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Carly Simon may have crooned 'Nobody Does It Better' for Roger Moore's James Bond outing The Spy Who Loved Me, but when it comes to big screen 007s it's still hard to look past Sean Connery's combo of humour, sophistication and lethal cunning.
The Scot celebrates his 85th birthday today (August 25), and we want to know what your favourite Connery movie moment is. Here's five below to help get the memory banks firing.
With a laser creeping precariously towards his gonads, Connery's 007 is still able to keep his cool in the presence of villain Auric Goldfinger. The above scene shows just why he was so brilliant as Bond, mixing arrogance, wit and cunning in the space of four tense minutes…
The Man Who Would Be King (1975)
Brian De Palma (Scarface, The Untouchables, Carlito’s Way) will receive the Venice Film Festival’s Jaeger-LeCoultre Glory to the Filmmaker 2015 Award. The award, to be presented September 9, is dedicated to filmmakers who have made an outstanding contribution to cinema over the years. Noah Baumbach and Jake Paltrow’s feature-length docu De Palma will world premiere out of competition after the award is presented. The film grew out of the two directors' spending time with… »
Brian De Palma, the Us director of Scarface, Carrie and Carlito’s Way, is to receive the Venice International Film Festival’s Jaeger-LeCoultre Glory to the Filmmaker 2015 Award, dedicated to those who have made significantly original contributions to contemporary cinema.
The award will be given to De Palma on Sept 9 in the Sala Grande (Palazzo del Cinema) and will be followed by the world premiere of documentary De Palma, directed by Noah Baumbach and Jake Paltrow. The film is billed as an intimate conversation between filmmakers, chronicling De Palma’s 55-year career, his life, and his filmmaking process.
De Palma has previously presented seven films at Venice, the first being crime thriller Blood Sisters in 1975.
In 1981, De Palma screened Blow Out in the section Mezzogiorno/Mezzanotte; in 1987, The Untouchables, out-of-competition; in 1992, Raising Cain, the closing film in competition; in 2006, The Black Dahlia, the opening »
- firstname.lastname@example.org (Michael Rosser)
20th Century Fox
Hollywood is packed to the brim with actors desperate to prove just how dedicated they are to their craft, which is why so many of them ultimately choose to go “full-on method” when it comes to certain roles. They want you to know how serious acting is, okay?
Each to their own, we guess. And that’s a notion – “each to their own” – that really resonants when you look at some of the truly strange ways in which some actors allowed themselves to get into character for famous films and TV shows. You have to ask: were a lot of these approaches really necessary, or were said actors just wasting time?
10. Robert De Niro Insisted On Wearing The Same Silk »
- Sam Hill
Legendary composer Ennio Morricone is set to do the score for Quentin Tarantino's "The Hateful Eight," marking his return to the genre after four decades away from a sound he made iconic in Sergio Leone's "The Good, The Bad and The Ugly," "Once Upon a Time in the West" and "A Fistful of Dollars"
Morricone has worked on such famous films as "The Untouchables," "The Thing," "The Mission," "In the Line of Fire," "Cinema Paradiso," "Days of Heaven," "Bugsy" "Disclosure" and "Casualties of War". He previously worked with Tarantino on "Inglorious Basterds" and "Django Unchained".
The revelation was just one of a number of reveals during the Hall H panel at Comic Con for the new Tarantino film. Kurt Russell, Tim Roth, Bruce Dern and Jennifer Jason Leigh were all on hand to show off seven minutes of footage from the film and talk about the new film's presentation. »
- Garth Franklin
Director Quentin Tarantino and the cast of his upcoming Western The Hateful Eight invaded Hall H at Comic-Con today, revealing the first footage to the massive crowd, although it hasn't gone online yet. But we did get a new poster. At the end of the panel, Quentin Tarantino made a surprise announcement that legendary composer Ennio Morricone will craft the score for The Hateful Eight, his first original Western score in over 40 years. Here's what the filmmaker had to say during the panel.
"I want to make one announcement that people don't know yet. It wasn't for sure, but we just settled it. You guys know that I don't use an original score in my movies, I kinda take scores from other movies and put 'em in there. This one, I thought should have an original score. So I'm here to announce that the great Ennio Morricone will be doing »
It¡¦s exactly one year to this day when you surprised me and the entire industry with your chilling performance in Ek Villian. June 27, 2014, I¡¦m sure is the day you will never forget. That was, to me, your biggest Friday professionally. You surpassed your expectations as a performer and I know the kick it can give a creative person.
It¡¦s a high of knowing that you broke the standards you set for yourself. Every creative person is his or hers biggest critic. The appreciation that followed would have only been the icing on the cake. Not to mention the awards.
Every actor lives for this, and then to push himself some more; for that surreal place where he can call his own¡Xhis zone! Every actor reaches there at least once in his lifetime.
