The 9th annual Wndx Festival of Moving Image will showcase new experimental media from all over the world — including short films, installations and live cinematic performances — at several locations across the city of Winnipeg on September 24-28.
Special events at Wndx this year include the fest’s annual One Take Super 8 Event, where 30 filmmakers will screen their in-camera edited masterpieces for the first time along with the audience. Plus, there’s a two-part celebration of the work of Denis Côté, featuring his two films Joy of Man’s Desiring and Bestiaire, with the filmmaker in attendance.
There will also be a live film performance by filmamker Karl Lemieux with sound artists Roger Tellier-Craig and Alexandre St-Onge; and Freya Björg Olafson’s dance/film hybrid HYPER_.
Short films to be on the lookout throughout the fest include Mike Olenick‘s Red Luck, which won the Best Looking Film award at the...
Special events at Wndx this year include the fest’s annual One Take Super 8 Event, where 30 filmmakers will screen their in-camera edited masterpieces for the first time along with the audience. Plus, there’s a two-part celebration of the work of Denis Côté, featuring his two films Joy of Man’s Desiring and Bestiaire, with the filmmaker in attendance.
There will also be a live film performance by filmamker Karl Lemieux with sound artists Roger Tellier-Craig and Alexandre St-Onge; and Freya Björg Olafson’s dance/film hybrid HYPER_.
Short films to be on the lookout throughout the fest include Mike Olenick‘s Red Luck, which won the Best Looking Film award at the...
- 9/23/2014
- by Mike Everleth
- Underground Film Journal
The 8th annual Wndx Festival of Moving Image is another epic celebration of experimental and avant-garde film held in Winnipeg, Canada, but this year the festival as an even epic-er retrospective of one of the giants of the field: Wndx fellow countryman Michael Snow.
Wndx is screening multiple works by Snow throughout the fest, which runs Sept. 25-29, including his classic and breakthrough films like Back and Forth and La Région Centrale; plus, other experimental works such as To Lavoisier, Who Died in the Reign of Terror, Sstoorrty, Triage and Prelude. However, most exciting is the 12-hour continuous loop of “Wvlnt” (Wavelength for Those Who Don’t Have the Time), a superimposed reworking of Snow’s groundbreaking and legendary Wavelength.
The festival isn’t limited to one filmmaker clearly and there are loads of experimental short film programs during the week that feature work by filmmakers such as Aaron Zeghers,...
Wndx is screening multiple works by Snow throughout the fest, which runs Sept. 25-29, including his classic and breakthrough films like Back and Forth and La Région Centrale; plus, other experimental works such as To Lavoisier, Who Died in the Reign of Terror, Sstoorrty, Triage and Prelude. However, most exciting is the 12-hour continuous loop of “Wvlnt” (Wavelength for Those Who Don’t Have the Time), a superimposed reworking of Snow’s groundbreaking and legendary Wavelength.
The festival isn’t limited to one filmmaker clearly and there are loads of experimental short film programs during the week that feature work by filmmakers such as Aaron Zeghers,...
- 9/25/2013
- by Mike Everleth
- Underground Film Journal
Ten years ago today, Gfi announced the recipients of the inaugural granting program, and look at them now...The Global Film Initiative announced its most recent grant recipients from the Winter 2012 granting cycle. The list of grantees features 11 works from both emerging and established filmmakers, representing 10 different countries around the world, and each project demonstrates great promise and vision. As Susan Weeks Coulter, Founder and Board Chair, said in the announcement: "We are pleased to identify and support these eleven unique and powerful narratives."
Celebrating a decade in international independent film funding with this most recent granting cycle. Ten years ago to the day, the very first round of grantees were announced on May 16, 2003. In celebration of this milestone, they are taking a look back on the films Gfi has funded over the years.
Again and again, their grantees represent filmmakers who are not afraid to challenge convention--to make sometimes dangerous, but always fiercely truthful, statements about the society and the world that reflect them. These films often represent new perspectives and voices in storytelling--voices which are too often silenced or misrepresented in the mainstream--and hold promise in heralding a new generation of filmmakers.
Click to view the interactive map!10 Years in The Global Film Initiative Granting Program:
The Global Film Initiative granting program distributes 15-20 filmmaker awards annually. Since 2003, The Global Film Initiative has awarded 143 grants to 58 nations.
