1-20 of 205 articles from 2009 « Prev | Next »
14 December 2009 6:56 PM, PST | FilmExperience | See recent FilmExperience news »
Moving on to 2004. What follows is my original top ten list, based on films released in NYC in 2004. If I have anything new to say that'll be in red after the original text.
Top Ten Runners Up (in descending order): Aviator, Hero, House of Flying Daggers, Mean Girls, Maria Full of Grace, The Five Obstructions, Collateral, Goodbye Lenin!, Birth and Closer Yes, I'm absolutely horrified by the rankings now. Nothing about that ranking feels right now. I am most ashamed that Birth was only at number [cough] 19 in its year. In my self-flattering memory I "almost" put it in the top ten despite the then brutal reviews. I was ahead of my time! Oh well... at least I did actually name it the #1 most underappreciated film of the year. At the time I said...
Jonathan Glazer made a significant splash four years ago when his brilliantly acted heist film Sexy Beast »
- NATHANIEL R
13 December 2009 6:17 AM, PST | The Auteurs | See recent The Auteurs news »
Updated through 12/13.
"You'd expect that when a decade essentially begins (towers fall) and ends (bubbles burst) with rude awakenings, with sudden bombardments of reality, that it would slow the drift of American movies into the realm of the private, the solipsistic, the computer-generated," writes David Edelstein in New York's big "00s Issue." But: "The most compelling films of the last decade, bad and good, suggested that globalization and instant communication have not brought us closer but driven us deeper into our dream worlds." And the movie of the decade? Eternal Sunshine of the Spotless Mind. "The most marvelous, the most resonant, the best movie of the aughts isn't overtly political, but writer Charlie Kaufman and director Michel Gondry weave together so many 21st-century fears that this truly screwball romance has the kick of a Philip K Dick paranoid fever dream." »
11 December 2009 9:20 AM, PST | ifc.com | See recent IFC news »
I'm not sure if "Adaptation" is emblematic of the American-film '00s -- I'm afraid that the real culprit might be one blockbuster or another, exemplifying at this stage our fears instead of our hopes -- but it's certainly an endlessly resonating high-water mark, a mirror-hall launch that Godard could've loved, and which preemptively folded all commentary about it, positive or negative, into its self-knowing structure. Director Spike Jonze never dropped the ball, and Nicolas Cage was surpassingly brilliant, but it's Charlie Kaufman's bomb test, successful enough to establish him, in a stroke, as the most original and fecund screenwriting talent this country has seen since, possibly, ever.
A kind of perpetual motion machine, Kaufman's screenplay might be the most subversive filmmaking act in Hollywood since 1960, when Alfred Hitchcock turned the star of "Psycho" into bathtub carrion only 40-odd minutes into the film, essentially leaving it protagonist-free and the »
- Michael Atkinson
8 December 2009 10:25 PM, PST | The Hollywood Interview | See recent The Hollywood Interview news »
Best Films Of The Decade (aka The Naughties) From Alex & Terry
List # 1
By Alex Simon
When Terry and I initially discussed writing these lists, I had a tough time thinking back on 20 films over the past decade which I was really taken with, thinking that movies have sunk so low over the past ten years, that even choosing a dozen would be a short-order job. Thirty minutes into it, my list had nearly 60 titles! After much cutting, pasting, and re-cutting and pasting, here are my top 20 films (in no particular order) of the first decade of the 21st century, dubbed by many as “the naughties.” --A.S.
1.No Country for Old Men (Coen Brothers, 2007) An elegiac blend of stark beauty and full-throttle despair from two of our finest filmmakers, set in the contemporary American West. Every frame is damn near flawless, and would have been an even more perfect vehicle for the late Sam Peckinpah. »
- The Hollywood Interview.com
7 December 2009 9:03 AM, PST | The Guardian - Film News | See recent The Guardian - Film News news »
Film-makers, musicians and more look back on their achievements and favourite works from the noughties
Kevin Macdonald, film director
Personally, it's been a fascinating decade. In the late 90s, I was struggling to make TV documentaries but work was drying up. I was a purist, with no interest in working with actors. I hated the idea of dramatic reconstructions because they look so cheesy. Then I worked with actors on Touching the Void and this led to dramatic features, though documentaries remain my first love.
