| Photos (See all 125 | slideshow) | Videos (see all 7) |
Directed by | |||
| Gore Verbinski | |||
Writing credits(WGA) | ||
| Ted Elliott | (screen story) & | |
| Terry Rossio | (screen story) and | |
| Stuart Beattie | (screen story) and | |
| Jay Wolpert | (screen story) | |
| Ted Elliott | (screenplay) & | |
| Terry Rossio | (screenplay) | |
Original Music by | |||
| Klaus Badelt | |||
Cinematography by | |||
| Dariusz Wolski | (director of photography) | ||
Film Editing by | |||
| Stephen E. Rivkin | (as Stephen Rivkin) | ||
| Arthur Schmidt | |||
| Craig Wood | |||
Casting by | |||
| Jennifer Alessi | |||
| Ronna Kress | |||
Production Design by | |||
| Brian Morris | |||
Art Direction by | |||
| Derek R. Hill | |||
| James E. Tocci | |||
| Donald B. Woodruff | |||
Set Decoration by | |||
| Larry Dias | |||
Costume Design by | |||
| Penny Rose | |||
Makeup Department | |||
| Martin Astles | .... | makeup effects sculptor | |
| Jane Aull | .... | makeup artist | |
| Marc Boyle | .... | additional hair stylist | |
| Kevin Brennan | .... | art department | |
| Ron Brown | .... | art department | |
| Shutchai Tym Buacharern | .... | makeup artist | |
| Barney Burman | .... | makeup artist | |
| Greg Cannom | .... | makeup effects consultant | |
| Greg Cannom | .... | special makeup effects artist | |
| Susan Carol Schwary | .... | hair stylist | |
| Hazel Catmull | .... | hair stylist | |
| Catherine Childers | .... | hair stylist | |
| Sheila Cyphers-Leake | .... | hair stylist | |
| Natasha Davies | .... | hair stylist | |
| David DeLeon | .... | makeup artist | |
| Leslie Devlin | .... | makeup artist | |
| Ken Diaz | .... | makeup artist | |
| John Donahue | .... | art department | |
| Claire Doyle | .... | assistant makeup artist (as Claire Nach) | |
| David Dupuis | .... | art department | |
| Cheryl Eckert | .... | hair stylist | |
| Kris Evans | .... | makeup artist | |
| Selena Evans-Miller | .... | makeup artist | |
| Romy Fleming | .... | hair stylist | |
| Nathan Franson | .... | makeup effects technician: Captive Audience Productions | |
| Shana Fruman | .... | hair stylist | |
| Kelcey Fry | .... | special makeup effects artist | |
| Charmaine Fuller | .... | makeup artist: Caribbean unit | |
| Toni G | .... | makeup artist (as Toni Garayaglia) | |
| Chris Gallaher | .... | special makeup effects artist (as Christopher Gallaher) | |
| Jane Galli | .... | makeup artist: Naomi Harris | |
| Rick Glassman | .... | dental special effects: Johnny Depp (as Dr. Rick Glassman) | |
| Kenneth E. Grassi | .... | makeup effects production coordinator (as Kenneth Grassi) | |
| Claudia Hardy | .... | makeup effects technician | |
| Joel Harlow | .... | key makeup artist | |
| Pilar Harlow | .... | assistant makeup artist | |
| Zoe Hay | .... | makeup artist | |
| Camille Henderson | .... | makeup artist | |
| Ann-Maree Hurley | .... | makeup artist | |
| Tim Jarvis | .... | makeup effects technician | |
| Sharon Kelly-Russo | .... | makeup effects production coordinator | |
| John Kim | .... | makeup effects technician: Captive Audience Productions | |
| Mary Kim | .... | makeup effects production supervisor: Captive Audience Productions Inc. | |
| Bob Kretschmer | .... | wig maker | |
| Marese Langan | .... | makeup artist | |
| Cammy R. Langer | .... | hair stylist | |
| Felicia Linsky | .... | makeup artist | |
| Sarah Love | .... | hair stylist: Caribbean crew | |
| Lucia Mace | .... | hair stylist | |
| Sharon McVey | .... | hair stylist | |
| Brian Meck | .... | makeup effects technician | |
| Verena Mercenier | .... | makeup effects technician | |
| Anthony Miner | .... | assistant hair stylist | |
| Geneva Nash Morgan | .... | makeup artist | |
| Gilbert A. Mosko | .... | makeup artist | |
| Ve Neill | .... | makeup department head | |
| Douglas Noe | .... | third makeup artist | |
| Josée Normand | .... | hair stylist | |
| Michael O'Brien | .... | makeup effects technician | |
| James Parr | .... | special makeup effects technician | |
| Nina Paskowitz | .... | hair stylist | |
| Cristina Patterson Ceret | .... | contact lens coordinator/painter (as Cristina Patterson) | |
| Scott Patton | .... | special makeup effects artist | |
| Michele Payne | .... | hair stylist | |
| Yvette Perez | .... | makeup artist | |
| Michael Peterson | .... | lab makeup effects | |
| Art Pimentel | .... | mold department supervisor (as Arthur Pimentel) | |
| Joe Podnar | .... | makeup artist | |
| Paula Price | .... | makeup artist | |
| Nikita Rae | .... | makeup artist | |
| Katherine Rees | .... | hair stylist | |
| William Ritter | .... | makeup effects technician | |
| Sandra Rowden | .... | makeup artist | |
| Deborah Rutherford | .... | makeup artist (as Deborah Patino) | |
| Don Rutherford | .... | makeup artist | |
| Martin Samuel | .... | chief hair stylist | |
| Martin Samuel | .... | hair designer | |
| Maria Sandoval | .... | assistant hair stylist | |
| Verina Schafer | .... | additional hair stylist | |
| Brian Sipe | .... | special makeup supervisor: Captive Audience Productions | |
| Colette Slattery | .... | hair stylist | |
| Steven R. Soussanna | .... | hair stylist | |
| Nancy Tong | .... | hair stylist | |
| Mario Torres | .... | art department | |
| Rita Troy | .... | hair stylist | |
| Todd Tucker | .... | makeup effects technician | |
| Brian Van Dorn | .... | makeup effects technician | |
| Keith VanderLaan | .... | makeup effects creator/producer: Captive Audience Productions | |
