| Photos (See all 43 | slideshow) | Videos (see all 4) |
| Kevin Costner | ... | Eliot Ness | |
| Sean Connery | ... | Jim Malone | |
| Charles Martin Smith | ... | Agent Oscar Wallace | |
| Andy Garcia | ... | Agent George Stone / Giuseppe Petri | |
| Robert De Niro | ... | Al Capone | |
| Richard Bradford | ... | Police Chief Mike Dorsett | |
| Jack Kehoe | ... | Walter Payne | |
| Brad Sullivan | ... | George | |
| Billy Drago | ... | Frank Nitti | |
| Patricia Clarkson | ... | Catherine Ness | |
| Vito D'Ambrosio | ... | Bowtie Driver | |
| Steven Goldstein | ... | Scoop | |
| Peter Aylward | ... | Lt. Anderson | |
| Don Harvey | ... | Officer Preseuski | |
| Robert Swan | ... | Mountie Captain | |
| John J. Walsh | ... | Bartender | |
| Del Close | ... | Alderman | |
| Colleen Bade | ... | Mrs. Blackmer | |
| Greg Noonan | ... | Shooting Range Master | |
| Sean Grennan | ... | Cop Cousin | |
| Larry Viverito Sr. | ... | Italian Waiter | |
| Kevin Michael Doyle | ... | Williamson | |
| Mike Bacarella | ... | Overcoat Hood | |
| Michael P. Byrne | ... | Ness' Clerk | |
| Kaitlin Montgomery | ... | Ness' Daughter | |
| Aditra Kohl | ... | Blackmer Girl | |
| Charles Keller Watson | ... | Reporter | |
| Larry Brandenburg | ... | Reporter | |
| Chelcie Ross | ... | Reporter | |
| Tim Gamble | ... | Reporter | |
| Sam Smiley | ... | Bailiff | |
| Pat Billingsley | ... | Bailiff | |
| John Bracci | ... | Fat Man | |
| Jennifer Anglin | ... | Woman in Elevator | |
| Eddie Minasian | ... | Butler | |
| Anthony Mockus Sr. | ... | Judge (as Tony Mockus Sr.) | |
| Will Zahrn | ... | Defense Attorney | |
| Louie Lanciloti | ... | Barber (as Louis Lanciloti) | |
| Vince Viverito | ... | Bodyguard | |
| Valentino Cimo | ... | Bodyguard | |
| Joe Greco | ... | Bodyguard | |
| Clem Caserta | ... | Bodyguard | |
| Bob Martana | ... | Bodyguard | |
| Joseph Scianablo | ... | Bodyguard | |
| George S. Spataro | ... | Bodyguard | |
| Melody Rae | ... | Union Station Woman | |
| Robert Miranda | ... | Gunned Head | |
| James Guthrie | ... | Pagliacci | |
| Basil Reale | ... | Hotel Clerk | |
| rest of cast listed alphabetically: | |||
| John Barrowman | ... | Street Person (uncredited) | |
| Jimmy Borto | ... | Court Reporter (uncredited) | |
| Stephen Burrows | ... | Hoodlum (uncredited) | |
| Ernest Capponi | ... | Gangster at Round Table (uncredited) | |
| Jack Fitzstephens | ... | Train Announcer (uncredited) | |
| Patricia E. Harrington | ... | Street Person (uncredited) | |
| Clifton James | ... | District Attorney (uncredited) | |
| Robert Minkoff | ... | Bit (uncredited) | |
Directed by | |||
| Brian De Palma | |||
Writing credits | ||
| Oscar Fraley | (suggested by book) and | |
| Eliot Ness | (suggested by book) | |
| David Mamet | (written by) | |
Produced by | |||
| Raymond Hartwick | .... | associate producer (as Ray Hartwick) | |
| Art Linson | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Stephen H. Burum | |||
Film Editing by | |||
| Gerald B. Greenberg | (as Jerry Greenberg) | ||
| Bill Pankow | |||
Casting by | |||
| Mali Finn | |||
Art Direction by | |||
| William A. Elliott | |||
Set Decoration by | |||
| Hal Gausman | |||
Costume Design by | |||
| Marilyn Vance | (as Marilyn Vance-Straker) | ||
Makeup Department | |||
| Michael Hancock | .... | makeup artist | |
| Bette Iverson | .... | hair stylist | |
Production Management | |||
| Raymond Hartwick | .... | unit production manager (as Ray Hartwick) | |
Art Department | |||
| Robert J. Carlyle | .... | property foreperson | |
| Eve Cauley | .... | research assistant | |
| E.C. Chen | .... | set designer | |
| R. Gilbert Clayton | .... | set designer (as Gil Clayton) | |
| Gary Deaton | .... | construction foreperson | |
| Robert W. Dutton | .... | lead property person | |
| Robert W. Dutton | .... | property foreperson | |
| Gerald Gates Jr. | .... | paint foreperson (as Gerald John Gates) | |
