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9/10
Deserves a better rating
23 October 2005
So there are two reasons why people on this particular website have rated "War of the Worlds" so low:

1. Tom Cruise's off-screen behavior (jumping up and down) doesn't sit well with people.

2. The ending of the movie.

First off, people I know personally disliked the movie. But when I mentioned all of the great scenes, pretty much every scene up until Tim Robbins shows up, they agreed that the movie was very good and the ending ruined it. The first three-quarters of the movie are gripping. I don't think anyone will argue with that. This is something we've never seen in the theaters before. It's not watered down like Independence Day. In this movie, the human race is essentially exterminated.

The acting is superb (Cruise is great as usual, Dakota Fanning really surprised me with her talent). The acting across the board is great. All of the terrified crowds of people are totally realistic. It is very rare in a movie for every single person on screen to be completely believable, including extras, but you can chalk it up to Spielberg.

Everything in this movie is superb up until the final half hour, I don't think that can be argued. Tim Robbins' character is a very believable nut that jeopardizes the safety of the main characters. Many people found his scenes to be very boring, but it was intentional. After all of that chaos and running, Cruise and Fanning find themselves in a dark, quiet room with a stranger who gradually reveals himself to be something of a madman. It is a huge contrast to the rest of the movie.

The ending is really subjective. Whether or not you like it, just remember that for the two hours preceding the ending, you were sucked into the movie. You were gripping the handles of your seat. Does a movie deserve to be rated poorly just because of the last two minutes? That's up to you.
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Hook (1991)
10/10
I love it
3 September 2004
It's not just nostalgia talking: this was vintage Spielberg, no matter what the critics said. What it lacked in logic it made up for with heart. And Hook had an actual message. It was about family and remembering childhood. A REAL moral that is presented perfectly is something that family films of today sadly lack.

Robin Williams is excellent as Peter Pan. He plays both the youthful Peter Pan and the busy Dad well. Hoffman is absolute perfection. He puts in a flawless performance. I was amazed to hear that Hook was played by Dustin Hoffman because he completely immerses himself into the character. Julia Roberts is surprisingly cute and the kids are surprisingly not annoying.
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Multiplicity (1996)
10/10
Very funny movie!
5 January 2004
Don't let the low rating fool you, this is a very entertaining movie if you go in with low expectations. I stayed up until 3 AM watching it, which I NEVER usually do. The plot is foolish and implausible (which is most likely the reason the film snobs gave it low ratings), but what comes out of it is absolutely hilarious. It's not intelligent, but it is funny and romantic.
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Audience sucks
30 December 2003
Leno himself is funny, but his show is lacking something. Energy, maybe. The audience is the biggest problem - they're BARELY alive. Rarely ever do you hear anyone laugh. I don't know what the problem is, maybe they need to get an APPLAUSE sign or more microphones back there. If I were Leno I'd yell at the audience, "Hey, you're at the Tonight Show! Stand up! Shout a little. Do SOMETHING."

Until the show livens up a bit, I'll stick with Letterman. Not only is he funny, but he's energetic (and so is the audience). The show is much brighter (literally, it's more bright) and more fun to watch.
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Titanic (1997)
10/10
Great movie
22 December 2003
When this movie was released, just about everyone loved it. It beat all the records and cemented itself into movie history.

Somehow, the cement has worn off. Some time after the Oscars, Titanic became a cool movie to bash and dismiss as just a love story. Everyone started jumping on the bandwagon, hence the number of 1's given by imdb voters.

While it's not one of the greatest movies ever made, it's a damn good one and deserves better than it's received. The love story is there to make the disaster more personal to the viewers. And this disaster is not a sudden one; it starts out as the ship just skimming an iceberg, and ends with the ship being torn apart in half and sinking into the sea. It's shot so well that we feel like we're a part of it - as the ship is vertical on the water, it's so tense because you're not sure if it's going to fall backwards or forewards, and if it does, you'll be going along for the ride.

I also liked the ending a lot. The assumption is that Rose dies in her sleep (an old woman in her warm bed), and in heaven, returns to the Titanic and to Jack. And it's brilliantly shot in that we see everything through Rose's eyes, the passengers all greeting us, and the Titanic looking so beautiful.

