | .... | assistant art director | |
| Zbigniew 'Ziggy' Kouros | .... | key construction grip (as Zbigniew Kouros) | |
| Julius Kozlowski | .... | scenic | |
| Gordon Krause | .... | key shop craftsman | |
| Kevin Ladson | .... | property master | |
| Mark Lane-Davies | .... | scenic | |
| Michael Leather | .... | leadperson (as Mike Leather) | |
| Addy McClelland | .... | art department coordinator | |
| Mike Melchiove | .... | shop craftsman | |
| Nick Miller | .... | construction coordinator (as Nicholas R. Miller) | |
| Ronald Miller | .... | shop craftsman | |
| Scott P. Murphy | .... | assistant art director | |
| Morgan Pitts | .... | props | |
| Paul Proch | .... | creator: Joel's sketchbook | |
| Sean Robinson | .... | key shop craftsman | |
| John Roche | .... | set dresser | |
| Sam Z. Rogers | .... | shop scenic | |
| R. Vincent Smith | .... | assistant property master | |
| Patricia Sprott | .... | scenic foreman | |
| Robert Vaccariello | .... | foreman shop craftsman (as Robert A. Vaccariello) | |
| Andrew M. Velechenko | .... | shop craftsman (as Andrew M. Velenchenko) | |
| Derrick Alford | .... | carpenter (uncredited) | |
| Eric Bryant | .... | art department assistant (uncredited) | |
| Scott Paige | .... | props (uncredited) | |
| Jeffrey Rollins | .... | set dresser (uncredited) | |
| Ray Tintori | .... | art department intern (uncredited) | |
Special Effects by | |||
| Mark Bero | .... | special effects | |
| Drew Jiritano | .... | special effects coordinator | |
| Thomas Viviano | .... | special effects (as Thomas L. Viviano) | |
Visual Effects by | |||
| Tricia Barrett | .... | digital compositor: Custom Film Effects | |
| Ryan Beadle | .... | i/o: Custom Film Effects | |
| Steve Caldwell | .... | digital compositor: Custom Film Effects | |
| Mark Dornfeld | .... | visual effects supervisor: Custom Film Effects | |
| Brent Ekstrand | .... | lead animator | |
| Michele Ferrone | .... | visual effects producer: Custom Film Effects | |
| Martin Garner | .... | computer graphics supervisor | |
| Adam Gass | .... | digital editorial: Custom Film Effects | |
| R.J. Harbour | .... | digital compositor: Custom Film Effects (as RJ Harbour) | |
| Shaina Holmes | .... | digital compositor: Custom Film Effects | |
| Ara Khanikian | .... | inferno flame artist: Buzz Image Group | |
| Melanie La Rue | .... | coordinator: Buzz Image Group (as Mélanie Larue) | |
| Alexandre Lafortune | .... | 3-d animator: Buzz Image Group | |
| Pierre-Simon Lebrun-Chaput | .... | matte painter: Buzz Image Group | |
| Stéphane Loiselle | .... | coordinator: Buzz Image Group | |
| François Lord | .... | 3-d animator: Buzz Image Group | |
| Francois Metivier | .... | senior inferno artist: Buzz Image Group (as François Métivier) | |
| Lori C. Miller | .... | digital compositor: Custom Film Effects (as Lori Miller) | |
| Louis Morin | .... | visual effects supervisor: Buzz Image Group | |
| Martin Pelletier | .... | 3-d animator: Buzz Image Group | |
| L. Elizabeth Powers | .... | digital supervisor: Custom Film Effects (as Laurie Powers) | |
| Glenn Silver | .... | 3-d animator: Buzz Image Group | |
| David Smithson | .... | data wrangler: Custom Film Effects | |
| Mary C. Snyder | .... | digital compositor: Custom Film Effects (as Mary C. Hoffer) | |
| Robin Tremblay | .... | lead matte painter: Buzz Image Group | |
| Gabriel Tremblay-Beauvais | .... | 3-d animator: Buzz Image Group (as Gabriel Tremblay) | |
| Amani Williams | .... | digital compositor: Custom Film Effects | |
| Derek Bird | .... | digital compositor (uncredited) | |
| Jacqueline Cooper | .... | visual effects artist (uncredited) | |
| Dennis Dorney | .... | digital lineup (uncredited) | |
| Pam Kray | .... | 16mm projectionist (uncredited) | |
| Alexandre Lafortune | .... | digital effects artist (uncredited) | |
| Kevin Lin | .... | digital cleanup artist (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Mark Sawicki | .... | effects photography (uncredited) | |
Stunts | |||
| Danny Aiello III | .... | stunt player | |
| Bill Anagnos | .... | stunt player (as Billy Anagnos) | |
| E.J. Evans | .... | stunt player | |
| John R. Favre | .... | stunt player (as John Favre) | |
| Stephanie Finochio | .... | stunt player | |
| Cort Hessler | .... | stunt player (as Cort Hessler III) | |
| Artie Malesci | .... | stunt player | |
| Peewee Piemonte | .... | stunt player | |
| Stephen A. Pope | .... | stunt player (as Stephen Pope) | |