| Jay Wejebe | .... | makeup artist | |
| Julia Wilson | .... | crowd makeup | |
| Art Anthony | .... | special makeup effects artist (uncredited) | |
| Gabriel De Cunto | .... | special makeup effects artist (uncredited) | |
| Mary Howd | .... | hair stylist (uncredited) | |
| Tonie Keyton | .... | additional makeup artist (uncredited) | |
| Mark Nieman | .... | illustration designer (uncredited) | |
Second Unit Director or Assistant Director | |||
| Steven F. Beaupre | .... | second second assistant director: St. Vincent and the Grenadines | |
| Gary Romolo Fiorelli | .... | first assistant director: second unit | |
| Susan J. Hellmann | .... | second assistant director | |
| Bruce Hendricks | .... | second unit director | |
| Peter Kohn | .... | first assistant director | |
| Lisa Mantoux | .... | additional second assistant director: St. Vincent and the Grenadines | |
| Darin Rivetti | .... | first assistant director: second unit | |
| Frederic Roth | .... | second assistant director | |
| Paul Schneider | .... | second assistant director: second unit | |
| Andrew Ward | .... | second second assistant director (as Andrew M. Ward) | |
| Alexander Witt | .... | second unit director | |
Visual Effects by | |||
| Lauren Abrams | .... | modelmaker: ILM | |
| Mark Anderson | .... | miniatures stage production manager: ILM | |
| Will Anielewicz | .... | digital cloth simulation artist: ILM | |
| Chris Armstrong | .... | CG animator: ILM | |
| Carl Assmus | .... | modelmaker: ILM | |
| Al Bailey | .... | digital compositor (as Alan Bailey) | |
| Charles Bailey | .... | physical model supervisor: ILM (as Charlie Bailey) | |
| Peter Bailey | .... | lead modelmaker | |
| Louise Baker | .... | previsualization artist: Pixel Liberation Front | |
| Michael Balog | .... | lead digital cloth simulation artist: ILM | |
| Leigh Barbier | .... | viewpainter: ILM | |
| Christopher Batty | .... | previsualization artist: Pixel Liberation Front | |
| Travis Baumann | .... | Inferno artist: CIS Hollywood | |
| Dugan Beach | .... | creature development lead: ILM | |
| Joel Behrens | .... | visual effects: Asylum | |
| Linda Bel | .... | CG animator: ILM | |
| Don Bies | .... | lead modelmaker: ILM | |
| R. Christopher Biggs | .... | compositor: Boy Wonder Visual Effects (as Chris Biggs) | |
| Minky Billups | .... | digital artist: Digiscope (as Hisako Billups) | |
| Duncan Blackman | .... | matchmove artist | |
| Stella Bogh | .... | compositor: ILM | |
| Scott Bonnenfant | .... | viewpainter: ILM | |
| Kim Boyle | .... | visual effects producer: CIS Hollywood | |
| Jason Brackett | .... | stage technician: ILM | |
| Timothy Brakensiek | .... | creature technical director: ILM (as Tim Brakensiek) | |
| Marty Brenneis | .... | camera engineer | |
| Jill Brooks | .... | visual effects producer | |
| Jason Brown | .... | technical director: ILM | |
| Dhyana Brummel | .... | digital cloth simulation artist: ILM | |
| David C. Bryant | .... | digital artist: Digiscope | |
| Mark Buck | .... | modelmaker: ILM | |
| David Bullock | .... | research and development: ILM | |
| Cathy Burrows | .... | digital compositor: ILM (as Cathy Burrow) | |
| Michaela Calanchini | .... | digital paint and rotoscope artist: ILM | |
| Geoff Campbell | .... | creature model supervisor | |
| Sue Campbell | .... | CG animator: ILM | |
| Tami Carter | .... | digital compositing supervisor: ILM | |
| Randy Cartwright | .... | animator: ILM | |
| John Cassella | .... | CG artist: CIS Hollywood | |
| Grace Cheney | .... | digital paint and rotoscope artist: ILM | |
| Minhee Choe | .... | CG animator: ILM | |
| Eric D. Christensen | .... | digital paint and rotoscope artist: ILM (as Eric Christensen) | |
| Marc Chu | .... | animator: ILM | |
| Paul Churchill | .... | digital cloth simulation artist | |
| Michael Clemens | .... | digital compositor | |
| Robbie Clot | .... | lead miniature effects technician: ILM (as Robert Clot) | |
| Grady Cofer | .... | lead Sabre artist | |
| Brian Connor | .... | digital compositor: ILM | |
| Michael Conte | .... | lead digital compositor: ILM | |
| Caitlin Content | .... | sabre artist: ILM | |
| Catherine Craig | .... | viewpaint artist | |
| Gregory Creaser | .... | digital timing supervisor | |
| Lee Croft | .... | digital paint and rotoscope artist: ILM | |
| Sean C. Cunningham | .... | digital artist: Gray Matter Effects | |
| Sean Curran | .... | animator: ILM | |
| Gail Currey | .... | visual effects executive producer: ILM | |
| Bruce Dahl | .... | animator | |
| Scott David | .... | digital compositor: ILM | |
| Scott David | .... | compositor | |
| Heather Davis Baker | .... | digital compositor | |
| Vince De Quattro | .... | digital cloth simulation artist: ILM (as Vincent DeQuattro) | |
| Lou Dellarosa | .... | animator: ILM | |
| Karin Derlich | .... | digital cloth simulation artist: ILM | |
| David Deuber | .... | digital cloth simulation artist: ILM | |
| Amit Dhawal | .... | digital artist | |
| Giovanni Donovan | .... | modelmaker: ILM | |
| Andrew Doucette | .... | character animator: ILM | |
| John Duncan | .... | model maker | |
| Nika Dunne | .... | digital paint & roto artist: ILM | |
| Yanick Dusseault | .... | digital matte artist: ILM (as Yannick Dusseault) | |
| Travis Dutch | .... | scanning and recording | |
| Russell Earl | .... | CG sequence supervisor | |
| Evan Edelist | .... | digital intermediate | |
