An animated retelling of Charles Dickens' classic novel about a Victorian-era miser taken on a journey of self-redemption, courtesy of several mysterious Christmas apparitions.
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.Written by
Jim Beaver <jumblejim@prodigy.net>
During the opening credits, as you fly through the old London city roof tops, you can see the 2nd London Bridge. By this time, it was just 12 years old and remained in London for another 124 years before it was dismantled and sold to an American in 1967. It can now be seen spanning Bridgewater Channel in Lake Havasu City, Arizona, USA. See more »
Goofs
When the Ghost of Christmas Present shows Scrooge the two children, the boy says "Naff off!" to Scrooge. The expression was not coined until the 1960s and did not enter general use until the following decade when it was used as a substitute for swearing in the popular, early evening BBC comedy, Porridge. See more »
Quotes
[first lines]
Ebenezer Scrooge:
[upon viewing Marley in casket]
Yes, quite dead. As a doornail.
See more »
From an artistic viewpoint, the new Robert Zemeckis film from the man who gave us THE POLAR EXPRESS, is another of his animated features using the motion picture capture technique that allows the actors to play several roles. The cinematography is exceptionally well done.
JIM CARREY, as miserly Ebenizer Scrooge, looks nothing like his real self. He's a perfect Scrooge, using his voice and mannerisms to great effect, never overplaying the role as you might expect he would.
The visit from three spirits is more frightening than usual, since Zemeckis decided to throw everything he could into startling special effects--sometimes with very gruesome results. The sight of Marley's Ghost with a flapping jaw that has to be realigned by Marley is just one of the "extra" touches. Some of the "spirit" scenes are too intense for small children, more likely to frighten them than anything else.
There are times when the story remains very faithful to the Dickens book, sometimes even word for word. But when Zemeckis decides to show off that the camera can do with flying aerial scenes zooming over Victorian London, it begins to stray a bit. Biggest stray is a chase scene that has a miniature Scrooge going through drain pipes to escape an oncoming coach and horses trying to run him down.
The lovely score by Alan Silvestri blends perfectly with the on screen action and includes a number of traditional Christmas favorites. GARY OLDMAN and COLIN FIRTH do well in key supporting roles but it's really Carrey's show all the way. He plays several main characters with great skill.
Not quite as festive as you might expect, it's a darker version of Scrooge, handsomely executed so that many of the scenes look like Victorian illustrations from the novel.
Warning: This is not a child's version of the tale. Parents should be advised that some of the content is too gruesome for young kids.
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From an artistic viewpoint, the new Robert Zemeckis film from the man who gave us THE POLAR EXPRESS, is another of his animated features using the motion picture capture technique that allows the actors to play several roles. The cinematography is exceptionally well done.
JIM CARREY, as miserly Ebenizer Scrooge, looks nothing like his real self. He's a perfect Scrooge, using his voice and mannerisms to great effect, never overplaying the role as you might expect he would.
The visit from three spirits is more frightening than usual, since Zemeckis decided to throw everything he could into startling special effects--sometimes with very gruesome results. The sight of Marley's Ghost with a flapping jaw that has to be realigned by Marley is just one of the "extra" touches. Some of the "spirit" scenes are too intense for small children, more likely to frighten them than anything else.
There are times when the story remains very faithful to the Dickens book, sometimes even word for word. But when Zemeckis decides to show off that the camera can do with flying aerial scenes zooming over Victorian London, it begins to stray a bit. Biggest stray is a chase scene that has a miniature Scrooge going through drain pipes to escape an oncoming coach and horses trying to run him down.
The lovely score by Alan Silvestri blends perfectly with the on screen action and includes a number of traditional Christmas favorites. GARY OLDMAN and COLIN FIRTH do well in key supporting roles but it's really Carrey's show all the way. He plays several main characters with great skill.
Not quite as festive as you might expect, it's a darker version of Scrooge, handsomely executed so that many of the scenes look like Victorian illustrations from the novel.
Warning: This is not a child's version of the tale. Parents should be advised that some of the content is too gruesome for young kids.