| Michael Russo | .... | stunt player (as Mike Russo) | |
| Brian Smyj | .... | stunt coordinator | |
Casting Department | |||
| Blythe Cappello | .... | casting: Los Angeles | |
| Linda R. Chen | .... | casting assistant: New York (as Linda Chen) | |
| Natasha Cuba | .... | casting associate | |
| Sage Lehman | .... | casting assistant: New York | |
| Kristian Sorge | .... | extras casting assistant | |
| John Srednicki | .... | casting assistant: Los Angeles | |
| Grant Wilfley | .... | extras casting | |
| Melissa Farnum | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Cara Czekanski | .... | additional costumer | |
| Lisa R. Frucht | .... | wardrobe supervisor (as Lisa Frucht) | |
| Jill Kliber | .... | assistant costume designer | |
| David Page | .... | costumer: Mr. Carrey | |
| Deirdre N. Williams | .... | wardrobe supervisor | |
| Colleen Morris | .... | tailor (uncredited) | |
| Laura Steinman | .... | costume dyer/distresser (uncredited) | |
Editorial Department | |||
| Kenny Becker | .... | color timer: DeLuxe | |
| Angela Beresford | .... | post-production assistant | |
| Michael Eaves | .... | digital intermediate: EFilm (as Mike Eaves) | |
| Chad Gunderson | .... | high-definition dailies and conforming: Laser Pacific | |
| James Haygood | .... | additional editor | |
| Mike Kennedy | .... | digital intermediate: EFilm | |
| Loan Phan | .... | digital intermediate: EFilm | |
| David A. Smith | .... | assistant editor | |
| Andre Tréjo | .... | high-definition dailies and conforming: Laser Pacific (as Andre Trejo) | |
| Jeffrey M. Werner | .... | additional editor | |
| Katrina Whalen | .... | post-production assistant | |
| Paul Zucker | .... | additional editor | |
| Valance Eisleben | .... | high definition editorial services (uncredited) | |
| Jack Lewars | .... | assistant color timer: EFilm (uncredited) | |
| Martha Pike | .... | digital intermediate editor (uncredited) | |
| Jeff Schweikart | .... | post-production assistant (uncredited) | |
Music Department | |||
| Steve Bartek | .... | orchestrator | |
| Christine Bergren | .... | music clearances | |
| Tom Biller | .... | music recordist | |
| Dana Bourke | .... | additional music engineer | |
| Jon Brion | .... | conductor | |
| Jon Brion | .... | music producer | |
| Tass Filipos | .... | music editor (as Anastassios Filipos) | |
| Peter Gordon | .... | orchestrator | |
| Jason Gossman | .... | additional music engineer | |
| Chris Holmes | .... | additional music engineer | |
| Kathy Nelson | .... | music guru | |
| Jen Pray | .... | music consultant (as Jennifer Pray) | |
| Steven Rhodes | .... | additional music engineer | |
| Reed Ruddy | .... | additional music engineer | |
| Edgardo Simone | .... | orchestrator | |
| Patrick Spain | .... | additional music engineer | |
| Nick Vidar | .... | music programmer | |
| Greg Hamilton | .... | additional music preparer (uncredited) | |
| Robert Puff | .... | music preparation (uncredited) | |
| Nick Vidar | .... | music editor (uncredited) | |
Other crew | |||
| Sebastián Almeida | .... | intern (as Sebastian Almeida) | |
| Stefanie Azpiazu | .... | assistant: Mr. Bregman | |
| Hilary Basing | .... | intern | |
| Nicholas R. Bell | .... | production assistant (as Nick Bell) | |
| Fred Berger | .... | intern | |
| Dotan Bonen | .... | security: Mr. Carrey | |
| Christian Brockey | .... | assistant production coordinator | |
| Bobb Bruno | .... | assistant: Jon Brion | |
| Brian Cantaldi | .... | first assistant accountant | |
| David Catalano | .... | production assistant | |
| Linda R. Chen | .... | intern (as Linda Chen) | |
| Ben Conable | .... | production assistant (as Benjamin Conable) | |
| Mary Cybulski | .... | script supervisor | |
| Robert Darwell | .... | production attorney: Sheppard, Mullin, Richter & Hampton | |
| Liesl Davis | .... | intern (as Liesel Elain Davis) | |
| Philip DeRise | .... | production secretary | |
| Stephanie DeTiege | .... | assistant: Mr. Carrey (as Stephanie Detiege) | |
| Kat Donahue | .... | location assistant | |
| Maureen Duffy | .... | completion guarantor: Film Finances | |
| Tracy Ershow | .... | production assistant | |
| Kathleen Fellegara | .... | on-set medic (as Kathy Fellegara) | |
| Rich Fellegara | .... | on-set medic | |
| Frances Fiore | .... | unit publicist | |
| Noah Fox | .... | production assistant | |
| Andrew Goodman | .... | production assistant | |
