C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, who tries to win Tracy's heart again. Mike Connor, an undercover tabloid reporter, also falls for Tracy while covering the nuptials for Spy magazine. Tracy must choose between the three men as she discovers that "safe" can mean "deadly dull" when it comes to husbands and life. Written by
James Meek <firstname.lastname@example.org>
It is believed that Frank Sinatra's brand new car, a 1956 Continental Mark II (now a very rare item as only 4,000 were ever made and sold) was used in some brief shots in the film released July, 1956. Actor Louis Calhern is seen exiting the car while being greeted by Grace Kelly. Records show the car being delivered to Sinatra December, 1955 so it seems a good bet that it is indeed the one in the film. See more »
When Tracy comes up from below deck in the "True Love" flashback scene, she is wearing blue tennis shoes. Although the dialogue is continuous, she is barefoot in the very next shot, then the shoes appear again, though we never see her take them off (or on). See more »
Liz, you're in love with Connor aren't you?
People ask the darnedest questions.
Why don't you marry him?
I'm gonna pretend I didn't hear that.
I said why don't you marry him?
He's still got a lot to learn. I don't want to get in his way for a while.
Supposing some other girl comes along in the meantime.
I guess I'd just scratch her eyes out. Unless that is she was marrying someone else the next day.
You're quite a girl Liz.
I don't know. I take nice pictures though.
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I have a theory about "High Society" and that is that you must regard it as an Opera. Now I haven't lost my marbles and I am not suggesting that Cole Porter is Verdi. What I mean is that the story is so preposterous (as are most Opera plots) that it is best not to question it too closely and just enjoy the movie. Porter's music is sensational (to coin a phrase) and the songs are all well performed. Grace Kelly's rendition of "True Love" (yes, it is her - not dubbed) is delicious and just adds to her allure. Isn't it wonderful just how sexy Ms Kelly is in this film? This is 1956 and there is no flashing of bosom or even leg just her natural beauty. She spends some time in the bedroom with Frank Sinatra and (improbably) remains chaste. Frank the honourable man!
I watched "The Philadelphia Story" again recently and was surprised how much of the script from that movie was retained for "High Society". If you find the story of High Society silly (it is) then it is really the earlier film you should blame. The set piece musical numbers in High Society are absolute classics indeed there isn't a dud. It's worth listing them and you'll see what I mean: "High Society Calypso";" Little One";" Who Wants to be a Millionaire ?";"True Love";" I Love You Samantha";" Well, Did You Evah"; "Mind If I Make Love To You";" Now You Has Jazz";" You're Sensational". WOW!
When you go to the Opera you want great music, good performances, lovely sets and some sort of feel good factor. With "High Society" you get all this and more. It is played tongue in cheek (how could it not be?) and that is how it should be. Keep your "Film noir" or your "Cinema Vérité" give me High Society every time!
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