| Photos (See all 103 | slideshow) | Videos (see all 5) |
Directed by | |||
| Irvin Kershner | |||
Writing credits | ||
| Leigh Brackett | (screenplay) and | |
| Lawrence Kasdan | (screenplay) | |
| George Lucas | (story) | |
Produced by | |||
| Jim Bloom | .... | associate producer (as James Bloom) | |
| Gary Kurtz | .... | producer | |
| George Lucas | .... | executive producer | |
| Rick McCallum | .... | producer (1997 special edition) | |
| Robert Watts | .... | associate producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Peter Suschitzky | (director of photography) | ||
Film Editing by | |||
| T.M. Christopher | (1997 special edition) | ||
| Paul Hirsch | |||
| George Lucas | (uncredited) | ||
| Marcia Lucas | (uncredited) | ||
Casting by | |||
| Bob Edmiston | |||
| Irene Lamb | |||
| Terry Liebling | |||
Production Design by | |||
| Norman Reynolds | |||
Art Direction by | |||
| Leslie Dilley | |||
| Harry Lange | |||
| Alan Tomkins | |||
Set Decoration by | |||
| Michael Ford | |||
Costume Design by | |||
| John Mollo | |||
Makeup Department | |||
| Graham Freeborn | .... | chief makeup artist | |
| Kay Freeborn | .... | makeup artist | |
| Stuart Freeborn | .... | makeup and special creature designer | |
| Nick Maley | .... | makeup artist | |
| Barbara Ritchie | .... | chief hairdresser | |
| David Barkley | .... | special makeup effects trainee (uncredited) | |
| Nick Dudman | .... | special makeup effects trainee (uncredited) | |
| Bob Keen | .... | special makeup effects trainee (uncredited) | |
Production Management | |||
| Patricia Carr | .... | assistant production manager | |
| Sven Johansen | .... | production manager: location second unit (as Svein Johansen) | |
| Bruce Sharman | .... | production supervisor | |
Art Department | |||
| Ted Ambrose | .... | draftsman | |
| Ivor Beddoes | .... | sketch artist | |
| Michael Boone | .... | draftsman | |
| Reg Bream | .... | draftsman | |
| Frank Bruton | .... | property master | |
| Steve Cooper | .... | draftsman | |
| Richard Dawking | .... | draftsman | |
| Joe Dipple | .... | property dressing supervisor | |
| Fred Evans | .... | modeller | |
| George Gunning | .... | head carpenter | |
| Fred Hole | .... | assistant art director | |
| Michael Lamont | .... | assistant art director | |
| Ralph McQuarrie | .... | design consultant and conceptual artist | |
| Dave Middleton | .... | construction storeman | |
| Allan Moss | .... | modeller | |
| Edward Rodrigo | .... | chief buyer | |
| Bert Rodwell | .... | head plasterer | |
| Janet Stevens | .... | modeller (as Jan Stevens) | |
| Charles Torbett | .... | property supervisor | |
| Bill Welch | .... | construction manager | |
| Andy Aitken | .... | plasterer (uncredited) | |
| Gerry Bourke | .... | props (uncredited) | |
| Mark Harris | .... | art department assistant (uncredited) | |
| Tom Jung | .... | poster artist (uncredited) | |
| Tom Jung | .... | poster designer (uncredited) | |
| Peter Mann | .... | constructor (uncredited) | |
| Kieron Mcnamara | .... | props (uncredited) | |
| Per Mørk | .... | construction manager (uncredited) | |
Sound Department | |||
| John Benson | .... | assistant sound editor | |
| Richard Burrow | .... | sound editor | |
| Ben Burtt | .... | sound designer | |
| Ben Burtt | .... | supervising sound effects editor | |
| Joanna Cappuccilli | .... | assistant sound editor | |
| Joanne D'Antonio | .... | dialogue editor | |
| Don Digirolamo | .... | consultant: Dolby | |
| Teresa Eckton | .... | sound editor | |
| Ken Fischer | .... | assistant sound editor | |
| Howie Hammerman | .... | recording technician (as Howie) | |
| Scott Hecker | .... | foley editor | |
| Craig S. Jaeger | .... | assistant sound editor (as Craig Jaeger) | |
| Nancy Jencks | .... | assistant sound editor | |
| Bonnie Koehler | .... | sound editor | |
| Laurel Ladevich | .... | assistant sound editor | |
| Gregg Landaker | .... | sound re-recordist | |
| Steve Maslow | .... | sound re-recordist | |
| Kevin O'Connell | .... | sound recording technician | |
| Gary Rizzo | .... | digital sound mix technician (1997 special edition) (as Gary A. Rizzo) | |
| John Roesch | .... | foley assistant | |
| Ronald G. Roumas | .... | sound re-recordist (1997 special edition) | |
| Robert R. Rutledge | .... | foley editor (as Robert Rutledge) | |