Numbers By Nation:
By Region: North Africa--8 (5.6%), Sub-Saharan Africa--19 (13.3%), East Asia--9 (6.3%), Central Asia--5 (3.5%), Southeast Asia--16 (11.2%), South Asia--9 (6.3%), Middle East--21 (14.7%), Latin America--44 (30.7%), Eastern Europe--11 (7.7%), Caribbean--1 (0.7%)
Fun fact!
Argentina is the nation with the most Gfi grants at 11 awards!
Did you know?
Gfi's list of Winter 2013 grantees features the first grants to Mauritius (David Constantin's Sugarcane Shadows) and Tibet (Sonthar Gyal's The Stone With Nine Eyes)!
Hearalding New Voices:
Only a sliver of perspectives are represented in most films that get funding and are produced. Gfi works to broaden the horizons of American film-goers by supporting and distributing independent, international cinema--introducing previously unheard voices through film.
In particular, despite the often under-representation of women's voices in film and media, we are fortunate to have received many women filmmaker applicants; roughly 30% of our grants were awarded to women filmmakers in the last ten years.
Gfi also acts as a spring board for new storytellers: roughly 30% of Gfi's grants have gone to the first feature films of filmmakers, male or female. Gfi has continually provided access to new stories and storytelling in cinema since its first round of grantees, all of which were debut features: Buffalo Boy, Hollow City, On Each Side, and Another Man's Garden.
Filmmaker Maria João Ganga Breaking Boundaries:
Of their incredible list of grantees, a few films and filmmakers stand out for their sheer courage and innovation. The Global Film Initiative is proud to stand by and support these incredible works and individuals.
Hollow City, dir. Maria João Ganga. Among the first ever grant recipients, Ganga's incredible story of one war orphan's journey across the dangerous landscape of post-war Luanda is not only just the second film to be made after the end of Angola's civil war in 1991. It is also the very first film to be made by an Angolan woman ever.
Ramchand Pakistani, dir. Mehreen Jabbar. This film, a Spring 2007 grantee, about a young boy who accidentally crosses the border between Pakistan and India, is one of the first Pakistani films to feature Hindu main characters.
Karaoke, dir. Chris Chan Fui Chong. This film from Gfi's Winter 2009 grantees, which illustrates the changing climate of contemporary Malaysia through karaoke videos, was only the second Malaysian film to be featured at the Cannes Film Festival.
Colored Like The Night, dir. Agliberto Melendez. Gfi is proud to be supporting Dominican filmmaker Melendez's sophomore film about the final address of revolutionary mayoral candidate José Francisco Peña Gómez. His first film A One Way Ticket (1989) was the first full-length feature of the Dominican Republic!
Beatriz's War, dir. Bety Reis. This film, from the Summer 2011 grantees, is the first full-length feature film out of East Timor!
A scene from Cinema, Aspirins And VulturesAccolades:
Of the 143 projects that Gfi has funded, 75% of those completed are award-winning or nominated.
Did you know?
Of Gfi's grantees, the film with the highest number of awards is Cinema, Aspirins And Vultures with 29 film award wins!10 of the granted films have been submitted to the Academy Award's "Best Foreign Language Film" category! These films are: Cinema, Asprins And Vultures (Brazil's submission, 2006), I Am From Titov Veles (Macedonia's submission, 2009), Whisky (Uruguay's submission, 2004), The Buffalo Boy (Vietnam's submission, 2006), Border Cafe (Iran's submission, 2006), When I Saw You (Palestine's submission, 2012), Beauty (South Africa's submission, 2011), October (Peru's submission, 2010), Crab Trap (Columbia's submission, 2009), and Alive! (Albania's submission, 2009).
From supporting both the development of independent cinema around the world, to the hundreds of accolades these individual films have collectively received, they can't be more proud of their first decade of support--and cannot wait to see what Gfi's grantees accomplish in the next 10 years!
Celebrating a decade in international independent film funding with this most recent granting cycle. Ten years ago to the day, the very first round of grantees were announced on May 16, 2003. In celebration of this milestone, they are taking a look back on the films Gfi has funded over the years.
