| Photos (See all 56 | slideshow) | Videos (see all 5) |
Directed by | |||
| Rob Minkoff | |||
Writing credits(WGA) | ||
| E.B. White | (characters from the book "Stuart Little") | |
| Douglas Wick | (story) and | |
| Bruce Joel Rubin | (story) | |
| Bruce Joel Rubin | (screenplay) | |
Original Music by | |||
| Alan Silvestri | (music by) | ||
Cinematography by | |||
| Steven Poster | (director of photography) | ||
Film Editing by | |||
| Priscilla Nedd-Friendly | (edited by) | ||
Casting by | |||
| Francine Maisler | |||
Production Design by | |||
| Bill Brzeski | |||
Art Direction by | |||
| Shepherd Frankel | |||
Set Decoration by | |||
| Lisa K. Sessions | |||
Costume Design by | |||
| Mona May | |||
Makeup Department | |||
| Matiki Anoff | .... | makeup artist: New York | |
| Tammy Ashmore | .... | key makeup artist | |
| Robert Chiu | .... | hair stylist: New York | |
| Bonita DeHaven | .... | supervising makeup artist | |
| Marjorie Durand | .... | makeup artist: New York | |
| Donna Marie Fischetto | .... | hair stylist: New York | |
| Robert Hallowell II | .... | supervising hair stylist (as Robert Hallowell) | |
| Rob Hinderstein | .... | special makeup effects artist | |
| James Post | .... | hair stylist: New York (as James T.B. Post) | |
| Lee Romaire | .... | sculptor: Jim Henson Creature Shop | |
| Karen Weinberg | .... | makeup artist: New York | |
Production Management | |||
| Dustin Bernard | .... | unit production manager | |
| Charles Miller | .... | unit production manager: New York | |
| Allan Wertheim | .... | unit production manager: second unit | |
Second Unit Director or Assistant Director | |||
| Stephen C. Brandt | .... | second assistant director: New York | |
| Louis D'Esposito | .... | first assistant director | |
| Steven Hirsch | .... | assistant director: second unit | |
| Dan Katzman | .... | first assistant director: additional photography | |
| Deanna Leslie | .... | assistant director: New York | |
| Kristina M. Peterson | .... | second second assistant director (as Kristina Peterson) | |
| Lisa M. Rowe | .... | assistant director: New York | |
| Marty Eli Schwartz | .... | first assistant director: second unit | |
| Matthew Sirianni | .... | additional assistant director | |
| Mark Vargo | .... | second unit director | |
| Michael Viglietta | .... | second assistant director | |
| Eric Yellin | .... | second assistant director: New York | |
| Jay Redd | .... | second unit director (uncredited) | |
| Richard Silva | .... | second second assistant director second unit (uncredited) | |
Special Effects by | |||
| David Alan Barclay | .... | animatronic supervisor | |
| Rick Bongiovanni | .... | special effects technician: mechanical falcon | |
| Eric Coon | .... | on-set model maker | |
| Mike Delaney | .... | special effects assistant | |
| Cindy Ichikawa | .... | special effects office coordinator | |
| Jeff Jingle | .... | animatronic creature design | |
| Robbie Knott | .... | special effects supervisor (as Robert L. Knott) | |
| Tom Knott | .... | special effects foreman | |
| Kevin Lange | .... | special effects technician | |
| Robin A. Linn | .... | animation production director | |
| Gary Martinez | .... | mechanical designer | |
| John K. Stirber | .... | special effects coordinator | |
| Joseph Michael Tenga | .... | miniatures art director: New York | |
| Ralis Kahn | .... | special effects (uncredited) | |
| Jeff Pyle | .... | special effects crew (uncredited) | |
Visual Effects by | |||
| Gary Abrahamian | .... | previs artist | |
| Dustin Adair | .... | production services technician | |
| Amit Agrawal | .... | software supervisor | |
| Erik Akutagawa | .... | scan/record manager | |
| Tom Allen | .... | compositing artist | |
| Ana Maria Alvarado | .... | character animator | |
| Etienne Andlau | .... | rotoscope artist (as Etienne Terblanche) | |
| Cynthia Aragon | .... | rotoscope and paint lead (as Cynthia E. Aragon) | |
| Eric Armstrong | .... | animation supervisor: SPI | |
| Ronald Arredondo | .... | lighting artist (as Ron Arredondo) | |
| Chris Arreola | .... | lead scanning technician | |
| Kenneth Au | .... | digital compositor | |
