Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.
Picking up where "Superman: The Movie" left off, three criminals, General Zod (Terence Stamp), Ursa, (Sarah Douglas), and Non (Jack O'Halloran) from the planet Krypton are released from the Phantom Zone by a nuclear explosion in space. They descend upon Earth where they could finally rule. Superman, meanwhile, is in love with Lois Lane (Margot Kidder), who finds out who he really is. Lex Luthor (Gene Hackman) escapes from prison and is determined to destroy Superman by joining forces with the three criminals.Written by
Keith Howley <firstname.lastname@example.org>
Tom Mankiewicz was hired to oversee the script, originally written by Mario Puzo, for Superman (1978), which was to be made simultaneously with this movie. Mankiewicz eliminated most of the camp elements Puzo added to the original draft, and went ahead with the filmmakers' decision to keep the story's religious allusions. Specifically: Jor-El (God) casts Zod (Satan) from Krypton (Heaven), Jor-El's speech as he and Lara say goodbye to Kal-El ("The son becomes the father and the father the son), A ship in the form of a star brings Kal-El to Earth (the star of Bethlehem), Kal-El comes to a couple unable to have children ("How we prayed and prayed the good Lord would see fit to give us a child"), Clark Kent travels into the wilderness to find out who he really is and what he has to do (not much is known about Jesus during his middle years), and "You must live as one of them, but always hold in your heart the pride of your special heritage. They can be a great people Kal-El, they wish to be, they only lack the light to show the way. For this reason above all, their capacity for good, I have sent them you, my only son." See more »
The film begins with a reprise of the trial of Zod, Ursa, and Non from 'Superman (1978)'. Jor-El's dialogue is completely different. The error is rectified in the Richard Donner cut, which restored Marlon Brando's original footage and dialogue. See more »
Alert, alert, alert.
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Opening credits incorporate an extensive amount of footage from the first Superman movie. See more »
SUPERMAN II is, IMO, one of the best films ever made, and one of the most underrated. I put it in the same category as the STAR WARS or INDIANA JONES films. It had all of the makings of those films - big budget, "movie brat" director, and based on what was traditionally considered a "low" genre, in this case, comic books. But SUPERMAN II takes those basic concepts and really runs with them, and as a child, I found it unforgettable.
We have ALL asked, "what if Lois Lane knew that he was really Superman?" In SUPERMAN II, we find out. Whenever we see a superhero movie, we want to see a knock-down, drag out fight, and we get it in the scene when Superman fights all three villains in Metropolis, a scene that runs a good half hour. And it even continues the thematic elements of "God in human form" as introduced in the first film, when Superman needs his powers back and calls for his "Father," practically asking, "why hast thou foresaken me?" I based every adventure fight / story / whatever I wrote for the rest of my life on the general patterns / pacing / scope of this film, and to an sci-fi / action fan, it's an absolute winner. One of my favorite movies of all time.
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