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B.U.S.T.E.D (1999)

Everybody Loves Sunshine (original title)
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In the Pepperhill Estate of Manchester, an ongoing battle rages between Triad gangs and street gangs. Gang leaders Ray (Andrew Goth) and Terry (Goldie), who are cousins and lifelong friends... See full summary »


Andrew Goth


Andrew Goth



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Cast overview, first billed only:
Rachel Shelley ... Clare
Clint Dyer ... Leon
David Baker David Baker ... Clint
David Bowie ... Bernie
Graham Bryan ... Pat
Vincent Davies Vincent Davies ... Simon
Jamie Draven Jamie Draven ... Geeg (as Jaim Draven)
Goldie Goldie ... Terry
Andrew Goth ... Ray
Paul Hawkyard ... Ken
Kevin John Harvey Kevin John Harvey ... Snake
Paul Courtenay Hyu Paul Courtenay Hyu ... Ian (as Paul Courtnay-Hyu)
Doreen Ingleton Doreen Ingleton ... Ray's Mum
Chooye Bay ... Mr. Chang (as Chooi Khengbeh)
Carl Learmond Carl Learmond ... Mo


In the Pepperhill Estate of Manchester, an ongoing battle rages between Triad gangs and street gangs. Gang leaders Ray (Andrew Goth) and Terry (Goldie), who are cousins and lifelong friends, always trusting and relying on each other, have been in prison. Ray doesn't want to be a gangster anymore, having also fallen for Clare (Rachel Shelley). but Terry, driven by an obsession beyond friendship, is determined to make sure that Ray never leaves the gang. During their time in prison, the local Chinese Triad gang have grown stronger and more daring, eventually killing a member of Terry and Ray's gang. Revenge is called for and the gang turns to them for direction. Bernie (David Bowie) is the aging gangster who struggles to keep the peace. Written by raymondfrancis1978

Plot Summary | Add Synopsis


Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong violence, pervasive language, a scene of sexuality and drug content | See all certifications »






Release Date:

20 March 1999 (Japan) See more »

Also Known As:

B.U.S.T.E.D See more »

Filming Locations:

Isle of Man See more »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

1.85 : 1
See full technical specs »

Did You Know?


[All trivia items for this title are spoilers.] See more »


Referenced in Swing Vote (2008) See more »


Old Skool
Performed by Nicky Matthew
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User Reviews

Good-not-great intro by a British triple-threat, but he's no Guy Ritchie...yet.
13 October 2001 | by Christopher T. ChaseSee all my reviews

Saw this just earlier on THRILLERMax, Cinemax's suspense channel. I surmise the depictions of the locales, the club scene and the character's backgrounds are as indigenous to Londoners as BOYS 'N' THE HOOD would be to people from Compton, and ONCE WERE WARRIORS would be to those folks struggling in the metropolitan slums of New Zealand's larger cities. That said, if you're not a fan of EASTENDERS, Guy Ritchie or British flicks in general, you'll find it rough going deciphering most of the dialogue, never mind the street slang.

Writer/director/star Andrew Goth makes like a Brit Spike Lee with a much better body and a thicker accent, with his freshman tale of two former prison mates just released, (how they are related is not really made very clear; are they brothers in the familial sense, or just brothers in crime?), and the different paths they choose to take once they're out. Ray (Goth) wants to turn his life around and use his connections to do good in the neighborhood and help out some struggling dance troupe/musician mates, while Terry (Goldie) has been, is and always will be content to live the life of a 'G-man.'

I'm not familiar with Goldie's history as a singer/musician, but I did recognize him from his role in the ensemble cast of SNATCH. I'm sure that Goth's playing it low-key was the choice he thought was right for Ray, and he does have a magnetic, physical presence that is undeniably compelling. But if his acting even equals what success I've read about him having as a musician, Goldie has quite a future ahead of him. He is as mesmerizing and terrifying in his psychopathic portrayal of an unhinged street thug as anything ever essayed on-screen by actors of the same mold, (think Ice-T), and manages to rip the movie out of Goth's muscular grip every time they appear in a scene together.

Besides hungering for the one thing that he is willing to give to no one else: respect, Terry also has some kind of psychosexual obsession/fascination with his "brother." Kind of makes you wonder if anything went down between them behind bars...

Though I'm not an aficionado of the club scene or the music, the soundtrack was good, and definitely appropriate for the scenario. David Bowie's performance may seem stilted by comparison with the work he's done in other films, especially THE HUNGER and THE MAN WHO FELL TO EARTH, but then B.U.S.T.E.D. is not a showcase for him--it's allegedly Goth's baby, and I think he does a more-than-credible job with what little he's given to do.

The movie overall could've used a trim in some places where it definitely moves too slowly. Violence junkies won't find nearly enough to hold their interest, though there's enough misogynistic vibe to turn off any potential female viewers, as the pathologically jealous Terry assaults and tortures Ray's new girlfriend, (the comely Rachel Shelley), and the grisly death of a central character and his young son are shocking enough, IMHO. The ending is meant to be a jaw-dropper, but it's curiously unsatisfying, especially since not nearly enough was made of the Ray/Terry relationship to warrant the gasps it was meant to elicit from the audience.

Still, overall, it wasn't a bad start, and should Goth choose to give Hollywood a shot, he has shown that he has the basic knowledge (not to mention the looks) to attract some pretty serious attention. Ditto for Goldie, though I'm afraid that after this and SNATCH he could very well find himself typecast; all the more reason for him to keep his musical "day job," just in case.

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