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A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him and lead on to a better life outside of NYC.
After a prank goes disastrously wrong, a group of boys are sent to a detention center where they are brutalized; over 10 years later, they get their chance for revenge.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Director:
Roger Donaldson
Stars:
Jason Statham,
Saffron Burrows,
Stephen Campbell Moore
Federal agent Elliot Ness assembles a personal team of mob fighters to bring Chicago crime boss Al Capone to justice using unconventional means during the mob wars of the 1920s. This fictionalized account of the arrest of Al Capone is heavy on style and gunfire. The end shootout combines a baby carriage and stairs with a nod to Eisenstein's _The Battleship Potemkin_. Written by
Keith Loh <loh@sfu.ca>
Although the name "George Stone" does not translate to "Guiseppe Petri" in Italian, the character didn't necessarily directly translate his name. The Petri part - "Stone" - is correct, however "George" in Italian is "Giorgio". Guiseppe is actually "Joseph". See more »
Quotes
[first lines]
Title Card:
1930. Prohibition has transformed Chicago into a City at War. Rival gangs compete for control of the city's billion dollar empire of illegal alcohol, enforcing their will with the hand grenade and tommy gun. It is the time of the Ganglords. It is the time of Al Capone.
Reporter:
[to Al Capone]
An article, which I believe appeared in a newspaper, asked why, since you are, or it would seem that you are, in effect, the mayor of Chicago, you've not simply been appointed to that position.
[...] See more »
Crazy Credits
The title of the aria "Vesti la giubba" from Leoncavallo's opera "Pagliacci" is misspelled in the closing credits of the film: "Vesti la guibba". See more »
Outstanding production that was the best film of 1987 with the exception of the very dominant "The Last Emperor". "The Untouchables" is the story of Elliot Ness (perfectly played by Kevin Costner) who tries to bring down Chicago Mob boss Al Capone (Robert DeNiro in one of his most under-rated roles) during the early-1930s. Illegal liquor smuggling and other much more serious crimes are running amok and corruption is all over. Costner realizes very fast that he must hand-pick his own men to bring DeNiro down for good. Thus he enlists the help of a young cop from the academy (Andy Garcia), a wimpy book-keeper (Charles Martin Smith) and a hard-nosed Irish beat cop (Oscar-winner Sean Connery in the performance of a lifetime). Together they slowly start to peel through the multiple layers of protection to get DeNiro for good. It seems that the fact that DeNiro has been lax in paying his income taxes could be his ultimate downfall. Beautifully directed by Brian De Palma, "The Untouchables" stands very tall with the other great productions of the 1980s. Ennio Morricone's Oscar-nominated score is one of the finest the cinema has ever experienced. Really excellent. I have no negative comments on this production. 5 stars out of 5.
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Outstanding production that was the best film of 1987 with the exception of the very dominant "The Last Emperor". "The Untouchables" is the story of Elliot Ness (perfectly played by Kevin Costner) who tries to bring down Chicago Mob boss Al Capone (Robert DeNiro in one of his most under-rated roles) during the early-1930s. Illegal liquor smuggling and other much more serious crimes are running amok and corruption is all over. Costner realizes very fast that he must hand-pick his own men to bring DeNiro down for good. Thus he enlists the help of a young cop from the academy (Andy Garcia), a wimpy book-keeper (Charles Martin Smith) and a hard-nosed Irish beat cop (Oscar-winner Sean Connery in the performance of a lifetime). Together they slowly start to peel through the multiple layers of protection to get DeNiro for good. It seems that the fact that DeNiro has been lax in paying his income taxes could be his ultimate downfall. Beautifully directed by Brian De Palma, "The Untouchables" stands very tall with the other great productions of the 1980s. Ennio Morricone's Oscar-nominated score is one of the finest the cinema has ever experienced. Really excellent. I have no negative comments on this production. 5 stars out of 5.