Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
Needing to fill the position of general manager of his company, and believing that an executive's wife is crucial to her husband's success, auto industry mogul Gifford brings three couples ... See full summary »
Three New York models, Shatze, Pola and Loco set-up in an exclusive appartment with a plan: tired of cheap men and a lack of money they intend to use all their talents to trap and marry three millionaires. The trouble is that's it's not so easy to tell the rich men from the huxters and even when they can, is the money really worth it? Written by
Col Needham <firstname.lastname@example.org>
Writer and humorist Dorothy Parker's famous quip that "men seldom make passes at girls who wear glasses" was purposely bobbled by screenwriter (and producer) Nunnally Johnson for Marilyn Monroe's character Pola to assert to David Wayne (as Freddie) that "you know, men are seldom attentive to girls who wear glasses." See more »
When Schatze is walking up and down on the roof her shadow isn't matching the shadows on the buildings behind - her shadow falls the opposite way due to the lighting not matching the supposed position of the sun. See more »
I just had a wonderful opportunity to catch a screening of this film on a wide screen. What a treat!
Unfortunately, it wasn't the best print; lots of dust and scratches on reel changes, and the colors were quite faded, but these films simply must be seen on a wide screen with an audience to be truly appreciated. Of course, almost any movie is improved by seeing it at the Castro Theatre in San Francisco, and I consider myself fortunate to have had the opportunity.
Lauren Bacall has always been one of my favorite actors, and she and Powell do work wonderfully together. Monroe is also, always a delight - I think that she was a much better actress than she is generally given credit for. However, though I've seen this movie close to a dozen times before, I was really struck at the wonderful performance that Grable turned in. She was perfect! I haven't seen much of her other work, but in HTMAM, she shows herself to be a wonderful comedic actress, playing a "dim blonde" who really isn't that dim. What a revelation and what a delight.
I would definitely recommend this movie to anyone who likes old movies, but if you have a chance to catch it on a real movie screen - DO SO! You won't be disappointed.
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