The British film industry has always been about boom and bust. We start out with unrealistic optimism: "We're going to compete with Hollywood!" Then we have the collapse and the correction. We saw it with Alexander Korda in the 1930s, with Rank after the war, and with Gandhi in the 1980s. This decade it happened again.
The collapse of Film4 back in 2002 was part of this problem. »
7 December 2009 1:28 AM, PST | The Guardian - Film News | See recent The Guardian - Film News news »
Once the hippest name in music videos, the 40-year-old director will this week terrify children with his adaption of Maurice Sendak's adored tale
A large rubber-band ball sits on the bedside table of the wilful young Max, hero of the new Spike Jonze film, while overhead, on a shelf, sits a bird's nest. Early shots of these odd objects cleverly prelude the virtuoso visual style of this audacious adaptation of a children's classic: the 1963 picture book Where the Wild Things Are by Maurice Sendak.
In the hands of the Oscar-nominated Jonze the island of fearful monsters that Max discovers one night when he has been sent to bed without supper becomes a perilous wasteland dotted with spherical wickerwork huts, nest-like forts and rounded boulders. Although Max, along with his ugly, untamed group of new friends, is clearly recognisable from Sendak's book, any parent who returns to their nursery copy »
- Vanessa Thorpe
6 December 2009 3:47 PM, PST | ReelLoop.com | See recent Reel Loop news »
I was just under 11 years old as we entered the 2000s, and in the last decade I have made it my mission to fill the space in my mind that should be reserved for academics to remembering the details of far too many films. In looking back upon this decade, it seems that we’ve had quite a good chunk of time for movies — there are only two years absent on my top ten list: 2000 and 2005, while 2006 is represented by three films. I still cheated, though, by extending my list to eleven entries. Some were just too good to decide between.
I hope you enjoy reading this as much as I enjoyed writing it. And before you start — don’t cry. The Dark Knight isn’t on here.
11. The Royal Tenenbaums – 2001
Spoiler: you’re going to find that comedy is slightly underrepresented on this list, with Wes Anderson’s The Royal Tenenbaums »
- John Cooper
4 December 2009 4:15 PM, PST | The Guardian - Film News | See recent The Guardian - Film News news »
The well-connected director is very good at getting his own way, hence his family unfriendly take on kids' classic, Where The Wild Things Are
Ten years after Being John Malkovich, there are still few people's heads you'd pay to spend 15 minutes inside as much as Spike Jonze's. It would be easy to imagine life from his perspective as a continual flow of way-cool experiences: "Here I am dashing off another era-defining music video. Here I am hanging out with Karen O/Kanye/Mia/the Coppolas. Oh look, I've got another bunch of Oscar nominations. I think I'll pop into Vice magazine and do some cool shit. Now I'm just scrolling through the contacts on my iPhone and thinking how phenomenally well-connected I am." That's the movie version, but real life hasn't been quite so straightforward for Jonze of late. Over the past five years, a random visit to Jonze's »
- Steve Rose
30 November 2009 5:36 PM, PST | WENN | See recent WENN news »
City Of God and Eternal Sunshine Of The Spotless Mind have been declared the best movies of the past decade in leading U.S. music and culture magazine Paste.
Fernando Meirelles' critically-acclaimed City of God topped the magazine's critics list ahead of Amelie and Almost Famous, while Jim Carrey's bizarre 2004 film Eternal Sunshine beat The Royal Tenenbaums and Amelie in the Readers' Poll.