Brian De Palma’s overtly stylistic method of filmmaking may have won him fans such as Quentin Tarantino, but there’s a sinking feeling when you look over his career that he’s never quite received the respect he deserves. De Palma already had several films under his belt by the time the “movie brats” came of age in the 1970s. He worked with Robert De Niro years before Scorsese and Coppola ever got their hands on the actor. He’s amassed a filmography that features classics such as “Carrie,” “Scarface,” “The Untouchables,” and he has three other films in the Criterion Collection. And yet, he’s also the guy who somehow wound up with zero Oscar nods and six Razzie nominations. What’s that all about? No matter how you look at De Palma’s career, there’s no denying he can be a remarkable craftsman. Video essayist Julian Palmer »
- Ken Guidry
Composer Ennio Morricone is going on a worldwide tour to celebrate 60 years in the film industry.
Morricone will travel across the globe from January 2016 to cities including Prague, Dublin and Amsterdam.
The tour will arrive at Dublin's 3Arena on February 14 and London's O2 Arena on February 16.
During his years in the industry, Morricone has composed music for more than 500 films and TV shows, including Django Unchained, The Untouchables, Once Upon a Time in America and The Good, The Bad and The Ugly.
Tickets go on sale this Friday (June 5). Further cities will be announced soon.
Morricone said: "Performing my work live in all these different cities for people of so many different ages and cultural backgrounds is an incredibly gratifying experience."
The Ennio Morricone 2016 tour dates as they stand:
January 15 - Prague, O2 Arena
January 17 - Budapest, Papp Laszlo Arena
January 19 - Bratislava, Slovnaft Arena
February 14 - Dublin, 3Arena
February 16 - London, »
Sound on Sight undertook a massive project, compiling ranked lists of the most influential, unforgettable, and exciting action scenes in all of cinema. There were hundreds of nominees spread across ten different categories and a multi-week voting process from 11 of our writers. The results: 100 essential set pieces, sequences, and scenes from blockbusters to cult classics to arthouse obscurities.
Shootouts, unlike any other type of action scenes, put death in the forefront of the audience’s mind. Whereas a car chase draws the attention onto the race, or a fight scene onto the pursuit of victory, shootouts test the mortality of our protagonists and anti-heroes. It’s more than just a hail of bullets that matters on screen, it’s who those bullets are clipping down or propping up. Legends can be made in a flurry of lead. The last man standing after the fray isn’t always the best or »
- Shane Ramirez
Detective Frank Drebin's outside his Los Angeles police precinct, squeezing off shots into the receding backside of his own car.
How this came to happen almost defies description. Having driven his Ford Crown Victoria into a couple of bins outside the building, Drebin stumbles out, seemingly oblivious to the airbags going off inside. One airbag knocks the car into drive and off the vehicle goes, almost running Drebin over as it rumbles downhill.
As an orchestrated bit of comedy cinema, it's the knockabout equivalent of the famous scene in The Untouchables, where Brian De Palma expertly wrings every drop of suspense from a pram thudding down a flight of stairs at a train station.
On the spur of the moment, Drebin comes to the conclusion that there's a criminal »
'JFK' movie with Kevin Costner as Jim Garrison 'JFK' assassination movie: Gripping political drama gives added meaning to 'Rewriting History' If it's an Oliver Stone film, it must be bombastic, sentimental, clunky, and controversial. With the exception of "clunky," JFK is all of the above. It is also riveting, earnest, dishonest, moving, irritating, paranoid, and, more frequently than one might expect, outright brilliant. In sum, Oliver Stone's 1991 political thriller about a determined district attorney's investigation of the assassination of U.S. president John F. Kennedy is a slick piece of propaganda that mostly works both dramatically and cinematically. If only some of the facts hadn't gotten trampled on the way to film illustriousness. With the exception of John Williams' overemphatic score – Oliver Stone films need anything but overemphasis – JFK's technical and artistic details are put in place to extraordinary effect. Joe Hutshing and Pietro Scalia's editing »
- Andre Soares
Editor's Note: This post is presented in partnership with Time Warner Cable Movies On Demand in support of Indie Film Month. Today's pick, "Black and White," is available now On Demand. Need help finding a movie to watch? Let TWC find the best fit for your mood here. Kevin Costner has never been a blockbuster megastar, but through decades of critically-acclaimed performances in movies both big and small, his staunch, quiet reliability has emerged as his very appeal. After rising to prominence in Brian De Palma's "The Untouchables" and the baseball-themed successes "Bull Durham" and "Field of Dreams," Costner went on to win two Academy Awards out of three nominations for writing, directing and starring in "Dances with Wolves." But that film didn't launch Costner into super-stardom. Through the decades since, he has established himself as a different kind of leading man. He doesn't always attract much attention, and the. »
- David Canfield
Midnight Run, 1988.
Directed by Martin Brest.
Back in 1988, when Midnight Run was originally released, mismatched buddy movies were all over the place so in order to stand out from the crowd a new buddy movie would need something special to rise to the top. Luckily somebody managed to blag Robert De Niro (The Godfather Part II), an actor not known for his comedic prowess back then but fresh off the success of The Untouchables and clearly on top of his game, and a supporting cast featuring the considerable talents of Yaphet Kotto (Live & Let Die), Dennis Farina (Crime Story), Joe Pantoliano (The Goonies »
- Gary Collinson
“The nose of a dog, the heart of a Marine – sounds like a Hero to me.”
