C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ...
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Princess Beatrice's days of enjoying the regal life are numbered unless her only daughter, Princess Alexandra, makes a good impression on a distant cousin when he pays a surprise visit to ... See full summary »
In Colombia, mining engineer Rian Mitchell discovers Carrero, the lost emerald mine of the Conquistadors, but has to contend with notorious local bandit El Moro's gang and with coffee planter Catherine Knowland's love.
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
Charlie Reader is a successful theater agent. He is also successful with young ladies. One day he is visited by his old friend Joe, married with three children. Joe falls in love with ... See full summary »
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, who tries to win Tracy's heart again. Mike Connor, an undercover tabloid reporter, also falls for Tracy while covering the nuptials for Spy magazine. Tracy must choose between the three men as she discovers that "safe" can mean "deadly dull" when it comes to husbands and life. Written by
James Meek <email@example.com>
High Society (1955), a "Bowery Boys" comedy that had been released the previous year, was mistakenly nominated for an Academy Award for "Best Writing - Original Story" in 1957, because the Academy confused it with this film, which was still in wide release when the 1957 nominations were announced. When the mistake was discovered, Edward Bernds and Elwood Ullman, the two screenwriters of the "Bowery Boys" film, graciously declined the nomination. See more »
Boom barely drops into the top of the frame for a split second, but the shadow clearly travels across the wall when George takes Tracy into the conservatory to lie down after she drunkenly sings that she's "Sensational". See more »
Liz, you're in love with Connor aren't you?
People ask the darnedest questions.
Why don't you marry him?
I'm gonna pretend I didn't hear that.
I said why don't you marry him?
He's still got a lot to learn. I don't want to get in his way for a while.
Supposing some other girl comes along in the meantime.
I guess I'd just scratch her eyes out. Unless that is she was marrying someone else the next day.
You're quite a girl Liz.
I don't know. I take nice pictures though.
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I have a theory about "High Society" and that is that you must regard it as an Opera. Now I haven't lost my marbles and I am not suggesting that Cole Porter is Verdi. What I mean is that the story is so preposterous (as are most Opera plots) that it is best not to question it too closely and just enjoy the movie. Porter's music is sensational (to coin a phrase) and the songs are all well performed. Grace Kelly's rendition of "True Love" (yes, it is her - not dubbed) is delicious and just adds to her allure. Isn't it wonderful just how sexy Ms Kelly is in this film? This is 1956 and there is no flashing of bosom or even leg just her natural beauty. She spends some time in the bedroom with Frank Sinatra and (improbably) remains chaste. Frank the honourable man!
I watched "The Philadelphia Story" again recently and was surprised how much of the script from that movie was retained for "High Society". If you find the story of High Society silly (it is) then it is really the earlier film you should blame. The set piece musical numbers in High Society are absolute classics indeed there isn't a dud. It's worth listing them and you'll see what I mean: "High Society Calypso";" Little One";" Who Wants to be a Millionaire ?";"True Love";" I Love You Samantha";" Well, Did You Evah"; "Mind If I Make Love To You";" Now You Has Jazz";" You're Sensational". WOW!
When you go to the Opera you want great music, good performances, lovely sets and some sort of feel good factor. With "High Society" you get all this and more. It is played tongue in cheek (how could it not be?) and that is how it should be. Keep your "Film noir" or your "Cinema Vérité" give me High Society every time!
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