| Curt Schulkey | .... | dialogue editor | |
| Leslie Shatz | .... | dialogue editor | |
| Edward M. Steidele | .... | foley assistant | |
| Lisa Storer | .... | assistant sound editor (1997 special edition) | |
| Gary Summers | .... | sound re-recording mixer (1997 special edition) | |
| Gary Summers | .... | sound recording technician | |
| Peter Sutton | .... | production sound | |
| Randy Thom | .... | sound effects recordist | |
| Bill Varney | .... | sound re-recordist | |
| Don Wortham | .... | sound boom operator | |
| Fred Clemons | .... | machine room operator (1997 special edition) (uncredited) | |
| Steve Kinsey | .... | sound mix technician (1997 special edition) (uncredited) | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
| David E. Turner | .... | machine room operator (1997 special edition) (uncredited) | |
Special Effects by | |||
| Nick Allder | .... | mechanical effects supervisor: production and mechanical effects unit | |
| Alan Bryce | .... | location unit supervisor: production and mechanical effects unit (as Allan Bryce) | |
| Gilly Case | .... | effects secretary: production and mechanical effects unit (as Gill Case) | |
| Rob Dickinson | .... | electrical consultant: production and mechanical effects unit | |
| Brian Eke | .... | effects technician: production and mechanical effects unit | |
| Martin Gant | .... | effects technician: production and mechanical effects unit | |
| John Hatt | .... | electrical engineer: production and mechanical effects unit | |
| Ron Hone | .... | robot fabrication and supervision: production and mechanical effects unit | |
| Guy Hudson | .... | effects technician: production and mechanical effects unit | |
| Andrew Kelly | .... | robot fabrication and supervision: production and mechanical effects unit | |
| Phil Knowles | .... | effects technician: production and mechanical effects unit | |
| Stephen Lloyd | .... | effects engineering: production and mechanical effects unit (as Steve Lloyd) | |
| Dennis Lowe | .... | effects technician: production and mechanical effects unit | |
| Robert McLaren | .... | effects assistant: production and mechanical effects unit | |
| Digby Milner | .... | effects assistant: production and mechanical effects unit | |
| Roger Nichols | .... | effects engineer: production and mechanical effects unit | |
| John Pakenham | .... | model construction: production and mechanical effects unit | |
| Alan Poole | .... | effects engineer: production and mechanical effects unit | |
| Neil Swan | .... | senior effects technician: production and mechanical effects unit | |
| David H. Watkins | .... | senior effects technician: production and mechanical effects unit (as Dave Watkins) | |
| Barry Whitrod | .... | effects technician: production and mechanical effects unit | |
Visual Effects by | |||
| Julie Adrianson-Neary | .... | digital effects artist: ILM (1997 special edition) (as Julie Neary) | |
| Peter Amundson | .... | optical line-up: miniature and optical effects unit | |
| Chris Anderson | .... | assistant cameraman: miniature and optical effects unit | |
| Okan Ataman | .... | digital effects technical assistant: ILM (1997 special edition) | |
| Charles Bailey | .... | model maker: miniature and optical effects unit | |
| Craig Barron | .... | matte photography assistant: miniature and optical effects unit | |
| John Bartle | .... | assistant visual effects editor: ILM (1997 special edition) | |
| Carol Bauman | .... | model and creature maker: ILM (1997 special edition) | |
| Randall K. Bean | .... | digital scanning operator: ILM (1997 special edition) (as Randall Bean) | |
| Greg Beaumonte | .... | machinist: miniature and optical effects unit | |
| James Beaumonte | .... | camera and movement design: miniature and optical effects unit (as Jim Beaumonte) | |
| William Beck | .... | stage technician: miniature and optical effects unit | |
| Wendy Bell | .... | video assistant: ILM (1997 special edition) | |
| David Benson | .... | sofware research and development: ILM (1997 special edition) | |
| Jon Berg | .... | stop motion animation: miniature and optical effects unit | |
| David Berry | .... | optical printer operator: miniature and optical effects unit | |
| Doug Beswick | .... | stop motion technician: miniature and optical effects unit | |
| Earl Beyer | .... | digital scanning operator: ILM (1997 special edition) | |
