| Photos (See all 52 | slideshow) | Videos (see all 8) |
| Jim Carrey | ... | Joel Barish | |
| Kate Winslet | ... | Clementine Kruczynski | |
| Gerry Robert Byrne | ... | Train Conductor | |
| Elijah Wood | ... | Patrick | |
| Thomas Jay Ryan | ... | Frank | |
| Mark Ruffalo | ... | Stan | |
| Jane Adams | ... | Carrie | |
| David Cross | ... | Rob | |
| Kirsten Dunst | ... | Mary | |
| Tom Wilkinson | ... | Dr. Mierzwiak | |
| Ryan Whitney | ... | Young Joel | |
| Debbon Ayer | ... | Joel's Mother | |
| Amir Ali Said | ... | Young Bully | |
| Brian Price | ... | Young Bully | |
| Paulie Litt | ... | Young Bully (as Paul Litowski) | |
| Josh Flitter | ... | Young Bully | |
| Lola Daehler | ... | Young Clementine | |
| Deirdre O'Connell | ... | Hollis | |
| rest of cast listed alphabetically: | |||
| Lauren Adler | ... | Rollerblader (uncredited) | |
Directed by | |||
| Michel Gondry | |||
Writing credits(WGA) | ||
| Charlie Kaufman | (story) & | |
| Michel Gondry | (story) & | |
| Pierre Bismuth | (story) | |
| Charlie Kaufman | (screenplay) | |
Produced by | |||
| Georges Bermann | .... | executive producer | |
| Anthony Bregman | .... | producer | |
| David L. Bushell | .... | executive producer (as David Bushell) | |
| Linda Fields | .... | associate producer (as Linda Fields Hill) | |
| Steve Golin | .... | producer | |
| Michael Jackman | .... | associate producer (as Michael A. Jackman) | |
| Charlie Kaufman | .... | executive producer | |
| Glenn Williamson | .... | executive producer | |
Original Music by | |||
| Jon Brion | |||
Cinematography by | |||
| Ellen Kuras | (director of photography) | ||
Film Editing by | |||
| Valdís Óskarsdóttir | (as Valdis Oskarsdottir) | ||
Casting by | |||
| Jeanne McCarthy | (as Jeanne Mccarthy) | ||
Production Design by | |||
| Dan Leigh | |||
Art Direction by | |||
| David Stein | |||
Set Decoration by | |||
| Ron von Blomberg | (as Ron Von Blomberg) | ||
Costume Design by | |||
| Melissa Toth | |||
Makeup Department | |||
| Michelle Johnson | .... | key hair stylist (as D. Michelle Johnson) | |
| Peter Owen | .... | wigs | |
| Kyra Panchenko | .... | key makeup artist | |
| Francesca Paris | .... | hair stylist: Mr. Carrey | |
| Noriko Watanabe | .... | hair stylist: Ms. Winslet | |
| Noriko Watanabe | .... | makeup artist: Ms. Winslet | |
| Allen Weisinger | .... | makeup artist: Mr. Carrey | |
| Rose Chatterton | .... | hair stylist (uncredited) | |
| Nicki Ledermann | .... | additional makeup artist (uncredited) | |
| Evelyne Noraz | .... | additional key makeup artist (uncredited) | |
Production Management | |||
| Ray Angelic | .... | assistant unit production manager | |
| David L. Bushell | .... | unit production manager (as David Bushell) | |
| Michael Jackman | .... | post-production supervisor (as Michael A. Jackman) | |
| Jeff Roth | .... | executive in charge of post-production | |
Second Unit Director or Assistant Director | |||
| Scott Ferguson | .... | second assistant director | |
| Michael Hausman | .... | first assistant director | |
| Peter Thorell | .... | second second assistant director | |
| Noelle Stehman | .... | additional second assistant director (uncredited) | |
| Adam T. Weisinger | .... | additional second assistant director (uncredited) | |
Art Department | |||
| Liz Bonaventura | .... | scenic (as Elizabeth Bonaventura) | |
| James Boniece | .... | key construction grip | |
| Garf Brown | .... | scenic | |
| Brian Buteau | .... | set dresser | |
| Ruth Deleon | .... | on-set dresser (as Ruth A. DeLeon) | |
| Paul George Divone | .... | shop craftsman | |