| Matt Edwards | .... | technical director: ILM | |
| Robert Edwards | .... | lead modelmaker: ILM | |
| Leigh Ann Fan | .... | visual effects production coordinator | |
| Tom Fejes | .... | lead technical director: ILM | |
| David Fogg | .... | compositor: Gray Matter FX | |
| Jon Foreman | .... | lead modelmaker: ILM | |
| Christian Foucher | .... | digital effects artist | |
| Christian Foucher | .... | technical director: ILM (as Christian Faucher) | |
| Aidan Fraser | .... | digital paint and roto artist: ILM | |
| Jammie Friday | .... | digital supervisor: Gray Matter FX | |
| Alex Frisch | .... | visual effects supervisor | |
| David Fuhrer | .... | digital artist: ILM | |
| Joe Fulmer | .... | stage technician: ILM (as Joseph Fulmer) | |
| David Gainey | .... | animator: ILM | |
| Joe Gareri | .... | visual effects executive producer: Pacific Title | |
| Gonzalo Garramuno | .... | digital artist | |
| Gonzalo Garramuno | .... | technical director: ILM | |
| Dawn Gates | .... | digital roto/paint artist | |
| Richard Gentner | .... | digital imaging operator | |
| Charles Gibson | .... | visual effects consultant | |
| Gary Gill | .... | stage technician: ILM | |
| Derek Gillingham | .... | viewpainter: ILM | |
| Greg Gilmore | .... | Sabre artist: ILM | |
| Susan Goldsmith | .... | digital paint and rotoscope artist: ILM | |
| Lioudmilla Golynskaia | .... | CG modeler: ILM | |
| Maria Goodale | .... | 3D matchmove artist: ILM | |
| Monique Gougeon | .... | miniatures stage production manager: ILM (as Monique Gougeon-Dicomo) | |
| Jeff Grebe | .... | digital artist: ILM | |
| Cam Griffin | .... | digital paint and rotoscope artist | |
| Doug Griffin | .... | lead motion capture technician: ILM | |
| Michael Grivett | .... | modelmaker: ILM (as Mike Grivett) | |
| Neal Halter | .... | model maker | |
| Stephanie Hamilton | .... | film librarian | |
| Giles Hancock | .... | digital matte artist: ILM | |
| John Hansen | .... | technical director: ILM | |
| Jonathan Harb | .... | digital matte supervisor | |
| Barbara Hartmann | .... | modelmaker: ILM | |
| Kimberly Headstrom | .... | digital paint/rotoscope artist | |
| Geoff Heron | .... | stage/pyrotechnic supervisor: ILM | |
| Neil Herzinger | .... | sequence supervisor: ILM | |
| Hal T. Hickel | .... | animation supervisor: ILM (as Hal Hickel) | |
| Kela Hicks | .... | sabre artist: ILM (as Kela Cabrales) | |
| Shawn Hillier | .... | compositor: ILM | |
| Bryan Hirota | .... | visual effects supervisor: CIS Hollywood | |
| Sherry Hitch | .... | digital compositor: ILM | |
| Dennis Hoffman | .... | visual effects producer | |
| Pablo Holcer | .... | digital compositor | |
| Simon Holden | .... | Inferno artist: CIS Hollywood | |
| Chris Holmes | .... | digital compositor | |
| Jae Cheol Hong | .... | creature technical director | |
| Jae Cheol Hong | .... | digital cloth simulation artist: ILM (as Jae Hong) | |
| Ian House | .... | technical director: ILM | |
| Jen Howard | .... | digital compositor: ILM | |
| Heather Hoyland | .... | digital compositor: ILM | |
| Peggy Hrastar | .... | modelmaker: ILM | |
| Winnie Hsieh | .... | CG modeler: ILM | |
| Robyn Hudson | .... | visual effects production assistant: ILM | |
| Jill E. Hughes | .... | visual effects production assistant: ILM (as Jill Hughes) | |
| Polly Ing | .... | technical director: ILM | |
| Rusty Ippolito | .... | digital effects artist | |
| Sarahjane Javelo | .... | digital paint/rotoscope artist: ILM | |
| Brad Jerrell | .... | stage technician: ILM | |
| Mike Jobe | .... | modelmaker: ILM (as Michael Jobe) | |
| Keith Johnson | .... | CG animator: ILM | |
| Darren Jones | .... | digital imaging engineer | |
| Rimas Juchnevicius | .... | digital compositor | |
| Brad Kalinoski | .... | compositor | |
| Moon-Jung Kang | .... | character modeler: ILM | |
| Paul Kavanagh | .... | animator: ILM | |
| Patrick Kavanaugh | .... | digital compositor: CIS Hollywood | |
| Patrick Keenan | .... | digital artist: Pacific Title Digital | |
| Shawn Kelly | .... | animator | |
| Jeffrey Kember | .... | digital cloth simulation artist: ILM (as Jeff Kember) | |
| Jeffrey Kember | .... | technical director | |
| Stephen Kennedy | .... | digital compositor: ILM (as Steve Kennedy) | |
| Greg Killmaster | .... | digital cloth simulation artist: ILM | |
| Amber Kirsch | .... | visual effects production assistant: ILM | |
| Paul Kirwan | .... | digital compositor | |
| Drew Klausner | .... | roto and paint artist | |
| John Knoll | .... | visual effects supervisor: ILM | |
| Marta Knudsen | .... | concept artist: CIS Hollywood (as Marta Recio) | |
| Audra Koklys | .... | motion capture coordinator | |
| Todd Krish | .... | creature developer: ILM | |
| Todd Krish | .... | creature wrangler | |
| Tim Landry | .... | visual effects supervisor: BWVFX | |
| Jean-Claude Langer | .... | viewpainter: ILM | |
| Jessica Laszlo | .... | digital compositor | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
| Jennifer Lee | .... | digital intermediate | |
| Kerry Lee | .... | 3D matchmove artist: ILM | |
| Rich Lee | .... | lead previsualization artist: Pixel Liberation Front | |
| SeungHun Lee | .... | digital cloth simulation artist: ILM (as Seung Hun Lee) | |
| Gregory D. Liegey | .... | digital effects supervisor: CIS Hollywood (as Gregory Liegey) | |
| Victoria Livingstone | .... | senior character animator | |
| Wayne Lo | .... | visual effects conceptual designer | |