| Ken Beyer | .... | production engineering: ILM (1997 special edition) | |
| Don Bies | .... | model and creature maker: ILM (1997 special edition) | |
| Andrea Biklian | .... | negative line-up: ILM (1997 special edition) | |
| Patricia Blau | .... | production secretary: miniature and optical effects unit | |
| Mike Bolles | .... | design engineer: miniature and optical effects unit | |
| Ed Breed | .... | stage technician: miniature and optical effects unit | |
| Daniel Brimer | .... | digital effects resource assistant: ILM (1997 special edition) | |
| Kris Brown | .... | systems programming: miniature and optical effects unit | |
| Ronn Brown | .... | digital matte artist: ILM (1997 special edition) | |
| Thomas Brown | .... | production associate: miniature and optical effects unit | |
| Conrad Buff IV | .... | visual effects editorial supervisor: miniature and optical effects unit (as Conrad Buff) | |
| Chris Bushman | .... | optical supervisor (1997 special edition) | |
| Donald S. Butler | .... | digital effects artist: ILM (1997 special edition) (as Don Butler) | |
| Dave Carson | .... | model maker: miniature and optical effects unit | |
| Chris Casady | .... | animator: miniature and optical effects unit | |
| Eric Chauvin | .... | digital matte artist: ILM (1997 special edition) | |
| Peter Chesloff | .... | digital effects technical assistant: ILM (1997 special edition) | |
| Terry Chostner | .... | still photographer: miniature and optical effects unit | |
| Donald Clark | .... | optical printer operator: miniature and optical effects unit | |
| Sam Comstock | .... | animator: miniature and optical effects unit (as Samuel Comstock) | |
| Michael Conte | .... | digital effects artist: ILM (1997 special edition) | |
| Caitlin Content | .... | Sabre artist: ILM (1997 special edition) | |
| Ken Corvino | .... | production engineering: ILM (1997 special edition) | |
| Julie Creighton | .... | visual effects production staff: ILM (1997 special edition) | |
| Laura Crockett | .... | assistant accountant: miniature and optical effects unit | |
| Giovanni Donovan | .... | model and creature maker: ILM (1997 special edition) | |
| Dick Dova | .... | stage technician: miniature and optical effects unit | |
| Don Dow | .... | camera operator: miniature and optical effects unit | |
| Loring Doyle | .... | optical line-up: miniature and optical effects unit | |
| Lisa Drostova | .... | digital paint & roto artist: ILM (1997 special edition) | |
| Selwyn Eddy | .... | assistant cameraman: miniature and optical effects unit | |
| Richard Edlund | .... | special visual effects | |
| Harrison Ellenshaw | .... | matte painting supervisor: miniature and optical effects unit | |
| Mike Ellis | .... | digital scanning operator: ILM (1997 special edition) (as Michael Ellis) | |
| Robert Elswit | .... | matte photography assistant: miniature and optical effects unit | |
| Phillip Feiner | .... | optical supervisor (1997 special edition) | |
| Rick Fichter | .... | assistant cameraman: miniature and optical effects unit | |
| Bob Finley III | .... | stage technician: miniature and optical effects unit (as Bobby Finley) | |
| Richard Fish | .... | assistant cameraman: miniature and optical effects unit | |
| Brian Flora | .... | digital matte artist: ILM (1997 special edition) | |
| Warren Franklin | .... | optical line-up: miniature and optical effects unit | |
| Roberta Friedman | .... | optical coordinator | |
| Michael Fulmer | .... | model maker: miniature and optical effects unit | |
| Dick Gallegly | .... | production administrator: miniature and optical effects unit | |
| Steve Gawley | .... | modelshop foreman: miniature and optical effects unit | |
| Tim Geideman | .... | laboratory technician: miniature and optical effects unit | |
| Tim Geideman | .... | negative line-up: ILM (1997 special edition) | |
| Rob Gemmel | .... | model maker: miniature and optical effects unit | |
| Howard Gersh | .... | digital effects artist: ILM (1997 special edition) | |
| David Grafton | .... | special optics designer: miniature and optical effects unit | |
| Timothy Greenwood | .... | projectionist: ILM (1997 special edition) (as Tim Greenwood) | |
| Grant Guenin | .... | Sabre artist: ILM (1997 special edition) | |
| James Hagedorn | .... | 3D matchmove artist: ILM (1997 special edition) | |
