6.3/10
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475 user 336 critic

The American (2010)

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An assassin hides out in Italy for one last assignment.

Director:

Anton Corbijn

Writers:

Rowan Joffe (screenplay), Martin Booth (novel)
4 nominations. See more awards »

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Photos

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Cast

Cast overview, first billed only:
George Clooney ... Jack / Edward
Irina Björklund ... Ingrid (as Irina Bjorklund)
Lars Hjelm Lars Hjelm ... Hunter #1
Björn Granath ... Hunter #2
Johan Leysen ... Pavel
Paolo Bonacelli ... Father Benedetto
Giorgio Gobbi Giorgio Gobbi ... Man on Vespa
Silvana Bosi Silvana Bosi ... Old Cheese Vendor
Thekla Reuten ... Mathilde
Guido Palliggiano Guido Palliggiano ... Waiter (Market)
Samuel Vauramo ... Young Swedish Man (as Samuli Vauramo)
Antonio Rampino Antonio Rampino ... Postmaster
Violante Placido ... Clara
Filippo Timi ... Fabio
Ilaria Cramerotti Ilaria Cramerotti ... Hooker #2
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Storyline

Alone among assassins, Jack is a master craftsman. When a job in Sweden ends more harshly than expected for this American abroad, he vows to his contact Pavel that his next assignment will be his last. Jack reports to the Italian countryside, where he holes up in a small town and relishes being away from death for a spell. The assignment, as specified by a Belgian woman, Mathilde, is in the offing as a weapon is constructed. Surprising himself, Jack seeks out the friendship of local priest Father Benedetto and pursues romance with local woman Clara. But by stepping out of the shadows, Jack may be tempting fate. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

George Clooney is

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, sexual content and nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Blog | Official Facebook | See more »

Country:

USA | UK

Language:

English | Italian

Release Date:

1 September 2010 (USA) See more »

Also Known As:

A Very Private Gentleman See more »

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$16,662,333, 5 September 2010, Wide Release

Gross USA:

$35,606,376, 4 November 2010

Cumulative Worldwide Gross:

$67,876,281, 4 November 2010
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The American's riverside idyllic spot was much more barren in real life so the production added lots of extra plants to make it perfect. Guards had to be posted by the location at night to prevent it from being eaten by wild boars. See more »

Goofs

When Jack and Mathilde first meet to discuss the rifle jack is to supply, she asks for a "silencer" jack tells her he can only provide a "suppressor". A weapons expert/gunsmith like jack would know that there is no such thing as a silencer and it is just a slang term for a suppressor. Yet he talks as if they are two different devices. See more »

Quotes

[first lines]
Ingrid: You know, I thought I maybe drive into town. You want something?
Jack: No.
See more »

Crazy Credits

The credits at the end are in order of appearance. However, the 3 hookers are listed in the order: Hooker #2, Hooker #3 and Hooker #1, which logically doesn't make sense. See more »

Connections

Referenced in Tosh.0: National Anthem Fail Girl (2011) See more »

Soundtracks

Un Bel Di Vedremo
from 'Madama Butterfly'
Written by Giacomo Puccini, Luigi Illica, and Giuseppe Giacosa (as Guiseppe Giacosa)
Performed by Maria Callas and The Philharmonia Orchestra
Conducted by Tullio Serafin
Courtesy of EMI Classics
Under license from EMI Film & Television Music
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Frequently Asked Questions

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User Reviews

 
A quiet and moody character-driven thriller with impressive visuals
1 September 2010 | by Movie_Muse_ReviewsSee all my reviews

Most "one last job" movies are high-energy action flicks or thrillers driven by a veteran actor playing a character with a troubling back story, but Anton Corbijn's "The American" operates as a character-driven mood piece, a precise and quiet visual portrayal of a man trying to quit his dangerous profession who is constantly haunted and pervasively paranoid.

Way different from the Clooney-led spy thrillers of the '90s, "The American" broods and ruminates under the Corbijn's precise visual style. Those expecting Clooney's return to suave criminal mastery will find themselves waiting and waiting for this film to pop. It doesn't. There is no mêlée of Bourne-style assassin-chasing amid the hillside towns of the Italian countryside, so for many, shots of Clooney doing push-ups and putting together a rifle will become tedious.

But "The American" doesn't languish quite as much as it might seem, though it certainly does at times. After a jarring opening sequence in Sweden when Clooney's character Jack realizes he's being targeted, Jack quietly makes his way to Rome and then Abruzzo, where a job awaits him even though he's clearly ready to quit and he's still shaken from Sweden. Shots of him maneuvering the gorgeous countryside ensue as well as aforementioned exercise. In a town in the Abruzzo area, he meets Mathilde, his client, for whom he will build a custom rifle as that's his line of work. In the process, he becomes close with a gorgeous prostitute named Clara (Violante Placido) and comes to believe he's being pursued by the Swedes, causing paranoia to engross him.

Corbijn, who directed the 2007 black-and-white biopic "Control" about the short life of Joy Division singer Ian Curtis, possesses a calculated and engaging visual style. His shots are ideally framed and pull our eye everywhere it needs to go. Considering dialogue is sparse, the ability for a scene to say a lot without saying anything is crucial and Corbijn does just that. He also plays well off audience expectation for this genre and twists the story in fresh and interesting ways.

Corbijn and Clooney are clearly on the same page, even if it means the film puts too much emphasis on the non-verbal and the dauntingly slow build-up to the climax. As much as the emphasis is tone, tone and tone, we come to understand Jack (who later decides he's Edward) extremely well and see his conflict between sticking to his sinful nature as a means to survive and just letting it all go because it bottles him up inside. You can critique the method all you like and complain about the film's choice to lean towards drama instead of action, but Corbijn possesses a good measure of talent and "The American" will leave a profound impression.

~Steven C

Visit my site http://moviemusereviews.com


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