It's not a movie I own (it's much too long for repeated viewings), or even love, but I can see it for what it is; powerful, well-made, and epic.
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Awakenings (1990)
10/10
Wow, great movie
26 November 2003
This definitely classifies as a feel-good movie, even if the end result isn't what the audience hopes for (although in a way, it is). Robin Williams plays, basically, a nerd who isn't used to dealing with people. By the end, he realizes what his life is missing. So does Robert DeNiro, a patient who Williams tests a new drug (L-Dopa) on, bringing him out of his almost vegetable state.

I especially recommend this movie to teens who are not sure what they want to be, and have an interest in medicine/helping people. It really makes you appreciate and respect the medical profession.
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True Crime (1999)
10/10
Damn good movie
23 November 2003
I really recommend this drama, very well made. You feel like you're right in it. I won't spoil the ending, but it is one of the best examples of an ending done RIGHT, an ending that doesn't leave anything hanging.

Check it out, TNT may show it again.
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King of the Hill (1997–2010)
Horrible
10 August 2003
Granted, I've only seen one episode, but this show is utter crap that would appeal only to hicks. If anyone is offended by that, well, I'll just say that stereotypes suck but they all have some truth to them.

I know humor. I grew up on Seinfeld (best show EVER), Simpsons, and recently discovered Family Guy and Futurama. This "ain't" humor. The character's accents are enough to give most people migraines.
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10/10
Great
10 August 2003
I highly recommend this movie. It's the story of two vampires living through time, narrated by Louis (Brad Pitt), who is being interviewed by a reporter (Christian Slater). Louis was made a vampire by Lestat (Tom Cruise), who takes him under his wing and shows him the vampire way of life. They "adopt" a girl named Claudia (a young Kirsten Dunst). Claudia and Louis consider it a curse to be a vampire, and grow to hate Lestat.

Tom Cruise steals every scene of this movie. I know Anne Rice complained publically about his casting, just imagine how stupid she must feel now. Lestat is the character we root for in this one (even if he's something of a bad-guy) which makes the ending so great.
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Seinfeld (1989–1998)
10/10
Deserves title as "Best sitcom ever"
6 August 2003
Seinfeld, simply put, is brilliant. What it has that other sitcoms don't is a NATURALLY FUNNY cast (especially Jerry Seinfeld), and NATURALLY FUNNY writers (much of the writing was done by Seinfeld). Not to mention that the creators (and executive producers) Jerry Seinfeld and Larry David (who is very funny, and wrote as well) made the sitcom for the sole purpose of making people laugh. They did this by bringing Jerry Seinfeld's hilarious observational humor to life. It was just a genuinely funny show, and didn't try to be anything more than that.

The reason this is the best sitcom EVER is because it was the only sitcom that was not made to make a lot of money - it was made as an outlet for very funny people to be VERY FUNNY! That was their only intention. The fact that Seinfeld became one of the most successful sitcoms ever, if not THE most successful, was a result of this.
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Eh...
30 July 2003
I used to like Conan quite a bit. His humor gets old, though. It's that geeky self-berating type, with a lot of pausing to laugh at his remarks. The show has it's moments (like the photographs of Conan, Max Weinberg, and Joel the announcer with narration), but mostly it screams of amateurism. I'm surprised Conan O'Brien doesn't make a bigger effort at improving the show, instead of shaking his head at how terrible it is. No wonder the timeslot is so bad, and the guests are mostly supporting actors in box office bombs and TV shows that no one watches.

David Letterman's show is still the highest in quality, AND Letterman is infinitely funnier. Jay Leno is reasonably funny (though falls flat many times), his show is decent because the guests are all first-rate.

Sleep a few hours earlier and skip this.
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Everybody Loves Raymond (1996–2005)
Hit and miss...
11 April 2003
Episodes are separated into 3 different categories.

Category #1 - Sweet, and for the whole family. About 5% of episodes are like this.

Category #2 - Everybody loses in the end. A little depressing. About 50% of episodes are like this.

Category #3 - Downright annoying, lots of screaming and yelling. The other 45% of episodes are like this.

Raymond also follows the cliches of many similar sitcoms (the dumb inferior male, angry wife, angry Dad and annoying Mom.)

Raymond himself CAN be funny, but he gets old after a while. His total apathy puts me off sometimes.