| Leslie Baker | .... | senior technical director | |
| Steve Baker | .... | animator | |
| Nick Bali | .... | systems research engineer | |
| Bill Houston Ball | .... | technical animator | |
| Robert Bardy | .... | CG animator: Cat faces | |
| James Battersby | .... | previs lead | |
| Jason Bayever | .... | technical director: Sony Pictures Imageworks | |
| Yakov Baytler | .... | senior technical director | |
| Maureen Beatty | .... | visual effects assistant coordinator | |
| Charles Bell | .... | match move artist | |
| Les Bernstien | .... | visual effects | |
| John Berri | .... | visual effects editor | |
| John Bevelheimer | .... | conceptual artist | |
| Scott Beverly | .... | mechanical crew chief | |
| Theodore Bialek | .... | compositing artist (as Theo Bialek) | |
| Steven Blakey | .... | digital lighting and compositing artist | |
| David Bleich | .... | digital matte artist | |
| J.J. Blumenkranz | .... | character setup | |
| Marzette Bonar | .... | conceptual artist | |
| Christian Boudman | .... | digital compositor | |
| Virginia Bowman | .... | look development lead | |
| Michael Brazelton | .... | digital artist | |
| Rob Bredow | .... | CG supervisor | |
| Suzy Brown | .... | rotoscope/paint artist | |
| Max Bruce | .... | digital artist | |
| Armin Bruderlin | .... | feather software R&D: SPI | |
| Armin Bruderlin | .... | systems developer | |
| Sean Callan | .... | technical assistant | |
| Beau Cameron | .... | character modeler | |
| Aaron Campbell | .... | character setup | |
| Aimee Campbell | .... | lead matchmover: SPI | |
| Aimee Campbell | .... | senior digital artist: SPI | |
| Grady Campbell | .... | lighting & compositing | |
| Deborah Carlson | .... | technical director: SPI | |
| Anthony Ceccomancini | .... | systems research engineer | |
| Clara Chan | .... | compositing artist | |
| Jerome Chen | .... | senior visual effects supervisor | |
| Andrew Cho | .... | production services technician | |
| Patrick Cohen | .... | compositing artist | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues | |
| Katherine C. Concepcion | .... | visual effects coordinator | |
| Michael Condro | .... | matchmover | |
| Danielle Conroy | .... | digital production manager | |
| Nicolle Cornute | .... | paint artist | |
| Nicolle Cornute | .... | roto artist | |
| Doug Creel | .... | lighting and compositing: SPI | |
| Christian Cunningham | .... | technical director | |
| Henry Darnell | .... | digital artist | |
| Henry Darnell | .... | lead character modeler | |
| Richard Davenport | .... | match move artist | |
| Alan Davidson | .... | senior technical director: CG pipeline lead | |
| Matt Davis | .... | Spydercam rigger technician | |
| Mark DeSousa | .... | cloth artist | |
| Thomas R. Dickens | .... | lead character modeler: SPI | |
| Jeff Dillinger | .... | cloth and feather technical director | |
| Danny Dimian | .... | compositing artist | |
| Bruce Dobrin | .... | systems research engineer | |
| Ryan Donoghue | .... | visual effects | |
| Roxanne Dorman | .... | assistant visual effects editor | |
| Brian Dowrick | .... | digital artist | |
| Tim Drnec | .... | aerial effects coordinator | |
| R. Stirling Duguid | .... | compositing artist (as Stirling Duguid) | |
| Michael Eaves | .... | digital color timer | |
| Jody Echegaray | .... | visual effects digital producer: SPI | |
| Michael Edland | .... | compositing artist | |
| Curtis Edwards | .... | rotoscope/paint artist | |
| Angela M. Eliasz | .... | compositing artist | |
| David Emery | .... | character modeler | |
| Brandon England | .... | film recording | |
| Brandon England | .... | scanning technician | |
| Rob Engle | .... | CG supervisor: SPI | |
| Jelena Erceg | .... | animation setup | |
| Nathan Eriksen | .... | production services technician | |
| Ralph Fernan | .... | character animator | |
| Mark Fletcher | .... | visual effects coordinator: Sony Imageworks | |
| Ruben Flores | .... | production services technician (as Ruben A. Flores) | |
| Anna Foerster | .... | visual effects director of photography | |
| Michael Ford | .... | lead technical animator | |
| Dan Foster | .... | visual effects producer | |
