Halloween Party is one of Agatha's less favoured books so it's a tad riskier to choose than the first two outing. However, strangely enough the way these films are made, this story fits in better with that style. The way Orient Express is shot takes away a lot of the claustrophobic atmosphere, however this film doesn't suffer the same fate. Dark shadows, flickering candle light, rainy soundscapes, howling winds, whispering children and foreshadowing are used to great effect here (I recommend a good pair of headphones for this one). The mystery at the heart of the story isn't some of her best work for sure but it does allow the story to be a bit more intimate and simple, thus allowing you to be engulfed more in the ambience. It also helps being set in a house as there is far less use of obvious green screen to distract you.
Setting it in Venice was an inspired choice. There is no city quite like it on the planet and so it brings a whole unique atmosphere by itself. The waterways, ghostly masks and beautiful, almost gothic, architecture amplifies the story (something I think Agatha would see today and wish she had done too). The fact that in the 40's it was already a city on the verge of destruction due to the foundations eroding adds to the backdrop immensely. As the city crumbles - it's most buried secrets will rise to the surface.
There's some symbolism in certain objects as well, like the apples throughout the film. A snake in the garden of Eden suggests the presence of the certain style of killer, but also the fact the authoress brings apples to "Tempt" Poirot (into coming out of retirement) is also seen a few times.
But even though the mystery is fairly obvious it does a good job of continually keeping you engaged throughout and doesn't make the mistake of overstaying it's welcome. At 1 hour 45 minutes with credits it moves along at a nice pace while not rushing too much.
Overall this was a pretty great film, one I plan to go back and watch at least a couple more times to see if I missed any of the clues or just to soak in the wonderfully spooky (but romantic) atmosphere.
I wouldn't be surprised if this becomes a Halloween favourite for some people because it does a great job of keeping the atmosphere going and has just enough twinkle in it's eye to keep you coming back if you should be so inclined.
Setting it in Venice was an inspired choice. There is no city quite like it on the planet and so it brings a whole unique atmosphere by itself. The waterways, ghostly masks and beautiful, almost gothic, architecture amplifies the story (something I think Agatha would see today and wish she had done too). The fact that in the 40's it was already a city on the verge of destruction due to the foundations eroding adds to the backdrop immensely. As the city crumbles - it's most buried secrets will rise to the surface.
There's some symbolism in certain objects as well, like the apples throughout the film. A snake in the garden of Eden suggests the presence of the certain style of killer, but also the fact the authoress brings apples to "Tempt" Poirot (into coming out of retirement) is also seen a few times.
But even though the mystery is fairly obvious it does a good job of continually keeping you engaged throughout and doesn't make the mistake of overstaying it's welcome. At 1 hour 45 minutes with credits it moves along at a nice pace while not rushing too much.
Overall this was a pretty great film, one I plan to go back and watch at least a couple more times to see if I missed any of the clues or just to soak in the wonderfully spooky (but romantic) atmosphere.
I wouldn't be surprised if this becomes a Halloween favourite for some people because it does a great job of keeping the atmosphere going and has just enough twinkle in it's eye to keep you coming back if you should be so inclined.
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