| Photos (See all 103 | slideshow) | Videos (see all 5) |
Directed by | |||
| Irvin Kershner | |||
Writing credits | ||
| Leigh Brackett | (screenplay) and | |
| Lawrence Kasdan | (screenplay) | |
| George Lucas | (story) | |
Produced by | |||
| Jim Bloom | .... | associate producer (as James Bloom) | |
| Gary Kurtz | .... | producer | |
| George Lucas | .... | executive producer | |
| Rick McCallum | .... | producer (1997 special edition) | |
| Robert Watts | .... | associate producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Peter Suschitzky | (director of photography) | ||
Film Editing by | |||
| T.M. Christopher | (1997 special edition) | ||
| Paul Hirsch | |||
| George Lucas | (uncredited) | ||
| Marcia Lucas | (uncredited) | ||
Casting by | |||
| Bob Edmiston | |||
| Irene Lamb | |||
| Terry Liebling | |||
Production Design by | |||
| Norman Reynolds | |||
Art Direction by | |||
| Leslie Dilley | |||
| Harry Lange | |||
| Alan Tomkins | |||
Set Decoration by | |||
| Michael Ford | |||
Costume Design by | |||
| John Mollo | |||
Makeup Department | |||
| Graham Freeborn | .... | chief makeup artist | |
| Kay Freeborn | .... | makeup artist | |
| Stuart Freeborn | .... | makeup and special creature designer | |
| Nick Maley | .... | makeup artist | |
| Barbara Ritchie | .... | chief hairdresser | |
| David Barkley | .... | special makeup effects trainee (uncredited) | |
| Nick Dudman | .... | special makeup effects trainee (uncredited) | |
| Bob Keen | .... | special makeup effects trainee (uncredited) | |
Production Management | |||
| Patricia Carr | .... | assistant production manager | |
| Sven Johansen | .... | production manager: location second unit (as Svein Johansen) | |
| Bruce Sharman | .... | production supervisor | |
Art Department | |||
| Ted Ambrose | .... | draftsman | |
| Ivor Beddoes | .... | sketch artist | |
| Michael Boone | .... | draftsman | |
| Reg Bream | .... | draftsman | |
| Frank Bruton | .... | property master | |
| Steve Cooper | .... | draftsman | |
| Richard Dawking | .... | draftsman | |
| Joe Dipple | .... | property dressing supervisor | |
| Fred Evans | .... | modeller | |
| George Gunning | .... | head carpenter | |
| Fred Hole | .... | assistant art director | |
| Michael Lamont | .... | assistant art director | |
| Ralph McQuarrie | .... | design consultant and conceptual artist | |
| Dave Middleton | .... | construction storeman | |
| Allan Moss | .... | modeller | |
| Edward Rodrigo | .... | chief buyer | |
| Bert Rodwell | .... | head plasterer | |
| Janet Stevens | .... | modeller (as Jan Stevens) | |
| Charles Torbett | .... | property supervisor | |
| Bill Welch | .... | construction manager | |
| Andy Aitken | .... | plasterer (uncredited) | |
| Gerry Bourke | .... | props (uncredited) | |
| Mark Harris | .... | art department assistant (uncredited) | |
| Tom Jung | .... | poster artist (uncredited) | |
| Tom Jung | .... | poster designer (uncredited) | |
| Peter Mann | .... | constructor (uncredited) | |
| Kieron Mcnamara | .... | props (uncredited) | |
| Per Mørk | .... | construction manager (uncredited) | |
Sound Department | |||
| John Benson | .... | assistant sound editor | |
| Richard Burrow | .... | sound editor | |
| Ben Burtt | .... | sound designer | |
| Ben Burtt | .... | supervising sound effects editor | |
| Joanna Cappuccilli | .... | assistant sound editor | |
| Joanne D'Antonio | .... | dialogue editor | |
| Don Digirolamo | .... | consultant: Dolby | |
| Teresa Eckton | .... | sound editor | |
| Ken Fischer | .... | assistant sound editor | |
| Howie Hammerman | .... | recording technician (as Howie) | |
| Scott Hecker | .... | foley editor | |
| Craig S. Jaeger | .... | assistant sound editor (as Craig Jaeger) | |
| Nancy Jencks | .... | assistant sound editor | |
| Bonnie Koehler | .... | sound editor | |
| Laurel Ladevich | .... | assistant sound editor | |
| Gregg Landaker | .... | sound re-recordist | |
| Steve Maslow | .... | sound re-recordist | |
| Kevin O'Connell | .... | sound recording technician | |
| Gary Rizzo | .... | digital sound mix technician (1997 special edition) (as Gary A. Rizzo) | |
