In 1930, in Belgium, Gabrielle van der Mal is the stubborn daughter of the prominent surgeon Dr. Pascin Van Der Mal that decides to leave her the upper-class family to enter to a convent, ... See full summary »
Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at ... See full summary »
Karen Wright and Martha Dobie are best friends since college and they own the boarding school Wright and Dobie School for Girls with twenty students. They are working hard as headmistresses and teachers to grow the school and make it profitable. Karen is engaged with the local doctor Joe Cardin, who is the nephew of the powerful and influent Mrs. Amelia Tilford. While the spiteful and liar Mary, who is Amelia's granddaughter and a bad influence to the other girls, is punished by Karen after telling a lie, Martha has an argument with her snoopy aunt Lily Mortar in another room. Lily accuses Martha of being jealous and having an unnatural relationship with Karen. Mary's roommate Rosalie Wells and a friend overhear the shouting and tells Mary what Mrs. Mortar had said about her niece. The malicious Mary accuses Karen and Martha of being lesbians to her grandmother and Amelia spreads the gossip to the parents of the students that withdraw them from the school. Karen and Martha lose a ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Screenwriter John Michael Hayes was so faithful to Lillian Hellman's play that large chunks of the dialogue are identical to the dialogue in These Three (1936), the 1936 film version of The Children's Hour, for which Lillian Hellman herself wrote the adaptation and screenplay - this, despite the fact that These Three (1936) was a watered-down, censored version of The Children's Hour. See more »
At 9:26 Mary is on top of her bed covers, then under them, then gets under them. See more »
William Wyler's atmospheric drama has two teachers (Audrey Hepburn and Shirley MacLaine) be accused of lesbianism by a guileful schoolgirl, and then have that rumour ruin their job, their lives and their friendship.
Somewhat of a taboo for the 60s, Wyler bravely tackles the subject with honesty and integrity, and his cast work well to bring the tense atmosphere to us. As the engaged, straight, Miss Wright, Audrey Hepburn suffers commendably, fighting always for the truth as she sees it, and as a result, losing her fiancée. Shirley MacLaine is the more ambiguous character of the two. It is not on whether the allegations were true (it is clear from the off that they are just slander of the worst kind from a bored, vindictive little girl) that the mystery of the film lies, but in whether her character does secretly love Hepburns', as more than a friend.
The children are less apt in their roles. None of them have names worth remembering, but the main one who spreads the rumours does it with such exaggerated facial expressions that it is difficult at times of most intense drama not to laugh, and the other girl, who aids her in the spreading of lies, is also laughable in her "fear." However, if the intention was to make us dislike the children as much as possible, then they have succeeded.
But the message is clear lies of such a powerful decree even if they are spawned off what is guessed to be the truth, will damage others. It's a hefty topic, and one that lacks slightly, due to the censorship of the time, no doubt, but the behaviour and actions of the characters still ring true today the hypocrisy of the kind aunt, the spreading of cruel lies just for fun, the boyfriend's abandonment, and how, at the end of the day, it is always the innocent that suffer, yet some, like Hepburn's character, are brave enough to walk out in the public, with their head held high in the air, because they know they were innocent.
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