| James Donahue | .... | scenic | |
| Natalie N. Dorset | .... | assistant set decorator | |
| David Scott Gagnon | .... | set dresser (as D. Scott Gagnon) | |
| Emily Gaunt | .... | scenic | |
| Jonathan Graham | .... | key construction grip | |
| Roman Greller | .... | set dresser | |
| Anne Beiser Haywood | .... | charge scenic | |
| Brent Haywood | .... | construction coordinator | |
| James Hoff | .... | camera scenic (as Hollis James Hoff) | |
| Miguel Jimenez | .... | key construction electric | |
| Roberto Jiménez | .... | key construction electric (as Roberto Jiminez) | |
| Hinju Kim | .... | assistant art director | |
| Zbigniew 'Ziggy' Kouros | .... | key construction grip (as Zbigniew Kouros) | |
| Julius Kozlowski | .... | scenic | |
| Gordon Krause | .... | key shop craftsman | |
| Kevin Ladson | .... | property master | |
| Mark Lane-Davies | .... | scenic | |
| Michael Leather | .... | leadperson (as Mike Leather) | |
| Addy McClelland | .... | art department coordinator | |
| Mike Melchiove | .... | shop craftsman | |
| Nick Miller | .... | construction coordinator (as Nicholas R. Miller) | |
| Ronald Miller | .... | shop craftsman | |
| Scott P. Murphy | .... | assistant art director | |
| Morgan Pitts | .... | props | |
| Paul Proch | .... | creator: Joel's sketchbook | |
| Sean Robinson | .... | key shop craftsman | |
| John Roche | .... | set dresser | |
| Sam Z. Rogers | .... | shop scenic | |
| R. Vincent Smith | .... | assistant property master | |
| Patricia Sprott | .... | scenic foreman | |
| Robert Vaccariello | .... | foreman shop craftsman (as Robert A. Vaccariello) | |
| Andrew M. Velechenko | .... | shop craftsman (as Andrew M. Velenchenko) | |
| Derrick Alford | .... | carpenter (uncredited) | |
| Eric Bryant | .... | art department assistant (uncredited) | |
| Scott Paige | .... | props (uncredited) | |
| Jeffrey Rollins | .... | set dresser (uncredited) | |
| Ray Tintori | .... | art department intern (uncredited) | |
Special Effects by | |||
| Mark Bero | .... | special effects | |
| Drew Jiritano | .... | special effects coordinator | |
| Thomas Viviano | .... | special effects (as Thomas L. Viviano) | |
Visual Effects by | |||
| Tricia Barrett | .... | digital compositor: Custom Film Effects | |
| Ryan Beadle | .... | i/o: Custom Film Effects | |
| Steve Caldwell | .... | digital compositor: Custom Film Effects | |
| Mark Dornfeld | .... | visual effects supervisor: Custom Film Effects | |
| Brent Ekstrand | .... | lead animator | |
| Michele Ferrone | .... | visual effects producer: Custom Film Effects | |
| Martin Garner | .... | computer graphics supervisor | |
| Adam Gass | .... | digital editorial: Custom Film Effects | |
| R.J. Harbour | .... | digital compositor: Custom Film Effects (as RJ Harbour) | |
| Shaina Holmes | .... | digital compositor: Custom Film Effects | |
| Ara Khanikian | .... | inferno flame artist: Buzz Image Group | |
| Melanie La Rue | .... | coordinator: Buzz Image Group (as Mélanie Larue) | |
| Alexandre Lafortune | .... | 3-d animator: Buzz Image Group | |
| Pierre-Simon Lebrun-Chaput | .... | matte painter: Buzz Image Group | |
| Stéphane Loiselle | .... | coordinator: Buzz Image Group | |
| François Lord | .... | 3-d animator: Buzz Image Group | |
| Francois Metivier | .... | senior inferno artist: Buzz Image Group (as François Métivier) | |
| Lori C. Miller | .... | digital compositor: Custom Film Effects (as Lori Miller) | |
| Louis Morin | .... | visual effects supervisor: Buzz Image Group | |
| Martin Pelletier | .... | 3-d animator: Buzz Image Group | |
