| Photos (See all 35 | slideshow) | Videos (see all 95) |
| Vic Perrin | ... | Control Voice / ... (28 episodes, 1963-1965) | |
| Bob Johnson | ... | Anthean / ... (11 episodes, 1963-1964) |
Series Directed by | |||
| Gerd Oswald | (14 episodes, 1963-1965) | ||
| Byron Haskin | (6 episodes, 1963-1964) | ||
| Leslie Stevens | (4 episodes, 1963-1964) | ||
| Charles F. Haas | (4 episodes, 1964-1965) | ||
| Laslo Benedek | (3 episodes, 1963-1964) | ||
| James Goldstone | (3 episodes, 1963-1964) | ||
| Leonard Horn | (3 episodes, 1963-1964) | ||
| Paul Stanley | (3 episodes, 1964) | ||
| John Brahm | (2 episodes, 1964) | ||
| Alan Crosland Jr. | (2 episodes, 1964) | ||
Series Writing credits | ||
| Joseph Stefano | (12 episodes, 1963-1964) | |
| Lou Morheim | (5 episodes, 1964) | |
| Leslie Stevens | (4 episodes, 1963-1964) | |
| Robert C. Dennis | (4 episodes, 1964-1965) | |
| Seeleg Lester | (4 episodes, 1964-1965) | |
| Meyer Dolinsky | (3 episodes, 1963-1964) | |
| Sam Neuman | (3 episodes, 1964-1965) | |
| Allan Balter | (2 episodes, 1963-1964) | |
| Louis Charbonneau | (2 episodes, 1963-1964) | |
| Anthony Lawrence | (2 episodes, 1963-1964) | |
| Robert Mintz | (2 episodes, 1963-1964) | |
| Ed Adamson | (2 episodes, 1964) | |
| Harlan Ellison | (2 episodes, 1964) | |
| Milton Krims | (2 episodes, 1964) | |
| Stephen Lord | (2 episodes, 1964) | |
| Jerry Sohl | (2 episodes, 1964) | |
Series Produced by | |||
| Leslie Stevens | .... | executive producer (49 episodes, 1963-1965) | |
| Joseph Stefano | .... | producer (32 episodes, 1963-1964) | |
| Leon Chooluck | .... | associate producer (19 episodes, 1963-1964) | |
| Ben Brady | .... | producer (17 episodes, 1964-1965) | |
| Sam White | .... | associate producer (17 episodes, 1964-1965) | |
| Lou Morheim | .... | associate producer (12 episodes, 1964) | |
Series Original Music by | |||
| Dominic Frontiere | (31 episodes, 1963-1964) | ||
| Harry Lubin | (17 episodes, 1964-1965) | ||
| Robert Van Eps | (2 episodes, 1963-1964) | ||
Series Cinematography by | |||
| Kenneth Peach | (25 episodes, 1964-1965) | ||
| Conrad L. Hall | (15 episodes, 1963-1964) | ||
| John M. Nickolaus Jr. | (9 episodes, 1963-1964) | ||
Series Film Editing by | |||
| Anthony DiMarco | (18 episodes, 1963-1965) | ||
| Fred Baratta | (12 episodes, 1963-1964) | ||
Series Casting by | |||
| Meryl O'Loughlin | (11 episodes, 1964) | ||
| Harvey Clermont | (3 episodes, 1965) | ||
Series Art Direction by | |||
| Jack Poplin | (49 episodes, 1963-1965) | ||
Series Set Decoration by | |||
| Chester L. Bayhi | (49 episodes, 1963-1965) | ||
Series Makeup Department | |||
| Fred B. Phillips | .... | makeup supervision (49 episodes, 1963-1965) | |
Series Production Management | |||
| Lindsley Parsons Jr. | .... | production manager (22 episodes, 1963-1964) | |
| Claude Binyon Jr. | .... | production manager (17 episodes, 1964-1965) | |
| Robert H. Justman | .... | production manager (9 episodes, 1964) | |
Series Second Unit Director or Assistant Director | |||
| Robert H. Justman | .... | assistant director (20 episodes, 1963-1965) | |
| Lee H. Katzin | .... | assistant director (9 episodes, 1963-1964) | |
| Claude Binyon Jr. | .... | assistant director (7 episodes, 1963-1964) | |
| William P. Owens | .... | assistant director (6 episodes, 1964) | |
| Phil Rawlins | .... | assistant director (4 episodes, 1964) | |
| Gregg Peters | .... | assistant director (2 episodes, 1964-1965) | |
Series Art Department | |||
| Richard M. Rubin | .... | properties (48 episodes, 1963-1965) | |
Series Sound Department | |||
| Arthur Cornell | .... | sound effects editor (49 episodes, 1963-1965) | |
| Jay Ashworth | .... | sound mixer (45 episodes, 1963-1965) | |
| Ralph Butler | .... | sound mixer (3 episodes, 1964) | |
Series Special Effects by | |||
| Thol Simonson | .... | special effects (16 episodes, 1963-1964) | |
| Harry Redmond Jr. | .... | special effects (15 episodes, 1963-1964) | |
