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An American in Paris (1951)

7.3
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Ratings: 7.3/10 from 17,450 users  
Reviews: 125 user | 91 critic

Three friends struggle to find work in Paris. However, things become more complicated when two of them fall in love with the same woman.

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Title: An American in Paris (1951)

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Won 6 Oscars. Another 4 wins & 7 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Georges Guétary ...
Henri Baurel (as Georges Guetary)
...
The American In Paris Ballet ...
Ballet Dancers
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Storyline

Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art. Jerry in turn falls for Lise, a young French girl already engaged to a cabaret singer. Jerry jokes, sings and dances with his best friend, an acerbic would-be concert pianist, while romantic complications abound. Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Plot Synopsis

Plot Keywords:

love | french | pianist | art | dance | See more »

Taglines:

What a joy! It's M-G-M's Technicolor musical!

Genres:

Musical | Romance

Certificate:

TV-PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

11 November 1951 (USA)  »

Also Known As:

Amerikanac u Parizu  »

Box Office

Budget:

$2,723,903 (estimated)

Gross:

$4,500,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Oscar Levant, more of a pianist than an actor, signed onto the film because he was actually a friend of George Gershwin. See more »

Goofs

In the "By Strauss" waltz, Jerry is dancing with two ladies in the café, and his cap falls off while he is kneeling. He briefly attempts to retrieve it, then leaves it where it is. See more »

Quotes

[first lines]
Jerry Mulligan: This is Paris, and I'm an American who lives here. My name is Jerry Mulligan, and I'm an ex G.I. In 1945 when the army told me to find my own job, I stayed on. And I'll tell you why: I'm a painter, and all my life that's all I've ever wanted to do.
See more »

Connections

Featured in That's Dancing! (1985) See more »

Soundtracks

Embraceable You
(1930) (uncredited)
Music by George Gershwin
Danced by Leslie Caron
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A trailblazing musical
27 October 2002 | by (Calgary, Canada) – See all my reviews

An American in Paris was, in many ways, the ultimate mixture of art and Hollywood musical. Made at the height of MGM's powers as a musical powerhouse, the film features memorable music from the Gershwins, who rightly have been called the 20th Century's equivalent of Beethoven and Mozart.

Gene Kelly was also at the height of his powers in this film, though it could be rightly argued that this movie was just the warm-up for his best work in Singin' in the Rain (1952). The two films are actually closely linked. Aside from the Arthur Freed connection, the Broadway Melody segment in "Rain" owes its existence to the incredible American in Paris Ballet sequence in this film. This might well have been the only time a dance number is specially mentioned in the opening credits of the film. And it deserved to be, as it showcases Gene Kelly's skills as a dancer and choreographer to their utmost degree.

The film's cast is uniformly excellent. Leslie Caron, incredibly making her film debut, shows a maturity that makes you think she'd been making films for years. Her introductory dance sequence, and later her work on the Ballet, provides some surprisingly sexy moments rivalled in MGM Musicals only by Cyd Charisse's work in Singin' in the Rain and The Band Wagon. Oscar Levant is hilarious as Kelly's stoic pal, who gets two of the film's best moments: during the end party sequence (which I will not give away for anyone who hasn't seen the film), and one of the film's most memorable musical numbers which couples his incredible piano skills with state-of-the-art (for the time) special effects.

Less memorable are Georges Guetary as Kelly's romantic rival, though he does get a few musical highlights, and Nina Foch as Leslie Caron's romantic rival. The May-December relationship between Kelly's character and Nina's reminded me of the same "kept man" relationship seen between George Peppard and Patricia Neal in Breakfast at Tiffany's.

There are a few elements of the film that made it less satisfying for me than Singin' in the Rain. The Ballet, though lavish and well-produced, doesn't really fit with the rest of the movie. Without giving away the plot, the Ballet just happens, with no real rhyme or reason. And unlike the Broadway Melody sequence, it really doesn't have anything to do with the plot -- and in the best musicals, the songs always have some sort of raison d'etre.

Making matters worse is the ending of the film which happens immediately after the Ballet. Although the ending shouldn't be a surprise (this IS an MGM musical, after all), I was hoping for a bit more ... movie after the Ballet ended. It's as if director Vincente Minnelli felt that he couldn't follow the Ballet with anything else. The film literally left me in the lurch.

That negative aside, An American in Paris rightly ranks alongside the best of Hollywood's musicals. It doesn't quite reach the heights of Singin' in the Rain, but it comes close and it remains a testament to Gene Kelly's skills as one of the greatest dancers of all time.


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