| Martin Foster | .... | lighting technical director | |
| Adam Francis | .... | motion control technician | |
| Janet Freedland | .... | digital artist | |
| Thor Freudenthal | .... | conceptual artist | |
| Haskell Friedman | .... | visual effects color & lighting artist | |
| Layne Friedman | .... | CG supervisor: SPI | |
| Quentin Frost | .... | digital artist: SPI | |
| Jenny Fulle | .... | visual effects executive producer | |
| Shannon Blake Gans | .... | visual effects executive producer: Hunter/Gratzner Industries Inc. | |
| Bertha Garcia | .... | compositor | |
| Joshua Geisler-Amhowitz | .... | digital matte painter: SPI | |
| Adam Gelbart | .... | set modeling supervisor | |
| Deborah Giarratana | .... | visual effects executive | |
| Andrew Goldstein | .... | rotoscope/paint artist | |
| Nathalie Gonthier | .... | digital artist: SPI | |
| Matthew Gratzner | .... | miniature effects supervisor: Hunter/Gratzner Industries, Inc. | |
| Matthew Gratzner | .... | miniature supervisor | |
| Jason Greenblum | .... | lead compositor: Rhythm & Hues | |
| James Guilford | .... | character animator | |
| James Guilford | .... | match mover | |
| Harry Gundersen | .... | digital lighting and compositing artist | |
| Kee-Suk 'Ken' Hahn | .... | technical director | |
| Anthony Harris | .... | digital color timer | |
| Jordan Harris | .... | digital animator | |
| Alex Head | .... | on-set match mover | |
| Chris Hebert | .... | visual resources | |
| Michael Hemschoot | .... | cloth dynamics | |
| Mark Herman | .... | visual effects editor | |
| Nicole Herr | .... | digital character animator: SPI | |
| Nicole Herr | .... | senior digital artist: SPI | |
| Heather Elisa Hill | .... | visual effects coordinator: Rhythm & Hues | |
| Jep Hill | .... | compositing artist | |
| George Ho | .... | visual effects: technical director | |
| Phil Holland | .... | scanning & recording operator | |
| Thomas Hollier | .... | CG supervisor | |
| Cameron Hood | .... | character animator | |
| Carl Hooper | .... | compositing artist | |
| Ralph Horan | .... | miniatures production supervisor | |
| Ralph Horan | .... | production supervisor: Vanishing Point Entertainment | |
| Erica Hornung | .... | senior matchmover: SPI | |
| Ivo Horvat | .... | lead matte painter: SPI | |
| Rob House | .... | cloth dynamics | |
| Kevin Hudson | .... | digital modeling supervisor | |
| Jennifer Hunt | .... | technical assistant | |
| Chris Hurtt | .... | character animator | |
| Rod Ibanez | .... | technical director: cloth and feathers | |
| Adrian Iler | .... | lighting lead | |
| Annika Iltis | .... | plate coordinator (as Annika Iltes) | |
| Yukiko Ishiwata | .... | compositor | |
| Leigh-Alexandra Jacob | .... | lead painter | |
| Benjamin Jacobe | .... | senior systems engineer | |
| Sully Jacome-Wilkes | .... | texture artist | |
| Arthur Jeppe | .... | lighting sequence supervisor: Rhythm & Hues | |
| Paul Jessel | .... | lead digital character animator: SPI | |
| Kristin Johnson | .... | high speed compositor | |
| Larry Jolly | .... | miniature supervisor | |
| Manson Jones | .... | software engineer | |
| Chris Juen | .... | senior digital production manager | |
| Yair Kantor | .... | character animator | |
| Joanie Karnowski | .... | matchmover | |
| Michael Karp | .... | match mover | |
| Dan Kaufman | .... | CG lead | |
| David Keslick | .... | film recording technician | |
| Marvin Kim | .... | senior modeler | |
| Gokhan Kisacikoglu | .... | technical director | |
| Kevin Kitchel | .... | production services technician | |
| Apryl Knobbe | .... | texture painter | |
| MacDuff Knox | .... | senior technical director | |
| Susan Kornfeld | .... | digital texture painter | |
| Stephen Kowalski | .... | systems research engineer | |
| Gene Kozicki | .... | digital production manager | |
| Paul Kulikowski | .... | rotoscope/paint artist | |
| Melissa Kurtz | .... | animation producer | |
| John Lafauce | .... | lighting & compositing artist | |
| Harry Lam | .... | compositing supervisor | |
| Lea Lambert | .... | digital artist | |
| Kevin Lange | .... | plate coordinator | |
| Aaron M. Lawn | .... | production services technician | |
