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Lourdes (2009)

 |  Drama  |  17 February 2010 (USA)
6.9
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Ratings: 6.9/10 from 2,316 users   Metascore: 71/100
Reviews: 16 user | 104 critic | 9 from Metacritic.com

In order to escape her isolation, wheelchair-bound Christine makes a life changing journey to Lourdes, the iconic site of pilgrimage in the Pyrenees Mountains.

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Cast

Cast overview, first billed only:
...
Christine
...
Maria
...
Kuno
Elina Löwensohn ...
Cécile
Gilette Barbier ...
Fr. Hartl
...
Pater Nigl
Linde Prelog ...
Frau Huber
Heidi Baratta ...
Frau Spor
Hubert Kramar ...
Herr Oliveti
Helga Illich ...
Frau Oliveti
Walter Benn ...
Herr Hruby
Petra Morzé ...
Mother
...
Child in Wheelchair (as Orsi Tóth)
Katharina Flicker ...
Sonja
Thomas Uhlir ...
Max
Edit

Storyline

In order to escape her isolation, wheelchair-bound Christine makes a life changing journey to Lourdes, the iconic site of pilgrimage in the Pyrenees Mountains.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Parents Guide:

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Details

Country:

| |

Language:

Release Date:

17 February 2010 (USA)  »

Also Known As:

Miraklet i Lourdes  »

Box Office

Budget:

€2,000,000 (estimated)

Opening Weekend:

£39,511 (UK) (26 March 2010)

Gross:

£39,511 (UK) (26 March 2010)
 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When the script for Lourdes (2009) first landed on Sylvie Testud's desk, her initial reaction was that she didn't want to do anything that might involve her playing a nun or taking easy potshots at religion. She instantly changed her mind after reading the script. See more »

Soundtracks

Buongiorno angelo mio
Musique & paroles: Thomas Kathriner & Martin Kromar
Interpète: Laislavo 'Lado' Kravanja (as Lado)
© Blautöne Musikvelag GmbH
See more »

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User Reviews

 
"Innovating and artistic..."
6 December 2010 | by (Norway) – See all my reviews

Austrian screenwriter and director Jessica Hausner's third feature film film which she wrote, premiered In competition at the 66th Venice Film Festival in 2009, was screened in the Contemporary World Cinema section at the 34th Toronto International Film Festival in 2009, was shot on location in France and is a France-Germany-Austria co-production which was produced by producers Martin Gschlacht, Philippe Bober and Suzanne Marian. It tells the story about a young woman with Multiple Sclerosis named Christine. She is chained to a wheelchair and can only get out if she signs up for cultural or Christian trips. Christine has previously visited Rome, but her next destination is Lourdes, the iconic site of pilgrimage in the Pyrenees Mountains.

This finely tuned fictional tale is set in the Christian pilgrimage town Lourdes in France, a fine choice of location, where the Virgin Mary apparently appeared to a 14-year-old girl named Bernadette Soubirous in 1858, and Austrian filmmaker Jessica Hausner tells the story about a reserved though smiling and obliging woman who arrives at Lourdes hoping to be cured of her chronic illness. Jessica Hausner's quiet reflection of the intangibility concerning miracles and peoples individual relations to their faith is intellectually debated and asks several interesting questions that are also answered. All though her film has elements of divinity by it in the use of music and some remarkable scenes, it is by no means an overly religious film. "Lourdes" is rather a concentrated study of an enigmatic theme and a film where the characters reactions and reception to the abstract is the core and where the existential converges with the mysterious and the distinct with the abstract.

Austrian cinematographer Martin Gschlacht's skillful and structural cinematography compliments Jessica Hausner's clear vision, and her steady, stringent and partly static direction is at its best when she films the main character from versatile perspectives and creates describing portraits of an archetype character, excellently played by French actress, screenwriter and director Sylvie Testud in a vital and radiating interpretation of a character that only has her face and her words to express herself with. Most actors delivers convincing acting and Jessica Hausner's film has a strong humane warmth that shines through the heroine's being, and an elusive atmosphere which is effectuated by the esoteric faces of the guests and employees at the place that has been called the Catholic Church's answer to Disneyland. An innovating and artistic film from a director with a recognizable personal style where one is left feeling like having seen something that lasted significantly longer than its running time.


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