To celebrate the release of Basket Case on Limited Edition 4K Ultra HD Blu-Ray available from 29th April, we have a Limited Edition 4K Ultra HD Blu-Ray to give away to a lucky winner!
The feature debut of director Frank Henenlotter, 1982’s Basket Case is a riotous and blood-spattered “midnight movie” experience, now presented for the first time ever on 4K Ultra HD Blu-ray.
Duane Bradley seems like a pretty ordinary guy. His formerly conjoined twin Belial, on the other hand, is a deformed creature who lives in a wicker basket. Arriving in the Big Apple and taking up a room at a seedy hotel, the pair set about hunting down and butchering the surgeons responsible for their separation.
Filmed on a shoestring budget against the backdrop of 1980s New York (where it played on the midnight movie circuit for over two-and-a-half years), Basket Case has clawed its way from...
The feature debut of director Frank Henenlotter, 1982’s Basket Case is a riotous and blood-spattered “midnight movie” experience, now presented for the first time ever on 4K Ultra HD Blu-ray.
Duane Bradley seems like a pretty ordinary guy. His formerly conjoined twin Belial, on the other hand, is a deformed creature who lives in a wicker basket. Arriving in the Big Apple and taking up a room at a seedy hotel, the pair set about hunting down and butchering the surgeons responsible for their separation.
Filmed on a shoestring budget against the backdrop of 1980s New York (where it played on the midnight movie circuit for over two-and-a-half years), Basket Case has clawed its way from...
- 4/22/2024
- by Competitions
- HeyUGuys.co.uk
Arrow Video has given director Frank Henenlotter’s 1982 cult classic Basket Case (watch it Here) a couple Blu-ray releases in recent years, and now the company has announced that they’re bringing the film to 4K Uhd for the first time! This release is for the US, the UK, and Canada, and the street date is April 29th. The pre-order link for the UK is Here and the pre-order link for the US and Canada is Here.
Basket Case has the following synopsis: Duane Bradley is a pretty ordinary guy. His formerly conjoined twin Belial, on the other hand, is a deformed, fleshy lump whom he carries around in a wicker basket. Arriving in the Big Apple and taking up a room at the seedy Hotel Broslin, the pair set about hunting down and butchering the surgeons responsible for their separation. But tensions flare up when Duane starts spending time with a pretty blonde secretary,...
Basket Case has the following synopsis: Duane Bradley is a pretty ordinary guy. His formerly conjoined twin Belial, on the other hand, is a deformed, fleshy lump whom he carries around in a wicker basket. Arriving in the Big Apple and taking up a room at the seedy Hotel Broslin, the pair set about hunting down and butchering the surgeons responsible for their separation. But tensions flare up when Duane starts spending time with a pretty blonde secretary,...
- 1/26/2024
- by Cody Hamman
- JoBlo.com
The feature debut of director Frank Henenlotter, 1982’s Basket Case is getting a brand new 4K Ultra HD release from Arrow Video, we’ve learned.
Freshly announced this morning, Arrow will be releasing Basket Case on Blu-ray, Limited Edition 4K, and Arrow Store Exclusive Limited Edition 4K on April 29, 2024.
While the Blu-ray is a UK release, the 4K Uhd version is for the United Kingdom, United States, and Canada. The Arrow Store Exclusive (with VHS slipcover) is a UK and US release.
This marks the very first time Basket Case has been made available on 4K Ultra HD!
4K Ultra HD Blu-ray Limited Edition Contents
4K restoration from the original 16mm negative by MoMA 4K (2160p) Uhd Blu-ray presentation in Dolby Vision (HDR10 compatible) Original uncompressed Pcm mono audio Optional English subtitles for the deaf and hard of hearing Audio commentary with writer/director Frank Henenlotter and star Kevin VanHentenryck...
Freshly announced this morning, Arrow will be releasing Basket Case on Blu-ray, Limited Edition 4K, and Arrow Store Exclusive Limited Edition 4K on April 29, 2024.