| David C. Lawson | .... | senior technical director: SPI | |
| Mike Leben | .... | motion control operator | |
| Hae-Jeon Lee | .... | compositing artist | |
| James Do Young Lee | .... | rotoscope/paint artist (as James Doyoung Lee) | |
| Sonserae Leese | .... | texture map painter | |
| David Lensch | .... | film recording technician | |
| Didier Levy | .... | match move artist | |
| Mickey Levy | .... | visual effects coordinator | |
| Matt Linder | .... | compositor | |
| Robin A. Linn | .... | director of animation production | |
| Tim Llewellyn | .... | technical director | |
| Cottalango Loorthu | .... | software engineer | |
| Scott Lukowski | .... | model maker | |
| Stephen Lunn | .... | technical director | |
| Mary Lynn Machado | .... | lighter | |
| Ian MacLeod | .... | digital artist | |
| Les Major | .... | character animator | |
| Kimberly Mann | .... | character animator | |
| Arnon Manor | .... | senior technical director | |
| Karl Maples | .... | lighting artist | |
| Craig R. Maras | .... | character animator (as Craig Maras) | |
| Jeffrey Martin | .... | digital effects artist | |
| Jeffrey Martin | .... | technical director | |
| John Clark Matthews | .... | character animator | |
| Jason McDade | .... | character animator | |
| Kenn McDonald | .... | lead digital character animator: SPI | |
| John McGee | .... | digital artist | |
| Paul McGhee | .... | digital color timer: SPI | |
| Noel McGinn | .... | digital character animator: SPI | |
| M. Scott McKee | .... | technical director | |
| Garrick McLaughlin | .... | production services technician | |
| John McLaughlin | .... | character setup | |
| Jim 'Big Dog' McLean | .... | compositing artist (as Jim McLean) | |
| Ian McLeod | .... | character modeler | |
| Courtney McNaught | .... | plate coordinator | |
| Jon Meier | .... | visual effects: Rhythm & Hues | |
| Gustav Melich | .... | technical director | |
| Alberto Menache | .... | character setup | |
| Daniel Miller | .... | compositing artist | |
| David Miya | .... | senior systems engineer | |
| Sarah Moore | .... | lighting & compositing: SPI | |
| Zeke Morales | .... | visual effects editor: Rhythm & Hues | |
| Gaelle Morand | .... | visual effects lighter | |
| Amanda Morrison | .... | color & lighting/compositing | |
| Erik Muenker | .... | digital production manager | |
| Mark Mullins | .... | match move artist | |
| Michelle Murdocca | .... | senior visual effects producer | |
| Mike L. Murphy | .... | character animation (as Mike Murphy) | |
| Maks Naporowski | .... | technical animator | |
| John Nicolard | .... | digital intermediate supervisor | |
| Rachel Nicoll | .... | previs artist | |
| Tamara Nobles | .... | digital producer | |
| Phil Notaro | .... | art director: miniatures | |
| Alberto Noti | .... | lighting director | |
| Samuel Nunez | .... | matchmove supervisor (as Samuel L. Nunez) | |
| Christopher Oakley | .... | animator (as Chris Oakley) | |
| Pia Odell-Foster | .... | visual effects coordinator (as Pia Turchyn) | |
| Shannon Leigh Olds | .... | visual effects editor | |
| David Orecklin | .... | visual effects coordinator | |
| Carolyn Oros | .... | technical animator | |
| Andrea Lackey Pace | .... | production services technician | |
| David Palmer | .... | matte painter | |
| Andrea Paolino | .... | match move artist | |
| John Paszkiewicz | .... | digital lighter | |
| Michael Paxton | .... | visual effects coordinator | |
| Bob Peitzman | .... | compositing artist | |
| Mario Peixoto | .... | compositing artist | |
| Katherine Percy | .... | animator | |
| Loree Perrett | .... | rotoscope and paint lead (as Lorée Perrett) | |
| Eric Peterson | .... | on-set match mover | |
| Rachel Phillips | .... | digital production manager | |
| Sean Phillips | .... | CG supervisor | |
| Todd Pilger | .... | character animator | |
| Danielle Plantec | .... | visual effects | |
| Peter Plevritis | .... | compositing artist | |
| Michael Polvani | .... | character animator (as Mike Polvani) | |
| Shallamar Poole | .... | scanning technician | |
| Daniel Post | .... | rotoscope/paint artist | |
| Alan Precourt | .... | technical director | |