Again and again, their grantees represent filmmakers who are not afraid to challenge convention--to make sometimes dangerous, but always fiercely truthful, statements about the society and the world that reflect them. These films often represent new perspectives and voices in storytelling--voices which are too often silenced or misrepresented in the mainstream--and hold promise in heralding a new generation of filmmakers.
Click to view the interactive map!10 Years in The Global Film Initiative Granting Program:
The Global Film Initiative granting program distributes 15-20 filmmaker awards annually. Since 2003, The Global Film Initiative has awarded 143 grants to 58 nations.
Numbers By Nation:
By Region: North Africa--8 (5.6%), Sub-Saharan Africa--19 (13.3%), East Asia--9 (6.3%), Central Asia--5 (3.5%), Southeast Asia--16 (11.2%), South Asia--9 (6.3%), Middle East--21 (14.7%), Latin America--44 (30.7%), Eastern Europe--11 (7.7%), Caribbean--1 (0.7%)
Fun fact!
Argentina is the nation with the most Gfi grants at 11 awards!
Did you know?
Gfi's list of Winter 2013 grantees features the first grants to Mauritius (David Constantin's Sugarcane Shadows) and Tibet (Sonthar Gyal's The Stone With Nine Eyes)!
Hearalding New Voices:
Only a sliver of perspectives are represented in most films that get funding and are produced. Gfi works to broaden the horizons of American film-goers by supporting and distributing independent, international cinema--introducing previously unheard voices through film.
In particular, despite the often under-representation of women's voices in film and media, we are fortunate to have received many women filmmaker applicants; roughly 30% of our grants were awarded to women filmmakers in the last ten years.
Gfi also acts as a spring board for new storytellers: roughly 30% of Gfi's grants have gone to the first feature films of filmmakers, male or female. Gfi has continually provided access to new stories and storytelling in cinema since its first round of grantees, all of which were debut features: Buffalo Boy, Hollow City, On Each Side, and Another Man's Garden.
Filmmaker Maria João Ganga Breaking Boundaries:
Of their incredible list of grantees, a few films and filmmakers stand out for their sheer courage and innovation. The Global Film Initiative is proud to stand by and support these incredible works and individuals.
Hollow City, dir. Maria João Ganga. Among the first ever grant recipients, Ganga's incredible story of one war orphan's journey across the dangerous landscape of post-war Luanda is not only just the second film to be made after the end of Angola's civil war in 1991. It is also the very first film to be made by an Angolan woman ever.
Ramchand Pakistani, dir. Mehreen Jabbar. This film, a Spring 2007 grantee, about a young boy who accidentally crosses the border between Pakistan and India, is one of the first Pakistani films to feature Hindu main characters.
Karaoke, dir. Chris Chan Fui Chong. This film from Gfi's Winter 2009 grantees, which illustrates the changing climate of contemporary Malaysia through karaoke videos, was only the second Malaysian film to be featured at the Cannes Film Festival.
Colored Like The Night, dir. Agliberto Melendez. Gfi is proud to be supporting Dominican filmmaker Melendez's sophomore film about the final address of revolutionary mayoral candidate José Francisco Peña Gómez. His first film A One Way Ticket (1989) was the first full-length feature of the Dominican Republic!
Beatriz's War, dir. Bety Reis. This film, from the Summer 2011 grantees, is the first full-length feature film out of East Timor!
A scene from Cinema, Aspirins And VulturesAccolades:
Of the 143 projects that Gfi has funded, 75% of those completed are award-winning or nominated.
Did you know?
Of Gfi's grantees, the film with the highest number of awards is Cinema, Aspirins And Vultures with 29 film award wins!10 of the granted films have been submitted to the Academy Award's "Best Foreign Language Film" category! These films are: Cinema, Asprins And Vultures (Brazil's submission, 2006), I Am From Titov Veles (Macedonia's submission, 2009), Whisky (Uruguay's submission, 2004), The Buffalo Boy (Vietnam's submission, 2006), Border Cafe (Iran's submission, 2006), When I Saw You (Palestine's submission, 2012), Beauty (South Africa's submission, 2011), October (Peru's submission, 2010), Crab Trap (Columbia's submission, 2009), and Alive! (Albania's submission, 2009).
From supporting both the development of independent cinema around the world, to the hundreds of accolades these individual films have collectively received, they can't be more proud of their first decade of support--and cannot wait to see what Gfi's grantees accomplish in the next 10 years!