It's a different kind of humor than Seinfeld, too bad it's not nearly as funny. Seinfeld is the ONLY thing on TV that ever made me laugh out loud, I mean REALLY laugh out loud, even at little things like Jerry laughing at George's car, previously owned by JOHN Voight with an H. Raymond, like every other sitcom, has yet to reach that level.
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Superman (1978)
10/10
Exciting, engrossing, magical, funny, serious, romantic, epic. The most perfect movie ever.
20 February 2003
Two nights ago, I viewed the Special Edition of Superman: The Movie (STM) on DVD. I hadn't played that DVD in several months. And I hadn't watched the movie beginning to end for over a year.

Superman has always been my favorite movie of all time, since I first saw it on VHS as a kid. In that time that STM has been collecting dust in my cabinet, I've seen some great movies, masterpieces even. And I convinced myself that STM was still superior, though it was obvious to me that I was biased because of it's sentimentality to me.

After seeing it again, my God. This IS the best film of all time. It is SO magical, it makes E.T. look like a movie about aliens. SO entertaining, Indiana Jones can't touch it. It takes itself seriously, but it's still funny. It is a HUGE movie, a total epic. And I can't forget, the music is

the best I've EVER heard. I'll go through the highlights chronologically:

Krypton: Wonderful acting by Brando as Jor-El in his touching speech to baby Kal-El (Superman). Beautiful music when we first see Krypton.

Smallville: MAN, the cinematography here is excellent, maybe the best I've ever seen. Little Clark saving Jonathan is perfect. I love his speech to his son later on. His death was flawlessly done, the funeral was tragic. Clark leaving and his goodbye to Martha is again, perfect. I love the music, I LOVE IT.

Fortress: One of my favorite parts of the movie is when we fly through space while Jor-El talks. THIS is magic! We see Superman for the first time, he flies gracefully, the music is perfect, we're in for a great movie.

Metropolis: A little bit of humor gets mixed in and I love it. Christopher Reeve's Clark is a loveable nerd. Some people find his Clark embarrassing...I think Reeve did it perfectly. He once said that there had to be more than glasses standing in for a character. Exactly. Oh, and although Lex Luthor is a villain, you can't help but grin everytime you see him. Superman and Lois share some very romantic scenes together. Even the toughest of men should feel warm inside at their flight together.

The finale is outstanding. Some people find it ridiculous because it doesn't make sense. I don't know much about special relativity, but perhaps Superman isn't spinning the Earth, maybe he's going back in time by surpassing the speed of light. And if you say that's impossible, well...don't forget who this is. Superman...

You really will believe a man can fly. Hey, maybe YOU will fly in your dreams, if you watch this in the evening. Hehhe.
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10/10
The Man Without a Face
30 June 2002
A beautiful, touching, heartwarming story about a boy living in a dysfunctional family with his mother and two sisters, all of whom posess above average intelligence, and consider him to be the "retard" of the family. His only dream is to join the military academy, mostly to get away from his family. He meets a disfigured man (Mel Gibson), the local "freak" of the town. After learning that the man used to be a teacher, he asks for tutoring. In time, not only does the man become the boy's tutor, he becomes his best friend.

10/10
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Terrible
27 December 2001
This show was okay in its first season. Dean Cain was pretty average, as was Teri Hatcher. Perhaps I'm just too attached to the 4 Christopher Reeve movies. The Chris Reeve movies were made decades earlier, and had far superior special effects. In fact, in Lois and Clark, we rarely ever see Superman fly. He jumps and disappears from the screen.

As the episodes went by, the show deteriorated in quality. Dean Cain made no effort whatsoever to set a different personality with Clark Kent. Instead, Clark was just Dean Cain with glasses, and Superman was just Dean Cain with gelled hair. Christopher Reeve noticeably differed his Clark Kent from his Superman. We actually believed that Clark Kent was a different person. People actually believed that in the Chris Reeve movies, two different actors played Clark and Superman.

When Lois learned of Superman's identity, and show took a huge turn for the worse. Their was an obscene amount of sexual content that didn't fit in a Superman show, at all. The show turned into a cheap soap opera. This was SUPERMAN for God's sake! They completely ruined the character. The ratings fell dramatically, and the studio was forced to cancel the show.

