| Photos (See all 17 | slideshow) | Videos |
| Jeff Bridges | ... | Nick Kegan | |
| John Huston | ... | Pa Kegan | |
| Anthony Perkins | ... | John Cerruti | |
| Eli Wallach | ... | Joe Diamond | |
| Sterling Hayden | ... | Z.K. Dawson | |
| Dorothy Malone | ... | Emma Kegan | |
| Tomas Milian | ... | Frank Mayo | |
| Belinda Bauer | ... | Yvette Malone | |
| Ralph Meeker | ... | Gameboy Baker | |
| Toshirô Mifune | ... | Keith | |
| Richard Boone | ... | Keifitz | |
| David Spielberg | ... | Miles Garner | |
| Brad Dexter | ... | Captain Heller One | |
| Michael Thoma | ... | Ray Doty | |
| Ed Madsen | ... | Captain Heller Two | |
| Irving Selbst | ... | Irving Mentor | |
| Chris Soldo | ... | Jeffreys | |
| Robert Courtleigh | ... | First Mate of T.K. (as Robert Courleigh) | |
| Peter Brandon | ... | Doctor | |
| Joe Spinell | ... | Arthur Fletcher | |
| Ira S. Rosenstein | ... | Orderly on T.K. (as Ira Rosenstein) | |
| Kyle Morris | ... | John Kullers | |
| Phil Lito | ... | Police Driver | |
| Barbara Richert | ... | Woman Cyclist | |
| Jake Strider Hughes | ... | Child on Cycle (as Jake Hughes) | |
| Patrice Bough | ... | Secretary Onee | |
| Eloise Hardt | ... | Secretary Two | |
| Gladys Hill | ... | Rosemary | |
| Kim O'Brien | ... | First Blonde Girl | |
| Candice Rialson | ... | Second Blonde Girl | |
| Bill P. Wilson | ... | Admiral | |
| Loyd Catlett | ... | Z.K. Dawson Guard | |
| Michael Bond | ... | Flight Engineer | |
| Helen Fagan | ... | Stewardess (as Helene Fagan) | |
| Peter Kilman | ... | Pilot | |
| Gianni Russo | ... | Co-Pilot | |
| Peter Koshel | ... | Cop-Casino Latino | |
| Lisette Álvarez | ... | Cuban Singer (as Lissette) | |
| Robert F. Boyle | ... | Desk Clerk (as Robert Boyle) | |
| Sidney Lanier | ... | Raymond-The Butler | |
| Helen Curry | ... | Black Maid | |
| Derrick Lynn-Thomas | ... | Maitre d' | |
| Jesse Veliz | ... | Cuban Man in Havana | |
| Robert Wolcott | ... | Shoeshine Boy | |
| Robert Moresco | ... | Intern | |
| Agneta Eckemyr | ... | Nurse One | |
| Tisa Farrow | ... | Nurse Two | |
| Billie Allen | ... | Receptionist | |
| Joseph Ragno | ... | Doorman (as Joe Ragno) | |
| Loutz Gage | ... | Butler | |
| Camilla Sparv | ... | Beautiful Woman One | |
| Andrea Claudio | ... | Beautiful Woman Two | |
| Erin Gray | ... | Beautiful Woman Three | |
| Susan Walden | ... | Beautiful Woman Four | |
| Rebecca Grimes | ... | Beautiful Woman Five | |
| Jennifer Keith | ... | Beautiful Woman Six | |
| Amanda Jones | ... | Beautiful Woman Seven | |
| Berry Berenson | ... | Morgue Attendant | |
| Tim Culbertson | ... | Security Guard | |
| Regis Mull | ... | Cop with Keifetz | |
| rest of cast listed alphabetically: | |||
| Helen Kelly | ... | Gambler at the Casino (uncredited) | |
| Elizabeth Taylor | ... | Lola Comante (uncredited) | |
| John Warner | ... | President Tim Kegan (uncredited) | |
Directed by | |||
| William Richert | |||
Writing credits(in alphabetical order) | ||
| Richard Condon | book | |
| William Richert | writer | |
Produced by | |||
| Fred C. Caruso | .... | producer (as Fred Caruso) | |
| Leonard J. Goldberg | .... | executive producer | |
| John H. Starke | .... | associate producer (as John Starke) | |
| Robert Sterling | .... | executive producer | |
| Daniel H. Blatt | .... | producer (uncredited) | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Vilmos Zsigmond | |||
Film Editing by | |||
| David Bretherton | |||
Casting by | |||
| Ross Brown | |||
| Hank McCann | |||
Production Design by | |||
| Robert F. Boyle | (as Robert Boyle) | ||
Art Direction by | |||
| Norman Newberry | |||
Set Decoration by | |||
| Arthur Jeph Parker | |||
Costume Design by | |||
| Robert De Mora | |||
Makeup Department | |||
| Del Acevedo | .... | makeup artist | |
| Kathryn Blondell | .... | hair stylist (as Kathy Blondell) | |
Production Management | |||
| Ira Loonstein | .... | production manager | |
| Bill Venegas | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jim Arnet | .... | second unit director | |
| Peter R. Scoppa | .... | first assistant director (as Pete Scoppa) | |
| Bill Scott | .... | second assistant director (as William P. Scott) | |