| L. Elizabeth Powers | .... | digital supervisor: Custom Film Effects (as Laurie Powers) | |
| Glenn Silver | .... | 3-d animator: Buzz Image Group | |
| David Smithson | .... | data wrangler: Custom Film Effects | |
| Mary C. Snyder | .... | digital compositor: Custom Film Effects (as Mary C. Hoffer) | |
| Robin Tremblay | .... | lead matte painter: Buzz Image Group | |
| Gabriel Tremblay-Beauvais | .... | 3-d animator: Buzz Image Group (as Gabriel Tremblay) | |
| Amani Williams | .... | digital compositor: Custom Film Effects | |
| Derek Bird | .... | digital compositor (uncredited) | |
| Jacqueline Cooper | .... | visual effects artist (uncredited) | |
| Dennis Dorney | .... | digital lineup (uncredited) | |
| Pam Kray | .... | 16mm projectionist (uncredited) | |
| Alexandre Lafortune | .... | digital effects artist (uncredited) | |
| Kevin Lin | .... | digital cleanup artist (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Mark Sawicki | .... | effects photography (uncredited) | |
Stunts | |||
| Danny Aiello III | .... | stunt player | |
| Bill Anagnos | .... | stunt player (as Billy Anagnos) | |
| E.J. Evans | .... | stunt player | |
| John R. Favre | .... | stunt player (as John Favre) | |
| Stephanie Finochio | .... | stunt player | |
| Cort Hessler | .... | stunt player (as Cort Hessler III) | |
| Artie Malesci | .... | stunt player | |
| Peewee Piemonte | .... | stunt player | |
| Stephen A. Pope | .... | stunt player (as Stephen Pope) | |
| Michael Russo | .... | stunt player (as Mike Russo) | |
| Brian Smyj | .... | stunt coordinator | |
Casting Department | |||
| Blythe Cappello | .... | casting: Los Angeles | |
| Linda R. Chen | .... | casting assistant: New York (as Linda Chen) | |
| Natasha Cuba | .... | casting associate | |
| Sage Lehman | .... | casting assistant: New York | |
| Kristian Sorge | .... | extras casting assistant | |
| John Srednicki | .... | casting assistant: Los Angeles | |
| Grant Wilfley | .... | extras casting | |
| Melissa Farnum | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Cara Czekanski | .... | additional costumer | |
| Lisa R. Frucht | .... | wardrobe supervisor (as Lisa Frucht) | |
| Jill Kliber | .... | assistant costume designer | |
| David Page | .... | costumer: Mr. Carrey | |
| Deirdre N. Williams | .... | wardrobe supervisor | |
| Colleen Morris | .... | tailor (uncredited) | |
| Laura Steinman | .... | costume dyer/distresser (uncredited) | |
Editorial Department | |||
| Kenny Becker | .... | color timer: DeLuxe | |
| Angela Beresford | .... | post-production assistant | |
| Michael Eaves | .... | digital intermediate: EFilm (as Mike Eaves) | |
| Chad Gunderson | .... | high-definition dailies and conforming: Laser Pacific | |
| James Haygood | .... | additional editor | |
| Mike Kennedy | .... | digital intermediate: EFilm | |
| Loan Phan | .... | digital intermediate: EFilm | |
| David A. Smith | .... | assistant editor | |
| Andre Tréjo | .... | high-definition dailies and conforming: Laser Pacific (as Andre Trejo) | |
| Jeffrey M. Werner | .... | additional editor | |
| Katrina Whalen | .... | post-production assistant | |
| Paul Zucker | .... | additional editor | |
| Valance Eisleben | .... | high definition editorial services (uncredited) | |
| Jack Lewars | .... | assistant color timer: EFilm (uncredited) | |
| Martha Pike | .... | digital intermediate editor (uncredited) | |
| Jeff Schweikart | .... | post-production assistant (uncredited) | |
Music Department | |||
| Steve Bartek | .... | orchestrator | |
| Christine Bergren | .... | music clearances | |
| Tom Biller | .... | music recordist | |