Superman was looked at with new respect after the Chris Reeve movies. The first movie grossed over 300 million, and the second movie wasn't far behind. Superman had to endure this horrible show, along with Superman 64, the worst Nintendo 64 video game ever to hit the shelves. The comics slowly became garbage, and Superman's popularity declined. The Superman Animated Series was terrific though.

All I have to say is thank God this show was cancelled. What a disgrace to the Superman character.
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Smallville (2001–2017)
1/10
Great Show
20 October 2001
Sure, some parts are sort of cheesy, but this show has a lot of merit. Tom Welling is great as Clark Kent, he's perfect. I can't imagine him as Superman though, only Christopher Reeve could ever pull off Superman.

The entire cast is great, although it's a little hard to believe Clark is a freshman. At 6'3, Welling stands way above his friends Pete and Chloe, who look like 3rd graders compared to him. Still, I doubt Welling will ever take Christopher Reeve's costume (who stood at 6'4) away from him.

I think this show has a lot of potential, and I'm anxious to see how they take this series. Hopefully it won't fall into the same ditch that Lois and Clark fell into.
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10/10
A flawed, though enjoyable movie
16 August 2001
Warning: Spoilers
My rating - 3/5 stars CONTAINS SPOILERS Released in 1987, Superman did very poorly in the box office, because of bad reviews and because of some people's experiences with Superman III. John Williams replaced Ken Thorne - He and Alexander Courage made terrific music, possibly the greatest in the entire series, but unfortunately not on CD. Superman IV, a Cannon Group Inc./Golan-Globus Production, directed by Sidney J. Furie, and featuring the return of Christopher Reeve, Gene Hackman, Margot Kidder, Jackie Cooper, and Marc McClure, a story by Christopher Reeve, Lawrence Konner, and Mark Rosenthal -

Christopher Reeve returned as the Man of Steel, on the condition that he could help write the story. He came up with a very sensitive theme - nuclear disarmament.

After receiving a letter from a boy wishing that Superman would rid the world of nuclear weapons, Superman decides to put the plan into action, and with the approval of the world leaders, he hurles the missiles into space. Unknown to him is the fact that Lex Luthor planted a device on one of the missiles, with DNA from a strand of Superman's hair. A nuclear creation emerges from the sun, and makes his way to Earth. "Nuclear Man" proves to be Superman's biggest challenge yet. He destroys everything in reach to "have fun," and gives Superman a nuclear beating. Although Superman proves to be a better fighter, Superman is scratched on the back of his neck by Nuclearman's "nuclear nails." Bleeding for the first time in his life (with his powers) Superman becomes "sick" and disappears. He uses the green crystal for the second time (not too original) which returns his powers to him. Suddenly, we see a scene with Nuclearman destroying everything in sight, until Superman will tell him where Lacy Warfield (new publisher of the Daily Planet) is hidden. The scene basically pops out of nowhere, and leaves you staring at the screen with a blank look on your face. Superman pretends that Lacy is in an elevator, shuts the lights off, and hurls it into the moon. Superman forgets to do a double check to see if any cracks are in the elevator, and is attacked by a regenerated Nuclearman. Superman is pummeled into the ground (literally), while Nuclearman flies back to Earth. Nuclearman grabs Lacy, and flies up to space, his reasons unknown. He's a blond, buff, moron - What did you expect? Superman moves the moon (possibly causing tidal waves in the process) to cover up the sun. Nuclearman "shuts down," and Lacy is left struggling to hang on to him, so she doesn't "fall," then Superman comes out of nowhere and brings her back. He takes Nuclearman, and throws him into a nuclear reactor. One would think that this would cause a power surge, but every light in the city turns on, blinding everyone in sight, even though I'm sure many of the buildings didn't have their light switches on.

The budget was cut in half, leaving the special effects group helplessly reusing effects. One of these reused effects seems like a cutout of Superman being pushed towards the camera on a stick (great way of describing it, DVDfile).

The only thing that saves this film is a great story (the nuclear disarmament idea, DEFINITELY not Nuclearman) and some great performances, as usual, by Christopher Reeve and Gene Hackman. Margot Kidder appears as well, but doesn't get a whole lot of screen time.

