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Double Indemnity (1944)

Passed  -  Crime | Drama | Film-Noir  -  24 April 1944 (USA)
8.4
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Ratings: 8.4/10 from 79,316 users  
Reviews: 284 user | 145 critic

An insurance representative lets himself be talked into a murder/insurance fraud scheme that arouses an insurance investigator's suspicions.

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(screenplay), (screenplay), 1 more credit »
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Title: Double Indemnity (1944)

Double Indemnity (1944) on IMDb 8.4/10

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Top 250 #78 | Nominated for 7 Oscars. Another 4 wins. See more awards »

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Cast

Complete credited cast:
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Porter Hall ...
Jean Heather ...
Tom Powers ...
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Richard Gaines ...
Fortunio Bonanova ...
John Philliber ...
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Storyline

In 1938, Walter Neff, an experienced salesman of the Pacific All Risk Insurance Co., meets the seductive wife of one of his clients, Phyllis Dietrichson, and they have an affair. Phyllis proposes to kill her husband to receive the proceeds of an accident insurance policy and Walter devises a scheme to receive twice the amount based on a double indemnity clause. When Mr. Dietrichson is found dead on a train-track, the police accept the determination of accidental death. However, the insurance analyst and Walter's best friend Barton Keyes does not buy the story and suspects that Phyllis has murdered her husband with the help of another man. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Paramount's terrific story of an unholy love, and an almost perfect crime! See more »


Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

24 April 1944 (USA)  »

Also Known As:

Frau ohne Gewissen  »

Box Office

Budget:

$927,262 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (Ontario)

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the scene where Phyllis is listening at Neff's door as he talks with Keyes, Keyes exits into the hallway and Phyllis hides behind the door. The door opens into the hallway which isn't allowed by building codes even back then, but it does give Phyllis something to hide behind and increases the tension. See more »

Goofs

When Phyllis prepares to meet Neff for the last time, the effect of "moonlight" through the blinds appears in the room just before she turns out the lamps. See more »

Quotes

[first lines]
Building attendant: Well, hello there, Mr. Neff.
See more »

Connections

Featured in Hollywoodism: Jews, Movies and the American Dream (1998) See more »

Soundtracks

My Ideal
(1930) (uncredited)
Music by Richard A. Whiting and Newell Chase
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
An all-time Hollywood classic
11 August 2003 | by (Alexandria, VA) – See all my reviews

This film noir classic may be the best murder mystery of all time in this storied Hollywood genre. Fred MacMurray and Edward G. Robinson are excellent but it is Barbara Stanwyck who really makes the picture come together as a woman without a moral compass. Stanwyck set the standard for tough, calculating, shady women who exploit men without shame or remorse and her masterful manipulation of MacMurray is the movie's central theme. The film's imagery is filled with shadows and low lighting, accompanied by a tense, brooding music score. Stanwyck spins her web of ensnarement like a black widow with her victim seemingly unaware of the danger that enfolds him. MacMurray provides the narrative of the film which is told in flashback and delivers a cryptic account of the events in a confession to a boss who trusted him completely. Robinson is on target as the skeptical and suspicious boss who has a sixth sense about phony insurance claims. A nice supporting cast contributes to this thriller, namely Richard Gaines and Porter Hall.


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