While the Blu-ray is a UK release, the 4K Uhd version is for the United Kingdom, United States, and Canada. The Arrow Store Exclusive (with VHS slipcover) is a UK and US release.
This marks the very first time Basket Case has been made available on 4K Ultra HD!
4K Ultra HD Blu-ray Limited Edition Contents
4K restoration from the original 16mm negative by MoMA 4K (2160p) Uhd Blu-ray presentation in Dolby Vision (HDR10 compatible) Original uncompressed Pcm mono audio Optional English subtitles for the deaf and hard of hearing Audio commentary with writer/director Frank Henenlotter and star Kevin VanHentenryck...
- 1/26/2024
- by John Squires
- bloody-disgusting.com
The Austin Film Festival (Aff) has announced the 2022 Film Competition Jury and Audience Award winners alongside the Screenplay Competition winners. In the festival, writers are recognized for their contribution to film, television, theatre and new media. The competitions received over 5,000 film submissions and over 10,000 script submissions.
Film Jury Awards
Narrative Feature: Welcome, Violeta!, written by Fernando Fraiha & Inés Bortagaray, directed by Fernando Fraiha
Documentary Feature: With this Light, directed by Nicole Bernardi-Reis & Laura Bermúdez
Comedy Vanguard Feature: The Library Boys, written/directed by Zane Borg
Dark Matters Feature: The Domestic, written/directed by Brad Katzen
Narrative Short: One for Sorrow, Two for Joy, written/directed by Ana Yang
Student Short: Sammy, Without Strings, written by Will Henderson, III & Ralph Parker, III, directed by Ralph Parker, III
Documentary Short: Gina, directed by Kathryn Prescott
Animated Short: Rosemary A.D. (After Dad), directed by Ethan Barrett
Produced Digital Series: Serjan Bratan, written by Alisher Utev & Sergei Litovchenko,...
Film Jury Awards
Narrative Feature: Welcome, Violeta!, written by Fernando Fraiha & Inés Bortagaray, directed by Fernando Fraiha
Documentary Feature: With this Light, directed by Nicole Bernardi-Reis & Laura Bermúdez
Comedy Vanguard Feature: The Library Boys, written/directed by Zane Borg
Dark Matters Feature: The Domestic, written/directed by Brad Katzen
Narrative Short: One for Sorrow, Two for Joy, written/directed by Ana Yang
Student Short: Sammy, Without Strings, written by Will Henderson, III & Ralph Parker, III, directed by Ralph Parker, III
Documentary Short: Gina, directed by Kathryn Prescott
Animated Short: Rosemary A.D. (After Dad), directed by Ethan Barrett
Produced Digital Series: Serjan Bratan, written by Alisher Utev & Sergei Litovchenko,...
- 11/7/2022
- by Armando Tinoco
- Deadline Film + TV
Hello, everyone! Tomorrow brings us a new round of horror and sci-fi home media releases, and we’ve got a look at what you can expect from this week’s titles. If you’re a Halloween fan, then Tuesday is a big day for you because Halloween Kills will be arriving via multiple formats, and its release also includes an extended cut of the film as well. For all you science fiction enthusiasts out there, you’ll definitely want to pick up Denis Villeneuve’s adaptation of Dune to enjoy at home and Kino Lorber is showing some love to Dario Argento’s The Card Player this week as well.
Other Blu-ray and DVD releases for January 11th include Lantern’s Lane, Fisher, Premutos: The Fallen Angel, and Basket Case: Standard Special Edition.
Basket Case: Standard Special Edition
The feature debut of director Frank Henenlotter, 1982’s Basket Case is a...
Other Blu-ray and DVD releases for January 11th include Lantern’s Lane, Fisher, Premutos: The Fallen Angel, and Basket Case: Standard Special Edition.
Basket Case: Standard Special Edition
The feature debut of director Frank Henenlotter, 1982’s Basket Case is a...
