First off, I find it interesting that the myriad poor reviews for this film were written either by: those who were duped by the misleading advertising campaign that labeled this as an action film; or film-snobs who invoke the names of Melville or Truffaut, etc to elevate their review's status as written by someone "who gets it." Rather silly. A film should stand on its own, unless deliberately copying or remaking another film.
Having said that, The American, directed by Anton Corbijn, or a beautiful piece of cinema. Given that Mr. Corbijn is most known for his gritty and moody visuals for U2 and Depeche Mode, The American follows suit visually. The dialogue and music is minimal, yet the colour in each scene takes on the leitmotif, identifying the mood (and now I'm throwing around operatic term. LOL) Nevertheless, it is a slow-paced character study, and not intended to be the next Jason Bourne series. Perhaps audiences today have forgotten what movies were like in the 1970s! I think its a mistake to compare Corbijn's work to French New Wave directors. I'd rather compare this to the action movies of the 70s, which were often very slow moving, punctuated by sudden, rapid-fire scenes of violence or action.
The film is not intended to be realistic, nor is it a movie meant for gun-loving patriots. Factual errors are inconsequential - those of us who don't feel the need to own arsenals couldn't care less what the muzzle velocity of the guns are. It shoots, makes a bang, and the bullets kill. Good enough for me!
So ignore every review, including this one. Just be warned that it is not the new Bond nor conversely the new Shoot The Piano Player. It's not Jason Statham nor is it Sir Laurence Olivier. Michael Bay did not direct this, nor did Ingmar Bergman. But it is Anton Corbijn, and there is a lot of quiet time to absorb the cinematography! Well acted, beautifully shot, and well directed, The American has joined my top-ten list of movies of 2010.
Having said that, The American, directed by Anton Corbijn, or a beautiful piece of cinema. Given that Mr. Corbijn is most known for his gritty and moody visuals for U2 and Depeche Mode, The American follows suit visually. The dialogue and music is minimal, yet the colour in each scene takes on the leitmotif, identifying the mood (and now I'm throwing around operatic term. LOL) Nevertheless, it is a slow-paced character study, and not intended to be the next Jason Bourne series. Perhaps audiences today have forgotten what movies were like in the 1970s! I think its a mistake to compare Corbijn's work to French New Wave directors. I'd rather compare this to the action movies of the 70s, which were often very slow moving, punctuated by sudden, rapid-fire scenes of violence or action.
The film is not intended to be realistic, nor is it a movie meant for gun-loving patriots. Factual errors are inconsequential - those of us who don't feel the need to own arsenals couldn't care less what the muzzle velocity of the guns are. It shoots, makes a bang, and the bullets kill. Good enough for me!
So ignore every review, including this one. Just be warned that it is not the new Bond nor conversely the new Shoot The Piano Player. It's not Jason Statham nor is it Sir Laurence Olivier. Michael Bay did not direct this, nor did Ingmar Bergman. But it is Anton Corbijn, and there is a lot of quiet time to absorb the cinematography! Well acted, beautifully shot, and well directed, The American has joined my top-ten list of movies of 2010.
Tell Your Friends