| Dana Bourke | .... | additional music engineer | |
| Jon Brion | .... | conductor | |
| Jon Brion | .... | music producer | |
| Tass Filipos | .... | music editor (as Anastassios Filipos) | |
| Peter Gordon | .... | orchestrator | |
| Jason Gossman | .... | additional music engineer | |
| Chris Holmes | .... | additional music engineer | |
| Kathy Nelson | .... | music guru | |
| Jen Pray | .... | music consultant (as Jennifer Pray) | |
| Steven Rhodes | .... | additional music engineer | |
| Reed Ruddy | .... | additional music engineer | |
| Edgardo Simone | .... | orchestrator | |
| Patrick Spain | .... | additional music engineer | |
| Nick Vidar | .... | music programmer | |
| Greg Hamilton | .... | additional music preparer (uncredited) | |
| Robert Puff | .... | music preparation (uncredited) | |
| Nick Vidar | .... | music editor (uncredited) | |
Other crew | |||
| Sebastián Almeida | .... | intern (as Sebastian Almeida) | |
| Stefanie Azpiazu | .... | assistant: Mr. Bregman | |
| Hilary Basing | .... | intern | |
| Nicholas R. Bell | .... | production assistant (as Nick Bell) | |
| Fred Berger | .... | intern | |
| Dotan Bonen | .... | security: Mr. Carrey | |
| Christian Brockey | .... | assistant production coordinator | |
| Bobb Bruno | .... | assistant: Jon Brion | |
| Brian Cantaldi | .... | first assistant accountant | |
| David Catalano | .... | production assistant | |
| Linda R. Chen | .... | intern (as Linda Chen) | |
| Ben Conable | .... | production assistant (as Benjamin Conable) | |
| Mary Cybulski | .... | script supervisor | |
| Robert Darwell | .... | production attorney: Sheppard, Mullin, Richter & Hampton | |
| Liesl Davis | .... | intern (as Liesel Elain Davis) | |
| Philip DeRise | .... | production secretary | |
| Stephanie DeTiege | .... | assistant: Mr. Carrey (as Stephanie Detiege) | |
| Kat Donahue | .... | location assistant | |
| Maureen Duffy | .... | completion guarantor: Film Finances | |
| Tracy Ershow | .... | production assistant | |
| Kathleen Fellegara | .... | on-set medic (as Kathy Fellegara) | |
| Rich Fellegara | .... | on-set medic | |
| Frances Fiore | .... | unit publicist | |
| Noah Fox | .... | production assistant | |
| Andrew Goodman | .... | production assistant | |
| Kristy Hamer | .... | accounting assistant | |
| Amro Hamzawi | .... | assistant: Mr. Gondry | |
| Susan Hegarty | .... | dialect coach: Ms. Winslet | |
| Arthur Hur | .... | assistant: Michel Gondry | |
| Lindsey Jaffin | .... | office production assistant | |
| Cynthia Kao | .... | production assistant | |
| Kate Karbowniczek | .... | production assistant | |
| Erica Kay | .... | production coordinator | |
| Matthew G. King | .... | production assistant | |
| David Koch | .... | production assistant | |
| Sage Lehman | .... | intern | |
| Chris Marsh | .... | assistant location manager (as Christopher Marsh) | |
| Patrick McDonald | .... | key set production assistant | |
| Hillary Meyer | .... | payroll accountant (as Hillary R. Meyer) | |
| Valerie Nolan | .... | intern | |
| Alison Norod | .... | production assistant | |
| Oona Overholtzer | .... | assistant: Mr. Kaufman | |
| Derek Pastures | .... | parking coordinator | |
| Currie Person | .... | location assistant | |
| Michal Podell | .... | production attorney: Sheppard, Mullin, Richter & Hampton | |
| Ruth Pollock | .... | assistant: Ms. Winslet (as Ruth Pollack) | |
| Chris Prapha | .... | assistant: Mr. Golin | |
| Gary S. Rake | .... | production assistant | |
| Adrian Scartascini | .... | assistant: Mr. Gondry | |
| Jeff Schlesinger | .... | assistant: Mr. Bushell | |