- 5/25/2013
- by Sydney Levine
- Sydney's Buzz
Vancouver -- South Korean director Jang Kun Jae's coming-of-age drama "Eighteen" took home the Dragons & Tigers Award at the Vancouver International Film Festival Thursday night.
The Asian director's debut feature about an illicit seaside romance by two young Koreans beat out seven other films for the top honor for emerging East Asian filmmakers in Vancouver.
Jurors Noel Vera, Johnny Ray Huston and Ikeda Hiroyuka praised the film, which had its world premiere in Vancouver, for its seamless structure and strong camerawork.
Vera, a Manila-based film critic, said Jang "took an old, old, old story -- your classic boy-meets-girl, boy- loses girl -- and made it feel fresh by the strength of his direction."
The announcement was greeted by whoops of delight from the films' Vancouver contingent, which included producer Kim Woo-ri and lead actors Seo Jun-Yeong and Lee Min-ji.
Jang, dressed in jeans, sneakers and a baseball cap, was more...
The Asian director's debut feature about an illicit seaside romance by two young Koreans beat out seven other films for the top honor for emerging East Asian filmmakers in Vancouver.
Jurors Noel Vera, Johnny Ray Huston and Ikeda Hiroyuka praised the film, which had its world premiere in Vancouver, for its seamless structure and strong camerawork.
Vera, a Manila-based film critic, said Jang "took an old, old, old story -- your classic boy-meets-girl, boy- loses girl -- and made it feel fresh by the strength of his direction."
The announcement was greeted by whoops of delight from the films' Vancouver contingent, which included producer Kim Woo-ri and lead actors Seo Jun-Yeong and Lee Min-ji.
Jang, dressed in jeans, sneakers and a baseball cap, was more...
- 10/9/2009
- by By Etan Vlessing and Adele Weder
- The Hollywood Reporter - Movie News
The 28th annual Vancouver International Film Festival (Viff) will be held October 1-16, 2009. Founded in 1982, Viff's mandate is "...to encourage the understanding of other nations through the art of cinema, to foster the art of cinema, to facilitate the meeting in British Columbia of cinema professionals from around the world and to stimulate the motion picture industry in British Columbia and Canada..." Over 150,000 people are expected to attend 640 screenings of 360 films from 80 countries. Here is an up-to-date list of directors, confirmed to attend Viff 2009, along with their films : "1428" Du Haibin "1999" Lenin Sivam "65_RedRoses" Philip Lyall & Nimisha Mukerji "Adelaide" Liliana Greenfield-Sanders "The Agony and the Ecstasy of Phil Spector" Vikram Jayanti "Ana & Arthur" Larry Young "The Anchorage" Anders Edström & Curtis Winter "Antoine" Laura Bari "Argippo Resurrected" Dan Krames "The Art of Drowning" Diego Maclean "At Home By Myself... With You" Kris Booth "At The Edge Of The World" Dan Stone...
- 9/27/2009
- HollywoodNorthReport.com
Toronto -- The Toronto International Film Festival on Tuesday unveiled a slew of premieres, mostly out of Cannes and Berlin, including the latest films from veterans Manoel de Oliveira, Alain Resnais and Hirokazu Kore-eda.
De Oliveira's "Eccentricities of a Blonde-Haired Girl" will unspool as part of the Masters sidebar, as will Resnais' "Les Herbes Folles" and "Air Doll," Japanese director Kore-eda's drama about a blow-up doll that becomes a real person that stars Korean actress Bae Doo-na.
And the high-profile Contemporary World Cinema program booked Israeli director Haim Tabakman's "Eyes Wide Open," a gay love story set in a religious Jewish community, "Huacho," from Chilean director Alejandro Fernandez Almendras, Korea's "Like You Know It All," by Hong Sang-soo, and Jessica Hausner's "Lourdes."
Other Cwc titles include Asli Ozge's "Men on the Bridge," set in Istanbul, Australian director Sarah Watt's "My Year Without Sex" and from Romania "Police, Adjective," by Corneliu Porumboiu.
Toronto each year unveils titles chosen from earlier international film festivals before it rolls out its own world premieres.