| Michael Logan | .... | sabre artist: ILM | |
| Luke Longin | .... | 3D matchmove artist: ILM | |
| Luke Longin | .... | layout artist | |
| Mark Alan Loso | .... | compositor | |
| Jonathan Lyons | .... | animator | |
| Bob Lyss | .... | compositor: CIS Hollywood | |
| Margaux Mackay | .... | visual effects supervising producer: Gray Matter FX | |
| Sean MacKenzie | .... | digital compositor: ILM | |
| Toshiyuki Maeda | .... | digital matte artist: ILM | |
| Ralph Maiers | .... | digital artist: Digiscope | |
| Robert Marinic | .... | technical director | |
| Gray Marshall | .... | visual effects supervisor: Gray Matter | |
| Marcel Martinez | .... | compositor | |
| Kevin May | .... | Sabre artist | |
| Jake Maymudes | .... | digital paint and rotoscope artist: ILM | |
| Aaron McBride | .... | art director | |
| Vicky McCann | .... | creature technical director: ILM | |
| Vicky McCann | .... | digital cloth simulation artist: ILM (as Vicky Snyder) | |
| Gary McClendon | .... | stage technician: ILM | |
| Mark 'Crash' McCreery | .... | creature designer | |
| W. Regan McGee | .... | digital artist | |
| John McLeod | .... | stage technician: ILM | |
| Scott McNamara | .... | modelmaker: ILM | |
| Diana Miao | .... | lead CG artist: CIS Hollywood | |
| Carl Miller | .... | visual effects director of photography: ILM | |
| Richard Miller | .... | modelmaker: ILM | |
| Richard Miller | .... | sculptor | |
| Tarco Mirza | .... | CG modeler: ILM (as Tareq Mirza) | |
| Craig Mohagen | .... | stage technician: ILM | |
| Terry Molatore | .... | viewpainter: ILM | |
| Jack Mongovan | .... | digital paint supervisor: ILM | |
| Jack Mongovan | .... | rotoscope supervisor: ILM | |
| Sébastien Moreau | .... | Inferno compositor: ILM | |
| Sébastien Moreau | .... | Sabre artist: ILM | |
| Raul Moreno | .... | previsualization artist: Pixel Liberation Front | |
| Dani Morrow | .... | 3D matchmove artist: ILM | |
| Wendy Morton | .... | modelmaker: ILM | |
| Michelle Motta | .... | digital paint & rotoscope artist | |
| Robert Mrozowski | .... | digital artist: Digiscope | |
| Michael Muir | .... | digital artist: ILM | |
| Michael Muir | .... | technical director: ILM | |
| Dave Murphy | .... | lead modelmaker: ILM (as David Murphy) | |
| Martin Murphy | .... | digital modeler: ILM | |
| Patrick T. Myers | .... | computer graphics supervisor: ILM | |
| Giovanni Nakpil | .... | CG modeler: ILM | |
| Marc Nanjo | .... | compositor: CIS Hollywood | |
| Timothy Naylor | .... | creature technical director: ILM (as Tim Naylor) | |
| Patrick Neary | .... | technical director | |
| Paula Nederman | .... | visual effects coordinator: ILM | |
| Ben Nichols | .... | pyro | |
| Ben Nichols | .... | stage technician: ILM (as Benjamin Nichols) | |
| Brett Northcutt | .... | digital matte artist | |
| Brian O'Connell | .... | concept illustrator: ILM | |
| Michael Olague | .... | visual effects gaffer | |
| Marc Ostroff | .... | visual effects accountant: ILM | |
| Marlo Pabon | .... | compositing supervisor: Boy Wonder Visual Effects | |
| Bryan Park | .... | visual effects editor: Digiscope | |
| Patrick Phillips | .... | compositor: Pacific Title | |
| Jakub Pistecky | .... | CG animator: ILM | |
| Nicolas Popravka | .... | research and development: ILM | |
| Bob Powell | .... | technical director: cloth simulation | |
| Mark Powers | .... | CG animator: ILM | |
| Ben Procter | .... | previsualization artist: Pixel Liberation Front | |
| Chris Putnam | .... | technical support staff | |
| S. Quinn | .... | pre-visualization coordinator: Pixel Liberation Front | |
| Arkell Rasiah | .... | research and development: ILM | |
| Chuck Ray | .... | stage technician: ILM | |
| Gayle Reznik | .... | visual effects producer: Gray Matter | |
| Magali Rigaudias | .... | digital character animator | |
| Dylan Robinson | .... | technical director | |
| Elsa Rodriguez | .... | digital paint and rotoscope artist: ILM | |
| Saba Rofchaei | .... | digital cloth simulation artist: ILM (as Saba Roufchaie) | |
| Dennis Rogers | .... | first assistant camera: ILM | |
| Mitchell Romanauski | .... | modelmaker: ILM (as Mitch Romanauski) | |
| César Romero | .... | digital compositor | |
| Alan Rosenfeld | .... | digital effects artist | |
| Alan Rosenfeld | .... | technical director: ILM | |
| Kim Ross | .... | technical director: ILM | |
| Jason Rosson | .... | digital effects artist: ILM | |
| James Rowell | .... | technical director: ILM | |
| Robert Rowles | .... | rotoscope artist: Gray Matter FX (as George Rowles) | |
| Chris Ryan | .... | CG artist: CIS Hollywood | |
| Gregory Salter | .... | digital compositor: ILM (as Greg Salter) | |
| Juan-Luis Sanchez | .... | lead digital cloth simulation artist: ILM | |
| Gunther Schatz | .... | digital visual effects artist | |
| John Scheer | .... | digital effects artist | |
| Durant Schoon | .... | digital cloth simulation: ILM | |
| Laurel Lyn Schulman | .... | visual effects producer: Digiscope (as Laurel Schulman) | |
| Walter Schulz | .... | lead cgi artist | |
| Victor Schutz | .... | technical director: lighting | |
| Trish Schutz-Krause | .... | CG animator: ILM (as Patricia Krause) | |
| P. Kevin Scott | .... | animator: ILM (as Kevin Scott) | |
| Nancy Servin | .... | modelmaker: ILM | |
| Wesley Sewell | .... | visual effects editor | |
| Linda Siegel | .... | digital cloth simulation artist: ILM | |