| Kristy Hamer | .... | accounting assistant | |
| Amro Hamzawi | .... | assistant: Mr. Gondry | |
| Susan Hegarty | .... | dialect coach: Ms. Winslet | |
| Arthur Hur | .... | assistant: Michel Gondry | |
| Lindsey Jaffin | .... | office production assistant | |
| Cynthia Kao | .... | production assistant | |
| Kate Karbowniczek | .... | production assistant | |
| Erica Kay | .... | production coordinator | |
| Matthew G. King | .... | production assistant | |
| David Koch | .... | production assistant | |
| Sage Lehman | .... | intern | |
| Chris Marsh | .... | assistant location manager (as Christopher Marsh) | |
| Patrick McDonald | .... | key set production assistant | |
| Hillary Meyer | .... | payroll accountant (as Hillary R. Meyer) | |
| Valerie Nolan | .... | intern | |
| Alison Norod | .... | production assistant | |
| Oona Overholtzer | .... | assistant: Mr. Kaufman | |
| Derek Pastures | .... | parking coordinator | |
| Currie Person | .... | location assistant | |
| Michal Podell | .... | production attorney: Sheppard, Mullin, Richter & Hampton | |
| Ruth Pollock | .... | assistant: Ms. Winslet (as Ruth Pollack) | |
| Chris Prapha | .... | assistant: Mr. Golin | |
| Gary S. Rake | .... | production assistant | |
| Adrian Scartascini | .... | assistant: Mr. Gondry | |
| Jeff Schlesinger | .... | assistant: Mr. Bushell | |
| Paula Schmit | .... | completion guarantor: Film Finances | |
| Eugy Septimo | .... | intern | |
| Aleta Shaffer | .... | assistant: Mr. Gondry | |
| Talley Singer | .... | second assistant: Mr. Carrey (as Taylor Singer) | |
| Debbie Stampfle | .... | production assistant | |
| Greg Trattner | .... | completion guarantor: Film Finances (as Gregory Trattner) | |
| Daniel Tresca | .... | location assistant (as Dan Tresca) | |
| Gayle Vangrofsky | .... | location manager | |
| Andy Wheeler | .... | production accountant | |
| Alex Zoppa | .... | intern | |
| Andrew Zoppa | .... | intern | |
| Zach Zoppa | .... | intern (as Zachary Zoppa) | |
| Dylan Gallagher | .... | photo double: Jim Carrey (uncredited) | |
| Amber Gristak | .... | stand-in: Kate Winslet (uncredited) | |
| Kristen Marie Holly | .... | stand-in: Kirsten Dunst (uncredited) | |
| Matthew Makar | .... | production assistant (uncredited) | |
| Cyril Merle | .... | assistant: Michel Gondry (uncredited) | |
| Tony Muro | .... | publicist (uncredited) | |
| Jimmy Price | .... | location scout (uncredited) | |
| Jennifer Skyler | .... | stand-in: Kate Winslet (uncredited) | |
| Jeremiah Zazueta | .... | production assistant (uncredited) | |
Thanks | |||
| Karen Baird | .... | special thanks | |
| Ted Baker | .... | the producers wish to thank | |
| Heidi Bivens | .... | special thanks | |
| Gerry Robert Byrne | .... | special thanks | |
| Anne Carey | .... | special thanks | |
| Kevin Dillon | .... | special thanks | |
| Paul Dorf | .... | the producers wish to thank | |
| Cyril Drabinsky | .... | special thanks | |
| John Fluevog | .... | the producers wish to thank | |
| Julie Fong | .... | special thanks | |
| Paul Frank | .... | the producers wish to thank | |
| Dr. Hauschka | .... | the producers wish to thank | |
| Ted Hope | .... | special thanks | |
| Betsey Johnson | .... | the producers wish to thank | |
| Will Keenan | .... | special thanks | |
| Laura Kightlinger | .... | special thanks | |
| Drew Kunin | .... | special thanks | |
| J.F. Lazartigue | .... | the producers wish to thank | |
| Steve Madden | .... | the producers wish to thank | |
| Laura Madrigano | .... | the producers wish to thank | |
| Nicole Miller | .... | the producers wish to thank | |
| Susan E. Morse | .... | special thanks (as Susan Morse) | |
| Thomas Pink | .... | the producers wish to thank | |
| Ellen Pompeo | .... | special thanks | |
| Victor Rasuk | .... | special thanks | |
| Amy Rosen | .... | special thanks | |
| Leon Silverman | .... | special thanks | |
| Gwenn Smith | .... | the producers wish to thank: Long Island Jewish Medical Center (as Dr. Gwenn Smith) | |
| John Srednicki | .... | special thanks | |
| Diana Victor | .... | special thanks | |
| Karen Walker | .... | the producers wish to thank | |
| The Zacks | .... | special thanks | |
