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Directed by | |||
| Ivan Reitman | |||
Writing credits | ||
| Dan Aykroyd | (written by) and | |
| Harold Ramis | (written by) | |
| Rick Moranis | uncredited | |
Produced by | |||
| Bernie Brillstein | .... | executive producer | |
| Michael C. Gross | .... | associate producer | |
| Joe Medjuck | .... | associate producer | |
| Ivan Reitman | .... | producer | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| László Kovács | (director of photography) (as Laszlo Kovacs) | ||
Film Editing by | |||
| David E. Blewitt | (as David Blewitt) | ||
| Sheldon Kahn | |||
Casting by | |||
| Karen Rea | |||
Production Design by | |||
| John DeCuir | (as John De Cuir) | ||
Art Direction by | |||
| John DeCuir Jr. | (as John De Cuir Jr.) | ||
Set Decoration by | |||
| Marvin March | |||
Costume Design by | |||
| Theoni V. Aldredge | |||
| Suzy Benzinger | (uncredited) | ||
Makeup Department | |||
| Etsuko Egawa | .... | special makeup effects artist | |
| Leonard Engelman | .... | makeup artist | |
| Dione Taylor | .... | hair stylist | |
| Michael R. Thomas | .... | makeup artist: New York (as Michael Thomas) | |
| Michael R. Jones | .... | special makeup effects artist (uncredited) | |
| Barry Rosenberg | .... | hair stylist (uncredited) | |
| Peggy Semtob | .... | hair stylist (uncredited) | |
Production Management | |||
| Patrick McCormick | .... | unit production manager: New York | |
| John G. Wilson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gary Daigler | .... | first assistant director | |
| William Eustace | .... | second assistant director: New York (as Bill Eustace) | |
| Katterli Frauenfelder | .... | second assistant director | |
| Peter Giuliano | .... | first assistant director: New York | |
| Patrick McKee | .... | dga trainee | |
| John Pepper | .... | second assistant director: New York | |
| Carol L. Vitkay | .... | DGA trainee: New York (as Carol Vitkey) | |
Art Department | |||
| Jack E. Ackerman | .... | property master | |
| Brent Boates | .... | creature design consultant | |
| Paul J. Campanella | .... | stand-by painter (as Paul Campanella) | |
| Joseph M. Caracciolo Jr. | .... | property master: New York (as Joe Caracciola Jr.) | |
| Kurt Conner | .... | creature design consultant (as Kurt W. Conner) | |
| Robert Drumheller | .... | set decorator: New York | |
| George Eckert | .... | set designer | |
| Thom Enriquez | .... | creature design consultant | |
| Bob Kline | .... | creature design consultant (as Robert Kline) | |
| John Jay Moore | .... | art director: New York (as John Moore) | |
| Donald L. Nobles | .... | construction coordinator (as Don Noble) | |
| Terry Windell | .... | creature design consultant | |
| Bernie Wrightson | .... | creature design consultant (as Berni Wrightson) | |
| Michael Denering | .... | scenic artist (uncredited) | |
| Dale DeStefani | .... | propmaker (uncredited) | |
| Steven Ladish | .... | props (uncredited) | |
| Mark Siegel | .... | sculptor (uncredited) | |
| Louis Zamora | .... | labor foreman (uncredited) | |
Sound Department | |||
| Rick Alexander | .... | sound re-recording mixer (as Dick Alexander) | |
| Richard Beggs | .... | sound designer | |
| Raul A. Bruce | .... | sound boom (as Paul A. Bruce) | |
| Jim Bullock | .... | sound editor | |
| Gene S. Cantamessa | .... | production sound mixer (as Gene Cantamessa) | |
| John M. Colwell | .... | sound editor (as John Colwell) | |
| Les Fresholtz | .... | sound re-recording mixer | |
| Joseph Holsen | .... | sound editor | |
| William L. Manger | .... | sound editor | |
| Tom McCarthy Jr. | .... | sound designer | |