| John Sigurdson | .... | assistant technical director: ILM | |
| Philip Sisk | .... | digital artist: Digiscope | |
| Kenneth Smith | .... | digital color timing supervisor: ILM | |
| Kim Smith | .... | modelmaker: ILM | |
| Scott Smith | .... | production engineering | |
| Jason H. Snell | .... | matchmove supervisor: ILM (as Jason Snell) | |
| Brian Sorbo | .... | digital compositor | |
| David Sosalla | .... | visual effects supervisor: Pacific Title | |
| Jana Spotts | .... | visual effects coordinator | |
| Adam Stark | .... | compositing supervisor: Digiscope | |
| Mary Stuart-Welch | .... | visual effects executive producer: Digiscope (as Mary Stuart) | |
| Russ Sueyoshi | .... | digital compositor | |
| Jeff Sutherland | .... | digital compositor | |
| Pat Sweeney | .... | visual effects director of photography: ILM (as Patrick Sweeney) | |
| Michael Symmes | .... | modelmaker: ILM | |
| Tristan Tang | .... | Sabre artist: ILM | |
| Masahiko Tani | .... | digital matte artist: ILM | |
| Stephanie Taubert | .... | digital artist | |
| Bridget M. Taylor | .... | digital artist: Asylum VFX | |
| Chad Taylor | .... | lead sabre artist: ILM | |
| Noah Taylor | .... | technical director: ILM | |
| Renita Taylor | .... | creature developer: ILM | |
| Paul Theren | .... | modeler | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title | |
| James Tooley | .... | cloth simulation supervisor: ILM | |
| Marjolaine Tremblay | .... | animator: ILM (as Marjo Tremblay) | |
| Alan Trombla | .... | technical director | |
| Alex Tropiec Jr. | .... | Sabre artist: ILM (as Alex Tropiec) | |
| Pat Tubach | .... | digital compositor: ILM | |
| Todd Vaziri | .... | compositor: ILM | |
| Pascale Ville | .... | digital compositor | |
| Eric Voegels | .... | digital cloth simulation artist: ILM | |
| Lauren Vogt | .... | lead modelmaker: ILM | |
| Tim Waddy | .... | CG animator: ILM | |
| Danny Wagner | .... | modelmaker: ILM | |
| Melanie Walas | .... | modelmaker: ILM | |
| Steve Walton | .... | lead viewpainter: ILM | |
| Harold Weed | .... | digital modeler: ILM (as Howie Weed) | |
| Erin West | .... | digital paint and rotoscope artist: ILM | |
| Jessica Dara Westbrook | .... | visual effects assistant | |
| Bob Wiatr | .... | digital compositor: Pacific Title | |
| Ronnie E. Williams Jr. | .... | digital compositor: ILM (as Ronnie Williams Jr.) | |
| Ivy Williams | .... | digital plate restoration | |
| Scott Wirtz | .... | CG animator: ILM | |
| Andy Wong | .... | CG animator: ILM | |
| Sylvia Wong | .... | CG animator: ILM | |
| Jeff Wozniak | .... | digital compositor: ILM | |
| Yuichiro Yamashita | .... | visual effects | |
| Melva Young | .... | technical director: ILM | |
| Peipei Yuan | .... | pre-visualization artist | |
| Susumu Yukuhiro | .... | digital matte artist | |
| Dean Yurke | .... | digital artist | |
| Bill Zahn | .... | digital modeler: ILM | |
| Wei Zheng | .... | digital matte artist | |
| Tom Zils | .... | digital compositor: ILM | |
| Rita E. Zimmerman | .... | sabre artist: ILM (as Rita Zimmerman) | |
| Daniel Zizmor | .... | digital resource assistant | |
| Paal Anand | .... | technical director lead: Gray Matter (uncredited) | |
| Christian T. Andrews | .... | motion control technician: ILM (uncredited) | |
| Andy Barrios | .... | Inferno artist (uncredited) | |
| Jayni Borgaro | .... | paint/roto artist (uncredited) | |
| Mark Casey | .... | Sabre artist (uncredited) | |
| Vanessa Cheung | .... | digital matte artist (uncredited) | |
| Amy Christensen | .... | matchmover (uncredited) | |
| Michael Cordova | .... | film scanning and recording supervisor (uncredited) | |
| Michael Curtis | .... | digital compositor (uncredited) | |
| Valerie Delahaye | .... | visual effects producer (uncredited) | |
| Donald Fly | .... | general manager: CIS Hollywood (uncredited) | |
| Chris Flynn | .... | digital compositor (uncredited) | |
| Warren Fu | .... | concept artist (uncredited) | |
| Kenneth Gimpelson | .... | assistant matte painter (uncredited) | |
| Lloyd Hess | .... | technical support (uncredited) | |
| Randy Jonsson | .... | matchmover: ILM (uncredited) | |
| Ryan Kautzman | .... | software engineer: ILM (uncredited) | |
| Luis Labrador | .... | 3D character scanning (uncredited) | |
| Maryjane Layani | .... | production accountant: CIS Hollywood (uncredited) | |
| Neil Lim Sang | .... | enveloper/animator: ILM (uncredited) | |
| Stuart Lowder | .... | manager (uncredited) | |
| Tory Mercer | .... | digital compositor (uncredited) | |
| Joseph Metten | .... | digital effects artist: ILM (uncredited) | |
| Cedric Nicolas-Troyan | .... | visual effects artist (uncredited) | |
| Terron Pratt | .... | visual effects production assistant: Digiscope (uncredited) | |
| George Sakellariou | .... | production engineering: ILM (uncredited) | |
| Mike Sanders | .... | motion capture (uncredited) | |
| Robin Scher | .... | visual effects artist (uncredited) | |
| Sophie Shellenberger | .... | electrician: ILM (uncredited) | |
| Christopher Stack | .... | data manager: Digiscope (uncredited) | |
| Jeff Sturgill | .... | camera technician: Photosonics (uncredited) | |
| Blake Sweeney | .... | technical director (uncredited) | |
| Kyle Yamamoto | .... | R&D programmer: CIS Hollywood (uncredited) | |
| Ryan Yoshimoto | .... | visual effects (uncredited) | |
Animation Department | |||
| Marjolaine Tremblay | .... | animator | |
Casting Department | |||