| Wendy Hendrickson | .... | digital plate restoration: ILM (1997 special edition) | |
| Edward Hirsh | .... | stage technician: miniature and optical effects unit | |
| Jim Hourihan | .... | software research and development: ILM (1997 special edition) | |
| George Hull | .... | visual effects art director: ILM (1997 special edition) | |
| Paul Huston | .... | assistant cameraman: miniature and optical effects unit | |
| Paul Huston | .... | model maker: miniature and optical effects unit | |
| Tom L. Hutchinson | .... | computer graphics supervisor: ILM (1997 special edition) (as Tom Hutchinson) | |
| Jerry Jeffress | .... | electronic systems designer: miniature and optical effects unit | |
| Brian Johnson | .... | special visual effects | |
| Joe Johnston | .... | art director visual effects: miniature and optical effects unit | |
| Doug Jones | .... | negative supervisor: ILM (1997 special edition) | |
| Ed Jones | .... | laboratory technician: miniature and optical effects unit | |
| Zoran Kacic-Alesic | .... | software research and development: ILM (1997 special edition) | |
| Florian Kainz | .... | software research and development: ILM (1997 special edition) | |
| Michael Kelly | .... | effects editor: miniature and optical effects unit | |
| Tom Kennedy | .... | visual effects producer: ILM (1997 special edition) | |
| Kim Knowlton | .... | animator: miniature and optical effects unit | |
| Marshall Richard Krasser | .... | digital effects artist: ILM (1997 special edition) (as Marshall Krasser) | |
| Neil Krepela | .... | matte photography: miniature and optical effects unit | |
| Peter Kuran | .... | animation and rotoscope supervisor: miniature and optical effects unit | |
| Alexander Laurant | .... | assistant visual effects art director: ILM (1997 special edition) (as Alex Laurant) | |
| Michael Lawler | .... | additional matte photography: miniature and optical effects unit | |
| Angela Leaper | .... | video editor: ILM (1997 special edition) | |
| Gary Leo | .... | electronic engineer: miniature and optical effects unit | |
| Joshua Levine | .... | digital effects technical assistant: ILM (1997 special edition) | |
| James Lim | .... | optical line-up: miniature and optical effects unit | |
| Leo Loverro | .... | stage technician: miniature and optical effects unit | |
| Mike MacKenzie | .... | electronic engineer: miniature and optical effects unit | |
| Joshua Marks | .... | visual effects production staff: ILM (1997 special edition) | |
| Scott Marshall | .... | model maker: miniature and optical effects unit | |
| Tia L. Marshall | .... | digital effects artist: ILM (1997 special edition) (as Tia Marshall) | |
| Dawn Martin | .... | video assistant: ILM (1997 special edition) | |
| Stuart T. Maschwitz | .... | digital effects artist: ILM (1997 special edition) | |
| Terrence Masson | .... | digital effects artist: ILM (1997 special edition) | |
| Bill Mather | .... | digital matte artist: ILM (1997 special edition) (as William Mather) | |
| Dawn Matheson | .... | digital effects technical assistant: ILM (1997 special edition) | |
| Michael J. McAlister | .... | assistant cameraman: miniature and optical effects unit (as Michael McAlister) | |
| Pat McClung | .... | model maker: miniature and optical effects unit | |
| Mary McCulloch | .... | Sabre artist: ILM (1997 special edition) | |
| Michael McGovern | .... | visual effects editor: ILM (1997 special edition) | |
| Roberto McGrath | .... | lab assistant: miniature and optical effects unit | |
| Dan McNamara | .... | Sabre group supervisor: ILM (1997 special edition) (as Daniel McNamara) | |
| Ralph McQuarrie | .... | matte artist: miniature and optical effects unit | |
| Gary Meyer | .... | production engineering: ILM (1997 special edition) | |
| Lhary Meyer | .... | electronic engineer: miniature and optical effects unit | |
| Ted Moehnke | .... | supervising stage technician: miniature and optical effects unit (as T.E. Moehnke) | |
| Melissa Monterrosa | .... | digital plate restoration: ILM (1997 special edition) | |
| Thaine Morris | .... | miniature pyrotechnics: miniature and optical effects unit | |
| Wendy Morton | .... | model and creature maker: ILM (1997 special edition) | |
| Dennis Muren | .... | effects director of photography: miniature and optical effects unit | |
