As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Steve Everett, Oakland Tribune journalist with a passion for women and alcohol, is given the coverage of the upcoming execution of murderer Frank Beachum. His attractive colleague Michelle died in a car accident the night before. Bob Findley, Steve's boss and husband to Steve's current affair, wants him dead and gone as soon as possible. When Steve stumbles across the possibility of Frank Beachum being innocently on death row, Bob feels his time to have come. Now Steve only has a few hours left to prove the innocence of Frank and to be right with this theory, as he definitely will be history if he's not.Written by
Julian Reischl <email@example.com>
In the novel, the death-row inmate was white. Clint Eastwood changed his race for the film to "make it more relevant". The book author deliberately chose to make the inmate white because it would be more believable that people would fight for him as witnessed in the Illinois State Freedom Project. See more »
When picking the lock to Michell's door, it is a full steel door in a street, but when he enters he comes in through a glass door from a backyard. See more »
Dr. Roger Waters:
Blood pressure: 120 over 70. Normal. All right, open wide. Looks fine. Healthy as a horse. Just one more thing, Luther.
Warden Luther Plunkitt:
You got to whiz in the cup, Frank. Then we're done.
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There is a good movie in here someplace trying to get out. The main problem is a lack of focus. Is it a character study of an unlikable guy? Is it a murder mystery? Is it a polemic against capital punishment? The answer to all three is "yes." As a result, it does all of them reasonably well, but none of them as well as it might. I will give Eastwood credit for taking on a character who is so difficult to like. Of course, I must join the legions on IMDb decrying -- and laughing at -- Clint for making his character a ladies man. Maybe if he had been hitting on 55 year olds instead of hot 30 years olds it would have been more credible -- and less distasteful. But as a screed against the death penalty this movie is effective, though the deck is stacked because the accused is innocent as well as likable.
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