- 1/10/2022
- by Heather Wixson
- DailyDead
'Mad Men' star Vincent Kartheiser and Broadway's Larry Pine Casa Valentina play Billy Wilder and Raymond Chandler, respectively, in Billy amp Ray, Mike Bencivenga's new play -- directed by the legendary directorwriterproducer Garry Marshall. Below, BroadwayWorld brings you photos of Marshall and Bencivenga, as taken on opening night, in the BroadwayWorld.com series 'In The Spotlight' by acclaimed photographer Walter McBride...
- 11/3/2014
- by Walter McBride
- BroadwayWorld.com
We were all hoping that the London production of Lillian Hellman's The Children's Hour would mark Keira Knightley's Broadway debut (she got great reviews in 2011 starring opposite Mad Men's Elisabeth Moss), but we'll take her however we can get her. Next fall, she will make her Broadway debut in Roundabout Theatre Company's adaptation of the tragic novel Thérèse Raquin, continuing with Knightley's affinity for period dramas. In other news, Big Brother standout Frankie J. Grande (the bro of another famous Grande, Ariana) will take on a supporting role in Rock of Ages for two months beginning Nov.
- 10/25/2014
- by Jason Clark
- EW.com - PopWatch
'Mad Men' star Vincent Kartheiser and Broadway's Larry Pine Casa Valentina play Billy Wilder and Raymond Chandler, respectively, in Billy amp Ray, Mike Bencivenga's new play -- directed by the legendary directorwriterproducer Garry Marshall. Earlier this week, the show celebrated its NY premiere and opening night at the Vineyard Theatre 108 E. 15 St.. Check out photos from the theatre arrivals below...
- 10/22/2014
- by Walter McBride
- BroadwayWorld.com
'Mad Men' star Vincent Kartheiser and Broadway's Larry Pine Casa Valentina play Billy Wilder and Raymond Chandler, respectively, in Billy amp Ray, Mike Bencivenga's new play -- directed by the legendary directorwriterproducer Garry Marshall. Last night, the show celebrated its NY premiere and opening night at the Vineyard Theatre 108 E. 15 St.. Check out photos from the curtain call below...
- 10/21/2014
- by Walter McBride
- BroadwayWorld.com
'Mad Men' star Vincent Kartheiser and Broadway's Larry Pine Casa Valentina play Billy Wilder and Raymond Chandler, respectively, in Billy amp Ray, Mike Bencivenga's new play -- directed by the legendary directorwriterproducer Garry Marshall -- being given its NY premiere this fall at the Vineyard Theatre, with an official opening tonight, October 20, 2014. Let's see what the critics had to say...
- 10/21/2014
- by Review Roundups
- BroadwayWorld.com
The new Theater Talk illuminates the fascinating and contentious collaboration between director and co-writer Billy Wilder and writer Raymond Chandler while preparing the screenplay for Double Indemnity, the classic film noir adaptation of a James M. Cain mystery, starring Barbara Stanwyck and Fred MacMurray. Interviewed about the new play, Billy amp Ray, now playing, are director Garry Marshall Pretty Woman, Beaches and playwright Mike Bencivenga.
- 10/17/2014
- by BWW News Desk
- BroadwayWorld.com
The new Theater Talk illuminates the fascinating and contentious collaboration between director and co-writer Billy Wilder and writer Raymond Chandler while preparing the screenplay for Double Indemnity, the classic film noir adaptation of a James M. Cain mystery, starring Barbara Stanwyck and Fred MacMurray. Interviewed about the new play, Billy amp Ray, now playing, are director Garry Marshall Pretty Woman, Beaches and playwright Mike Bencivenga.
- 10/15/2014
- by BWW News Desk
- BroadwayWorld.com
'Mad Men' star Vincent Kartheiser and Broadway's Larry Pine Casa Valentina will play Billy Wilder and Raymond Chandler, respectively, in Billy amp Ray, Mike Bencivenga's new play -- directed by the legendary directorwriterproducer Garry Marshall -- being given its NY premiere this fall at the Vineyard Theatre 108 E. 15 St., with previews scheduled to begin tonight, October 1 prior to an official opening on October 20, it has been announced by Vineyard's Artistic Directors Douglas Aibel and Sarah Stern.