| Vern Poore | .... | sound re-recording mixer | |
| Michael P. Redbourn | .... | sound editor (as Mike Redbourn) | |
| Don S. Walden | .... | sound editor | |
| Jack Wolpa | .... | cable person (as Jack Walpa) | |
| Ken Dufva | .... | foley artist (uncredited) | |
| Kim Maitland | .... | sound recordist (uncredited) | |
| Christopher Moriana | .... | foley artist (uncredited) | |
Special Effects by | |||
| Jon Alberti | .... | mechanism designer (as John Alberti) | |
| Nicholas Alberti | .... | mechanism designer | |
| Lance Anderson | .... | mechanism designer | |
| Larz Anderson | .... | mechanism builder | |
| Doug Beswick | .... | mechanism designer | |
| Don Carner | .... | mechanism designer | |
| Tom Culnan | .... | mechanism builder | |
| Joe Day | .... | special effects foreman | |
| Kevin Dixon | .... | mechanism builder | |
| Steve Dunham | .... | chief mechanism designer | |
| Gunnar Ferdinandsen | .... | chief moldmaker | |
| Scott Forbes | .... | special effects technician | |
| Joe Franke | .... | mechanism builder | |
| Chuck Gaspar | .... | special effects supervisor | |
| Bill Sturgeon | .... | mechanism builder | |
| Robert Cole | .... | special effects (uncredited) | |
| Bob Shelley | .... | special effects foreman (uncredited) | |
| Joe Viskocil | .... | pyrotechnic supervisor: Staypuft (uncredited) | |
Visual Effects by | |||
| Jim Aupperle | .... | camera operator: EEG | |
| Philip Barberio | .... | optical line-up: EEG (as Phil Barberio) | |
| Jon Berg | .... | ghost shop advisor: EEG | |
| Les Bernstien | .... | technical animator: EEG (as Les Bernstein) | |
| Gary D. Bierend | .... | model maker (as Gary Bierend) | |
| Mike Bolles | .... | design engineer | |
| Kris Brown | .... | software programmer | |
| John Bruno | .... | visual effects art director: EEG | |
| Billy Bryan | .... | sculptor: Staypuft, EEG (as Bill Bryan) | |
| Conrad Buff IV | .... | visual effects editor: EEG (as Conrad Buff) | |
| Laura Buff | .... | production coordinator: EEG | |
| Richard Coleman | .... | animator: EEG | |
| Randall William Cook | .... | dimensional animation effects: EEG | |
| Charles Cowles | .... | optical printer operator: EEG (as Chuck Cowles) | |
| Richard Edlund | .... | visual effects | |
| Leslie Ekker | .... | model maker | |
| Wendie Fischer | .... | technical animator: EEG | |
| Linda Frobos | .... | sculptor: Staypuft, EEG | |
| Constantine Ganakes | .... | matte artist: EEG | |
| Kento Gebo | .... | model maker (as Kent Gebo) | |
| Bruno George | .... | optical printer operator: EEG | |
| Pete Gerard | .... | model maker | |
| Alan Harding | .... | assistant matte cameraman: EEG | |
| Jack Hinkle | .... | assistant effects editor: EEG | |
| Bob Hoffman | .... | model maker | |
| Michael Hosch | .... | sculptor: EEG (as Mike Hosch) | |
| Jerry Jeffress | .... | electronic engineer | |
| Steve Johnson | .... | sculptor: librarian: EEG | |
| Steve Johnson | .... | sculptor: onion head: EEG | |
| Ed Jones | .... | optical line-up: EEG | |
| Rick Kerrigan | .... | production supervisor: EEG (as Richard Kerrigan) | |
| Neil Krepela | .... | matte department supervisor: EEG | |
| John Lambert | .... | camera operator: EEG | |
| Pete Langton | .... | technical animator: EEG | |
| Robin Dean Leyden | .... | electronic engineer (as Robin Leyden) | |
| Pat McClung | .... | model maker | |
| Dennis Michelson | .... | assistant effects editor: EEG | |
| Virgil Mirano | .... | still photographer: EEG | |
| Michele Moen | .... | matte artist: EEG (as Michelle Moen) | |
| Ronald B. Moore | .... | optical line-up: EEG | |
