It's not just Woody Allen who's trumpeting an enthusiasm for May-to-December romances on the big screen. Should he, and his ilk, be berated? Or might they be helping save lives?
Once more, Woody Allen's genius has brought forth a poignant liaison between a dour but lovable greybeard and a naive but discerning tootsie. Or, to put it another way, a peevish old goat manages to cop off yet again with a complaisant babe.
If you've seen Manhattan, A Midsummer Night's Sex Comedy and Mighty Aphrodite, you won't be surprised by the scenario on which Whatever Works relies. But Woody's aren't the only movies in which an older guy gets lucky.
You may have heard tell of To Have and Have Not, The Big Sleep, An American in Paris, How to Marry a Millionaire, Gigi, High Society, Love in the Afternoon, South Pacific, Rio Bravo, The Sound of Music, Last Tango in Paris,...
Once more, Woody Allen's genius has brought forth a poignant liaison between a dour but lovable greybeard and a naive but discerning tootsie. Or, to put it another way, a peevish old goat manages to cop off yet again with a complaisant babe.
If you've seen Manhattan, A Midsummer Night's Sex Comedy and Mighty Aphrodite, you won't be surprised by the scenario on which Whatever Works relies. But Woody's aren't the only movies in which an older guy gets lucky.
You may have heard tell of To Have and Have Not, The Big Sleep, An American in Paris, How to Marry a Millionaire, Gigi, High Society, Love in the Afternoon, South Pacific, Rio Bravo, The Sound of Music, Last Tango in Paris,...
- 6/28/2010
- by David Cox
- The Guardian - Film News
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