| Duncan Myers | .... | laboratory technician: miniature and optical effects unit | |
| Bill Neil | .... | camera operator: miniature and optical effects unit | |
| Bruce Nicholson | .... | optical photography supervisor: miniature and optical effects unit | |
| Ken Nielsen | .... | digital effects artist: ILM (1997 special edition) | |
| Ease Owyeung | .... | model maker: miniature and optical effects unit | |
| Jenny Oznowicz | .... | production assistant: miniature and optical effects unit | |
| Clint Palmer | .... | assistant camera: miniature and optical effects unit | |
| Udo Pampel | .... | machinist: miniature and optical effects unit | |
| Michael Pangrazio | .... | matte artist: miniature and optical effects unit | |
| Eddie Pasquarello | .... | digital effects artist: ILM (1997 special edition) | |
| Lorne Peterson | .... | chief model maker: miniature and optical effects unit | |
| Glenn Phillips | .... | assistant accountant: miniature and optical effects unit | |
| David Pier | .... | miniature pyrotechnics: miniature and optical effects unit (as Dave Pier) | |
| Tam Pillsbury | .... | optical line-up: miniature and optical effects unit | |
| Joshua Pines | .... | digital scanning supervisor: ILM (1997 special edition) | |
| Gary Platek | .... | special projects: miniature and optical effects unit | |
| Anne Polland | .... | model and creature maker: ILM (1997 special edition) | |
| Ken Ralston | .... | effects cameraman: miniature and optical effects unit | |
| Ricardo Ramos | .... | digital effects artist: ILM (1997 special edition) | |
| Arthur F. Repola | .... | assistant effects editor: miniature and optical effects unit (as Arthur Repola) | |
| Nilo Rodis-Jamero | .... | assistant art director: miniature and optical effects unit | |
| Thomas Rosseter | .... | digital effects artist: ILM (1997 special edition) (as Tom Rosseter) | |
| Thomas Rosseter | .... | optical line-up: miniature and optical effects unit | |
| Jonathan Rothbart | .... | animatic artist: ILM (1997 special edition) | |
| Tom Rudduck | .... | model maker: miniature and optical effects unit | |
| Nina Saxon | .... | animator: miniature and optical effects unit | |
| Stanley W. Sayer | .... | matte photography consultant (as Stanley Sayer) | |
| Ray Scalice | .... | production accountant: miniature and optical effects unit | |
| Wesley Seeds | .... | model maker: miniature and optical effects unit | |
| Dan Shumaker | .... | digital effects technical assistant: ILM (1997 special edition) (as Daniel Shumaker) | |
| Mark Siegel | .... | model and creature maker: ILM (1997 special edition) | |
| Kenneth Smith | .... | optical printer operator: miniature and optical effects unit | |
| Tom St. Amand | .... | stop motion technician: miniature and optical effects unit | |
| Howard Stein | .... | assistant effects editor: miniature and optical effects unit | |
| Lawrence Tan | .... | digital effects artist: ILM (1997 special edition) | |
| Chad Taylor | .... | Sabre artist: ILM (1997 special edition) | |
| Rick Taylor | .... | animator: miniature and optical effects unit | |
| Ed Tennler | .... | draftsman: miniature and optical effects unit | |
| Jonas Thaler | .... | apprentice editor: miniature and optical effects unit (as Jon Thaler) | |
| Paul Theren | .... | digital effects artist: ILM (1997 special edition) | |
| Marc Thorpe | .... | model maker: miniature and optical effects unit | |
| Phil Tippett | .... | stop motion animation: miniature and optical effects unit | |
| Lisa Todd | .... | visual effects coordinator: ILM (1997 special edition) | |
| Pam Traas | .... | assistant accountant: miniature and optical effects unit | |
| Hans Uhlig | .... | digital effects artist: ILM (1997 special edition) | |
| Michael Van Eps | .... | digital plate restoration: ILM (1997 special edition) (as Mike Van Eps) | |
| John T. Van Vliet | .... | animator: miniature and optical effects unit (as John Van Vliet) | |
| Mark Vargo | .... | optical line-up: miniature and optical effects unit | |
| Bruce Vecchitto | .... | color timing supervisor: ILM (1997 special edition) | |
| Jim Veilleux | .... | effects cameraman: miniature and optical effects unit | |
| Laurie Vermont | .... | optical coordinator: miniature and optical effects unit | |
| Joe Viskocil | .... | miniature pyrotechnics: miniature and optical effects unit (as Joseph Viskocil) | |