- 10/1/2014
- by BWW News Desk
- BroadwayWorld.com
Mad Men' star Vincent Kartheiser and Broadway's Larry Pine Casa Valentina will play Billy Wilder and Raymond Chandler, respectively, in Billy amp Ray, Mike Bencivenga's new play -- directed by the legendary directorwriterproducer Garry Marshall -- being given its NY premiere this fall at the Vineyard Theatre 108 E. 15 St., with previews scheduled to begin October 1 prior to an official opening on October 20. The company just met the press and you can check out photos from inside the event below...
- 9/5/2014
- by Jennifer Broski
- BroadwayWorld.com
Vincent Kartheiser is heading to the stage. The Mad Men actor will star in the off-Broadway run of Billy & Ray, a comedy directed by Garry Marshall that charts the birth of the film noir genre, it has been announced by the Vineyard Theatre's artistic directors, Douglas Aibel and Sarah Stern. He will play writer-director Billy Wilder opposite Larry Pine (Casa Valentina) as novelist Raymond Chandler. The New York premiere run of the production will begin previews on Oct. 1 at the Vineyard Theatre, and officially open Oct. 20. Penned by Mike Bencivenga, Billy & Ray follows the literary odd couple as
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- 8/27/2014
- by Ashley Lee
- The Hollywood Reporter - Movie News
'Mad Men' star Vincent Kartheiser and Broadway's Larry Pine Casa Valentina will play Billy Wilder and Raymond Chandler, respectively, in Billy amp Ray, Mike Bencivenga's new play -- directed by the legendary directorwriterproducer Garry Marshall -- being given its NY premiere this fall at the Vineyard Theatre 108 E. 15 St., with previews scheduled to begin October 1 prior to an official opening on October 20, it has been announced by Vineyard's Artistic Directors Douglas Aibel and Sarah Stern.
- 8/26/2014
- by BWW News Desk
- BroadwayWorld.com
Mad Men’s Vincent Kartheiser is joining Larry Pine on stage in Mike Bencivenga’s new play, Billy & Ray.
In Billy & Ray—which will get its New York premiere this fall at the Vineyard Theatre—Kartheiser will play Billy Wilder alongside Pine’s Raymond Chandler, as Wilder and Chandler work together to adapt the novel Double Indemnity for the big screen.
The Off-Broadway comedy, directed by Garry Marshall, is set in 1940s Hollywood and tells the story of the birth of the film noir genre. Rounding out the cast is Sophie von Haselberg, who will play Wilder’s secretary, and...
In Billy & Ray—which will get its New York premiere this fall at the Vineyard Theatre—Kartheiser will play Billy Wilder alongside Pine’s Raymond Chandler, as Wilder and Chandler work together to adapt the novel Double Indemnity for the big screen.
The Off-Broadway comedy, directed by Garry Marshall, is set in 1940s Hollywood and tells the story of the birth of the film noir genre. Rounding out the cast is Sophie von Haselberg, who will play Wilder’s secretary, and...
- 8/26/2014
- by Samantha Highfill
- EW.com - PopWatch
AFI Fest
Terrific performances by Anthony LaPaglia, Eric Stoltz and Caroleen Feeney infuse this well-written comic drama with a realistic ease. Director Mike Bencivenga and his co-scripter, Richard Levine, have crafted a Manhattan-set tale that strikes a fine balance between sardonic banter and poignancy. Centered on the last days of an alcoholic, "Happy Hour" deftly avoids the grimness and maudlin sentimentality one might expect. With a much truer take on the disease than such showier fare as "Leaving Las Vegas", the Davis Entertainment production, which is screening in the AFI Fest's American Directions section, deserves art house exposure.