| Dick Hansen | .... | set dresser | |
| Kim S. Hobbs | .... | set dresser | |
| Michael E. Humberger | .... | lead property person | |
| Michael E. Humberger | .... | property foreperson | |
| Steven Kerlagon | .... | paint foreperson (as Steve Kerlagon) | |
| Nicholas Laborczy | .... | set designer | |
| Sam Moore | .... | property master (as Spencer A. 'Sam' Moore) | |
| Roderick Nunnally | .... | production painter (as Rod Nunnally) | |
| Clarence Lynn Price | .... | construction supervisor | |
| Steven P. Sardanis | .... | set designer | |
| John Sweeney | .... | assistant property master | |
| Patrizia von Brandenstein | .... | visual consultant | |
Sound Department | |||
| Michael Berenbaum | .... | assistant sound editor | |
| Elisha Birnbaum | .... | foley supervisor | |
| Amy Briamonte | .... | assistant sound editor | |
| Michael DiCosimo | .... | stereo sound consultant: Dolby | |
| Gerald Donlan | .... | assistant sound editor | |
| Noreen Evans | .... | assistant sound editor | |
| Harriet Fidlow | .... | adr editor (as Harriet Fidlow Winn) | |
| Jack Fitzstephens | .... | sound editor | |
| Dale R. Janus | .... | boom operator (as Dale Janus) | |
| Faith Jones | .... | apprentice sound editor | |
| Kevin Lee | .... | sound editor | |
| Abe Nejad | .... | sound editor | |
| Ken S. Polk | .... | sound re-recording mixer | |
| Sanford Rackow | .... | sound editor | |
| Dan Sable | .... | supervising sound editor | |
| Lynn Sable | .... | assistant sound editor | |
| Jill Searchinger | .... | assistant adr editor | |
| Michael Steinfeld | .... | sound editor | |
| James M. Tanenbaum | .... | sound mixer (as Jim Tanenbaum) | |
| Dick Vorisek | .... | sound re-recording mixer (as Dick J. Vorisek) | |
| Glenn Williams | .... | cable person | |
| Bob Olari | .... | sound recordist (uncredited) | |
| Mel Zelniker | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Albert Delgado | .... | special effects foreperson | |
| Allen Hall | .... | special effects coordinator | |
| Chuck E. Stewart | .... | special effects (as Charles E. Stewart) | |
| Marvin Gardner | .... | special effects technician (uncredited) | |
| Mike Menzel | .... | special effects technician (uncredited) | |
| Robert G. Willard | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Janos Pilenyi | .... | opticals | |
| Phil Gosiewski | .... | visual effects technician (uncredited) | |
Stunts | |||
| Greg Brickman | .... | stunts | |
| Gilbert B. Combs | .... | stunts (as Gil Combs) | |
| Tim A. Davison | .... | stunts (as Tim Davison) | |
| Justin De Rosa | .... | stunts (as Justin DeRosa) | |
| Eddy Donno | .... | stunts | |
| Gary Epper | .... | stunts | |
| Frank Ferrara | .... | stunts | |
| Joe Gilbride | .... | stunts | |
| James M. Halty | .... | stunts (as Jim Halty) | |
| Roy E. Harrison | .... | stunts (as Roy Harrison) | |
| Rusty Hendrickson | .... | stunts | |
| Bob Herron | .... | stunts | |
| Steve Holladay | .... | stunts | |
| Gary Hymes | .... | stunt coordinator | |
| Jeff Jensen | .... | stunts | |
| Matt Johnston | .... | stunts | |
| Rick Le Fevour | .... | stunts | |
| Stacy Logan | .... | stunts | |
| Pat J. McNamara | .... | stunts (as Pat McNamara) | |
| J.N. Roberts | .... | stunts | |
| Danny Rogers | .... | stunts | |
| Kay Whipple | .... | stunts | |
| Ted Barba | .... | stunts (uncredited) | |
| Matthew S. Harrison | .... | stunt performer (uncredited) | |
Casting Department | |||
| Cheryl Collins | .... | extras casting: Chicago | |
| Ellen Moses | .... | extras casting: Chicago | |
Costume and Wardrobe Department | |||
| Giorgio Armani | .... | wardrobe | |
| Winnie D. Brown | .... | costume supervisor: women | |
| Richard Bruno | .... | wardrobe consultant: Mr. De Niro | |
| Tom Dickason | .... | costumer: men | |
| Daniel J. Lester | .... | costume supervisor: men (as Dan Lester) | |
| Cheryl Weber | .... | costumer: women | |