| Pat Dinga | .... | special effects (11 episodes, 1964) | |
Series Visual Effects by | |||
| Jim Danforth | .... | special photographic effects: Project Unlimited, Inc. (24 episodes, 1963-1964) | |
| Paul LeBaron | .... | special photographic effects: Project Unlimited, Inc. (24 episodes, 1963-1964) | |
| Ralph Rodine | .... | special photographic effects: Project Unlimited, Inc. (24 episodes, 1963-1964) | |
| M.B. Paul | .... | optical effects unit (16 episodes, 1963-1964) | |
Series Stunts | |||
| George Robotham | .... | stunt double: Paul Lukather / stunt double: Sean McClory (2 episodes, 1964-1965) | |
Series Camera and Electrical Department | |||
| Henry Maak | .... | key grip (45 episodes, 1963-1965) | |
| Norman C. McClay | .... | chief set electrician (27 episodes, 1963-1965) | |
| Lloyd Garnell | .... | chief set electrician (21 episodes, 1963-1964) | |
| Jack Boyd | .... | key grip (3 episodes, 1964) | |
Series Casting Department | |||
| Meryl O'Loughlin | .... | casting consultant (12 episodes, 1964) | |
Series Costume and Wardrobe Department | |||
| Forrest T. Butler | .... | costumer (48 episodes, 1963-1965) | |
| Sabine Manela | .... | costumer (48 episodes, 1963-1965) | |
Series Editorial Department | |||
| Richard K. Brockway | .... | supervising film editor / supervising editor (49 episodes, 1963-1965) | |
Series Music Department | |||
| John Elizalde | .... | music supervisor (32 episodes, 1963-1964) | |
| Roger A. Farris | .... | music coordinator (32 episodes, 1963-1964) | |
| John Caper Jr. | .... | music supervisor (17 episodes, 1964-1965) | |
| Dominic Frontiere | .... | composer: "Outer Limits" theme / composer: theme (2 episodes, 1963-1964) | |
Series Other crew | |||
| Elaine Michea | .... | production coordinator (49 episodes, 1963-1965) | |
| Hope McLachlin | .... | script supervisor (40 episodes, 1963-1964) | |
| Dominic Frontiere | .... | production executive (31 episodes, 1963-1964) | |
| Lou Morheim | .... | story consultant (31 episodes, 1963-1964) | |
| John Erman | .... | production associate / assistant to producer (19 episodes, 1963-1964) | |
| Seeleg Lester | .... | associate / story consultant (17 episodes, 1964-1965) | |
| B. Ritchie Payne | .... | assistant to producer (17 episodes, 1964-1965) | |
| Calvin Ward | .... | coordinator (13 episodes, 1964-1965) | |
| Tom Selden | .... | assistant to producer (12 episodes, 1964) | |
| George Rutter | .... | script supervisor (4 episodes, 1964-1965) | |
| Helen Gailey | .... | script supervisor (2 episodes, 1963) | |
| Robert Gary | .... | script supervisor (2 episodes, 1964) | |
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I was a fan of this show from the premier episode of "The Galaxy Being" which I saw when I was ten years old. I just recently was given the DVD set of both seasons. It's great to be able to see THE UNCUT episodes the way they were originally broadcast. It's true that the special effects of the early 60's are rather crude compared to what can be done with CGI today, however, the original Outer Limits made up for it by two things which often are missing in todays science fiction movies and series:excellent story lines with equally excellent acting. Another thing which always stood out for me was the music score which accompanied each episode. I was surprised when my teenage daughter watched some of the episodes with me and like them. One episode which resonated with her was "Don't Open Til Doomsday" It was weird having her discuss the episode with me and express the same feelings that I had 42 years ago when I saw it for the first time. I have to say that when the technology allowed for more realistic and fantastic special effects it seemed to take the heart out of good story telling. Even though I watched The new Outer Limits on Showtime and enjoyed it I feel that it still was inferior to the original series.