| John Roesch | .... | foley assistant | |
| Ronald G. Roumas | .... | sound re-recordist (1997 special edition) | |
| Robert R. Rutledge | .... | foley editor (as Robert Rutledge) | |
| Curt Schulkey | .... | dialogue editor | |
| Leslie Shatz | .... | dialogue editor | |
| Edward M. Steidele | .... | foley assistant | |
| Lisa Storer | .... | assistant sound editor (1997 special edition) | |
| Gary Summers | .... | sound re-recording mixer (1997 special edition) | |
| Gary Summers | .... | sound recording technician | |
| Peter Sutton | .... | production sound | |
| Randy Thom | .... | sound effects recordist | |
| Bill Varney | .... | sound re-recordist | |
| Don Wortham | .... | sound boom operator | |
| Fred Clemons | .... | machine room operator (1997 special edition) (uncredited) | |
| Steve Kinsey | .... | sound mix technician (1997 special edition) (uncredited) | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
| David E. Turner | .... | machine room operator (1997 special edition) (uncredited) | |
Special Effects by | |||
| Nick Allder | .... | mechanical effects supervisor: production and mechanical effects unit | |
| Alan Bryce | .... | location unit supervisor: production and mechanical effects unit (as Allan Bryce) | |
| Gilly Case | .... | effects secretary: production and mechanical effects unit (as Gill Case) | |
| Rob Dickinson | .... | electrical consultant: production and mechanical effects unit | |
| Brian Eke | .... | effects technician: production and mechanical effects unit | |
| Martin Gant | .... | effects technician: production and mechanical effects unit | |
| John Hatt | .... | electrical engineer: production and mechanical effects unit | |
| Ron Hone | .... | robot fabrication and supervision: production and mechanical effects unit | |
| Guy Hudson | .... | effects technician: production and mechanical effects unit | |
| Andrew Kelly | .... | robot fabrication and supervision: production and mechanical effects unit | |
| Phil Knowles | .... | effects technician: production and mechanical effects unit | |
| Stephen Lloyd | .... | effects engineering: production and mechanical effects unit (as Steve Lloyd) | |
| Dennis Lowe | .... | effects technician: production and mechanical effects unit | |
| Robert McLaren | .... | effects assistant: production and mechanical effects unit | |
| Digby Milner | .... | effects assistant: production and mechanical effects unit | |
| Roger Nichols | .... | effects engineer: production and mechanical effects unit | |
| John Pakenham | .... | model construction: production and mechanical effects unit | |
| Alan Poole | .... | effects engineer: production and mechanical effects unit | |
| Neil Swan | .... | senior effects technician: production and mechanical effects unit | |
| David H. Watkins | .... | senior effects technician: production and mechanical effects unit (as Dave Watkins) | |
| Barry Whitrod | .... | effects technician: production and mechanical effects unit | |
Visual Effects by | |||
| Julie Adrianson-Neary | .... | digital effects artist: ILM (1997 special edition) (as Julie Neary) | |
| Peter Amundson | .... | optical line-up: miniature and optical effects unit | |
| Chris Anderson | .... | assistant cameraman: miniature and optical effects unit | |
| Okan Ataman | .... | digital effects technical assistant: ILM (1997 special edition) | |
| Charles Bailey | .... | model maker: miniature and optical effects unit | |
| Craig Barron | .... | matte photography assistant: miniature and optical effects unit | |
| John Bartle | .... | assistant visual effects editor: ILM (1997 special edition) | |
| Carol Bauman | .... | model and creature maker: ILM (1997 special edition) | |
| Randall K. Bean | .... | digital scanning operator: ILM (1997 special edition) (as Randall Bean) | |
| Greg Beaumonte | .... | machinist: miniature and optical effects unit | |
| James Beaumonte | .... | camera and movement design: miniature and optical effects unit (as Jim Beaumonte) | |
| William Beck | .... | stage technician: miniature and optical effects unit | |
| Wendy Bell | .... | video assistant: ILM (1997 special edition) | |