| Garry Waller | .... | animator: miniature and optical effects unit | |
| Steve Walton | .... | model and creature maker: ILM (1997 special edition) (as Steven Walton) | |
| Harold Weed | .... | chief creature maker: ILM (1997 special edition) (as Howie Weed) | |
| Li-Hsien Wei | .... | digital effects artist: ILM (1997 special edition) | |
| Ken Wesley | .... | digital effects artist: ILM (1997 special edition) | |
| Jody Westheimer | .... | assistant cameraman: miniature and optical effects unit | |
| Gene Whiteman | .... | equipment engineering supervisor: miniature and optical effects unit | |
| Diana Wilson | .... | animator: miniature and optical effects unit | |
| Ron Woodall | .... | digital effects artist: ILM (1997 special edition) | |
| Jeffery Yost | .... | software research and development: ILM (1997 special edition) (as Jeff Yost) | |
| Heidi Zabit | .... | digital paint & roto artist: ILM (1997 special edition) | |
| Stuart Ziff | .... | special project coordinator: miniature and optical effects unit | |
| Rita E. Zimmerman | .... | Sabre artist: ILM (1997 special edition) (as Rita Zimmerman) | |
| Samuel Zolltheis | .... | model maker: miniature and optical effects unit | |
| Bruce Cardozo | .... | optical line up (uncredited) | |
| Fon Davis | .... | model maker: ILM (1997 special edition) (uncredited) | |
| Giovanni Donovan | .... | Wampa lair construction (1997 special edition) (uncredited) | |
| Aaron Haye | .... | model maker: ILM (1997 special edition) (uncredited) | |
| Pete Kleinow | .... | stop motion animator (uncredited) | |
| Todd Mitchell | .... | scanning operator: ILM (1997 special edition) (uncredited) | |
| Ben O'Brien | .... | Sabre artist: ILM (1997 special edition) (uncredited) | |
| Matt Wallin | .... | digital artist: ILM (1997 special edition) (uncredited) | |
Stunts | |||
| Bob Anderson | .... | stunt double | |
| Peter Diamond | .... | stunt coordinator | |
| Colin Skeaping | .... | stunt double | |
| Lightning Bear | .... | stunts (uncredited) | |
| Marc Boyle | .... | stunts (uncredited) | |
| Peter Diamond | .... | stunts (uncredited) | |
| Jim Dowdall | .... | stunts (uncredited) | |
| Stuart Fell | .... | stunt double (uncredited) | |
| Stuart Fell | .... | stunts (uncredited) | |
| Richard Hammatt | .... | stunts (uncredited) | |
| Reg Harding | .... | stunts (uncredited) | |
| Terry Richards | .... | stunts (uncredited) | |
| Doug Robinson | .... | stunts (uncredited) | |
| Colin Skeaping | .... | stunts (uncredited) | |
| Tony Smart | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | wardrobe supervisor | |
| Eileen Sullivan | .... | wardrobe mistress | |
Editorial Department | |||
| Duwayne Dunham | .... | assistant film editor | |
| Barbara Ellis | .... | assistant film editor | |
| Ted Gagliano | .... | post-production executive (1997 special edition) | |
| Bob Hart | .... | negative cutter (as Robert Hart) | |
| Samuel H. Hinckley | .... | first assistant editor (1997 special edition) (as Samuel Hinckley) | |
| Darrell Hixson | .... | negative cutter | |
| Mike Jackson | .... | assistant editor: avid (1997 special edition) | |
| Robin Lee | .... | assistant editor: avid (1997 special edition) | |
| Ed Lemke | .... | color timer | |
| Robert Marty | .... | first assistant editor (1997 special edition) | |
| Mark Nakamine | .... | colorist (digital color correction) | |
| Robert Raring | .... | color timer (1997 special edition) (as Robert J. Raring) | |
| Ray Sabo | .... | negative continuity (1997 special edition) | |
| Phil Sanderson | .... | assistant film editor | |
| Steve Starkey | .... | assistant film editor | |
| Paul Tomlinson | .... | assistant film editor | |
| Brian Q. Kelley | .... | editor: additional material (1997 special edition) (uncredited) | |
Music Department | |||
| Herbert W. Spencer | .... | orchestrator | |
| Eric Tomlinson | .... | music recordist | |
| Kenneth Wannberg | .... | supervising music editor | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| George Lucas | .... | music producer (uncredited) | |
| Angela Morley | .... | additional orchestrator (uncredited) | |
| Maurice Murphy | .... | musician: trumpet (uncredited) | |
| Lionel Newman | .... | music supervisor (uncredited) | |
| John Williams | .... | conductor (uncredited) | |