| Deborah Ambrosino | .... | specialty costume craftsperson (uncredited) | |
| Laurie Riley | .... | costumer (uncredited) | |
Editorial Department | |||
| Ray Hubley | .... | associate editor | |
| Deborah Peretz | .... | assistant editor | |
| Richard Ritchie | .... | color timer (as Dick Ritchie) | |
| Donna Stern | .... | apprentice editor | |
| Tara Timpone | .... | first assistant editor | |
| Joe Violante | .... | dailies advisor | |
Music Department | |||
| Emile Charlap | .... | music supervisor | |
| Thomas S. Drescher | .... | music editor (as Thomas Drescher) | |
| Michael Farrow | .... | music recording consultant (as Mike Farrow) | |
| Rudy Gaskins | .... | assistant music editor | |
| Ennio Morricone | .... | conductor | |
| Ennio Morricone | .... | orchestrator | |
| Greg Fulginiti | .... | music engineer (uncredited) | |
| John Moses | .... | musician: clarinetist (uncredited) | |
Transportation Department | |||
| Hayden D. Anglin | .... | transportation coordinator | |
| Clay Bartholomew | .... | driver: special equipment (as Clayton A. Bartholomew) | |
| George DiLeonardi | .... | transportation captain | |
| Robert A. Hogan | .... | transportation co-captain | |
| James Chepon | .... | on-set driver (uncredited) | |
| Roger Halvorsen | .... | driver (uncredited) | |
Other crew | |||
| Cyd Adams | .... | production assistant | |
| Elinor Bardach | .... | assistant: Ms. Vince-Straker | |
| Matthew Benjamin | .... | craft service | |
| Robert F. Byrnes | .... | first aid (as Robert Byrnes Jr.) | |
| Maria Teresa Corridoni | .... | personal consultant: Mr. De Niro | |
| Maureen Cunningham | .... | assistant location manager | |
| Monica Goldstein | .... | assistant: Brian De Palma | |
| Michele Imperato | .... | assistant production coordinator (as Michele G. Imperato) | |
| Gregory A. Jackson | .... | location assistant | |
| Joan R. Johnson | .... | research assistant | |
| Douglas Kraner | .... | technical advisor | |
| Shari Leibowitz | .... | production coordinator | |
| Dennis Park | .... | assistant production auditor | |
| Edward J. Reardon | .... | first aid (as Edward Reardon) | |
| Kendall A. Reed | .... | chapman crane operator | |
| Sioux Richards | .... | script supervisor | |
| Michael Roberts | .... | production auditor | |
| Patti Roberts-Nelson | .... | assistant: Art Linson (as Patti Roberts Nelson) | |
| Manlio Rocchetti | .... | personal consultant: Mr. De Niro (as Manilo Rochetti) | |
| Eric Schwab | .... | location manager | |
| Matthew Snyder | .... | production assistant | |
| Anne Marie Stein | .... | unit publicist | |
| Daniel M. Stillman | .... | production assistant (as Dan Stillman) | |
| Jim Vatis | .... | production assistant | |
| Kevin Bassett | .... | production assistant (uncredited) | |
| Jens Bogehegn | .... | intern (uncredited) | |
| Susan J. Bonno-Buckner | .... | assistant accountant (uncredited) | |
| J.P. Gabriel | .... | production assistant (uncredited) | |
| Michael Grasso | .... | firearms advisor (uncredited) | |
| Mark Gulbrandsen | .... | dailies projection technician (uncredited) | |
| David H. Kramer | .... | adr loop group (uncredited) | |
| Steve Kraus | .... | dailies projectionist (uncredited) | |
| Rony Shino | .... | location assistant (uncredited) | |
| Sherwin Tarnoff | .... | weapons master (uncredited) | |
| Branko Wohlfahrt | .... | weapon specialist (uncredited) | |
| Albert H. Wolff | .... | consultant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Quite a few words spring to my mind when I think of The Untouchables. Words like: Excellence, entertainment, larger than life and Sean Connery. These words basically summarize the entire film from my point of view of course because in my opinion (which I don't expect people to agree with) this is the best gangster film there is. Obviously people aren't going to agree because people prefer the likes of the operatic Godfather trilogy or the ultra realistic Goodfellas but in my head The Untouchables is the best.