| Thaine Morris | .... | mechanical effects supervisor: EEG | |
| Bill Neil | .... | chief cameraman: EEG | |
| Steve Neill | .... | sculptor: EEG | |
| James Nelson | .... | godfather: EEG (as Jim Nelson) | |
| Sean Newton | .... | animator: EEG | |
| Clint Palmer | .... | assistant cameraman: EEG | |
| Donald Pennington | .... | model maker (as Don Pennington) | |
| Leona Phillips | .... | optical effects administrator | |
| Gary Platek | .... | director of special projects: EEG | |
| Samuel E. Recinos | .... | technical animator: EEG (as Sam Recinos) | |
| William Recinos | .... | animator: EEG | |
| Peggy Regan | .... | technical animator: EEG | |
| Arthur F. Repola | .... | effects editor: EEG (as Art Repola) | |
| Pete Romano | .... | assistant cameraman: EEG | |
| Milius Romyn | .... | model maker | |
| Nick Seldon | .... | model maker | |
| Paul Skylar | .... | model maker | |
| Robert Spurlock | .... | effects man: EEG | |
| Mark Stetson | .... | model shop supervisor: EEG | |
| Annick Therrien | .... | technical animator: EEG (as Annick Therrein) | |
| Mark Vargo | .... | optical supervisor: EEG | |
| Garry Waller | .... | animation supervisor: EEG | |
| Mary E. Walter | .... | optical line-up: EEG | |
| Mark West | .... | design engineer | |
| Jody Westheimer | .... | assistant cameraman: EEG | |
| Gene Whiteman | .... | chief engineer: EEG | |
| Robert Wilson | .... | optical printer operator: EEG (as Bob Wilson) | |
| Terry Windell | .... | animation supervisor: EEG | |
| Bruce Woodside | .... | animator: EEG | |
| Matthew Yuricich | .... | chief matte artist: EEG (as Matt Yuricich) | |
| Stuart Ziff | .... | head of ghost shop: EEG | |
| Yarek Alfer | .... | prop maker (uncredited) | |
| Margaret Craig-Chang | .... | technical animation assistant (uncredited) | |
| Ko Hashiguchi | .... | technical animation assistant (uncredited) | |
| Michael F. Hoover | .... | motion control computer operator (uncredited) | |
| Sam Longoria | .... | assistant matte cameraman (uncredited) | |
| Sam Longoria | .... | engineer/machinist (uncredited) | |
| Sam Longoria | .... | special projects (uncredited) | |
| Richard Lund | .... | translite photographer (uncredited) | |
| Tom Pahk | .... | model maker (uncredited) | |
| Lynda Thompson | .... | visual effects production supervisor (uncredited) | |
| Eusebio Torres | .... | technical animation assistant (uncredited) | |
| Mac Torres | .... | technical animation assistant (uncredited) | |
| Paul Van Camp | .... | software programmer (uncredited) | |
Stunts | |||
| Bill Couch | .... | stunt coordinator | |
| Tony Kahana | .... | stunts | |
| Tony Brubaker | .... | stunts (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
| Lisa Cain | .... | utility stunts (uncredited) | |
| Anthony Cecere | .... | stunts (uncredited) | |
| Joe Cirillo | .... | stunts (uncredited) | |
| Bill Couch | .... | stunts (uncredited) | |
| Lisa Dalton | .... | stunts (uncredited) | |
| Steve Dash | .... | stunt double: William Atherton (uncredited) | |
| Diamond Farnsworth | .... | stunts (uncredited) | |
| Gene Harrison | .... | stunts (uncredited) | |
| Larry Holt | .... | stunt performer (uncredited) | |
| Julius LeFlore | .... | stunts (uncredited) | |
| Bill McIntosh | .... | stunts (uncredited) | |
| Tom Morga | .... | stunt double: Harold Ramis (uncredited) | |
| Tom Morga | .... | stunts (uncredited) | |
| Shawn O'Neil | .... | stunt driver (uncredited) | |
| Debby Lynn Ross | .... | stunts (uncredited) | |
| George P. Wilbur | .... | stunts (uncredited) | |
| Bob Yerkes | .... | stunts (uncredited) | |
Casting Department | |||
