The Pickering Commission concluded that a lone gunman killed the US President in 1960, in Philadelphia, but 19 years later a dying man confesses to be one of the real hit-men who killed President Kegan, sparking an investigation.
An all-black inner city school has to become an integrated school. Few dozen white kids are transfered there, but the black students are aggressively opposed to this. The school then approaches a tough black teacher for help.
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Buddha has the power to change the nature of a person into their opposite. He uses this power only when the world is in danger. When a villain obtains plans that could be used for peace or war, Buddha turns him into a good guy. Now what?
19 years after President Timothy Keegan was assassinated, his brother Nick discovers a dying man claiming to have been the gunman. While trying to avoid his wealthy and domineering father's attempts to control his actions, Nick follows the clues that have been handed to him. As he progresses, it becomes increasingly difficult to discern the real trails from the dead ends, and increasing dangerous as unknown parties try to stop Nick from uncovering the truth. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
Joe Kegan owns so much of America, he figures the flag should salute him every morning. Some people say he stole the presidency of the United States for his son. He claims he bought it, fair and square... See more »
A surreal, over-the-top look at American politics & power
Winter Kills once was available on videotape; no longer. That's a pity because it's a stylish, fun-packed phantasmagoria about American power as expressed through American politics. (Since the source material was written by Richard Condon -- of Manchurian Candidate and Prizzi's Honor fame -- the points are not subtle; merely irresistible.) Based loosely on the Kennedy saga (as what isn't these days: look at Dominick Dunne's oeuvre), the film casts Jeff Bridges, at his most young and vital, as the baby brother of a slain president. Trying to track down clues to the assassination, he embarks on one of those labyrinthine quests undertaken by the likes of the poisoned protagonist in D.O.A. or Mike Hammer in Kiss Me Deadly. Of course, the clues boomerang back, leading him into the viperish nest of his own family, especially his father, a randy old psycho played to the hilt by John Huston. But even this filthy rich patriarch doesn't work the strings anymore; they've gone corporate, become systemic, and are pulled by a bland bureaucrat played by Anthony Perkins. This movie is a mad midway ride, overflowing with cameos that pop up like death's-heads in the funhouse. Watch for Liz Taylor, as a fabled madame, silently mouthing a profanity.
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