| John Williams | .... | music producer (uncredited) | |
Transportation Department | |||
| Robert Martin | .... | transportation: miniature and optical effects unit | |
Other crew | |||
| Bunny Alsup | .... | assistant to producer | |
| Alan Arnold | .... | unit publicist | |
| Jane Bay | .... | assistant to executive producer | |
| Ron Butcher | .... | production maintenance | |
| Ron Cook | .... | location accountant | |
| Kathryn Farrar | .... | production controller (1997 special edition) | |
| Tim Fox | .... | archivist (1997 special edition) | |
| Ken Gordon | .... | set cost controller | |
| Barbara Harley | .... | production assistant | |
| Miki Herman | .... | production coordinator | |
| Philip Kohler | .... | location manager | |
| Michael Larkins | .... | assistant accountant | |
| Nick Laws | .... | production assistant | |
| Pamela Mann | .... | continuity | |
| Wendy Midener | .... | yoda fabricator | |
| Kathryn Mullen | .... | performing assistant: Yoda | |
| Ron Phipps | .... | production accountant | |
| Kay Rawlings | .... | continuity | |
| Debbie Shaw | .... | assistant to director | |
| Charles B. Wessler | .... | production assistant (as Charles Wessler) | |
| Kristen Wing | .... | assistant publicist | |
| Marc Wolff | .... | helicopter pilot (as Mark Wolfe) | |
| David Alan Barclay | .... | assistant puppeteer (uncredited) | |
| Des Carey | .... | film archivist (1997 special edition) (uncredited) | |
| Liz Coke | .... | stand-in: Ms. Fisher (uncredited) | |
| Jack Dearlove | .... | stand-in: Mr. Ford (uncredited) | |
| Alan Harris | .... | stand-in: Mr. Daniels (uncredited) | |
| Mark Marshall | .... | production assistant (uncredited) | |
| Craig Miller | .... | marketing consultant (uncredited) | |
| Chris Parsons | .... | stand-in: "4-LOM", "K-3PO" and "C-3PO" (uncredited) | |
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| Star Wars: Episode VI - Return of the Jedi | Star Wars | Star Wars: Episode III - Revenge of the Sith | Star Wars: Episode II - Attack of the Clones | Star Wars: Episode I - The Phantom Menace |
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| Full cast and crew | Company credits | External reviews |
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In a film like The Empire Strikes Back, especially a few years on the heels of such a mind-bogglingly great film like the original Star Wars, there is something that comes immediately to mind that would at first seem to count against the film, but instead only winds up increasing the respect that it commands. In the 1977 Star Wars, there is a clear reliance on simplicity in some parts. Obviously, it is much more than a simply made science fiction film, but like I said in my review of it, there was a lot of highly effective reliance on things that were not put on screen, such as Obi Wan's description of The Force to Luke. In The Empire Strike Back, the first thing that we are treated to is the traditional scrolling text along a background of stars, depicting what has happened between the last film and this one, and reminding us of the things that were mentioned in the last film but never explained.
At first, this would almost seem to be a way to save money to get more information across to the audience without having to actually put it on screen, but this is really an ingenious way of furthering the story. The very fact that we are so willing to read all this information and forgive our inability to actually see it is a testament to the quality of the series, even at this early stage in its presentation, and we know the story so well from the first film that we are glad to see such a large change in what's happening in the films, not for a second lamenting the fact that we have obviously missed so much action. And besides that, if and when George Lucas runs out of new prequels to release, and maybe if he someday begins to run low on how many hundreds of millions of dollars he has, he could go right back and make these in-between scenes into full length films. What would he call these, if he did that? Introquels? Who cares! The names themselves would be interesting enough, and if you go back and read the stuff that introduces this film, it's obvious that there's an entire film there just waiting to be made. I guess the question of actors would be a formidable one, though.