Here are a few reasons why. First reason is that The Untouchables is just so darn entertaining. All the other films had completely different aims and even though I love a deep and brilliant story my main objective when I see a film is to be entertained and basically no film does that better than The Untouchables. That does not mean, however, that The Untouchables is just some half baked action comedy. No. There is genuine emotion and real story in this film. The story is, as most people know, loosely based on the actual events during the prohibition era in USA in the 1920s (the story is also based very, very loosely on the series that go by the same name) which to some extent means that what we see on the screen is real making the characters and general story seem that much more believable. This also adds greatly to the already very high entertainment value of the film because it draws the audience in. To add to the realism of the film the dialog is also very memorable and there are some great one-liners including some of my all time favorites in this film.
The acting is nothing short of brilliant. This is without a doubt Kevin Costner's best role. Some people have remarked that he seemed stiff and unable to portray the emotion of the character and to that I can only ask: Were we watching the same movie?! He is a hundred percent believable all the way through. In the beginning he seems a bit too much like a square I-wanna-do-some-good kind of character but as the story progresses he really evolves and becomes more and more emotionally involved in what he does. Both in his friends and in the cause. He even bends some of the rules he initially tried so hard to uphold. Brilliant. Charles Martin Smith does a good job as well and even though his character is very limited he still manages to pull the audience in. Andy Garcia appears in this film in a very limited role as well and he serves his purpose brilliantly. He is the sharpshooter of the group and he is perfectly believable in that part. He doesn't get to say much but what he does get to say is said with as much passion as I have ever heard from him (he seemed a little stale and lifeless in Godfather III). Robert DeNiro is great as Al Capone. He steals every scene he is in and he really brings the larger-than-life quality to the character which is extremely fitting. The film's best performance belongs to Sean Connery though. The film is for lack of a better expression a Sean Connery tour-de-force. Not only does he steal every scene he is in but he also brings the certain indescribable something to the character that he always does and in every situation you feel with him (as you do in all his films whether he is a villain or a hero). He also got a well deserved Oscar for his performance. People have claimed that the Oscar wasn't as much for this particular performance but an Oscar in recognition of his contributions to the film industry. This belittles his performance which I can safely say is the best of his career and one of the best displays of acting that I have ever seen.
The film also has a memorable score made by the legendary Ennio Morricone who is perhaps best known for the work he did with the equally legendary western director Sergio Leone (who doesn't know the score from The Good, the Bad and the Ugly) and in my opinion the score he did for The Untouchables is the best he has ever made. The score is very unlike most scores from the 80s which does that the film doesn't feel like an 80s film as much as Scarface which I find inferior to this masterpiece. The score is grand and epic just like the story and the effects. For an 80s movie the effects are pretty amazing. Once again everything works.
All in all The Untouchables is a riveting story which is highly recommendable to all fans of crime/gangster movies.
10/10 - on my top 10 of best films