LaPaglia plays Tulley, a middle-aged copywriter devoted to drink, his faithful colleague Levine (Stoltz) often beside him at the bar. An acclaimed short-story writer in his youth, he has been working on a novel for 17 years, living in the shadow of his father (Robert Vaughn), the kind of successful scribe who lunches at the Algonquin with Pete Hamill, Steve Dunleavy and Jack Newfield (all in for cameos). Tulley's "carefree, pointless life" takes on new meaning when he meets Natalie (Feeney), a spirited schoolteacher, at his watering hole and when he's diagnosed with advanced liver disease.
The film captures the workaday emptiness, politics and open hatreds at the ad agency Tulley calls "drudgery's cathedral." Thomas Sadoski has an effective turn as a cliche-spouting brown-noser who's sleeping with the gorgeous boss (Sandrine Holt). Tulley and Levine get back at the back-stabbing young wannabe with a couple of inventive pranks involving a colostomy bag and a porn tape.
LaPaglia's hard-boiled voice-over notwithstanding, the real focus of "Happy Hour" is Levine, and Stoltz portrays him with an appropriate ambiguity. An aspiring writer who hides himself behind a low-stress numbers-crunching job, he's effete and urbane, the consummate fifth wheel to Tulley and Natalie's relationship and possibly in love with his friend. Stoltz and Feeney convey the fallout and the rewards for people who attach themselves to alcoholics, while LaPaglia's Tulley is charming, awful and utterly believable. Malachy McCourt makes the most of his brief appearance as Tulley's gruff, disappointed literary mentor.
Terrific performances by Anthony LaPaglia, Eric Stoltz and Caroleen Feeney infuse this well-written comic drama with a realistic ease. Director Mike Bencivenga and his co-scripter, Richard Levine, have crafted a Manhattan-set tale that strikes a fine balance between sardonic banter and poignancy. Centered on the last days of an alcoholic, "Happy Hour" deftly avoids the grimness and maudlin sentimentality one might expect. With a much truer take on the disease than such showier fare as "Leaving Las Vegas", the Davis Entertainment production, which is screening in the AFI Fest's American Directions section, deserves art house exposure.
LaPaglia plays Tulley, a middle-aged copywriter devoted to drink, his faithful colleague Levine (Stoltz) often beside him at the bar. An acclaimed short-story writer in his youth, he has been working on a novel for 17 years, living in the shadow of his father (Robert Vaughn), the kind of successful scribe who lunches at the Algonquin with Pete Hamill, Steve Dunleavy and Jack Newfield (all in for cameos). Tulley's "carefree, pointless life" takes on new meaning when he meets Natalie (Feeney), a spirited schoolteacher, at his watering hole and when he's diagnosed with advanced liver disease.
The film captures the workaday emptiness, politics and open hatreds at the ad agency Tulley calls "drudgery's cathedral." Thomas Sadoski has an effective turn as a cliche-spouting brown-noser who's sleeping with the gorgeous boss (Sandrine Holt). Tulley and Levine get back at the back-stabbing young wannabe with a couple of inventive pranks involving a colostomy bag and a porn tape.
LaPaglia's hard-boiled voice-over notwithstanding, the real focus of "Happy Hour" is Levine, and Stoltz portrays him with an appropriate ambiguity. An aspiring writer who hides himself behind a low-stress numbers-crunching job, he's effete and urbane, the consummate fifth wheel to Tulley and Natalie's relationship and possibly in love with his friend. Stoltz and Feeney convey the fallout and the rewards for people who attach themselves to alcoholics, while LaPaglia's Tulley is charming, awful and utterly believable. Malachy McCourt makes the most of his brief appearance as Tulley's gruff, disappointed literary mentor.
AFI Fest
Terrific performances by Anthony LaPaglia, Eric Stoltz and Caroleen Feeney infuse this well-written comic drama with a realistic ease. Director Mike Bencivenga and his co-scripter, Richard Levine, have crafted a Manhattan-set tale that strikes a fine balance between sardonic banter and poignancy. Centered on the last days of an alcoholic, "Happy Hour" deftly avoids the grimness and maudlin sentimentality one might expect. With a much truer take on the disease than such showier fare as "Leaving Las Vegas", the Davis Entertainment production, which is screening in the AFI Fest's American Directions section, deserves art house exposure.