| David Benson | .... | sofware research and development: ILM (1997 special edition) | |
| Jon Berg | .... | stop motion animation: miniature and optical effects unit | |
| David Berry | .... | optical printer operator: miniature and optical effects unit | |
| Doug Beswick | .... | stop motion technician: miniature and optical effects unit | |
| Earl Beyer | .... | digital scanning operator: ILM (1997 special edition) | |
| Ken Beyer | .... | production engineering: ILM (1997 special edition) | |
| Don Bies | .... | model and creature maker: ILM (1997 special edition) | |
| Andrea Biklian | .... | negative line-up: ILM (1997 special edition) | |
| Patricia Blau | .... | production secretary: miniature and optical effects unit | |
| Mike Bolles | .... | design engineer: miniature and optical effects unit | |
| Ed Breed | .... | stage technician: miniature and optical effects unit | |
| Daniel Brimer | .... | digital effects resource assistant: ILM (1997 special edition) | |
| Kris Brown | .... | systems programming: miniature and optical effects unit | |
| Ronn Brown | .... | digital matte artist: ILM (1997 special edition) | |
| Thomas Brown | .... | production associate: miniature and optical effects unit | |
| Conrad Buff IV | .... | visual effects editorial supervisor: miniature and optical effects unit (as Conrad Buff) | |
| Chris Bushman | .... | optical supervisor (1997 special edition) | |
| Donald S. Butler | .... | digital effects artist: ILM (1997 special edition) (as Don Butler) | |
| Dave Carson | .... | model maker: miniature and optical effects unit | |
| Chris Casady | .... | animator: miniature and optical effects unit | |
| Eric Chauvin | .... | digital matte artist: ILM (1997 special edition) | |
| Peter Chesloff | .... | digital effects technical assistant: ILM (1997 special edition) | |
| Terry Chostner | .... | still photographer: miniature and optical effects unit | |
| Donald Clark | .... | optical printer operator: miniature and optical effects unit | |
| Sam Comstock | .... | animator: miniature and optical effects unit (as Samuel Comstock) | |
| Michael Conte | .... | digital effects artist: ILM (1997 special edition) | |
| Caitlin Content | .... | Sabre artist: ILM (1997 special edition) | |
| Ken Corvino | .... | production engineering: ILM (1997 special edition) | |
| Julie Creighton | .... | visual effects production staff: ILM (1997 special edition) | |
| Laura Crockett | .... | assistant accountant: miniature and optical effects unit | |
| Giovanni Donovan | .... | model and creature maker: ILM (1997 special edition) | |
| Dick Dova | .... | stage technician: miniature and optical effects unit | |
| Don Dow | .... | camera operator: miniature and optical effects unit | |
| Loring Doyle | .... | optical line-up: miniature and optical effects unit | |
| Lisa Drostova | .... | digital paint & roto artist: ILM (1997 special edition) | |
| Selwyn Eddy | .... | assistant cameraman: miniature and optical effects unit | |
| Richard Edlund | .... | special visual effects | |
| Harrison Ellenshaw | .... | matte painting supervisor: miniature and optical effects unit | |
| Mike Ellis | .... | digital scanning operator: ILM (1997 special edition) (as Michael Ellis) | |
| Robert Elswit | .... | matte photography assistant: miniature and optical effects unit | |
| Phillip Feiner | .... | optical supervisor (1997 special edition) | |
| Rick Fichter | .... | assistant cameraman: miniature and optical effects unit | |
| Bob Finley III | .... | stage technician: miniature and optical effects unit (as Bobby Finley) | |
| Richard Fish | .... | assistant cameraman: miniature and optical effects unit | |
| Brian Flora | .... | digital matte artist: ILM (1997 special edition) | |
| Warren Franklin | .... | optical line-up: miniature and optical effects unit | |
| Roberta Friedman | .... | optical coordinator | |
| Michael Fulmer | .... | model maker: miniature and optical effects unit | |
| Dick Gallegly | .... | production administrator: miniature and optical effects unit | |
| Steve Gawley | .... | modelshop foreman: miniature and optical effects unit | |