| Chris Soldo | .... | assistant director | |
| Jim Danforth | .... | second unit director (uncredited) | |
Art Department | |||
| Sam Gordon | .... | property master | |
| Joseph Hurley | .... | production illustrator | |
| Clay Johnston | .... | construction foreman (as Clay Johnson) | |
| William Maldonado | .... | construction coordinator (as Bill Maldonado) | |
| Harold Michelson | .... | production illustrator | |
| Ted Mossman | .... | assistant property master | |
| Thomas Saccio | .... | property coordinator (as Tom Saccio) | |
| Ray Villalobos Sr. | .... | painter foreman (as Ray Villalobos) | |
| S. Bruce Wineinger | .... | propmaker foreman (as Bruce Wineinger) | |
Sound Department | |||
| Norval D. Crutcher | .... | sound effects editor (as Norval Crutcher) | |
| Robert Glass | .... | sound re-recording mixer | |
| Charles Grenzbach | .... | sound re-recording mixer (as Bud Grenzbach) | |
| Morley Harris | .... | boom operator | |
| Robert Knudson | .... | sound re-recording mixer (as Buzz Knudson) | |
| Christopher Newman | .... | sound mixer (as Chris Newman) | |
| Teresa Eckton | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Larry L. Fuentes | .... | special effects foreman | |
| Augie Lohman | .... | special effects | |
| Richard Ratliff | .... | special effects (uncredited) | |
Visual Effects by | |||
| Jim Danforth | .... | effects consultant (uncredited) | |
Camera and Electrical Department | |||
| John Bailey | .... | additional photographer | |
| John Bailey | .... | camera operator | |
| Arthur J. Boyle | .... | best boy | |
| Michael Genne | .... | first assistant camera (as Mike Genne) | |
| Wilson S. Hong | .... | photographer: title (as Wilson Hong) | |
| John C. Kirk | .... | electrician | |
| Rick Martens | .... | gaffer (as Rick Martin) | |
| Danny Marzolo | .... | best boy (as Dan Marzolo) | |
| Robert Moore | .... | key grip (as Bob Moore) | |
| Fred Muncey | .... | electrician (as Fred R. Muncey) | |
| Tim Ryan | .... | dolly grip | |
| Jack Shannon | .... | still photographer | |
| Johnny Walker | .... | second assistant camera | |
| Brian Hamill | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Betty DeStefano | .... | wardrobe assistant (as Betty De Stefano) | |
| Mina Mittelman | .... | costumer (as Mina Mittelman Short) | |
| Vicki Sánchez | .... | costumer | |
| Don Vargas | .... | costumer (as Donald Vargas) | |
Editorial Department | |||
| Suzanne Fenn | .... | assistant editor | |
| José Antonio Torres | .... | assistant editor | |
| David Block | .... | colorist (uncredited) | |
Music Department | |||
| Jeff Carson | .... | music editor | |
| Garry Ulmer | .... | music scoring mixer (uncredited) | |
Transportation Department | |||
| Gene Clinesmith | .... | transportation captain | |
| Arthur F. 'Mickey' McAteer | .... | transportation captain (as Mickey McAteer) | |
Other crew | |||
| Selma Brown | .... | auditor | |
| Mark Hurwitz | .... | location manager | |
| Shari Leibowitz | .... | production secretary | |
| Cathy Nonas | .... | assistant: Mr. Richert | |
| Don Record | .... | title designer | |
| Robert Rooney | .... | publicist | |
| Hannah Scheel | .... | script supervisor (as Hannah G. Scheel) | |
| Ron Weber | .... | craft service | |
| Recent Posts (updated daily) | User |
|---|---|
| What really happened to this movie? | ukkid35 |
| My interview with William Richert | philconcannon |
| Discrepancy in the novel | march18 |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
A wily, labyrinthine political satire that is saved from being over the top by the brilliant performances of its cast. The movie takes the paranoid storytelling style of the Cold War thriller, but applies it to American domestic politics instead. It is very much like "Three Days of the Condor" in that respect. However, "Winter Kills" has a much more sophisticated point of view on American politics than the latter film, and does a great job of showing how the interconnected corruptions of family, culture, technology and politics all intersect in the most surprising, and horrifying ways. The movie was way ahead of its time in this respect, and is just as relevant to day as it was when it was made - perhaps more so.