De Oliveira's "Eccentricities of a Blonde-Haired Girl" will unspool as part of the Masters sidebar, as will Resnais' "Les Herbes Folles" and "Air Doll," Japanese director Kore-eda's drama about a blow-up doll that becomes a real person that stars Korean actress Bae Doo-na.
And the high-profile Contemporary World Cinema program booked Israeli director Haim Tabakman's "Eyes Wide Open," a gay love story set in a religious Jewish community, "Huacho," from Chilean director Alejandro Fernandez Almendras, Korea's "Like You Know It All," by Hong Sang-soo, and Jessica Hausner's "Lourdes."
Other Cwc titles include Asli Ozge's "Men on the Bridge," set in Istanbul, Australian director Sarah Watt's "My Year Without Sex" and from Romania "Police, Adjective," by Corneliu Porumboiu.
Toronto each year unveils titles chosen from earlier international film festivals before it rolls out its own world premieres.
- 6/24/2009
- by By Etan Vlessing
- The Hollywood Reporter - Movie News
With a total of 26 pics, we've got some real good looking ones, and our very own Dr. Nathan is tentatively planned to be there to bring us reviews.
How about Air Doll? Check.
Samson & Delilah? Nice.
Fish Tank? Awesome. Our review here.
Check em out after the break.
Masters
Eccentricities of a Blonde-Haired Girl Manoel de Oliveira, France/Portugal/Spain
North American Premiere
Famed filmmaker Oliveira, who celebrates his 101st birthday this year, tells the tale of Macario's obsession with the enticing blond he spies from his window. Little does he know that she will end up stealing much more than his heart.
Les Herbes Folles Alain Resnais, France
North American Premiere
From modernist master Alain Resnais comes a romantic adventure based around the simple act of losing a wallet.
Air Doll Hirokazu Kore-eda, Japan
North American Premiere
This compelling tale of a blow-up doll that becomes a real person...
How about Air Doll? Check.
Samson & Delilah? Nice.
Fish Tank? Awesome. Our review here.
Check em out after the break.
Masters
Eccentricities of a Blonde-Haired Girl Manoel de Oliveira, France/Portugal/Spain
North American Premiere
Famed filmmaker Oliveira, who celebrates his 101st birthday this year, tells the tale of Macario's obsession with the enticing blond he spies from his window. Little does he know that she will end up stealing much more than his heart.
Les Herbes Folles Alain Resnais, France
North American Premiere
From modernist master Alain Resnais comes a romantic adventure based around the simple act of losing a wallet.
Air Doll Hirokazu Kore-eda, Japan
North American Premiere
This compelling tale of a blow-up doll that becomes a real person...
- 6/23/2009
- QuietEarth.us
- Traditionally among Tiff's first wave of announcements are titles that premiered at Cannes and Berlin and are solid enough to merit a North American preem in Toronto. Of the first 26 titles announced, nineteen of them were first shown on the Croisette. Tiff's busy Asian, South American and European curators selected Eyes Wide Open (Haim Tabakman), Huacho (Alejandro Fernandez Almendras), Like You Know It All (Hong Sang-Soo), Lourdes (Jessica Hausner), Men on the Bridge (Asli Özge), My Year without Sex (Sarah Watt), Police, Adjective (Corneliu Porumboiu), The Time that Remains (Elia Suleiman), and The Wind Journeys (Ciro Guerra) for the Contemporary World Cinema section, chose Face (Tsai Ming-Liang), Independencia (Raya Martin), Irène (Alain Cavalier), Karaoke (Chris Chong Chan Fui), Nymph (Pen-ek Ratanaruang) and To Die Like a Man (Joäo Pedro Rodrigues) to populate the Visions sidebar. The "Masters" section will see Air Doll (Hirokazu Kore-eda), Eccentricities of a Blonde-Haired Girl
- 6/23/2009
- IONCINEMA.com
Machine Girl first alerted us to Chris Chong’s Karaoke - the first Malaysian film to screen in Cannes for fourteen years - back at the end of April and the film is quickly gathering buzz here in advance of its first screening. I’ve heard those in the know compare Chong’s work to both Jia Zhangke and Apichatpong Weerasethakul, so you know you’re looking at something pretty special.
In a rural Malaysian oil palm estate, Betik returns home.
Betik looks to turn his life around and build a future back home with his mother after the death of his father a few years ago. Betik’s absence from the funeral is seen by his mother as a silent betrayal.