| Jennifer Alessi | .... | extras casting | |
| Sande Alessi | .... | extras casting | |
| Ed Arenas | .... | local casting | |
| Kristan Berona | .... | extras casting | |
| Robin De Lano | .... | casting assistant | |
| Kate Dowd | .... | casting: UK | |
| Barbara Harris | .... | adr voice casting | |
| Kait Pickering | .... | extras casting assistant | |
| Nicole Dionne | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Rochelle Best | .... | costumer | |
| Linda Booher-Ciarimboli | .... | costume shop supervisor | |
| Toby Bronson | .... | set costumer | |
| Dana Casey | .... | costumer | |
| Lee Clayton | .... | costume cutter | |
| Lee Clayton | .... | tailor | |
| Ken Crouch | .... | wardrobe supervisor | |
| Liz Dann | .... | set costumer | |
| Carolyn Dessert | .... | wardrobe supervisor | |
| David Dietch | .... | set costumer | |
| Steve Gell | .... | chief costume dyer/ager | |
| Scott R. Hankins | .... | principal costumer | |
| Mathew Hooey | .... | costumer | |
| Stacy Horn | .... | set costumer | |
| Jane Law | .... | costumes: Kiera Knightley and Jonathan Pryce | |
| Lorenzo Mancianti | .... | props costumer | |
| Marina Marit | .... | set costumer | |
| Chandra Moore-Telfer | .... | costumes (as Chandra Moore) | |
| Fran Murphy | .... | additional costumer | |
| Lesley Neufeld | .... | costumer | |
| John Norster | .... | associate costume designer | |
| Benjamin Palmer | .... | costume breakdown | |
| Adam Roach | .... | set costumer | |
| Deanna M. Saul | .... | daycheck costumer | |
| Alexa M. Stone | .... | assistant costume designer | |
| Gildardo Tobon | .... | costume ager/dyer | |
| Ros Ward | .... | costume buyer | |
| Lizz Wolf | .... | costumer | |
| Philippa Wood | .... | costume department coordinator | |
| Dawn A. DeWitt | .... | costumer (uncredited) | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
| Joanna Weaving | .... | costume breakdown artist (uncredited) | |
| Tricia Yoo | .... | costume production assistant (uncredited) | |
Editorial Department | |||
| Tim Belcher | .... | digital intermediate executive producer | |
| Jada Budrick | .... | digital colorist assistant | |
| Christopher S. Capp | .... | assistant editor | |
| Tony Dustin | .... | additional digital film colorist | |
| Tim Gatena | .... | digital colorist assistant | |
| Dana E. Glauberman | .... | assistant editor | |
| Lara B. Grant | .... | apprentice editor | |
| Alex Hernandez | .... | imaging technician | |
| Steve Hodge | .... | imaging technician | |
| Chris Holt | .... | digital intermediate producer | |
| Bob Kaiser | .... | color timer (as Robert Kaiser) | |
| Christopher Kutcka | .... | imaging supervisor (as Chris Kutcka) | |
| Kindra Marra | .... | first assistant editor | |
| Simon Morgan | .... | first assistant editor | |
| Stephen Nakamura | .... | digital film colorist | |
| Alex Nikolic | .... | tvc editor: Serbia, Montenegro | |
| Missy Papageorge | .... | digital intermediate producer | |
| Dylan Quirt | .... | post-production assistant | |
| John Scheer | .... | digital intermediate editorial | |
| Stefan Sonnenfeld | .... | colorist | |
| Dana Suman | .... | post-production assistant | |
| Mike Chiado | .... | technical director: video post-production (uncredited) | |
| Mathieu Reid | .... | color timer (uncredited) | |
Transportation Department | |||
| John Blausey | .... | transportation supervisor | |
| Robert aaron Brown | .... | driver: construction department | |
| Steve De Leon | .... | driver | |
| Scott Fair | .... | driver | |
| Sandra Powell | .... | driver | |
| Dave Robling | .... | transportation coordinator | |
| Lowell D. Smith | .... | driver | |
| Tom Sweeney | .... | transportation dispatcher | |
Other crew | |||
| Courtney J. Andersen | .... | master ship technician | |
| Bob Anderson | .... | additional sword trainer | |
| Heather Anderson | .... | set production assistant | |
| Lea Anderson | .... | craft service | |
| Louise Baker | .... | pre-visualization artist | |
| Christopher Batty | .... | pre-visualization artist | |
| Joe Beckwith | .... | accounting production assistant | |
| Anna Belaro-Rodriguez | .... | second assistant accountant (as Anna Belaro) | |
| Barbara Berkery | .... | dialect and dialogue coach: Geoffrey Rush | |
| Michael Betz | .... | production assistant | |
| Justin Blampied | .... | title designer | |
| Jason Bogard | .... | production accountant: Caribbean | |
| Rich Bokides | .... | production assistant | |
| John Bonnin | .... | head technician: Libra | |
| Ursula Brauner | .... | lead animal trainer | |
| Juan Bronson | .... | production assistant | |
| Maxine Brooks | .... | studio teacher | |
| Andrea Bruce | .... | assistant: Mr. Bruckheimer | |
| Brooke Brunson | .... | assistant location manager | |
| Anne Cabral | .... | assistant production coordinator: Caribbean | |
| Dan Camins | .... | assistant: Mr. Bruckheimer | |
| John K. Campbell | .... | assistant: Mr. Bruckheimer | |
| Jimmy Canavan | .... | production assistant | |
| Sarah Clifford | .... | additional set production assistant | |
| Leslie Coogan | .... | assistant construction accountant | |
| Dax A. Cuesta | .... | second assistant accountant | |
| Mark Davies | .... | shipping coordinator | |
| Ted M. Davila | .... | first accounting assistant | |
| Robert Dawson | .... | title designer | |
| Kristin Dehnert | .... | location manager | |
| Christi Dembrowski | .... | executive assistant: Mr. Depp | |