| Paula Schmit | .... | completion guarantor: Film Finances | |
| Eugy Septimo | .... | intern | |
| Aleta Shaffer | .... | assistant: Mr. Gondry | |
| Talley Singer | .... | second assistant: Mr. Carrey (as Taylor Singer) | |
| Debbie Stampfle | .... | production assistant | |
| Greg Trattner | .... | completion guarantor: Film Finances (as Gregory Trattner) | |
| Daniel Tresca | .... | location assistant (as Dan Tresca) | |
| Gayle Vangrofsky | .... | location manager | |
| Andy Wheeler | .... | production accountant | |
| Alex Zoppa | .... | intern | |
| Andrew Zoppa | .... | intern | |
| Zach Zoppa | .... | intern (as Zachary Zoppa) | |
| Dylan Gallagher | .... | photo double: Jim Carrey (uncredited) | |
| Amber Gristak | .... | stand-in: Kate Winslet (uncredited) | |
| Kristen Marie Holly | .... | stand-in: Kirsten Dunst (uncredited) | |
| Matthew Makar | .... | production assistant (uncredited) | |
| Cyril Merle | .... | assistant: Michel Gondry (uncredited) | |
| Tony Muro | .... | publicist (uncredited) | |
| Jimmy Price | .... | location scout (uncredited) | |
| Jennifer Skyler | .... | stand-in: Kate Winslet (uncredited) | |
| Jeremiah Zazueta | .... | production assistant (uncredited) | |
Thanks | |||
| Karen Baird | .... | special thanks | |
| Ted Baker | .... | the producers wish to thank | |
| Heidi Bivens | .... | special thanks | |
| Gerry Robert Byrne | .... | special thanks | |
| Anne Carey | .... | special thanks | |
| Kevin Dillon | .... | special thanks | |
| Paul Dorf | .... | the producers wish to thank | |
| Cyril Drabinsky | .... | special thanks | |
| John Fluevog | .... | the producers wish to thank | |
| Julie Fong | .... | special thanks | |
| Paul Frank | .... | the producers wish to thank | |
| Dr. Hauschka | .... | the producers wish to thank | |
| Ted Hope | .... | special thanks | |
| Betsey Johnson | .... | the producers wish to thank | |
| Will Keenan | .... | special thanks | |
| Laura Kightlinger | .... | special thanks | |
| Drew Kunin | .... | special thanks | |
| J.F. Lazartigue | .... | the producers wish to thank | |
| Steve Madden | .... | the producers wish to thank | |
| Laura Madrigano | .... | the producers wish to thank | |
| Nicole Miller | .... | the producers wish to thank | |
| Susan E. Morse | .... | special thanks (as Susan Morse) | |
| Thomas Pink | .... | the producers wish to thank | |
| Ellen Pompeo | .... | special thanks | |
| Victor Rasuk | .... | special thanks | |
| Amy Rosen | .... | special thanks | |
| Leon Silverman | .... | special thanks | |
| Gwenn Smith | .... | the producers wish to thank: Long Island Jewish Medical Center (as Dr. Gwenn Smith) | |
| John Srednicki | .... | special thanks | |
| Diana Victor | .... | special thanks | |
| Karen Walker | .... | the producers wish to thank | |
| The Zacks | .... | special thanks | |
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"How happy is the blameless vestal's lot! The world forgetting, by the world forgot. Eternal sunshine of the spotless mind! Each pray'r accepted, and each wish resign'd." - Alexander Pope
Michel Gondry's "Eternal Sunshine of the Spotless Mind" is a bizarre but wonderful movie, a very strange and remarkably tender experience, which I suppose is only to be expected from screenwriter Charlie Kaufman, the man behind "Being John Malkovich."
The film was produced by Focus Features ("Lost in Translation," "21 Grams"), a company which strives to offer original, quality films to the true cinema lovers. If the company keeps producing films this good, they may become hugely successful in the future, if not already.