Warner Bros. Pictures and MGM have released the first trailer and poster for the upcoming family drama Max.
A military working dog Max returns from service in Afghanistan after his handler’s death. He’s adopted by the man’s family to help the grieving family heal.
Have your tissues ready.
A precision-trained military dog, Max serves on the frontlines in Afghanistan, alongside his handler, U.S. Marine Kyle Wincott. But when things go terribly wrong on maneuvers, Kyle is mortally wounded and Max, traumatized by the loss of his best friend, is unable to remain in service.
Shipped stateside, the only human he seems willing to connect with is Kyle’s teenage brother, Justin, so Max is adopted by Kyle’s family, essentially saving his life. But Justin has issues of his own, »
- Michelle McCue
If you’re a regular reader of The Playlist, there’s a good chance you’ve heard the name Antonios Papantoniou by now. Sound familiar at all? Papantoniou is a fastidious and astute independent filmmaker who also makes incredibly detail-oriented, painstaking studies of camera and shot techniques employed by some of the greatest directors working today. He’s dubbed these video essays his “Shot by Shot” series. We’ve already featured ones he’s done on Spielberg (“Jaws”) and Scorsese (“Cape Fear”). Before Papantoniou studied either of those films, though, he turned his focus to the incredible and classic union station scene in Brian De Palma’s 1987 hit, “The Untouchables.” Ok — brief time out. If for whatever reason you haven’t yet seen the scene in reference, it’s one of the most tense, beautifully choreographed, flat-out awesome shootouts ever to be committed to film. We've added it below, so »
- Zach Hollwedel
Sure, there have been countless articles detailing the debonair men that portrayed the world’s most famous superspy in Ian Fleming’s creation of Agent 007 (a.k.a James Bond). And of course there have been many debates arguing who is considered the best Bond of them all (yes…I concur with the majority of the Sean Connery census that he is the ideal licensed to kill Lothario of them all). Plus, the listing of who’s the better Bond from top to bottom is always a lively discussion among Agent 007 aficionados.
Well, here is one more list to join the fray in terms of examining the actors that carried the action-packed load in bringing Fleming’s dashing Danger Man into the forefront of adventure, mystery, travel and romance. In Of Human “Bond”-age: Top Ten Actors That Had Played James Bond we will take a look at the actors »
- Frank Ochieng
Kevin Costner has a new film opening this week, and I’ve already forgotten about it. That’s probably a bit too harsh as I’ll watch anything starring Costner, and he’s also someone who’s starred in more movies I find it impossible to turn off once started than anyone else — No Way Out, The Untouchables, Tin Cup, Silverado, Field of Dreams, Open Range, The Bodyguard (yeah I said it) — but the man’s made some unfortunate choices in recent years. (Although I will fight you over the underseen The New Daughter and its kick-ass ending.) Back in 1990, near the height of his career, Costner joined forces with Tony Scott — a director at the equivalent peak of his own career — to deliver a dark thriller about lust and consequences in rural Mexico. Revenge tanked at the box-office, but Costner and Scott quickly got back into Hollywood’s good graces with Dances with Wolves and Days of Thunder »
- Rob Hunter
Boyhood and The Grand Budapest Hotel took the respective top prizes for drama and comedy tonight at the 65th American Cinema Editors Awards. Oscar snubee The Lego Movie continued to rack up awards-season wins, scoring the trophy for Best Edited Animated Feature Film, while Citizenfour added the Ace Eddie to its winning streak for documentary feature.
The ceremony, hosted by 24 actress Mary Lynn Rajskub at the Beverly Hilton, saw Grand Budapest check in with the upset win over Birdman, which was edited to look like it was shot in a single take and came into the Ace Eddies with strong momentum, having won top honors at both the PGAs and the SAG Awards last weekend. The category had the usual five nominees, but this year’s dramatic feature field was notable for a tie that resulted in six nominees — only the second time the American Cinema Editors has had to »
- Ross A. Lincoln and Erik Pedersen
Twenty-five years ago the prophetic declaration “If you build it, they will come” sounded across an Iowa cornfield in “Field of Dreams.”
Kevin Costner, the film’s star, has crafted his career along the lines of that advice, creating an oeuvre to which auds have flocked — and which the industry has rewarded with multiple kudos.
Over the past three decades the Oscar- and Emmy-winning multihyphenate has acted in, produced, written and directed some of the most beloved movies in American filmmaking, from the critical juggernaut “Dances With Wolves” to Oliver Stone’s “JFK” to Mike Binder’s gripping and — as it turned out — critically timely 2014 custody battle drama “Black or White,” which he also backed financially.
Now Costner can add Broadcast Film Critics Assn. Lifetime Achievement Award to his accolades. The award, which honors Costner’s significant contribution to the entertainment industry, will be handed out during the Bfca Critics »
- Malina Saval
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