| Kelly DeTample | .... | key production assistant | |
| Kathy Donno | .... | key second asst accountant | |
| Stan Eutsey | .... | production assistant: second unit | |
| Brendan Finnigan | .... | production assistant | |
| Kevin Fitzpatrick | .... | assistant: Mr. Hendricks | |
| George Garritano | .... | production assistant | |
| Robert George | .... | first assistant accountant | |
| Alex Gladstone | .... | location manager | |
| Michael Goldberg | .... | payroll accountant: SAG | |
| Zoila Gomez | .... | production coordinator | |
| Ro Gorski | .... | executive assistant: Mr. Bruckheimer (as Roberta 'Ro' Gorski) | |
| Peter Greenwood | .... | adr voice | |
| Michal Gregus | .... | production assistant | |
| Lindsay Greitzer | .... | assistant: Mr. Verbinski | |
| Gabriela Gutentag | .... | unit publicist | |
| Mark Harden | .... | animal coordinator | |
| Stephanie L. Harmatz | .... | assistant: Mr. Deason | |
| Stephanie L. Harmatz | .... | production assistant | |
| Marc W. Havener | .... | set production assistant | |
| Deon Hayman | .... | creative assistant | |
| Zack Heath | .... | production assistant | |
| Rick Hicks | .... | marine technician | |
| Tom Hogan | .... | key assistant location manager | |
| Buck Holland | .... | assistant: Mr. Depp | |
| Jason Inman | .... | set medic | |
| Mark Ivie | .... | additional sword trainer | |
| Mark Ivie | .... | sword master | |
| Mark Jacyszyn | .... | production accountant | |
| Emmett James | .... | voice | |
| JoAnn Fregalette Jansen | .... | choreographer | |
| Alec Kamp | .... | assistant: Mr. Bloom | |
| Ryan Kavner | .... | assistant to producer | |
| Jim Kiley | .... | construction medic | |
| Samantha C. Kirkeby | .... | script supervisor: second unit | |
| Kristin Kruger | .... | accounts clerk | |
| Ernst W. Laurel | .... | second assistant accountant: Caribbean | |
| Rich Lee | .... | previsualization supervisor | |
| Barrett J. Leigh | .... | production secretary | |
| Jim Lipman | .... | boat captain | |
| Ralph Lister | .... | adr voice artist | |
| Matt Lombardo | .... | additional set production assistant | |
| Harvey Lowry | .... | operations manager: Captive Audience Productions | |
| Harry Lu | .... | armorer | |
| Daniel F. Malone | .... | assistant marine coordinator (as Dan Malone) | |
| Rick Marcena | .... | first assistant accountant | |
| Robert Mazaraki | .... | assistant production coordinator | |
| Matthew McClure | .... | assistant: Mr. Rush (as Matthew D. McClure) | |
| Brian McGinn | .... | ship technician | |
| Justin Medeiros | .... | production assistant | |
| Dusan Medic | .... | public relations: Serbia | |
| Jon Miller | .... | assistant accountant | |
| Jerimiah Morey | .... | digital input/output | |
| Michael D. Morris | .... | wrangler | |
| Dan Morrow | .... | production accountant: UK | |
| Brian Mussetter | .... | head technician: Libra | |
| Alex Nikolic | .... | media producer | |
| Ed Nyerick | .... | assistant marine coordinator | |
| Matthew H. O'Connor | .... | marine coordinator (as Matthew O'Connor) | |
| Patti O'Leary | .... | travel coordinator | |
| Telly Onu | .... | shipping coordinator: Caribbean | |
| Edward V. Pannozzo | .... | estimator: marine unit | |
| David Paris | .... | helicopter pilot | |
| Anil Patadé | .... | construction accountant: Caribbean | |
| Eric Persons | .... | assistant location manager | |
| Morten Petersen | .... | fixtures foreman | |
| Wynn Petersen | .... | production secretary: Jerry Bruckheimer Films | |
| Jess Place | .... | production assistant | |
| S. Quinn | .... | pre-visualization coordinator | |
| Lee Rasé | .... | production secretary (as Lee Rase) | |
| Allyson Rech | .... | runner | |
| Larry Ring | .... | location manager | |
| Beth Rosler | .... | assistant: Mr. Hendricks (as Beth Peterson Rosler) | |
| Bruce A. Ross | .... | marine captain | |
| Howard Samuelsohn | .... | dialect coach | |
| Steffen Schlachtenhaufen | .... | production assistant | |
| Fred Selden | .... | featured flute player | |
| John Semedik | .... | first assistant accountant | |
| Cody Smith | .... | wrangler | |
| Phil Smith | .... | horse wrangler (as Philip G. Smith) | |
| Sabrina Somma | .... | rigging medic | |
| Ryan Speckman | .... | production assistant | |
| Justin Sperandeo | .... | assistant: Mr. Bruckheimer | |
| Nick Spetsiotis | .... | marine researcher | |
| Emily Stillman | .... | production coordinator: UK | |
| Julian Stone | .... | adr voice artist | |
| Tony Swatton | .... | sword maker | |
| Tom Sweeney | .... | office administrator | |
| Travis Tarr | .... | intern | |
| Miles Teves | .... | visual development | |
| Mic Thompson | .... | crew: Captain Barbossa | |
| Martin Tillman | .... | featured cello player | |
| Scott Tivald | .... | marine captain | |
| Joel Tokarsky | .... | assistant payroll accountant | |
| Leonard Toney | .... | animal handler | |
| Mac Torluccio | .... | assistant to production executive | |
| Shea Varge | .... | production assistant | |
| Mary Viola | .... | assistant to producer | |
| Judith Walder | .... | payroll accountant: Caribbean | |
| Ed Walton | .... | assistant: Mr. Stenson | |
| Troy Waters | .... | barge master | |
| Debi West | .... | payroll accountant | |
| J. Wilfrid White | .... | boat wrangler | |
| Robert Milo Williams | .... | synthesizer programmer | |
| Lisa Womble | .... | production assistant | |
| Ted Yonenaka | .... | craft service | |
