One of the best and most influential in avant-garde cinema, an experiment from Michael Snow for 24 hours, using the robotic arm Michael Snow program all robotic movements so as not to be ... See full summary »
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Charles drifts through politics, religion and psychoanalysis, rejecting them all. Once he realises the depth of his disgust with the moral and physical decline of the society he lives in, ... See full summary »
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A rhythmically edited alphabet composed of street and shop signs shot in New York City and other elements is gradually replaced by repeated seemingly abstract shots in this influential structuralist film.
During the rehearsals for the production of the tragedy Andromaque, the leading actress and her director, a couple behind the scenes, can't find a way to leave their personal problems at ... See full summary »
André S. Labarthe
One of the best and most influential in avant-garde cinema, an experiment from Michael Snow for 24 hours, using the robotic arm Michael Snow program all robotic movements so as not to be able to move the same twice, so there are differences in every motion camera. Written by
egi david perdana
Entirely shot using a robotized camera set on the top of a mountain in the Canadian wilderness - in winter. The camera was mounted on a mechanical arm that could move in any direction (even upside down). Using instructions recorded on magnetic tape, the filmakers could control the arm's movement, creating short "routines" that had do be checked and programmed daily. During the entire movie the only sound heard are mechanical blips and electronic noises synchronized with the camera movement. In an interview, Michael Snow said that his aim to show the kind of images that an alien probe landed on Earth would report back home. See more »
Warning. This film is not for everyone. Don't expect any narrative.
Following "Wavelength", Michael Snow made two films. "Standard Time", an eight minute series of pans and tilts in an apartment living room, and "Back and Forth", a more extended analysis. Both films continue his obsession with exploring the camera's relationships with space and time.
But with "La Region Centrale", Snow manages to create moving images that could not have possibly been observed by the human eye.
To capture these images, Snow designed and built a machine which would allow his camera to move smoothly about several different axes at various speeds. Snow placed this device on a mountain peak in Quebec and then programmed it to provide a series of continuously changing views of the landscape.
Initially the camera does a simple 360° pass (which serves to map out the terrain) but as the film progresses, increasingly stranger views are provided.
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