| Travis Price | .... | texture painter | |
| Derrick Quarles | .... | lead film recordist: SPI | |
| John H. Radulovic | .... | miniatures production manager: Vanishing Point | |
| Glenn Ramos | .... | animation supervisor | |
| Glenn Ramos | .... | lead animator | |
| Dean Rasmussen | .... | digital artist | |
| Mathieu Raynault | .... | matte artist | |
| Jay Redd | .... | digital effects supervisor | |
| John P. Refling | .... | software engineer (as John Refling) | |
| Jason Reisig | .... | digital character animator: SPI | |
| Steve Rembuskos | .... | match mover | |
| Rick Rische | .... | digital matte artist: SPI | |
| Mike Roby | .... | lighting artist | |
| Steve Rosenbluth | .... | motion control systems designer | |
| Rebecca Ruether | .... | animator | |
| Allen Ruilova | .... | cloth artist | |
| Cherie Rye | .... | cloth artist | |
| Rosendo Salazar | .... | digital compositor: SPI | |
| Troy Saliba | .... | character animator | |
| Ryan Samuels | .... | visual effects production assistant | |
| David Sanger | .... | producer: New Deal Studios | |
| Henry Sato Jr. | .... | character animator | |
| David Schaub | .... | lead animator | |
| Michael Scheffe | .... | conceptual artist | |
| Brian Schindler | .... | character animator | |
| Paula Schneider | .... | model maker | |
| Laura Scholl | .... | compositing artist: SPI | |
| Sean Schur | .... | CG supervisor | |
| Andrew Schwartz | .... | digital compositor: Rhythm & Hues | |
| Lopsie Schwartz | .... | lighting artist | |
| Lopsie Schwartz | .... | lighting technical director | |
| Louis Schwartzberg | .... | additional cinematography: Getty Film Library | |
| Sande Scoredos | .... | training and artist development | |
| Michael Sehgal | .... | training & artist development | |
| Todd Semmes | .... | aerial effects coordinator | |
| Naz Shams | .... | digital artist: cloth & feathers, SPI (as Nazgol Shams) | |
| Jill Shane | .... | digital production manager | |
| Jeff Shank | .... | digital effects: SPI | |
| Kerry Shea | .... | digital production manager | |
| Bambi Sickafoose | .... | assistant visual effects editor | |
| Joshua Silberman | .... | production services technician | |
| Craig A. Simms | .... | compositing supervisor | |
| Lulu J. Simon | .... | match mover (as Lulu Simon) | |
| Aaron Singer | .... | matchmove technical director | |
| Chris Sjoholm | .... | digital effects supervisor | |
| Aaron Smith | .... | lead compositing artist | |
| Aaron Smith | .... | lead lighting artist | |
| Ben Britten Smith | .... | Spydercam moto control | |
| David Earl Smith | .... | digital character animator: SPI | |
| Jeff W. Smith | .... | match move lead | |
| Keith W. Smith | .... | character animator | |
| Scott Sohan | .... | visual effects editor | |
| Andrea Solis | .... | software engineer | |
| Sean Springer | .... | character animator | |
| Boyd Steer | .... | negative lineup | |
| Jeff Stern | .... | digital lighting and compositing artist | |
| Chad Stewart | .... | lead digital character animator: SPI | |
| Dee Storm | .... | assistant visual effects editor | |
| Baudouin Struye | .... | compositing artist | |
| Greg Stuhl | .... | models & matchmove: SPI | |
| Lee F. Sullivan | .... | technical director | |
| Evan S. Tallas | .... | technical assistant | |
| David Tanner | .... | technical director | |
| Hector Tantoco | .... | digital artist | |
| Bill Tessier | .... | character animator | |
| Joseph Thomas | .... | match move artist | |
| Brian Thompson | .... | technical animator | |
| Melissa Thompson | .... | character animator | |
| Vladimir Todorov | .... | concept artist | |
| Alessandro Tomassetti | .... | technical director | |
| Messrob Torikian | .... | match move artist | |
| Peter G. Travers | .... | CG supervisor | |
| Laurence Treweek | .... | compositing artist | |
| Christine Troianello | .... | rotoscope/paint artist | |
| Michael Trujillo | .... | senior video engineer | |
| Tina Tseng | .... | visual effects accountant | |
| Alex Tysowsky | .... | character animator | |
| Pepe Valencia | .... | lead co-character animator: SPI | |
| Marla Valentine | .... | systems operator: Rhythm & Hues | |