| Tim Geideman | .... | laboratory technician: miniature and optical effects unit | |
| Tim Geideman | .... | negative line-up: ILM (1997 special edition) | |
| Rob Gemmel | .... | model maker: miniature and optical effects unit | |
| Howard Gersh | .... | digital effects artist: ILM (1997 special edition) | |
| David Grafton | .... | special optics designer: miniature and optical effects unit | |
| Timothy Greenwood | .... | projectionist: ILM (1997 special edition) (as Tim Greenwood) | |
| Grant Guenin | .... | Sabre artist: ILM (1997 special edition) | |
| James Hagedorn | .... | 3D matchmove artist: ILM (1997 special edition) | |
| Wendy Hendrickson | .... | digital plate restoration: ILM (1997 special edition) | |
| Edward Hirsh | .... | stage technician: miniature and optical effects unit | |
| Jim Hourihan | .... | software research and development: ILM (1997 special edition) | |
| George Hull | .... | visual effects art director: ILM (1997 special edition) | |
| Paul Huston | .... | assistant cameraman: miniature and optical effects unit | |
| Paul Huston | .... | model maker: miniature and optical effects unit | |
| Tom L. Hutchinson | .... | computer graphics supervisor: ILM (1997 special edition) (as Tom Hutchinson) | |
| Jerry Jeffress | .... | electronic systems designer: miniature and optical effects unit | |
| Brian Johnson | .... | special visual effects | |
| Joe Johnston | .... | art director visual effects: miniature and optical effects unit | |
| Doug Jones | .... | negative supervisor: ILM (1997 special edition) | |
| Ed Jones | .... | laboratory technician: miniature and optical effects unit | |
| Zoran Kacic-Alesic | .... | software research and development: ILM (1997 special edition) | |
| Florian Kainz | .... | software research and development: ILM (1997 special edition) | |
| Michael Kelly | .... | effects editor: miniature and optical effects unit | |
| Tom Kennedy | .... | visual effects producer: ILM (1997 special edition) | |
| Kim Knowlton | .... | animator: miniature and optical effects unit | |
| Marshall Richard Krasser | .... | digital effects artist: ILM (1997 special edition) (as Marshall Krasser) | |
| Neil Krepela | .... | matte photography: miniature and optical effects unit | |
| Peter Kuran | .... | animation and rotoscope supervisor: miniature and optical effects unit | |
| Alexander Laurant | .... | assistant visual effects art director: ILM (1997 special edition) (as Alex Laurant) | |
| Michael Lawler | .... | additional matte photography: miniature and optical effects unit | |
| Angela Leaper | .... | video editor: ILM (1997 special edition) | |
| Gary Leo | .... | electronic engineer: miniature and optical effects unit | |
| Joshua Levine | .... | digital effects technical assistant: ILM (1997 special edition) | |
| James Lim | .... | optical line-up: miniature and optical effects unit | |
| Leo Loverro | .... | stage technician: miniature and optical effects unit | |
| Mike MacKenzie | .... | electronic engineer: miniature and optical effects unit | |
| Joshua Marks | .... | visual effects production staff: ILM (1997 special edition) | |
| Scott Marshall | .... | model maker: miniature and optical effects unit | |
| Tia L. Marshall | .... | digital effects artist: ILM (1997 special edition) (as Tia Marshall) | |
| Dawn Martin | .... | video assistant: ILM (1997 special edition) | |
| Stuart T. Maschwitz | .... | digital effects artist: ILM (1997 special edition) | |
| Terrence Masson | .... | digital effects artist: ILM (1997 special edition) | |
| Bill Mather | .... | digital matte artist: ILM (1997 special edition) (as William Mather) | |
| Dawn Matheson | .... | digital effects technical assistant: ILM (1997 special edition) | |
| Michael J. McAlister | .... | assistant cameraman: miniature and optical effects unit (as Michael McAlister) | |
| Pat McClung | .... | model maker: miniature and optical effects unit | |
| Mary McCulloch | .... | Sabre artist: ILM (1997 special edition) | |
| Michael McGovern | .... | visual effects editor: ILM (1997 special edition) | |