| Peipei Yuan | .... | pre-visualization artist | |
| Guy Cozza | .... | photo double (uncredited) | |
| Rebecca Edelson | .... | script clearance administrator (uncredited) | |
| Allen Gerbino | .... | underwater film stage provider (uncredited) | |
| Kris A. Jeffrey | .... | marine captain (uncredited) | |
| James Mitchell-Clyde | .... | marine crew (uncredited) | |
Thanks | |||
| John Frazier | .... | thanks | |
| Gary Gero | .... | special thanks | |
| Harry Humphries | .... | thanks | |
| Nick Teta | .... | special thanks | |
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| Pirates of the Caribbean: Dead Man's Chest | Pirates of the Caribbean: At World's End | Solomon Kane | The Secret of Treasure Island | The Adventures of Baron Munchausen |
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I am nearly fifty years old. A sober grown man. With children. Children with whom I have now sat through hundreds of movies. Many of which I have enjoyed. And I am not completely hardened in my sophistication. The opening music to The Lion King brought tears to my eyes when my little ones were but wee tots. But still, these are after all just children's movies. In another life, I would never have seen them. And, really, one can't take such movies too seriously, can one?
And so, this summer, after the ritual badgering, I dutifully trudged into yet another Disney "adventure" movie. Named after that tired old ride in Anaheim I first went on in 1965. I mean really, how much can you expect?
And then, it happened. The swirling intoxication. The stunned feeling. What? Who? How? Was this a movie? Or a religious experience? Perhaps more like an addictive experience...
I cannot remember ever willingly paying to see any movie not starring a relative of mine more than twice, and I can count those movies on one hand. I have now seen "Pirates" four times. The only thing keeping me from seeing it again is the sense that this whole thing is just getting out of hand. I cannot get enough of it. It's like walking into a painting that you never want to come back out of. My children ask, with a note of concern in their voices, "Dad, you really like Pirates of the Caribbean a lot, don't you?"
And that Depp fellow. My God. I never had any idea who he was, but his name sounded like something created for a pubescent cover-boy for magazines published to hook thirteen year-old girls on make-up and bad music. Wasn't Depp the name of some hair-goo product back in the 60s?
I am a straight male. I have several good friends who are gay, but have never fantasized about any gender but the female. But now I understand how women can experience swooning crushes on male film stars. He is simply extraordinary. So sly, so seductive, so canny! I read an interview in which Depp said he went through a slight depression when he had to stop playing Captain Jack Sparrow. I can see why. His inventiveness and sheer pleasure in inhabiting the character come through in every frame. How can I admit to my children that I now troll through fan websites about a former teen heart-throb?
I often don't even watch the Academy Awards, and I certainly never have any emotional investment in who wins.
Except for this year.
Go Jack.
And, in a time when many big-budget movies are little more than a hodge-podge of loosely- connected "money shots" this movie puts all the pieces together, with a sense of fun and light-heartedness in special effects that are simply dazzling. I find myself laughing with dizzy appreciation when Barbossa barks out, "You'd best be believing in ghost stories, Miss Turner, you're in one!" and the grinning skeletons come into view, with Badelt's pounding score keeping time to the beat of their maniacal deck-swabbing. And then there's the scene of the pirate-ghouls slithering up from the darkened sea on the mooring cables of the Dauntless, like infernal cats stalking their prey.
And now to the music. I can just hear the effete aesthetes dismissing this score, as Mr. Zimmerman anticipates with his winking "overproduced by" credit on the cover-liner. "Bombastic." "Overdone." "Absurdly Stupendous."
Well, perhaps it is, for those who spend their lives evaluating such things. To me, it is absolutely transporting. I first listened to it while doing a work-out on a rowing machine and found that I tripled my usual distance. It was like mainlining some hazardous tachycardic amphetamine.
Once again, the children were wondering, "What's up with Daddy? Is he OK?"
Perhaps I am just losing my grip, having an adolescent movie get to me this way. But when those final credits roll, and Captain Jack narrows his eyes and says, "Now, bring me that horizon. Drink up me hearties, yo ho" and the music swells ... it is difficult to put into words the effect it has.
At this point my children have to yank me forcibly from the theater, lest I persist in watching the credits to the bitter end, and bid good-bye to the little monkey once more, wiping tears of exultation from my eyes.
This is not just another "entry" in the summer blockbust sweepstakes. It is an exquisite work of fantasy and inventiveness, a true classic, on the order of "The Wizard of Oz." I do hope Depp's performance garners not just awards, but a place in the pantheon, something we old fogies -- and our gently fogeying children decades hence -- will show to our children and grandchildren like a revealed treasure. I cannot recall any movie having such an effect on me.