LaPaglia plays Tulley, a middle-aged copywriter devoted to drink, his faithful colleague Levine (Stoltz) often beside him at the bar. An acclaimed short-story writer in his youth, he has been working on a novel for 17 years, living in the shadow of his father (Robert Vaughn), the kind of successful scribe who lunches at the Algonquin with Pete Hamill, Steve Dunleavy and Jack Newfield (all in for cameos). Tulley's "carefree, pointless life" takes on new meaning when he meets Natalie (Feeney), a spirited schoolteacher, at his watering hole and when he's diagnosed with advanced liver disease.
The film captures the workaday emptiness, politics and open hatreds at the ad agency Tulley calls "drudgery's cathedral." Thomas Sadoski has an effective turn as a cliche-spouting brown-noser who's sleeping with the gorgeous boss (Sandrine Holt). Tulley and Levine get back at the back-stabbing young wannabe with a couple of inventive pranks involving a colostomy bag and a porn tape.
LaPaglia's hard-boiled voice-over notwithstanding, the real focus of "Happy Hour" is Levine, and Stoltz portrays him with an appropriate ambiguity. An aspiring writer who hides himself behind a low-stress numbers-crunching job, he's effete and urbane, the consummate fifth wheel to Tulley and Natalie's relationship and possibly in love with his friend. Stoltz and Feeney convey the fallout and the rewards for people who attach themselves to alcoholics, while LaPaglia's Tulley is charming, awful and utterly believable. Malachy McCourt makes the most of his brief appearance as Tulley's gruff, disappointed literary mentor.
Terrific performances by Anthony LaPaglia, Eric Stoltz and Caroleen Feeney infuse this well-written comic drama with a realistic ease. Director Mike Bencivenga and his co-scripter, Richard Levine, have crafted a Manhattan-set tale that strikes a fine balance between sardonic banter and poignancy. Centered on the last days of an alcoholic, "Happy Hour" deftly avoids the grimness and maudlin sentimentality one might expect. With a much truer take on the disease than such showier fare as "Leaving Las Vegas", the Davis Entertainment production, which is screening in the AFI Fest's American Directions section, deserves art house exposure.
LaPaglia plays Tulley, a middle-aged copywriter devoted to drink, his faithful colleague Levine (Stoltz) often beside him at the bar. An acclaimed short-story writer in his youth, he has been working on a novel for 17 years, living in the shadow of his father (Robert Vaughn), the kind of successful scribe who lunches at the Algonquin with Pete Hamill, Steve Dunleavy and Jack Newfield (all in for cameos). Tulley's "carefree, pointless life" takes on new meaning when he meets Natalie (Feeney), a spirited schoolteacher, at his watering hole and when he's diagnosed with advanced liver disease.
The film captures the workaday emptiness, politics and open hatreds at the ad agency Tulley calls "drudgery's cathedral." Thomas Sadoski has an effective turn as a cliche-spouting brown-noser who's sleeping with the gorgeous boss (Sandrine Holt). Tulley and Levine get back at the back-stabbing young wannabe with a couple of inventive pranks involving a colostomy bag and a porn tape.
LaPaglia's hard-boiled voice-over notwithstanding, the real focus of "Happy Hour" is Levine, and Stoltz portrays him with an appropriate ambiguity. An aspiring writer who hides himself behind a low-stress numbers-crunching job, he's effete and urbane, the consummate fifth wheel to Tulley and Natalie's relationship and possibly in love with his friend. Stoltz and Feeney convey the fallout and the rewards for people who attach themselves to alcoholics, while LaPaglia's Tulley is charming, awful and utterly believable. Malachy McCourt makes the most of his brief appearance as Tulley's gruff, disappointed literary mentor.
- 11/11/2003
- The Hollywood Reporter - Movie News
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