One of the best and most influential in avant-garde cinema, an experiment from Michael Snow for 24 hours, using the robotic arm Michael Snow program all robotic movements so as not to be ... See full summary »
Poetical tale of Anne-Marie Stretter, the wife of a French diplomat in India in the 1930s. At 18 she had married a French colonial administrator and went with him on posting to Savannakhet,... See full summary »
Following a rough chronology from 1884 to 1894, when Norwegian artist Edvard Munch began expressionism and established himself as northern Europe's most maligned and controversial artist, ... See full summary »
The artist, Antonio Lopez, tries to paint the quince tree he planted some time back in his garden. Throughout his life, he has worked on the same theme many times, almost as if it were a ... See full summary »
A rhythmically edited alphabet composed of street and shop signs shot in New York City and other elements is gradually replaced by repeated seemingly abstract shots in this influential structuralist film.
Divided into three segments, namely 1 Neocolonialism, 2 Act for liberation, 3 Violence and liberation, the documentary lasts more than 4 hours this deals with the defense of the revolution ... See full summary »
Fernando E. Solanas
María de la Paz,
Fernando E. Solanas,
One of the best and most influential in avant-garde cinema, an experiment from Michael Snow for 24 hours, using the robotic arm Michael Snow program all robotic movements so as not to be able to move the same twice, so there are differences in every motion camera. Written by
egi david perdana
Entirely shot using a robotized camera set on the top of a mountain in the Canadian wilderness - in winter. The camera was mounted on a mechanical arm that could move in any direction (even upside down). Using instructions recorded on magnetic tape, the filmakers could control the arm's movement, creating short "routines" that had do be checked and programmed daily. During the entire movie the only sound heard are mechanical blips and electronic noises synchronized with the camera movement. In an interview, Michael Snow said that his aim to show the kind of images that an alien probe landed on Earth would report back home. See more »
I saw this film projected many years ago and was completely drawn in by the use of sound and image. I found it to be deeply profound and comical, yet nearly impossible to describe, for it is the type of structural film that actually makes you think on numerous levels. So much has been written about this film, but I truly believe it is completely open to ones interpretation. Without doubt this is Snow's greatest film; a truly hypnotic masterpiece.
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