Jon and Garfield visit the United Kingdom, where a case of mistaken cat identity finds Garfield ruling over a castle. His reign is soon jeopardized by the nefarious Lord Dargis, who has designs on the estate.
Jennifer Love Hewitt,
Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two come back together. On the way he discovers France, bicycling, and true love, among other things.
Stuart's mother is being over-protective of him, especially when he narrowly escapes injury in a soccer game. His big brother George has also made a new friend, Will, so Stuart is feeing lonely. Stuart rescues a canary, Margalo, from a falcon; she moves in with the Littles. One day, Margalo is nowhere to be found, so Stuart and Snowbell set out across the city to find her while George covers for Stuart (the first time he's had to lie). Written by
Jon Reeves <firstname.lastname@example.org>
The falcon was supposed to have an army of pigeons as his minions. See more »
When the family is riding around in the taxi looking for Stuart, the baby girl bounces back and forth several times between sleeping and being awake. It appears to be the same shot of her every time you see her sleeping. See more »
[as he grabs George's glasses]
George, wake up.
[George is still sleeping]
[talking into his pillow]
I know. But it's the first day of Soccer. It's our first game.
[wakes up and puts his glasses on]
Soccer? Uh... I can't today. I caught a cold while sleeping.
You'll be fine. Come on, come on. It's gonna be great.
[Stuart takes his pajama top off and kicks it into the laundry hamper like a soccer ball]
[...] See more »
During the first half of the closing credits, the cast is shown with their name and their character they played in a circle. See more »
not profound different by first part, it has a special virtue - it is a film for kids. naive, not very complicated, nice and full of basic romanticism and heroism. so, for adult public it could be a disappointment. but to be the kind of movie for a specific viewer is the vocation of this type of films. to use the child sensitivity, to preserve the fairy tale's spirit, to explore the adventure rules, to be charming and sweet and colored. so, for its purpose, the second Stuart Little represents the best result. and that is the secret to see it. to ignore the first expectations. for enjoy. and for remind the genuine seduction of a small story.
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