C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ...
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Princess Beatrice's days of enjoying the regal life are numbered unless her only daughter, Princess Alexandra, makes a good impression on a distant cousin when he pays a surprise visit to ... See full summary »
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. ... See full summary »
Charlie Reader is a successful theater agent. He is also successful with young ladies. One day he is visited by his old friend Joe, married with three children. Joe falls in love with ... See full summary »
In Colombia, mining engineer Rian Mitchell discovers Carrero, the lost emerald mine of the Conquistadors, but has to contend with notorious local bandit El Moro's gang and with coffee planter Catherine Knowland's love.
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, who tries to win Tracy's heart again. Mike Connor, an undercover tabloid reporter, also falls for Tracy while covering the nuptials for Spy magazine. Tracy must choose between the three men as she discovers that "safe" can mean "deadly dull" when it comes to husbands and life. Written by
James Meek <email@example.com>
Though hers is the central character in the story, Grace Kelly does not sing a solo. Indeed, but for accompanying Bing Crosby on "True Love" and drunkenly shouting, "Sensational," she wouldn't sing at all (rare for a musical). See more »
Boom shadow visible against the bookshelf to the left as Dexter and Mike Connor leave the library singing the lyrics "swellegant, elegant" See more »
I have a theory about "High Society" and that is that you must regard it as an Opera. Now I haven't lost my marbles and I am not suggesting that Cole Porter is Verdi. What I mean is that the story is so preposterous (as are most Opera plots) that it is best not to question it too closely and just enjoy the movie. Porter's music is sensational (to coin a phrase) and the songs are all well performed. Grace Kelly's rendition of "True Love" (yes, it is her - not dubbed) is delicious and just adds to her allure. Isn't it wonderful just how sexy Ms Kelly is in this film? This is 1956 and there is no flashing of bosom or even leg just her natural beauty. She spends some time in the bedroom with Frank Sinatra and (improbably) remains chaste. Frank the honourable man!
I watched "The Philadelphia Story" again recently and was surprised how much of the script from that movie was retained for "High Society". If you find the story of High Society silly (it is) then it is really the earlier film you should blame. The set piece musical numbers in High Society are absolute classics indeed there isn't a dud. It's worth listing them and you'll see what I mean: "High Society Calypso";" Little One";" Who Wants to be a Millionaire ?";"True Love";" I Love You Samantha";" Well, Did You Evah"; "Mind If I Make Love To You";" Now You Has Jazz";" You're Sensational". WOW!
When you go to the Opera you want great music, good performances, lovely sets and some sort of feel good factor. With "High Society" you get all this and more. It is played tongue in cheek (how could it not be?) and that is how it should be. Keep your "Film noir" or your "Cinema Vérité" give me High Society every time!
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