| David B. Vallone | .... | character animator | |
| James Van Der Keyl | .... | character animator | |
| Van Phan | .... | character animator | |
| Alberto Velez | .... | engineering manager | |
| Attila Veress | .... | digital scanning & film recording | |
| Carlos A. Vidal | .... | senior technical director: SPI | |
| Roger Vizard | .... | character animator | |
| Rich Volp | .... | Spydercam moto control | |
| Brian Wade | .... | "Stuart Little" designer | |
| Chris Waegner | .... | character setup | |
| Chris Wahl | .... | character animator | |
| Don Waller | .... | digital animator | |
| Andy Wang | .... | senior technical director: SPI | |
| Gina Warr | .... | color & lighting: SPI | |
| James Waterhouse | .... | model maker | |
| Dennis Webb | .... | I/O supervisor | |
| Bram Weinkselbaum | .... | plate coordinator | |
| Barry Weiss | .... | senior staff: SPI | |
| Brian R. Wells | .... | animator (as Brian Wells) | |
| Jeff Wells | .... | digital artist: Rhythm & Hues | |
| Bill Westenhofer | .... | visual effects supervisor: Rhythm & Hues | |
| Len White | .... | visual effects | |
| Earl Wiggins | .... | aerial effects supervisor | |
| Kelly Wilcox | .... | character animator | |
| Todd Wilderman | .... | lead digital character animator: SPI | |
| Darryl Wilson | .... | grip: visual effects unit | |
| Michael Wilson | .... | software engineer | |
| Deborah Wiltman | .... | digital compositor | |
| Jeremie Winslow | .... | visual effects production assistant: SPI | |
| Robert Winter | .... | senior technical director | |
| Eric Withee | .... | visual effects coordinator: SPI | |
| David Worman | .... | match move artist | |
| Julius Yang | .... | lighting artist | |
| Chris Yee | .... | CGI artist: feather combing lead | |
| Michael Yetter | .... | visual effects coordinator | |
| Doug Yoshida | .... | cloth lead | |
| David A. Zaboski | .... | character animator (as David Zaboski) | |
| Dustin Zachary | .... | character modeler | |
| Julie Zackary | .... | visual effects production coordinator | |
| Enrico Altmann | .... | apprentice model maker (uncredited) | |
| Jeffrey Castel De Oro | .... | digital compositor (uncredited) | |
| Brandon Craig | .... | render supervisor (uncredited) | |
| Cory Rocco Florimonte | .... | animator (uncredited) | |
| Paul Maurice | .... | Lidar supervisor: Lidar Services (uncredited) | |
| Jim Moorhead | .... | digital animator: Rhythm & Hues (uncredited) | |
| Viviana Palacios | .... | digital artist: Rhythm & Hues (uncredited) | |
| Scott Penningroth | .... | lighter: Rhythm and Hues (uncredited) | |
| Federico Rivia | .... | digital effects artist (uncredited) | |
| Johnny Turco | .... | visual effects (uncredited) | |
| Alex Warner | .... | on-set editing and compositing (uncredited) | |
Animation Department | |||
| Ana Maria Alvarado | .... | character animator (as Ana Alvarado) | |
| Tony Bancroft | .... | animation supervisor | |
| Ruth Daly | .... | animator | |
| Ralph Fernan | .... | character animator | |
| Derek Friesenborg | .... | animator | |
| Angie Jones | .... | character animator: Sony pictures Imageworks | |
| Kimberly Mann | .... | animator | |
| Craig R. Maras | .... | animator | |
| Gavin Moran | .... | animator | |
| Sean Mullen | .... | lead animator | |
| Keith W. Smith | .... | animator | |
| Bill Tessier | .... | animator | |
| Jim Van der Keyl | .... | character animator | |
| Kelly Wilcox | .... | animator | |
| David A. Zaboski | .... | animator | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
| Riccardo Bertoni | .... | extras casting | |
| Nancy Safran | .... | casting assistant | |
| Douglas Wright | .... | casting associate | |
Costume and Wardrobe Department | |||
| Pam Aaron | .... | additional set costumer | |
| Arlynn Abseck | .... | set costumer | |
| Natalya V. Aikens | .... | costume supervisor: New York (as Natalya Aikens) | |
| Diana J. Collins | .... | set costumer | |
| James K. Draves | .... | costumer: second unit | |
| Nicole Evangelista | .... | costumer: New York | |
| Mary Iannelli | .... | costumer (as Mary White) | |
| Amber Jordyn | .... | set costumer | |