The old wise tale is that there was a screening of Superman IV: The Quest For Peace in Orange County, CA. The viewers didn't like it, so they cut the supposedly 134 minute movie down to a measly 90 minutes. The TV version has 2 extra minutes of footage. It's possible that the extended cut is still out there - many fans have a theory that it was thrown in the fire. I think it may be out there - you never know if that one pimple faced college student had his mini camera handy when he attended the Orange County screening...
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Superman III (1983)
10/10
A great movie, very enjoyable
16 August 2001
Warning: Spoilers
My rating - 4/5 stars CONTAINS SPOILERS Superman III was fully directed by Richard Lester. The script, written by David and Leslie Newman, focused more on comedy than any of the other Superman movies, hence the casting of comedian Richard Pryor, as computer genius Gus Gorman. Released in 1983, Superman III did pretty good in the box office, but received pretty lousy reviews, mostly because the reviewers tended to compare it to the first 2 superb films. Superman III doesn't exactly have a comedic tone (not counting the beginning credits) but it has a comedic person, Gus Gorman. Reviewers tended to only look at him campy humor (except for a few funny scenes) and judge the film solely on that. Superman III definitely had the best flying FX out of all four Super films, because of the large budget, and the technology advances at that point. The plot definitely relates to today's world more than any of the other movies. Although some of the commands Gus Gorman types in the computer are pretty silly (like override all security).

A major highlight of the film is the evil Superman: Gus Gorman uses the Vulcan satellite to examine various pieces of Kryptonite debris floating in space. The chemical analysis shows that there is one unknown element in the kryptonite. The "genius" Gus Gorman types in tar as the unknown, not realizing that it is UNKNOWN because there is no element known to Earth like that, and obviously tar IS known. The kryptonite is created, and Gorman manages to plant it on Superman. To Gus' dismay, the kryptonite seems to have no effect on Superman. Later, however, a truck is teetering off of a bridge. Superman doesn't save it, figuring that he always gets there in time anyway, and asks Lana Lang to sit down with him. He comes back to his senses later, but it too late - the truck has already fallen. Superman goes on an "evil" streak, putting the Leaning Tower of Pisa straight, blowing out the Olympic torch, that just happens to be being passed on that very day. He breaks open an oil tanker, gets drunk at a bar, and then finally looses it in a junkyard, where a huge imaginary battle occurs between "the evil Superman" and Clark Kent. Clark wins of course, and fixes everything again.

The Lana Lang/Clark Kent scenes are great, with good chemistry between the two. Unfortunately, due to the firing of Richard Donner, Margot Kidder was only onscreen in what could be considered a cameo.

Lex Luthor (Gene Hackman) left, and was replaced by the evil Ross Webster (Robert Vaughn). Webster plans to use Gus Gorman, computer genius, to do his dirty work for him. Webster controls the price of coffee beans in various countries, but apparently Columbia won't give in to him. Gorman uses the Vulcan weather satellite to create huge rain storms and tornadoes, in an effort to wipe away Columbia's coffee. Superman foils their plan. Webster's new plan is to kill Superman, so that he can go about his other plans, like stopping people from getting oil. Gorman proposes that they build a computer, that will do anything that he tells it to do, and that can find anybody's weakness, and destroy them. In the end, Superman manages to destroy the computer. Gorman was let off, and Webster, Vera Webster, and Lorelei Ambrosia were thrown in jail.

The end was nice, with Superman crushing a piece of coal into a diamond, and then giving Lana the diamond as Clark (but saying that it was from Superman), because she had to pawn her last diamond ring to pay for her heating bill. After that, Lana gets a job in the Daily Planet as a secretary (but is missing from the IVth installment) and Superman pushes the now not Leaning Tower of Pisa back into shape.