| Roberto McGrath | .... | lab assistant: miniature and optical effects unit | |
| Dan McNamara | .... | Sabre group supervisor: ILM (1997 special edition) (as Daniel McNamara) | |
| Ralph McQuarrie | .... | matte artist: miniature and optical effects unit | |
| Gary Meyer | .... | production engineering: ILM (1997 special edition) | |
| Lhary Meyer | .... | electronic engineer: miniature and optical effects unit | |
| Ted Moehnke | .... | supervising stage technician: miniature and optical effects unit (as T.E. Moehnke) | |
| Melissa Monterrosa | .... | digital plate restoration: ILM (1997 special edition) | |
| Thaine Morris | .... | miniature pyrotechnics: miniature and optical effects unit | |
| Wendy Morton | .... | model and creature maker: ILM (1997 special edition) | |
| Dennis Muren | .... | effects director of photography: miniature and optical effects unit | |
| Duncan Myers | .... | laboratory technician: miniature and optical effects unit | |
| Bill Neil | .... | camera operator: miniature and optical effects unit | |
| Bruce Nicholson | .... | optical photography supervisor: miniature and optical effects unit | |
| Ken Nielsen | .... | digital effects artist: ILM (1997 special edition) | |
| Ease Owyeung | .... | model maker: miniature and optical effects unit | |
| Jenny Oznowicz | .... | production assistant: miniature and optical effects unit | |
| Clint Palmer | .... | assistant camera: miniature and optical effects unit | |
| Udo Pampel | .... | machinist: miniature and optical effects unit | |
| Michael Pangrazio | .... | matte artist: miniature and optical effects unit | |
| Eddie Pasquarello | .... | digital effects artist: ILM (1997 special edition) | |
| Lorne Peterson | .... | chief model maker: miniature and optical effects unit | |
| Glenn Phillips | .... | assistant accountant: miniature and optical effects unit | |
| David Pier | .... | miniature pyrotechnics: miniature and optical effects unit (as Dave Pier) | |
| Tam Pillsbury | .... | optical line-up: miniature and optical effects unit | |
| Joshua Pines | .... | digital scanning supervisor: ILM (1997 special edition) | |
| Gary Platek | .... | special projects: miniature and optical effects unit | |
| Anne Polland | .... | model and creature maker: ILM (1997 special edition) | |
| Ken Ralston | .... | effects cameraman: miniature and optical effects unit | |
| Ricardo Ramos | .... | digital effects artist: ILM (1997 special edition) | |
| Arthur F. Repola | .... | assistant effects editor: miniature and optical effects unit (as Arthur Repola) | |
| Nilo Rodis-Jamero | .... | assistant art director: miniature and optical effects unit | |
| Thomas Rosseter | .... | digital effects artist: ILM (1997 special edition) (as Tom Rosseter) | |
| Thomas Rosseter | .... | optical line-up: miniature and optical effects unit | |
| Jonathan Rothbart | .... | animatic artist: ILM (1997 special edition) | |
| Tom Rudduck | .... | model maker: miniature and optical effects unit | |
| Nina Saxon | .... | animator: miniature and optical effects unit | |
| Stanley W. Sayer | .... | matte photography consultant (as Stanley Sayer) | |
| Ray Scalice | .... | production accountant: miniature and optical effects unit | |
| Wesley Seeds | .... | model maker: miniature and optical effects unit | |
| Dan Shumaker | .... | digital effects technical assistant: ILM (1997 special edition) (as Daniel Shumaker) | |
| Mark Siegel | .... | model and creature maker: ILM (1997 special edition) | |
| Kenneth Smith | .... | optical printer operator: miniature and optical effects unit | |
| Tom St. Amand | .... | stop motion technician: miniature and optical effects unit | |
| Howard Stein | .... | assistant effects editor: miniature and optical effects unit | |
| Lawrence Tan | .... | digital effects artist: ILM (1997 special edition) | |
| Chad Taylor | .... | Sabre artist: ILM (1997 special edition) | |
| Rick Taylor | .... | animator: miniature and optical effects unit | |
| Ed Tennler | .... | draftsman: miniature and optical effects unit | |
| Jonas Thaler | .... | apprentice editor: miniature and optical effects unit (as Jon Thaler) | |