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Of all Kaufman's screenplays that delve into the interior landscapes of its characters, Eternal Sunshine is the most fully formed and moving story of the bunch, a rumination on the possibilities and consequences inherent in making the process of removing unwanted memories from your consciousness as easy as going for a checkup. Kaufman here plays on our desire to forget the bad things that happen to us and what happens when we are given the power to forget those things permanently, and the conclusion he arrives at is that it ultimately creates as many - if not more - problems than it solves. At the very least, it can result in making the same mistakes again ("Those who ignore history are doomed to repeat it"); at the worst, it eliminates the possibility of our ever reconciling and coming to terms with our life experiences, the way we relate to the people who help to shape our lives and whose lives we shape through ours.
The film explores these ideas in a novel and engaging way: by taking the audience inside the mind of Joel Barish (Jim Carrey), a man who, after breaking up with his girlfriend Clementine Kruczynski (Kate Winslett), discovers later that she has had her memory of him wiped clean from her mind. He finds out how she had this procedure done and, despondent not only about the breakup but even more so about her having completely erased him from her mind, searches out the doctor who performed the procedure and signs up to have the same procedure done to him, so that he may also have no memory of her. He is rendered unconscious for the procedure but his subconscious is still active. Once the procedure is initiated and he becomes aware that his memories of the woman he loved - and still loves - are vanishing from his brain, he starts having second thoughts and wants the procedure stopped. His challenge then becomes to figure out how to protect as much of his memory of her as he can, and to find a way stop the procedure despite the fact that he is in an unconscious state.
The manner in which he comes to realize and confront his dilemma is played out entirely within his interior landscape, a realm which (as anyone who remembers their dreams upon waking from sleep can attest) is a very surreal extension of our day-to-day experiences. Michel Gondry's visual style and direction works exceptionally well here in conveying the slippery, chaotic unpredictability of the worlds we construct from our memories and experiences; the clever interplay between this interior world and the goings-on of the outside world helps keep the viewer off-balance just enough to illuminate the fuzzy line of demarcation separating the two worlds and the peculiar manner in which they play off one another.
Jim Carrey and Kate Winslett do an exceptional job of bringing this abstract story concept to life with characters that are endearing, poignant, believable and utterly human. The supporting players are equally impressive: Tom Wilkinson as the mind-eraser doctor, Mark Ruffalo and Elijah Wood as the technicians, Kiersten Dunst as the receptionist all have relationships to the main protagonists and to one another that come to light as the story unfolds and help to propel the plot; as friends of Joel and Clementine, David Cross and Jane Adams are hilarious as a couple who seem to be stuck in the same rut that compelled the protagonists to break up and have each other erased from their respective minds. Kaufman juggles all these relationships masterfully and in such a way as to ensure none of them are superfluous to the ideas he is trying to get across in this story.
While there are elements of the plot that seem to place this movie in the realm of science fiction, the focus of the movie stays on the interior states, emotions and relationships between the characters. As such, the film is more of a romantic comedy than anything - albeit unlike any other romantic comedy you're ever likely to see. I saw a late showing of this movie with my girlfriend the day it was released at a local multiplex and there were only 20 or so people in the theater, yet at the film's conclusion everyone broke out in a spontaneous round of applause. This gives an idea of how compelling this movie can be. If you give this film a chance to creep under your skin, you will likely find yourself reflexively thinking about your feelings toward the important people in your life, as well how you relate to those feelings, as well as your memories and how you relate to them. A thought provoking, moving and entertaining film - I can imagine that a working title of this film might have been "Warts And All."