| Joy Todd | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Dayton Anderson | .... | costumer | |
| Lee Austin | .... | wardrobe supervisor: New York | |
| Bruce Ericksen | .... | costume supervisor (as Bruce Erickson) | |
| Debra Louis Katz | .... | wardrobe supervisor: New York | |
| Peggy Thorin | .... | costumer | |
Editorial Department | |||
| Joe Mosca | .... | assistant editor | |
| Saul Saladow | .... | assistant editor | |
| James Seidelman | .... | assistant editor (as Jim Seidelman) | |
| Tracy Granger | .... | assistant/apprentice editor (uncredited) | |
Music Department | |||
| Peter Bernstein | .... | orchestrator | |
| Kathy Durning | .... | supervising music editor: Segue Music | |
| Ray Parker Jr. | .... | song: music and lyrics by | |
| David Spear | .... | orchestrator | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Robert Fernandez | .... | scoring mixer (uncredited) | |
| Patrick Russ | .... | orchestrator (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Transportation Department | |||
| John F. Curtis | .... | driver captain | |
| James E. Foote | .... | transportation coordinator (as Jim Foote) | |
| Patrick Hogan | .... | transportation captain: second unit (uncredited) | |
Thanks | |||
| Suzy Benzinger | .... | thanks | |
| Will Fowler | .... | thanks | |
| Amy Friedman | .... | thanks | |
| Frank Krenz | .... | thanks | |
| Hal Landaker | .... | thanks | |
| Joanna Lipari | .... | thanks | |
| Peggy Semtob | .... | thanks | |
| Don Shay | .... | thanks | |
| Chris Stoia | .... | thanks | |
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| Ghostbusters II | The Sorcerer's Apprentice | Spider-Man 2 | 1408 | Little Nicky |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
What's that you say? Ghostbusters, one of the most financially successful and over-hyped comedies of the eighties, underrated? Yes. Precicely because it was so over-hyped and made so much money, there has been a stigma attached to this film identifying it as a childish FX piece, when it is nothing of the sort. Most of the lines people remember("He slimed me," "OK. So? She's a dog," "When someone asks you if you're a god, you say YES!") are not its funniest or wittiest lines, which often are missed on first or even second viewing. I laugh every time I observe a gag or a quip that I somehow missed the other 20 times I viewed a scene; "Egon, this reminds me of the time you tried to drill a hole through your head, remember that?" "That would have worked if you hadn't stopped me", or, to the driver of a van from a loony bin, "Dropping off or picking up?" Brilliant.
Not only is Ghostbusters funny, it manages to include some truly scary scenes. And not just lose-your-popcorn moments like the fridge from Hell, but also scenes of quiet, thoughtful chill, like Egon's retelling of how the possessed apartment building came into being, or Winston recalling the Book of Revelation. Which other film has managed to combine the Marx Brothers with HP Lovecraft?
The special effects hold up well, besides some obvious studio sets and models, but what really creates this film's world is the stunning cinematography. Manhattan, perhaps the pinnacle of Gothic architectural evolution, is brilliantly utilised here to create a sense of menacing grandeur. After watching "Ghostbusters" I couldn't imagine the realm of the Old Gods opening into our world from anywhere else. The soundtrack is great, not the overrated theme (Which was in fact lifted from Huey Lewis' "I Need a New Drug"), but the wonderfully blusey "Cleaning Up the Town," the creepy proto-techno chiller "Magic" and also the wonderful score by the late and much lamented Elmer Bernstein.