| Jennifer Joseph | .... | assistant costume designer: New York | |
| Pamela Kezal | .... | costumer: New York | |
| Philip Maldonado | .... | costumer | |
| Robert Pease | .... | costumer: second unit | |
| Monica Russell | .... | costumer: New York | |
| Felipe Sanchez | .... | costume illustrator | |
| Deirdre N. Williams | .... | costume supervisor: New York (as Deirdre Williams) | |
Editorial Department | |||
| Michael Hatzer | .... | color timer | |
| Mo Henry | .... | negative cutter | |
| Dale Jones | .... | avid technician | |
| Gregg London | .... | associate editor | |
| Odis McKinney | .... | assistant editor | |
| Danny Miller | .... | first assistant editor | |
| Bethany Orlemann | .... | assistant editor | |
| Eric Rigney | .... | avid technician | |
Music Department | |||
| Tom Boyd | .... | musician: oboe soloist | |
| Jeff Cohen | .... | composer: song "Top of the World" | |
| Mark Eshelman | .... | scoring crew | |
| Bonnie Greenberg | .... | music supervisor (as Bonnie Greenberg-Goodman) | |
| Kenneth Karman | .... | music editor | |
| Jason Lloyd | .... | scoring crew | |
| Mark McKenzie | .... | orchestrator | |
| Adam Michalak | .... | score recordist | |
| William Ross | .... | orchestrator | |
| Jade Ryusaki | .... | performer: "Little Angel of Mine" | |
| Dennis S. Sands | .... | music scoring mixer | |
| Alan Silvestri | .... | conductor | |
| David Slonaker | .... | orchestrator (as Dave Slonaker) | |
| Steven L. Smith | .... | music preparation | |
| Jacqueline Tager | .... | assistant music editor | |
| Pat Weber | .... | scoring technician | |
Transportation Department | |||
| Tim Hill | .... | transportation captain | |
| Patrick Hogan | .... | driver | |
| Harry J. Leavey | .... | transportation co-captain (as Harry Leavey) | |
| James Leavey | .... | transportation captain (as James F. Leavey) | |
| William R. Peck | .... | driver | |
| Gabe Turiello | .... | driver: stakebed | |
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| Stuart Little | Spider-Man 2 | Persepolis | Spider-Man 3 | The Royal Tenenbaums |
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While less isn't always more, the makers of "Stuart Little 2" resisted the temptation to pad it out from its shorthand running time, meaning it goes by quickly and painlessly. Not that the actual plot of this followup to the original charmer is hard to take in itself (Stuart is starting to feel a bit left out, and when Margalo the wren literally drops into his life he gets a new dimension).
In terms of technical levels it's only slightly easier to fault (Margalo looks a bit too cartoonish to be real, unlike Stuart Little himself and the falcon that's the movie's villain - but then again, Melanie Griffith [the voice of Margalo] always seems like a cartoon anyway), but the story by screenwriter Bruce Joel Rubin and the movie's producer Douglas Wick is what makes this ultimately inferior to its predecessor; what helped drive "Stuart Little" was our hero's wish to be accepted by his human brother and by the cat - sneer all you want, but the family message was hard to ignore. For the sequel it's more standard - the friend who's acting out of ulterior motives at first but then turns out to be a real friend, etc. Stuart isn't so much the protagonist this time, and it hurts a little.
So the freshness is reduced, but this still isn't stale - the charm and humour of the first movie remains, Michael J. Fox and Nathan Lane are as adept as ever as Stuart and Snowbell ("This better be important." "Margalo is missing." "I'd better be more specific - I meant important to ME."), and the human Littles remain just right - loving but not without making you want to slit your own throats. HBO Family has recently aired an animated version with all the principals except Hugh Laurie absent - it'll have to go a long way to live up to the two movies. (In-joke for score fans: Alan Silvestri slips in a quote from his "Back to the Future" theme in the climax.)
But I can see why this didn't do as well at the box-office as it should have - having a soccer match plus including Gilbert O'Sullivan AND Celine Dion on the soundtrack was asking for trouble...