| Paul Theren | .... | digital effects artist: ILM (1997 special edition) | |
| Marc Thorpe | .... | model maker: miniature and optical effects unit | |
| Phil Tippett | .... | stop motion animation: miniature and optical effects unit | |
| Lisa Todd | .... | visual effects coordinator: ILM (1997 special edition) | |
| Pam Traas | .... | assistant accountant: miniature and optical effects unit | |
| Hans Uhlig | .... | digital effects artist: ILM (1997 special edition) | |
| Michael Van Eps | .... | digital plate restoration: ILM (1997 special edition) (as Mike Van Eps) | |
| John T. Van Vliet | .... | animator: miniature and optical effects unit (as John Van Vliet) | |
| Mark Vargo | .... | optical line-up: miniature and optical effects unit | |
| Bruce Vecchitto | .... | color timing supervisor: ILM (1997 special edition) | |
| Jim Veilleux | .... | effects cameraman: miniature and optical effects unit | |
| Laurie Vermont | .... | optical coordinator: miniature and optical effects unit | |
| Joe Viskocil | .... | miniature pyrotechnics: miniature and optical effects unit (as Joseph Viskocil) | |
| Garry Waller | .... | animator: miniature and optical effects unit | |
| Steve Walton | .... | model and creature maker: ILM (1997 special edition) (as Steven Walton) | |
| Harold Weed | .... | chief creature maker: ILM (1997 special edition) (as Howie Weed) | |
| Li-Hsien Wei | .... | digital effects artist: ILM (1997 special edition) | |
| Ken Wesley | .... | digital effects artist: ILM (1997 special edition) | |
| Jody Westheimer | .... | assistant cameraman: miniature and optical effects unit | |
| Gene Whiteman | .... | equipment engineering supervisor: miniature and optical effects unit | |
| Diana Wilson | .... | animator: miniature and optical effects unit | |
| Ron Woodall | .... | digital effects artist: ILM (1997 special edition) | |
| Jeffery Yost | .... | software research and development: ILM (1997 special edition) (as Jeff Yost) | |
| Heidi Zabit | .... | digital paint & roto artist: ILM (1997 special edition) | |
| Stuart Ziff | .... | special project coordinator: miniature and optical effects unit | |
| Rita E. Zimmerman | .... | Sabre artist: ILM (1997 special edition) (as Rita Zimmerman) | |
| Samuel Zolltheis | .... | model maker: miniature and optical effects unit | |
| Bruce Cardozo | .... | optical line up (uncredited) | |
| Fon Davis | .... | model maker: ILM (1997 special edition) (uncredited) | |
| Giovanni Donovan | .... | Wampa lair construction (1997 special edition) (uncredited) | |
| Aaron Haye | .... | model maker: ILM (1997 special edition) (uncredited) | |
| Pete Kleinow | .... | stop motion animator (uncredited) | |
| Todd Mitchell | .... | scanning operator: ILM (1997 special edition) (uncredited) | |
| Ben O'Brien | .... | Sabre artist: ILM (1997 special edition) (uncredited) | |
| Matt Wallin | .... | digital artist: ILM (1997 special edition) (uncredited) | |
Stunts | |||
| Bob Anderson | .... | stunt double | |
| Peter Diamond | .... | stunt coordinator | |
| Colin Skeaping | .... | stunt double | |
| Lightning Bear | .... | stunts (uncredited) | |
| Marc Boyle | .... | stunts (uncredited) | |
| Peter Diamond | .... | stunts (uncredited) | |
| Jim Dowdall | .... | stunts (uncredited) | |
| Stuart Fell | .... | stunt double (uncredited) | |
| Stuart Fell | .... | stunts (uncredited) | |
| Richard Hammatt | .... | stunts (uncredited) | |
| Reg Harding | .... | stunts (uncredited) | |
| Terry Richards | .... | stunts (uncredited) | |
| Doug Robinson | .... | stunts (uncredited) | |
| Colin Skeaping | .... | stunts (uncredited) | |
| Tony Smart | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | wardrobe supervisor | |
| Eileen Sullivan | .... | wardrobe mistress | |
Editorial Department | |||
| Duwayne Dunham | .... | assistant film editor | |
| Barbara Ellis | .... | assistant film editor | |
| Ted Gagliano | .... | post-production executive (1997 special edition) | |
| Bob Hart | .... | negative cutter (as Robert Hart) | |
| Samuel H. Hinckley | .... | first assistant editor (1997 special edition) (as Samuel Hinckley) | |