This was a great sequel, and although some may say it revolves around comedy, they're only thinking of about 15 minutes out of the entire 125 minutes (theatrical version) of the movie. 4 stars!
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Superman II (1980)
10/10
My Second Favorite Movie Ever
16 August 2001
Warning: Spoilers
CONTAINS SPOILERS Superman II was an excellent movie, with almost as much magic as the first one. This sequel focused more on romance than Superman I. The action scenes involved hand to hand combat, unlike Superman I. Christopher Reeve returned as the Man of Steel. Marlon Brando, due to legal problems, didn't appear in Superman II nor any of the other sequels. Gene Hackman returned as Lex Luthor, just as evil and manipulative as before. The plot is pretty simple. 3 villains who were banished to the Phantom Zone in the first movie were freed, when Superman hurled a hydrogen bomb into space. The villains made their way to Earth, and slowly discovered their growing powers. Meanwhile, Clark and Lois were assigned to pose as a newly-wed couple, to find out if a Niagra Falls hotel cheated it's customers. Lois started to piece Clark and Superman together, and eventually discovered his identity. The 3 villains, after hearing an astronaut calling for Houston, assumed that Earth was called Houston. The traveled to a small town called Houston (not in Texas), which they eventually burned down to ashes. They made themselves known, and declared that if the rulers of the world didn't give all authority of the world to General Zod, they would destroy cities, and kill people, until they changed their minds. Later, Superman brings Lois to the Fortress of Solitude. He tells her about his story, and how he discovered who he was, and what he had to do. He later gives up his powers for Lois, so that he can marry her. General Zod, Ursa, and Non take over the White House. They force the President to kneel towards them. The powerless Clark and Lois later go to a nearby diner. Clark is beaten up by a bully named Rocky. As Lois wipes the blood off of his face, the TV is turned on. They discover that the President, and all of the world leaders, have given all authority over Earth to General Zod. Clark decides he has to go back, and find someway to get his powers back. He walks miles and miles to the fortress and solitude. He has no way of communicating to his father, and all of the crystals have been destroyed, so it seems hopeless. Suddenly, there is a green glow on the ground. He finds the green crystal that called to him when he was a teenager. Later, Lex Luthor leads Zod, Ursa, and Non to the Daily Planet. They hold Lois hostage, and hope that eventually Superman will come to save her. Amazingly, Superman comes, and invites General Zod outside. There is a huge fight outside, leaving debris everywhere. Superman is crushed in between a bus and a Marlboro truck. He manages to get out, and looks at all of the damage General Zod, Ursa, and Non have made. He realizes that this fight isn't safe for the civilians, and it's destroying the entire city, so he flees. Luthor takes the Super villains to the fortress of solitude. They bring Lois as well, to give him another disadvantage. They find him in the Fortress. The villains, and Superman, are using holograms of some sort to disappear, and reappear in different places. Superman grabs General Zod, but Ursa and Non threaten to tear Lois apart if he harms the General. Luthor tells General Zod about the molecule chamber, and how it can take Superman's powers away from him. Superman is forced to enter it, because of Lois. He comes out, and kneels to Zod. Zod asks him to take his hand, he does, and then amazingly, he crushes it. He picks Zod up over his head, and throws him into the wall. Zod falls into a crevice in the ground. Non tries unsuccessfully to fly at Superman, and he falls as well. Lois punches Ursa into a ditch, thereby trapping all of the villains. Luthor realizes that Superman switched the molecule chamber, so everyone outside of it felt its effects. Superman and Lois leave Luthor in the fortress, while they fly away. The next morning, Superman finds Lois, distraught. He gives her a "kiss of amnesia," which takes Lois' memory of everything that happened with Superman away. The movie ends with Clark coming back to the diner. Rocky attempts to punch him, but breaks his fist in the process. Clark spins him around in a chair, stops it, picks him up and sits him down on his plate, and then throws him into a pinball machine. Clark gives the owner of the diner money for the damage, and then leaves. Superman flies to the White House, with the American flag in his hand, and returns it. The movie ends with the famous shot of Superman flying above Earth, and smiling at the camera.

Superman II had a long and hard history behind it. Parts of it were filmed by Richard Donner, while other parts were filmed by Richard Lester, who would go on and direct Superman III. Donner was fired, and he received no credit whatsoever of his work. Very few of Lester's shots had any merit, most of them were filled with camp (attempted and unoriginal humor.) You do have to give him credit however, for parts like the last Daily Planet scene. I guess people are a little biased towards all of his work, because of the camp of Superman III.

