Superman returns to Earth after spending five years in space examining his homeworld Krypton. But he finds things have changed while he was gone, and he must once again prove himself important to the world.
Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.
Picking up where "Superman: The Movie" left off, three criminals, General Zod (Terence Stamp), Ursa, (Sarah Douglas), and Non (Jack O'Halloran) from the planet Krypton are released from the Phantom Zone by a nuclear explosion in space. They descend upon Earth where they could finally rule. Superman, meanwhile, is in love with Lois Lane (Margot Kidder), who finds out who he really is. Lex Luthor (Gene Hackman) escapes from prison and is determined to destroy Superman by joining forces with the three criminals.Written by
Keith Howley <firstname.lastname@example.org>
The 1984, ABC Television broadcast of the film used over thirty minutes of footage deleted from the theatrical release, almost all directed by Donner. The ABC scenes include: Superman flying past the Concorde (intended for the first film), extra dialogue between Luthor and Otis in jail, extra dialogue between Luthor and Eve flying to and within the Fortress of Solitude, the death of the young boy trying to escape East Houston, Idaho, the soufflé, and scenes between Superman and Lois. Nearly fifteen minutes of extra footage with Gene Hackman included a pivotal scene in the Fortress, where Luthor begs forgiveness from Superman. While these scenes were included in the Australian theatrical release, subsequent television screenings there had them deleted. See more »
When Superman finds out about Zod, he goes back to the Fortress of Solitude to recover his powers. How he does it is never shown, though it is implied that the green crystal Lois accidentally dropped earlier somehow recovered and reactivated the Fortress and its systems. In the Richard Donner cut, Jor-El gives his remaining energy to Superman so he can recover his powers. See more »
Alert, alert, alert.
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Opening credits incorporate an extensive amount of footage from the first Superman movie. See more »
An even longer version of the film was aired in Northern Ireland, Denmark, the Netherlands, and Australia in the 1980s, featuring these deleted scenes:
A scene of a young woman watching a football game, only to see it be interrupted by a newsflash involving the three Kryptonian villains' attack on the small town, causing her to call the TV station and attempt to get them to put the football game back on;
A scene of a young Japanese girl viewing the villains' destruction of the small town on TV, followed by her father telling her that she shouldn't watch it due to excessive violence, causing her to reply, "Shut up!";
An longer version of the scene of Zod using a machine gun in the White House, where Zod kills a young black secret service agent, then fires at a portrait of Richard Nixon;
A longer version of the scene of Clark and Lois traveling by car in the snow before they go to the diner and meet the bully.
SUPERMAN II is, IMO, one of the best films ever made, and one of the most underrated. I put it in the same category as the STAR WARS or INDIANA JONES films. It had all of the makings of those films - big budget, "movie brat" director, and based on what was traditionally considered a "low" genre, in this case, comic books. But SUPERMAN II takes those basic concepts and really runs with them, and as a child, I found it unforgettable.
We have ALL asked, "what if Lois Lane knew that he was really Superman?" In SUPERMAN II, we find out. Whenever we see a superhero movie, we want to see a knock-down, drag out fight, and we get it in the scene when Superman fights all three villains in Metropolis, a scene that runs a good half hour. And it even continues the thematic elements of "God in human form" as introduced in the first film, when Superman needs his powers back and calls for his "Father," practically asking, "why hast thou foresaken me?" I based every adventure fight / story / whatever I wrote for the rest of my life on the general patterns / pacing / scope of this film, and to an sci-fi / action fan, it's an absolute winner. One of my favorite movies of all time.
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