It's Harry's third year at Hogwarts; not only does he have a new "Defense Against the Dark Arts" teacher, but there is also trouble brewing. Convicted murderer Sirius Black has escaped the Wizards' Prison and is coming after Harry.
Three odd-ball scientists get kicked out of their cushy positions at a university in New York City where they studied the occult. They decide to set up shop in an old firehouse and become Ghostbusters, trapping pesky ghosts, spirits, haunts, and poltergeists for money. They wise-crack their way through the city, and stumble upon a gateway to another dimension, one which will release untold evil upon the city. The Ghostbusters are called on to save the Big Apple. Written by
Greg Bole <email@example.com>
All the college scenes were filmed at Columbia University in New York, including the fictional Weaver Hall office/lab interiors. Director Ivan Reitman decided to use an actual on-campus office instead of a soundstage so the film crew could film indoors if the weather turned bad, rather than lose a day's filming. Columbia University agreed to all this, on the condition the school not be mentioned by name on-camera. See more »
Light reflector behind Egon while walking with Mr. Delacorte in the library. See more »
Dr. Peter Venkman:
All right, I'm gonna turn over the next card. Concentrate... I want you to tell me what you think it is.
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There are no opening credits for this film, other than the title. See more »
My favorite film as a child and still brilliant today!
I have special affection for this film. When I was a youngster, growing up between the ages of four and ten, this was my favorite film. I loved the whole Ghostbusters thing. I loved the sequel, the cartoon series, I had to have the toys and merchandise every Christmas, you name it. Strangely, as I have gotten older, I find myself appreciating the film more and more. When I was a child I loved it for the special effects, the gadgets and the ghostbusting especially. Nowadays I love it for the same reasons, but now that I'm older I find myself appreciating the dialog which is some of the funniest committed to a film, the oddball humor, like Venkman's line about dogs and cats living together and the in jokes, like Slimer being the ghost of John Belushi and Venkman rubbing his hand at glee at the thought of the money to be made from the merchandising of the ghostbusters brand. Not only that, but some 80's hairstyles aside, the film as aged remarkably well. My cousin who is five years old has developed a love for the whole Ghostbusters thing, showing that this is truly worthy of being branded one of the most successful films ever made.
Unlike many of today's blockbusters which are humorless and pompous thinking that they are serious films and forgetting about any sense of fun along with the complicated visual effects, Ghostbusters is funny and a fun paranormal movie. The set pieces are superb as we see the Ghostbusters going up against Slimer, Gozer and, undeniably the classic movie moment of the 80's, the Stay Puft Marshmallow Man. For a film made in 1984 the climax is very well done and looks exceedingly realistic, without any hint of clues as to the fact that it is a special effect. This is what going to the cinema should be all about. Fun with a capital F. All the actors get into it with great comedic aplomb. Bill Murray, one of the finest comedy actors to grace the screen, is superb as Peter Venkmen who gets the best lines in the film as well as the funniest moments. Just check out the "there is no Dana, only Zool" moment. Murray's priceless reaction to Dana Barrett's possession is one of the most side splitting moments I have ever seen. In fact, the casting is pretty much spot on. As well as Murray, we have co writers Dan Akyroyd and Harold Ramis sharing the spotlight as the fellow Ghostbusters, Sigourney Weaver making a wonderful damsel in distress, Rick Moranis is almost scene stealing as her nerd of a neighbor who becomes possessed himself, while Ernie Hudson and Annie Potts both put in wonderfully sardonic supporting roles who get their chances to shine.
Add to this one of the best theme tunes and a truly apocalyptic finale, it is no surprising that this was the biggest film of 1984. A summer blockbuster with humor, trills, spills and some of the best special effects money could buy at the time, this is truly a genuine classic and is one of the best Hollywood blockbusters ever made.
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