Federal agent Elliot Ness assembles a personal team of mob fighters to bring Chicago crime boss Al Capone to justice using unconventional means during the mob wars of the 1920s. This fictionalized account of the arrest of Al Capone is heavy on style and gunfire. The end shootout combines a baby carriage and stairs with a nod to Eisenstein's _The Battleship Potemkin_. Written by
Keith Loh <firstname.lastname@example.org>
At the Canadian border, Ness, the other three Untouchables and the Captain are standing in a line of five. We then see the captain leave the line after he gives orders. When the camera pulls out, however, we see that the line the five of them were standing in is still intact. Someone on horseback is moving in the back, but unless someone took the captain's place, it cannot be the captain. See more »
1930. Prohibition has transformed Chicago into a City at War. Rival gangs compete for control of the city's billion dollar empire of illegal alcohol, enforcing their will with the hand grenade and tommy gun. It is the time of the Ganglords. It is the time of Al Capone.
[to Al Capone]
An article, which I believe appeared in a newspaper, asked why, since you are, or it would seem that you are, in effect, the mayor of Chicago, you've not simply been appointed to that position.
[...] See more »
The title of the aria "Vesti la giubba" from Leoncavallo's opera "Pagliacci" is misspelled in the closing credits of the film: "Vesti la guibba". See more »
A perfect rendition of events is created in the film, thanks to excellent costumes and art direction, and a very well researched screenplay. Superb music by Ennio Morricone and excellent cinematography provide the film with an exciting epic swoop without ruining its historical credibility. Sean Connery, in a role he won an Oscar for, Kevin Costner, and Robert De Niro, in a brilliant realisation of Al Capone, are all in top form. If being nit-picky one might fault the film in over-glorifying Eliot Ness, but that hardly subtracts from this exciting, excellently filmed experience, which has both style and substance.
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