One of the best and most influential in avant-garde cinema, an experiment from Michael Snow for 24 hours, using the robotic arm Michael Snow program all robotic movements so as not to be ...
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A rhythmically edited alphabet composed of street and shop signs shot in New York City and other elements is gradually replaced by repeated seemingly abstract shots in this influential structuralist film.
The film depicts its protagonist, Joseph (Jan Nowicki), traveling through a dream-like world, taking a dilapidated train to visit his dying father in a sanatorium. When he arrives at the ... See full summary »
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the ... See full summary »
One of the best and most influential in avant-garde cinema, an experiment from Michael Snow for 24 hours, using the robotic arm Michael Snow program all robotic movements so as not to be able to move the same twice, so there are differences in every motion camera. Written by
egi david perdana
Entirely shot using a robotized camera set on the top of a mountain in the Canadian wilderness - in winter. The camera was mounted on a mechanical arm that could move in any direction (even upside down). Using instructions recorded on magnetic tape, the filmakers could control the arm's movement, creating short "routines" that had do be checked and programmed daily. During the entire movie the only sound heard are mechanical blips and electronic noises synchronized with the camera movement. In an interview, Michael Snow said that his aim to show the kind of images that an alien probe landed on Earth would report back home. See more »
I saw this film projected many years ago and was completely drawn in by the use of sound and image. I found it to be deeply profound and comical, yet nearly impossible to describe, for it is the type of structural film that actually makes you think on numerous levels. So much has been written about this film, but I truly believe it is completely open to ones interpretation. Without doubt this is Snow's greatest film; a truly hypnotic masterpiece.
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