To regain his rhythm living back home, he takes on a day job shooting karaoke videos. At night, he tries to help his mother at the family’s...
In a rural Malaysian oil palm estate, Betik returns home.
Betik looks to turn his life around and build a future back home with his mother after the death of his father a few years ago. Betik’s absence from the funeral is seen by his mother as a silent betrayal.
To regain his rhythm living back home, he takes on a day job shooting karaoke videos. At night, he tries to help his mother at the family’s...
- 5/15/2009
- by Todd Brown
- Screen Anarchy
Chris Chong may not be a name known far and wide, but it’s definitely a name to watch for. The Malaysian filmmaker has been raking in the awards everywhere he goes, most notably with his short films Kolam (2007) and Block B (2008). His debut feature film, Karaoke, will be screening in the Directors’ Fortnight in Cannes, which is pretty big news back home because the last Malaysian film to screen there was U-Wei’s Kaki Bakar (The Arsonist) in 1995.
Karaoke is a 75-minute film in the Malay language. The synopsis:
In a rural Malaysian oil palm estate, Betik returns home.
Betik looks to turn his life around and build a future back home with his mother after the death of his father a few years ago. Betik’s absence from the funeral is seen by his mother as a silent betrayal.
To regain his rhythm living back home, he takes...
Karaoke is a 75-minute film in the Malay language. The synopsis:
In a rural Malaysian oil palm estate, Betik returns home.
Betik looks to turn his life around and build a future back home with his mother after the death of his father a few years ago. Betik’s absence from the funeral is seen by his mother as a silent betrayal.
To regain his rhythm living back home, he takes...
- 4/25/2009
- by Machine Girl
- Screen Anarchy
Toronto -- Piers Handling, Toronto International Film Festival co-director, says blame the lunar calendar, not Venice boss Marco Mueller for a decision by the Italian festival to shift its dates next year closer to those of Toronto.
"There is zero friction between Toronto and Venice," Handling said Saturday after Danny Boyle's high-octane Indian drama "Slumdog Millionaire" picked up the People's Choice Award in Toronto, voted on by festival audiences.
Handling insisted Toronto and Venice will continue on the same calendar cycle followed for more than 15 years, with his own event keeping to its customary kickoff on the first Thursday after Labor Day.
Toronto started this year on Sept. 4, and Labor Day will fall on Sept. 7 in 2009. "Some of Marco's comments in Venice have perhaps been misconstrued to (mean) 2011," when the rival festival will open on Sept. 2, Handling said. He insisted Fiapf, the regulating organization for international film festivals, would...
"There is zero friction between Toronto and Venice," Handling said Saturday after Danny Boyle's high-octane Indian drama "Slumdog Millionaire" picked up the People's Choice Award in Toronto, voted on by festival audiences.
Handling insisted Toronto and Venice will continue on the same calendar cycle followed for more than 15 years, with his own event keeping to its customary kickoff on the first Thursday after Labor Day.
Toronto started this year on Sept. 4, and Labor Day will fall on Sept. 7 in 2009. "Some of Marco's comments in Venice have perhaps been misconstrued to (mean) 2011," when the rival festival will open on Sept. 2, Handling said. He insisted Fiapf, the regulating organization for international film festivals, would...
- 9/13/2008
- by By Etan Vlessing
- The Hollywood Reporter - Movie News
- The Toronto International Film Festival Group (Tiffg) announced this year's top ten Canadian feature films including higher-profile pics and items from a set of new-comers. In addition, this year's group of 10 is actually a group of 20 - they've included a ten-list of short films as well. Chris Lavis and Maciek Szczerbowski's Madame Tutli-putli (whom we featured here on Ioncinema.com - read our Q and A with the pair of filmmakers here) is the short film that has fairly great chances at making an appearance at this year's Acamdey Awards. The top ten list is part of a series of Q&As by filmmakers and panel discussions to be held in Canada's cap - from January 25 to February 5 at Cinematheque Ontario in Toronto. In alphabetical order:l’ÂGE Des TÉNÈBRES – Denys Arcand (Alliance Odeon Films)Amal – Richie Mehta (Seville Pictures)Continental, Un Film Sans Fusil – Stéphane Lafleur (Christal Films
- 12/12/2007
- IONCINEMA.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.