After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the universe from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
As the Clone Wars near an end, the Sith Lord Darth Sidious steps out of the shadows, at which time Anakin succumbs to his emotions, becoming Darth Vader and putting his relationships with Obi-Wan and Padme at risk.
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé, while Obi-Wan investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi.
A young man is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
After the Rebel base on the icy planet Hoth is taken over by the empire, Han, Leia, Chewbacca, and C-3PO flee across the galaxy from the Empire. Luke travels to the forgotten planet of Dagobah to receive training from the Jedi master Yoda, while Vader endlessly pursues him.
Further scenes with the Wampa were shot, and later cut. R2-D2 encountered one within the Rebel base, where it was killed by troopers. Later, the beasts were lured into a prison within the complex. In the completed film, a medical droid is seen examining the wounds of a tauntaun killed by a Wampa, and Princess Leia mentions the "creatures" while discussing the Imperial probe droid. A scene filmed but cut had Han, Leia and C-3PO running through a corridor. Han went to take a short-cut through a door with a sign on it, but Leia warned him "that's where those creatures are kept". They run off, but not before C-3PO rips off the sign, hoping that the stormtroopers will enter the room. They did. A few seconds of this last scene can be seen in the theatrical trailer on the DVD. See more »
After having kicked Vader off the platform in the Carbon-freezing-chamber during the first part of their duel, Luke turns off his Lightsaber and jumps down to continue the fight. But when Luke jumps we can see him land and stand up in the shadows in the bottom-left corner off the screen. Yet we hear the sound of Luke hitting the ground a second later. This was probably an attempt to make Luke's fall sound longer than it actually was. Also we can see some wires wobble after Vader having hit the mattress outside the camera angle. See more »
Echo Three to Echo Seven. Han, old buddy, do you read me?
Loud and clear, kid. What's up?
Well, I finished my circle. I don't pick up any life readings.
There isn't enough life on this ice cube to fill a space cruiser. Sensors are placed. I'm going back.
Right. I'll see you shortly. There's a meteorite that hit the ground near here. I want to check it out. It won't take long.
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In the section of the end credits cast list devoted to the Rebel Forces, there are no fewer than three misprints: Christopher Malcolm is credited as "Christopher Malcom"; Denis Lawson is "Dennis Lawson"; and the character Dack, whose spelling is attested in the script as well as in books and other media, in the credits is spelled "Dak". See more »
It's NOT the darkest of the trilogy - it's the most mature
`It avoids having the standard shoot-'em-up ending,' says a friend of mine, `by not having an ending.' I suppose this is what most people think, but all the same the film manages to form a satisfying whole; or at least, a whole that satisfies me. I'm therefore inclined to think it DOES have an ending. Obviously, I can't discuss this without giving things away to those few who don't know what happens. If you're one of those few, then believe me: your ignorance is precious enough to be worth guarding until you see the film. Stop reading now.
After the surprise attack on the rebel base, Luke Skywalker splits with Han, Leia, et al. Han's party gets away first (is it just me, or is the shot of Luke watching the Falcon flying off while he stands stranded on the ground, a poignant one?), but thereafter they face one narrow escape after another, while Luke slinks off quietly and safely to train with Yoda.
The training scenes are many and Yoda talks a great deal of rubbish. But somehow it doesn't matter. The film is ambivalent in its attitude towards Yoda, anyway. Our sympathy clearly lies with the entirely non-spiritual concerns of Han, Leia and the adolescent Luke. The main story concerns the understanding that builds between Han and Leia. In the end they are honest with one another; and if Han's being frozen and shipped back to Tatooine is the price to pay for this, well, it's the price to pay. It was very important NOT to end with the dashing rescue that opens `Return of the Jedi', which would be dramatically beside the point. Instead we end with the promise that the rescue will some day occur. That's enough.
As for Luke: he abandons Yoda to rescue Han and Leia, and achieves NOTHING WHATEVER. This was my favourite touch. All five Jedis - Luke, Obi-Wan, Yoda, Vader, and the Emperor - find that their conflicting instincts are all entirely wrong. The film is really about the temporary triumph of human impulses over the mystical Force. Luke's human idealism is vindicated, but his supernatural powers, just this once, are not.
When George Lucas gave his Star Wars trilogy a fresh coat of varnish in 1997 he felt he had to justify the expense by making needless changes. You'll notice he made precious few changes to episode V. There just wasn't room. He added a few extra shots of the ice monster, which of course weakened that one scene; but even with those changes in place the Special Edition is virtually identical to the original edition. Since Lucas was so keen on making changes wherever he could this is obviously a tribute to the tightness of the story and the direction. It's also a tribute to the perfection of the original special effects, more innovative than the effects in the first Star Wars movie and better than the effects in any subsequent one.
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