| Photos (See all 93 | slideshow) | Videos (see all 3) |
| Anne Bancroft | ... | Mrs. Robinson | |
| Dustin Hoffman | ... | Ben Braddock | |
| Katharine Ross | ... | Elaine Robinson | |
| William Daniels | ... | Mr. Braddock | |
| Murray Hamilton | ... | Mr. Robinson | |
| Elizabeth Wilson | ... | Mrs. Braddock | |
| Buck Henry | ... | Room Clerk | |
| Brian Avery | ... | Carl Smith | |
| Walter Brooke | ... | Mr. McGuire | |
| Norman Fell | ... | Mr. McCleery | |
| Alice Ghostley | ... | Mrs. Singleman | |
| Marion Lorne | ... | Miss DeWitte | |
| Eddra Gale | ... | Woman on Bus | |
| rest of cast listed alphabetically: | |||
| Buddy Douglas | ... | Bellhop in Hotel Lobby (uncredited) | |
| Richard Dreyfuss | ... | Boarding House Resident (uncredited) | |
| Mike Farrell | ... | Bellhop in Hotel Lobby (uncredited) | |
| Elisabeth Fraser | ... | Second Lady (uncredited) | |
| Donald F. Glut | ... | College Student (uncredited) | |
| Harry Holcombe | ... | The Minister (uncredited) | |
| Jonathan Hole | ... | Mr. Singleman (uncredited) | |
| Elaine May | ... | Girl with Note for Benjamin (uncredited) | |
| Lainie Miller | ... | Night Club Stripper (uncredited) | |
| Ben Murphy | ... | Shaving Student (uncredited) | |
| Noam Pitlik | ... | Gas Station Attendant (uncredited) | |
| Kevin Tighe | ... | Extra (uncredited) | |
| David Westberg | ... | Valet Parker (uncredited) | |
Directed by | |||
| Mike Nichols | |||
Writing credits | ||
| Calder Willingham | (screenplay) and | |
| Buck Henry | (screenplay) | |
| Charles Webb | (based on the novel by) | |
Produced by | |||
| Lawrence Turman | .... | producer | |
| Joseph E. Levine | .... | executive producer (uncredited) | |
Cinematography by | |||
| Robert Surtees | (director of photography) | ||
Film Editing by | |||
| Sam O'Steen | (film editor) | ||
Production Design by | |||
| Richard Sylbert | |||
Set Decoration by | |||
| George R. Nelson | (as George Nelson) | ||
Costume Design by | |||
| Patricia Zipprodt | (costumes by) | ||
Makeup Department | |||
| Sydney Guilaroff | .... | hair stylist | |
| Harry Maret | .... | makeup artist | |
| Sherry Wilson | .... | hair dresser | |
Production Management | |||
| George Justin | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Don Kranze | .... | assistant director | |
| Lynn Guthrie | .... | second assistant director (uncredited) | |
| Gene Marum | .... | dga trainee (uncredited) | |
Art Department | |||
| Joel Schiller | .... | assistant production designer | |
| Gene Lauritzen | .... | construction coordinator (uncredited) | |
| Harold Michelson | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Jack Solomon | .... | sound | |
| Howard Beals | .... | sound effects editor (uncredited) | |
Stunts | |||
| Carol Daniels | .... | stunts (uncredited) | |
| Lee Faulkner | .... | stunt double (uncredited) | |
| Loren Janes | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Albert Bettcher | .... | camera operator | |
| Richard Borland | .... | grip | |
| Earl Gilbert | .... | gaffer | |
| George Gordon Nogle | .... | camera operator (as George Nogle) | |
| Emillo Calori | .... | assistant camera (uncredited) | |
| Jim Cowan | .... | assistant camera (uncredited) | |
| Bob Rose | .... | key grip: second unit (uncredited) | |
| Frank Shugrue | .... | still photographer (uncredited) | |
| Robert Willoughby | .... | special still photographer (uncredited) | |
Casting Department | |||
| Lynn Stalmaster | .... | casting consultant | |
Costume and Wardrobe Department | |||
| Robert Fuca | .... | wardrobe supervisor (uncredited) | |
| Phyllis Garr | .... | wardrobe (uncredited) | |
| Donald MacDonald | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Bob Wyman | .... | assistant film editor | |
Music Department | |||
| Dave Grusin | .... | composer: additional music | |
| Simon & Garfunkel | .... | songs: sung by (as Simon and Garfunkel) | |
| Paul Simon | .... | songs by | |
| Mike Deasy | .... | musician (uncredited) | |
Other crew | |||
| Joseph E. Levine | .... | presenter | |
| Meta Rebner | .... | script supervisor | |
| William H. Cannon | .... | production assistant (uncredited) | |
| Wayne Fitzgerald | .... | title designer (uncredited) | |
| J. David Jones | .... | pilot: picture helicopter (uncredited) | |
| Jeff Kanew | .... | trailer (uncredited) (unconfirmed) (uncredited) | |
| Joyce Lilley | .... | production secretary (uncredited) | |
| Harold Lloyd | .... | advisor: final sequence (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Comedy section |
| IMDb USA section |
What a ride....This is a perfect example of what art can generate if one puts soul and wit into it. Firstly, I find human emotions and life issues depicted in a bitter-comic manner to be a charming combination.Love,sex,insecurity,family relationships,shyness,deception are treated with great humor and witty dialog in this movie.Long and elaborated shots,incredible story-telling creativity (like 1-st person camera views,long still frames,distance frames),video-clip like sequences (beautifully sustained by Simon and Garfunkel's heart-warming poetry and sad irony).There is enough creative film work in The Graduate to suffice for 10 movies.The dialog is excellent and the acting pure genius.And, oh...the time frame...the sixties...don't get me started.The 2000's are like an insurance seminar compared to that... No need to praise this movie anymore, it speaks for itself.It is not,however,a movie for the masses.This is no Ben-Hur type of flick,with spectacular imagery and epic storyline.It is an epic of the inner soul.It requires a bit of meditation, it is only entertaining if you get in touch with your inner self and not expect to watch the screen and BE entertained. Despite its comic appearance,I always felt that it touched a sensitive somehow sad chord in me.It's kinda like:"Haha very funny, but I felt those type of emotions and they didn't seem funny then."It's also so easy to laugh at other people's feelings,torments and emotions, but when you realize that you are also part of that old human comedy and drama, your laughing becomes more restrained.More mature.I always connected with this movie, and with Mike Nichols.Too bad they don't make'em like this anymore.We live in an era where people like John Woo and Michael Bay are starting to dictate what we will be watching more and more.What a shame....