Parts of Superman II were filmed during the filming of Superman I. Superman I featured a script with a huge number of scenes - it was basically cut in half into Superman I and Superman II. Released in 1980, 2 years after Superman I, Superman II is an amazing movie, and a worthy successor of Superman: The Movie
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Superman (1978)
10/10
My favorite movie ever
16 August 2001
Warning: Spoilers
My rating - 5/5 stars CONTAINSPOILERS December, 1978 - 21 years after the Adventures of Superman TV show, Richard Donner brought us one of the most magical, awe inspiring movies ever to hit the big screen. This was a simple hit or miss project. During the search, Richard Donner thankfully stepped in, and proposed a largely unkown actor, Christopher Reeve, his biggest role being in a 1951 soap opera entitled Love of Life. Standing at 6'4", sporting dark hair and blue eyes, Reeve looked as though he had just stepped out of a Superman comic book. The script was written by the popular Mario Puzo, with help from David and Leslie Newman, Robert Benton, and Tom Mankiewicz. In order to guarantee a large number of viewers, Marlon Brando was cast as Superman's father, Jor-El. Gene Hackman was also cast as the fiendish Lex Luthor, also a big actor at the time. Another large addition to the movie was John Williams, who composed some of the greatest music of all time. From action scenes, to romantic scenes, his music fit with the movie perfectly.

The movie begins with the Krypton Council banishing General Zod, Ursa, and Non to the Phantom Zone. Jor-El attempts to convince the council that Krypton will explode in no more than 30 days. The council, not believing a word, warns Jor-El that he will be banished to the Phantom Zone as well, if he tries to cause a panic on Krypton. Jor-El promises that neither he nor his wife Lara would leave the planet, however, he never mentions his son, Kal-El. Kal-El's spaceship is ready. Jor-El bids him farewell, and Kal-El begins his journey to his new home, Earth. The ground shakes, walls collapse, and finally, Krypton explodes.

We see shots of Kal-El in his spaceship, slowly growing. As he enters Earth, parts of the spaceship melt away. We see Jonathan and Martha Kent in their truck. The ground shakes as the spaceship smashes into the ground. Jonathan and Martha find Kal-El. Due to the shaking of the ground, the truck has been damaged. As Jonathan gets under the truck, the truck collapses. Amazingly, Jonathan is still alive, and the truck is being lifted by someone - Kal-El. Jonathan and Martha are both thinking the same thing - he's an alien.

We see a football team, and then a water boy - it's Clark. Lana Lang invites Clark to play some records. Unfortunately, he has too much work to do. As the football players and cheerleaders drive away, Clark kicks a football in anger. It disappears in the distance, obviously in space. We see and train, and amazingly, Clark is racing it. With a jolt of speed, he jumps past it, towards his house. Clark meets his father at the farm, who talks to Clark about showing off, and makes Clark realize that he is here for a reason, definitely not to play football. Jonathan Kent grasps his left wrist, a sign of a heart attack, and collapses.

Clark and Martha Kent are at the funeral. In the next scene, we see Clark in his bed. There are strange noises, and Clark follows them into the shed. He wipes away brush from the ground, and opens a trap door. There is a green glowing crystal inside. The next scene is very beautiful. Clark and Martha talk on the fields. Clark realizes that he has to go, and finally, after one last hug, and bids his mother farewell and heads north.

Clark is walking in snow, he suddenly stops. He opens his backpack up, takes the green crystal out, and throws it out of instinct. The crystal disappears in the snow. Suddenly, we see flashes, and loud noises. Massive ice formations are erupting from the ground. After one more flash, we see the fortress of solitude, in all of its beauty. Clark walks inside, and takes a look around. He takes a clear crystal, and inserts it into a tube. A hologram appears, it is of his father, Jor-El. Jor-El talks to him, and answers his obvious question, "who am I?" The camera is flying through space, and it's obvious that Jor-El is teaching Clark. Years pass, and we see a shot of Superman standing in the fortress. Suddenly, he flies towards the camera, and out of view.