City of Gold finished ninth in the Readers' Poll, while Eternal Sunshine landed fifth among the critics' picks. »
24 November 2009 7:50 AM, PST | Twitch | See recent Twitch news »
"Can't get enough, of the Stuff!" From the mid-1920s whereupon the eventual Oscar winning film Wings featured a Hershey Chocolate Bar prominently in the story right on up to the use of M&Ms in Steven Spielberg's E.T. and beyond to the modern James Bond films or Castaway (FedEx) or The Great Yokai War (Kirin Beer) or perhaps the worst offender ever: I, Robot, product placement is simply a large part of big expensive movies. And many filmmakers have either parodied product placement (ahem, sorry: Brand Integration) or even invented their own fictional consumer goods that only appear in their movies. Unlike television, which (in large part) relies on advertising to fund the creation of shows, there are rarely full commercials used explicitly in a film (before the screening of the film is another story, unfortunately!). But filmmakers love to offer ads for fake products or services or »
23 November 2009 5:28 PM, PST | EW.com - PopWatch | See recent EW.com - PopWatch news »
Noah Baumbach is an indie writer-director known for wry, literate, darkly comic arthouse meditations on Gen-x angst like Kicking & Screaming and The Squid and the Whale. Ben Stiller is ... Ben Stiller. What do you get when you put the two together? Judging from the just-released trailer for Greenberg, which opens in March, you get Stiller as a 40-something slacker who's at loose ends in his life and busying himself building a doghouse, writing angry letters to Starbucks, and fumbling into a romance with another lost soul (Greta Gerwig). We haven't seen Stiller go for this kind of minor-key, emotionally vulnerable »
- Josh Rottenberg
23 November 2009 4:00 PM, PST | MTV Movies Blog | See recent MTV Movies Blog news »
Robert Pattinson cleaned up at the box office this weekend, along with the rest of the "New Moon" cast. One of his co-stars, however, would love to get together with him off-screen in the recording studio. The mega-release prompted reactions from Rainn Wilson and Brent Spiner as well today. "Twilight" star Peter Facinelli, meanwhile, tried to create a new vampire with a few photo tricks and a shot of Kat Dennings.
Check out all of that after the jump, along with Ice-t's photo op with the Naked Cowboy, philosophizing from Jim Carrey and Paris Hilton's new exotic pet. They're all on the little retweet mix tape I put together for you in the Twitter-Wood report for November 23, 2009.
Twitter Pic of the Day:
Vampire Kat Dennings pt 1: @peterfacinelli @officialkat Has been bitten by Vampire Tranformer! Welcome to the undead Kat! http://post.ly/DFtH
-Peter Facinelli, Actor ("The Twilight Saga: New Moon, »
- Brian Warmoth
17 November 2009 1:56 AM, PST | GetTheBigPicture.net | See recent Get The Big Picture news »
I'll hand it to Paste, which has a bigger reputation as a music magazine, on the occasion of its top ten movies of the decade list. Actually, the list runs to 50, which is probably way too long, especially for a collection of films that has as many expected choices as esoteric ones.
But the good news is I don't know too many people anywhere who wouldn't have at least one of this top five in their own top five. Two foreign films (the revolutionary City of God and the delectable Amélie), join the giant blockbuster trilogy (The Lord of the Rings), the sentimental favorite (Eternal Sunshine of the Spotless Mind), and the classic you probably forgot to include on your short list because you weren't sure it came out in this decade (Almost Famous). That's a no-miss top five.
I'd probably change two or three of them myself, but when »
- Colin Boyd
13 November 2009 3:04 PM, PST | Gold Derby | See recent Gold Derby news »
• Tony-winning composer Maury Yeston talked in great detail to Harry Haun about the journey of "Nine" from screen (as "8 1/2") to stage and back to screen. "There are only two ways to approach Broadway shows becoming movies," Yeston says. "One of them is to be an over-controlling fuddy-duddy and not let anybody change anything. The other is to step back and go with the new medium." For Yeston, "The adaptation back into film was a very organic one that made a tremendous amount of sense. It was a great opportunity to allow this piece -- which had been so cinematic to begin with -- to find again its place in the grammar of cinema. That means things like dissolves, edits, close-ups, lighting effects -- things film can do for exposition to get inside the mind." Playbill
• Steve Pond delivers more scoop on Saturday's inaugural Governors Awards at Hollywood and Highland's Grand »
- tomoneil
12 November 2009 9:44 AM, PST | FilmJunk | See recent FilmJunk news »
I think we all knew from the start what movie was going to win last week's poll, but still, I was kinda hoping for an upset. Don't get me wrong, I love Eternal Sunshine of the Spotless Mind, but I didn't want people to count out Carrey's early comedies either. I thought the subtle wording of the poll question ("favourite", not "best") would help. Ah well. The good news is, Dumb & Dumber managed to place second, and both Ace Ventura: Pet Detective and The Mask broke the top 5. Man on the Moon wasn't as high as I expected though... I guess people have cooled off on that flick. Don't you miss the days when Ace Ventura quotes were cool? "Alllllrighty then!" 1. Eternal Sunshine of the Spotless Mind -- 28.2% 2. Dumb & Dumber -- 22.6% 3. The Truman Show -- 14.4% 4. Ace Ventura: Pet Detective -- 12.5% 5. The Mask -- 6.4% 6. The Cable Guy -- 6.1% 7. Liar Liar -- »
- Sean
12 November 2009 1:27 AM, PST | The Guardian - Film News | See recent The Guardian - Film News news »
Paul Giamatti tends to play moody defeatists and rageful misanthropes. Which is just the way he likes it
'I'm clearly not Brad Pitt, and I'm never going to be Brad Pitt," says Paul Giamatti, closely inspecting his coffee cup in a Polish restaurant in a leafy neighbourhood of Brooklyn. "But I don't think I'd want to be Brad Pitt, you know? So that's Ok."