| Darrell Hixson | .... | negative cutter | |
| Mike Jackson | .... | assistant editor: avid (1997 special edition) | |
| Robin Lee | .... | assistant editor: avid (1997 special edition) | |
| Ed Lemke | .... | color timer | |
| Robert Marty | .... | first assistant editor (1997 special edition) | |
| Mark Nakamine | .... | colorist (digital color correction) | |
| Robert Raring | .... | color timer (1997 special edition) (as Robert J. Raring) | |
| Ray Sabo | .... | negative continuity (1997 special edition) | |
| Phil Sanderson | .... | assistant film editor | |
| Steve Starkey | .... | assistant film editor | |
| Paul Tomlinson | .... | assistant film editor | |
| Brian Q. Kelley | .... | editor: additional material (1997 special edition) (uncredited) | |
Music Department | |||
| Herbert W. Spencer | .... | orchestrator | |
| Eric Tomlinson | .... | music recordist | |
| Kenneth Wannberg | .... | supervising music editor | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| George Lucas | .... | music producer (uncredited) | |
| Angela Morley | .... | additional orchestrator (uncredited) | |
| Maurice Murphy | .... | musician: trumpet (uncredited) | |
| Lionel Newman | .... | music supervisor (uncredited) | |
| John Williams | .... | conductor (uncredited) | |
| John Williams | .... | music producer (uncredited) | |
Transportation Department | |||
| Robert Martin | .... | transportation: miniature and optical effects unit | |
Other crew | |||
| Bunny Alsup | .... | assistant to producer | |
| Alan Arnold | .... | unit publicist | |
| Jane Bay | .... | assistant to executive producer | |
| Ron Butcher | .... | production maintenance | |
| Ron Cook | .... | location accountant | |
| Kathryn Farrar | .... | production controller (1997 special edition) | |
| Tim Fox | .... | archivist (1997 special edition) | |
| Ken Gordon | .... | set cost controller | |
| Barbara Harley | .... | production assistant | |
| Miki Herman | .... | production coordinator | |
| Philip Kohler | .... | location manager | |
| Michael Larkins | .... | assistant accountant | |
| Nick Laws | .... | production assistant | |
| Pamela Mann | .... | continuity | |
| Wendy Midener | .... | yoda fabricator | |
| Kathryn Mullen | .... | performing assistant: Yoda | |
| Ron Phipps | .... | production accountant | |
| Kay Rawlings | .... | continuity | |
| Debbie Shaw | .... | assistant to director | |
| Charles B. Wessler | .... | production assistant (as Charles Wessler) | |
| Kristen Wing | .... | assistant publicist | |
| Marc Wolff | .... | helicopter pilot (as Mark Wolfe) | |
| David Alan Barclay | .... | assistant puppeteer (uncredited) | |
| Des Carey | .... | film archivist (1997 special edition) (uncredited) | |
| Liz Coke | .... | stand-in: Ms. Fisher (uncredited) | |
| Jack Dearlove | .... | stand-in: Mr. Ford (uncredited) | |
| Alan Harris | .... | stand-in: Mr. Daniels (uncredited) | |
| Mark Marshall | .... | production assistant (uncredited) | |
| Craig Miller | .... | marketing consultant (uncredited) | |
| Chris Parsons | .... | stand-in: "4-LOM", "K-3PO" and "C-3PO" (uncredited) | |
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| Star Wars: Episode VI - Return of the Jedi | Star Wars | Star Wars: Episode III - Revenge of the Sith | Star Wars: Episode II - Attack of the Clones | Star Wars: Episode I - The Phantom Menace |
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Nostalgia may play a part in the reason I love The Empire Strikes Back so much, but there's far more to it than that. This film has a fully realised sense of escapism, wonder and adventure that wasn't quite nailed in the first Star Wars film. I'm not a huge fan of Episode IV, I think it's relatively clunky, wooden and dated, but let's not talk about that; Episode V is where the Star Wars universe really blossomed and became something truly special. George Lucas' limitations as a director and writer of dialogue have thankfully been sidelined this time round; here we have a different director and new scriptwriters who take the genius of Lucas' imaginative story and enhance it with rapid-fire pacing and brilliant comic-book melodrama.