We are introduced to the Daily Planet, reporter Lois Lane, photographer Jimmy Olsen, and the chief, Perry White. Clark seems to stare at Lois a lot, it's obvious that he likes her. Lois and Clark walk out of the building, and are met by a thief. He takes them into an alley. He asks for Lois' handbag - she slowly gives it to him, but then purposely drops it. As he bends down to pick it up, she kicks him in the head. In slow motion, he takes his gun out and fires. We see Clark's hand shoot out, and catch the bullet before it hits Lois. Clark falls down purposely, and the thief runs away, thinking that he's killed Clark. Later, we see Otis, Lex Luthor's henchman, walking down the streets. He is being followed by a detective. Otis grabs a newspaper, and then heads for the subway. He stands by a door (the detective is watching) and a train cuts him out of view. When the train is gone, Otis has vanished! The detective walks towards the door, and pushes it. We hear another train coming by, and we see a hand pushing a switch forward. As he pushes it forward, the door moves forward. With a jolt, he pushes the switch as far as it can go, and Harry, the detective, is thrown into the train, and crushed. We see a lair, with Lex Luthor and a woman (Ms. Teschmacher) inside. Otis comes in and gives the newspaper to Luthor. Luthor sees the front page, and knows that his plan is working smoothly - There will be a missile test, involving 2 500 megaton bombs.

Back in the Daily Planet, Lois leaves Clark, and goes into the dressing room. She is going to take a helicopter to the airport - Air Force One is arriving, and she plans to ask the president a few questions. She is in the helicopter, and we see a wire shaking. The wire breaks off, and ties itself to the helicopter. The helicopter flies around in circles, and crashes, at the very and if the building. The pilot passes out after hitting his head, and a screaming Lois hangs on for her life. At the foot of the building, we see Clark. He picks up Lois' hat, that has fallen. He looks up, and sees Lois and the helicopter. He runs into a building, and changes into Superman! As he flies up, Lois loses grip, and falls. Superman flies up and catches her. The helicopter falls off of the building as well, and Superman catches it, to the cheers of the crowd below. Superman leaves, and Lois faints. Superman goes on a Super-spree, catches a burglar, saves a cat from a tree, saves Air Force One after it has been struck by lighting, and catches some robbers in a boat.

In the extended version, there is a memorable scene, where Superman talks to Jor-El about the night. Afterwards, we see Lex, Ms. Teschmacher, and Otis in the lair. They discuss Superman. We see a scene in the Daily Planet with Perry lecturing the reporters about getting an interview with Superman. Lois sees a note in her hand, which says "Tonight at 8, your truly, a Friend."

We see Lois waiting. Superman comes, and they talk about his statistics. He talks to her about his x-ray vision, his invulnerability, and his speed. He offers her a chance to fly with him, and they take off. It's a very nice scene. In the end, Lois tries to communicate with Superman telepathically, she thinks he can read minds. He takes her down, changes into Clark, and comes into Lois' apartment. He is about to tell Lois who he really is, but he chickens out at the last minute, and they head to get a burger.

There are many memorable scenes in this movie, too many to list. I'll skip to the end.

Like a classic James Bond movie, Luthor explains his plans to Superman. He manages to stop Superman, puts a chain around Superman with a piece of Kryptonite attached to it, and throws Superman into the pool. Ms. Teschmacher finds out that one of the missiles is headed towards Hackensack, New Jersey, where her mother lives. She saves Superman, on the condition that he will save her mother first. He does, and as he hurls the missile into space, he sees the other one his the San Andreas fault. The entire state of California shakes. Superman saves a train, a school bus, etc. He pushes the San Andreas fault back up, but that doesn't stop the aftershocks. As he saves a town from being flooded, he remembers about Lois. He finds her dead, inside her car, which fell into a crack in the Earth. His sadness turns into anger. Not able to handle it, he flies into the air. He stops, and hears voices. He hears Jor-El telling him that it is forbidden to interfere with human history. He hears Jonathan Kent say that he is here for a reason. Finally, he hears himself, "All those things I could do...all those powers...and I couldn't even save him." He flies away, and spins around the Earth. The Earth starts spinning in the opposite direction, thus turning back time. He comes back to Earth, and sees Lois alive. He then takes Luthor to jail.

This movie was, in my opinion, the best movie ever created. It was better than the sequels, although they were all great as well. This movie has a magical feel to it, that is hard to find in most other movies. The movie was, in fact, a hit, and three sequels were created, by different directors however. This is a classic film, and if somehow, you've never seen it, I recommend renting the DVD and checking it out. Believe me, you won't be disappointed. Otherwise, if you have seen it, watch it again, right now.
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