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Dariusz Wolski (I)

Dariusz Wolski was born in 1956 in Warsaw, Mazowieckie, Poland as Dariusz Adam Wolski. He is known for his work on Pirates of the Caribbean: The Curse of the Black Pearl (2003), Pirates of the Caribbean: Dead Man's Chest (2006) and Prometheus (2012). See full bio »
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1 win & 5 nominations. See more awards »

Known For


Hide Hide Show Show Cinematographer (34 credits)
 2015/II The Walk (director of photography)
 2015 The Martian
 2014 Exodus: Gods and Kings (director of photography)
 2013 The Counselor (director of photography)
 2012/I Prometheus (director of photography)
 2012 Loom (Short)
 2011 The Rum Diary (director of photography)
 2011 Pirates of the Caribbean: On Stranger Tides (director of photography)
 2010/I Alice in Wonderland (director of photography)
 2008 Eagle Eye (director of photography)
 2007 Sweeney Todd: The Demon Barber of Fleet Street (director of photography)
 2007 Pirates of the Caribbean: At World's End (director of photography)
 2006 Pirates of the Caribbean: Dead Man's Chest (director of photography)
 2005 Hide and Seek
 2005 Video Hits: Paula Abdul (Video short) (video "Forever Your Girl")
 2004 20th Century Masters: The Best of New Edition - The DVD Collection (Video short) (video "If It Isn't Love")
 2002 Bad Company (director of photography - as Dariusz A. Wolski)
 2001 The Mexican
 1998 Dark City
 1996 Van Halen: Video Hits Vol. 1 (Video) (video "When It's Love")
 1996 The Fan (director of photography)
 1995 Crimson Tide
 1994 The Crow (director of photography)
 1992 Fifteenth Phase of the Moon (TV Short)
 1990 Bangles Greatest Hits (Video short) (video "Eternal Flame")
 1989 American Playhouse (TV Series) (1 episode)
 1988 Nightfall
Show Show Camera and Electrical Department (10 credits)
Show Show Thanks (1 credit)
Show Show Self (3 credits)

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Personal Details

Other Works:

Director of photography for ZZ Top music video "Give It Up" (1991). See more »

Alternate Names:

Darek Wolski | Dariusz A. Wolski | Darius Wolski | Darrick Wolski

Did You Know?

Personal Quote:

I remember when I got to the stage in commercials when I finally had enough time and enough money, I would shoot something really pretty, but it was like, 'So what?' If you have enough time, enough money, the right equipment and the right filter, it still doesn't necessarily make for a better picture. You can do an average painting with 40 colors, or you can just take a pencil and make a great ... See more »


Member of the American Society of Cinematographers (ASC) since 1996. See more »

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