This has often been praised as the best of the Star Wars films, and I agree entirely with this opinion; as all exposition was dealt with in the first film, Empire gets down to business almost immediately. As there's no loose ends to tie up (leave that for Return of the Jedi), it ends with an astounding cliffhanger that has rightly gone down in cinema history.
What makes Empire stand out is its darkness; the full-blown optimism of the first film's happy ending pushed aside for deepening conflict, worsening odds and a greater awareness of the sheer power and evil of the Dark Side of the Force. Saying that, optimism is here too; as Luke undertakes training from Yoda, the Jedi Master, who hopes his new young apprentice will learn the ways of the Good Side and not become seduced into evil as Darth Vader did. Meanwhile, after a breathtaking assault on their temporary home base of Hoth, the Rebels are forced to separate, with Han Solo, Princess Leia, Chewbecca and C-3PO flying through asteroid fields, taking sanctuary in a mysterious cave and finally seeking refuge in the spectacular airborne Utopia of Cloud City, where Solo is reunited with his old friend Lando Calrissian.
As for Darth Vader, his quest to find Skywalker, for reasons unknown, is bordering on the obsessive; is there something about Luke we don't know? Why is he destined to meet Yoda and become a Jedi? As previously mentioned, Empire is dark; it begins gloomily and ends with merely a glimmer of hope after a finale of tragedy, betrayal and revelation.
Empire's atmospheres are bleaker than anything seen in the Star Wars universe to date. The ice planet Hoth is barren, desolate and so cold at night you could freeze to death. The swamp planet of Dagobah, where Luke receives training, is a sinister, brilliantly gloomy world of forests, bogs and murky rivers. Even Cloud City is revealed to sit atop of a world of limitless space and bleak emptiness.
The action is often superb; the battle on Hoth is probably the best aerial fight sequence of the entire trilogy, though it's possible that Jedi's concluding space battle outdoes it. The asteroid sequence is exciting, funny and wonderfully backed by a classic John Williams score. The final half-hour is a fantastically dramatic crescendo of high drama; Luke and Darth Vader's light sabre duel is a superb sequence, brilliantly staged and lit, very powerful and the culmination of the film's darkness.
Another scene of great power occurs on Dagobah, where Luke enters a cave of horror and is confronted by a surprise visitor, leading to an even bleaker twist of events. There's absolutely nothing in the first Star Wars film that even comes close to the power of this moment, it's arguably George Lucas' strangest, most unsettling moment in any of his films.
Yet, despite the fact that Empire is the darkest Star Wars film, I also find it to be the funniest. Han Solo is splendidly grouchy, and wonderfully played by Harrison Ford. C3PO's campiness is hilariously taken to the logical limit, while Yoda is a glorious new addition to the cast of characters; his early scenes are extremely funny. Darth Vader has developed a wickedly nasty sense of humour; his penchant for killing off unsatisfactory lackeys becomes shamefully amusing. I love the scene where the computer operator tries to keep his cool in the background even as Vader's telepathically choking the commanding officer right next to him.
Carrie Fisher, Billy Dee Williams and Alec Guinness play their roles without a hint of irony, as it should be. Escapism can lazily be delivered with a knowing wink, which can be a cop out when the creators don't have the imagination or the verve to create a truly convincing, sweeping world of wonder. The puppet-work on Yoda is pretty amazing, even to this day. I just don't think of him as a puppet, more a real character. Frank Oz's voice work is just perfect, effortlessly switching to playfully mischievous to wisely dignified. Mark Hamill as Luke is less of a bland, wet fish as he was in the first film; here he has actually has conflicts, both inner and outer, to deal with, and he handles the job nicely, especially in the ending.
Overall, The Empire Strikes Back is a remarkable example of screen entertainment; it has the proper sweep of a real space opera, it has confidence, imagination, beauty, humour, excitement and a truly brilliant story. It may very well be the best blockbuster movie of all time.