The Empire Strikes Back is the film where we are first introduced to the great Jedi master Yoda (`Away put your weapon!'), as well as some of the most thrilling battle sequences of the entire Star Wars series, and that includes the prequels. The battle scene where the rebels fight the Imperial Walkers on the ice planet is an incredibly well-made battle scene, not only in the way that it was put together so convincingly using models, but that the machines themselves are so creatively made. Indeed, the Imperial Walkers are some of the most recognizable machines from the entire Star Wars saga, right up there with the Millennium Falcon and the Death Star.
I have just watched this film again, having already seen Episode I and Episode II, and not having seen any of the original Star Wars films for maybe 10 years (except for the original 1977 Star Wars, which I saw and reviewed a few days ago - and these aren't even the Special Edition versions!). When I first saw Yoda when watching The Empire Strikes Back again, I was really struck by how different he looked from in the newer movies. Obviously, he's completely computer generated in the new films, but here in Episode V he looks like a muppet! Even so, I would like to express my opinion that Yoda is more realistic and more interesting here as a puppet than in the newer films as a computer generated image. At least here in the older films you know that he's actually THERE, and that he's not just added into the film later.
Oh yeah, speaking of Yoda, can I just complain for a minute? What the hell was up with the Jedi training? Yes, I realize that I'm just a lowly IMDb reviewer, while The Empire Strikes Back is a part of the greatest science fiction series of all time, but would it have killed George Lucas to write in a little more creative training for Luke? The thing that struck me first about the Star Wars films when I first started watching them was how incredibly imaginative they were, but then Luke started his training. You know, when I was in high school I played football. I was a wide receiver/tight end and I hardly ever got to play because I was too tall and too skinny, but part of my workout was to carry the linemen up and down the stairs to the weight room. Some of these guys weighed 100 pounds more than me, and I still almost never saw the field, and here's Luke Skywalker. He carries Yoda around this boggy swamp and he gets to be a Jedi! What the hell!
There is also the addition of a surprisingly fitting love story. First of all, anyone who has ever read my review of a Jerry Bruckheimer movie will know that I am not the biggest fan of cramming a love story into a movie where it doesn't belong. I can't seem to write anything about Bruckheimer movies without complaining about the idiot love story, and now it's even worse because here's this movie that was made so long before, from which Bruckheimer could obviously have at least learned a LITTLE bit about how to do it right. Han Solo and Princess Leia maintain the personalities that they developed in the first Star Wars film and there is now a sort of love/hate relationship between the two of them, where neither one of them wants to admit their feelings for the other. This romantic subplot is characterized perfectly in the scene just before Solo is carbon frozen, when Leia risks approaching a cheesy romantic moment by saying `I love you' just before Han is lowered into the freezing chamber, and he saves the moment by responding, `I know.' Han Solo. Smart-ass to the last drop.
Before I end I would like to point out that the goofs that can be found on the IMDb for this film are some of the most blatant that I've ever seen in a film. The scene where you can see someone giving a woman at the tactical maps a cue to deliver her lines is amazingly obvious, and some of the other ones, such as the stage hand swinging the light saber prop briefly into view as he switches it for an `off' prop with Luke just after he knocks Darth Vader over backwards, are just as much fun to look for. I have one question about the goofs, though. There's one where Luke looks off into the fog just after R2-D2 is eaten by the sea monster, and you can CLEARLY see a person running to the right a little ways off in the fog. Is that meant to be Luke? It seems that it's supposed to be him running in his search for R2, because you can even hear the FOOTSTEPS of the person running. I can't even IMAGINE how they could have missed THAT!!
It is, however, a testament to the quality of a film when such tremendous oversights in editing do nothing to take away from the overall quality of the film. The Empire Strikes Back remains an extremely powerful and well-made installment in the Star Wars series, not taking even a single step backwards in the sheer breathtaking adventure of the original film. It's not often that a film as good as Star Wars can be released and then followed up with a sequel that is just as great, as is clearly the case here. Star Wars was a gigantic film upon its release, and with The Empire Strikes Back, Lucas has begun the formation of one of the greatest film series' in cinematic history.