The previews portrayed the movie as a bouncy, cheery comedy in the vein of "Adaptation," the last film written for the big screen by Charlie Kaufman, when it is really a tender movie about love and romance. This is Jim Carrey's best performance to date, and may open the eyes of his prejudiced haters who have only imagined him as Ace Ventura and a certain cable guy for his entire career. No snippy quotes, outrageous humor or bizarre antics in "Sunshine" -- Carrey plays a true, realistic, three-dimensional character named Joel Barrish, who plans to have memories of his girlfriend, Clementine (Kate Winslet), erased by a new company called Lacuna, after he discovers that she herself has had the procedure performed only a week before. Joel meets with the company's founder, Dr. Howard Mierzwiak (Tom Wilkinson), and is informed that the procedure -- although "technically" brain damage -- is on par with a heavy night of drinking. "Nothing you'll miss much," he is told, as he plunges into a bizarre world of long forgotten memories.
The entire process of the operation is quite fascinating, really, if a bit reminiscent of an idea founded by none other than one of Kaufman's favorite writers, Philip K. Dick, who wrote the source short story for the Ah-nuld movie "Total Recall." All items relating to the person you want erased from your brain are assembled together, and the technicians at Lacuna (Mark Ruffalo and Elijah Wood) then "map" an outline of your memories, which are supposedly stemmed together. I have my doubts about the seriousness and remote possibility of such a procedure being performed, and the explanation is quite simply utter bull, but we don't care because the entire erasing of Joel's memories serves as a backdrop for a deeper meaning: If you could forget about past romances, would you really want to? And if so, would you be willing to sacrifice all the good ones, along with the bad ones?
The conclusion that "Sunshine" arrives at is, to be totally truthful, as honest as can be. During the procedure, Joel's subconscious realizes that it doesn't want to let go of its memories of Clementine, and so begins a strange labyrinth of fragmented memories, constantly changing surroundings, and mental materializations of Clementine. The movie is like a very bizarre dream, when you're trying to interact with people, but they're not responding, and you shout and try to get their attention but they don't seem to notice. Joel's entire odyssey of the interior of his mind makes "Being John Malkovich" look normal -- but as I didn't like "Malkovich" very much, and thought its strangeness was unjustified, it fits perfectly in "Sunshine" -- there are some great special effects, such as when Joel is wandering through his own memories, drifting in and out of sleep, hearing the voices of the technicians erasing his memories and watching as objects and areas around him vanish and deconstruct. It's so bizarre but yet also so beautiful. Gondry was a former music video director (his complete works are available on DVD) and he is the perfect candidate for this project, having worked with Kaufman before on the 2001 flop "Human Nature." It seems that he has finally found a unique directing style that ties in perfectly with the underlying themes of the movie.
There is a very deep message in "Sunshine," and it is arguably Kaufman's deepest film to date. Love and romance and memories of both have rarely been examined as thought-provokingly and tenderly as they are in this wonderful motion picture. The movie has a very profound message that all viewers should pay attention to. There are many small intricacies in the film, surely picked up on more thoroughly on repeat viewings, and the entire construction of the movie is completely enthralling and intelligent. I saw two people leave the rather empty theater during the screening I attended. It tanked in the US and I predict it will do the same in the UK, which is a shame, because this is the smartest film of 2004 and has the most to say about our lives than any other film this year. While everyone flocks to see the new Denzel Washington action movie, "Eternal Sunshine of the Spotless Mind" is forgotten, which is quite depressing -- people would rather spend their money on forgettable entertainment than view something unique that has something important at its core.
I think what the movie finally asks us after its long, emotional journey, is would we want our own memories erased? And if so, what would the consequences be? A lesser film might examine this idea poorly -- "Sunshine" is not. It is perfect in almost every conceivable way, and anyone who complains that it is not original must be joking -- in my entire lifetime, this is one of the most unique film experiences I have ever had.
"Eternal Sunshine of the Spotless Mind" is a beautiful movie, eloquently voiced by Gondry, firmly constructed and rooted in an eerie nightmarish fantasy land where anything is possible. It's beautiful, it's bizarre, it's exceptional, it's funny, it's lovely, it's touching, it's witty, and it's one of the best movies I have ever seen.