This is partly just a reference to Giamatti's "character-actor" looks, but also to something deeper: a sense of composure, of being comfortable in one's own skin, that the archetypal Hollywood star exudes but both Giamatti and his characters tend to lack. "You know that thing where you can just fuckin' stand there and people can't take their eyes off the person? I don't have that weight of charisma," he explains. "That's not me. If I just stand there, it's going to be boring. You're going to »
- Oliver Burkeman
11 November 2009 6:23 AM, PST | FilmJunk | See recent FilmJunk news »
The end of the decade is almost upon us, which means that over the next month or so you can expect to see all kinds of lists counting down the "Best Of" the previous 10 years in just about everything. One of the first publications out of the gate with their Best Movies of the Decade list is London's Telegraph [1], who count down their top 100 movies from 2000 to 2009. There are some interesting choices and some predictable ones, along with a few movies I've never even heard of. One thing that has a few people raising an eyebrow, however, is the fact that they've included James Cameron's Avatar on their list, based solely on the 15-minute IMAX preview! Isn't that a little presumptuous? To be fair, they did tack it on at the end of the list at #100, but it still feels like they're going mainly based on hype rather than anything concrete. »
- Sean
11 November 2009 6:00 AM, PST | Fast Company | See recent Fast Company news »
His Disney-fied A Christmas Carol may have opened to big bucks last weekend, but it seems like Jim Carrey might be angling for roles more akin to Tim Burton's Alice in Wonderland. His new site, jimcarrey.com was submerged in a flood of clicks late last week as fans and haters spouted off about the creepy-beautiful experience that's as visually bizarre as a Magritte painting and as flat-out weird as Monty Python.
The site is the brainchild of 65 Media, and although they'd worked on sites for Carrey films like the The Truman Show and Eternal Sunshine of the Spotless Mind, this one was different from the beginning, says founder and Cco Albin Reif. "In this case we were going into the mind of the genius." 65 Media presented Carrey with several concepts, one of them being this visually-driven idea that instantly resonated with Carrey. "He opened up his world to us, »
- Alissa Walker
9 November 2009 4:12 AM, PST | The Guardian - Film News | See recent The Guardian - Film News news »
UK Film Council estimates actor's value based on factors including her salary as well as her films' effect on British tourism and UK-based film production
She has been appraised and audited and metaphorically slapped with a price tag. It's official: Kate Winslet, the Oscar-winning star of The Reader, is worth a grand total of £60m to the British economy.
Winslet, 34, is the first actor to be audited in a bold new venture by the UK Film Council, designed to calculate the exact value of the industry's stars. Jokingly referred to as the "Winslet algorithm", it bases its findings on a number of factors, from Winslet's basic salary through to the "general promotional effect" that her films have on British tourism.
The formula calculated that the actor had earned £20m from her acting roles since starring in Sense and Sensibility back in 1995. However, it also credits her stardom as a key »
- Xan Brooks
6 November 2009 6:00 AM, PST | Atomic Popcorn | See recent Atomic Popcorn news »
I sit in my seat and look about to see my surroundings; I start to hear clicking sounds getting louder and louder. I start to fly around the city of London, looking around I see people having snowball fights with each other, singing Christmas songs. This might sound like the Star Tours “The Christmas Carol Edition” that would be at Disneyland. You might think wow that sounds kind of cool, well in this film it played out to be too much of something can be a bad thing. It sounds strange that Zemeckis could not pull off a simple adaptation. The last animated film we saw from Zemeckis was “Beowulf” which I found to be an excellent adaptation; it carried strong writing as well as excellent use of 3D effects.
“A Christmas Carol” was written by Charles Dickens, it tells the tale of a decrepit old man named Ebenezer Scrooge »
- Ilya
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