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10/10
A true gem
6 January 2000
Where do I begin to sing the praises to this film? The Sixth Sense is unlike anything I've ever seen, and by far the best film I've seen in years. Let me first say that I am no fan of horror films, and many classify this film as a horror picture. It is not quite that. One can get away with calling it a "supernatural psychological thriller" perhaps. To say that it is Horror however, is to put it in a genre generally known for its inferior product, and this film is anything but inferior. Unlike 1999's only other mentionable scare film, The Blair Witch Project, The Sixth Sense doesn't hide the terror from our sight. We do see the ghosts that frighten Cole Sear so much. And they are considerably scarier than the witch of the woods in Maryland. But these frightening scenes are but one element in the overall success recipe of the film.

Foremost I should mention Haley Joel Osment. Only once before did a child actor really impress me. I thought that Nick Stahl (in Man Without a Face) was outstanding. But the depth and honesty of Haley's performance here I have yet to see the equal of. He completely convinced me of his fear, and he invoked protective instincts in me I didn't know I had. If there is any justice in Hollywood (yeah, right…) he will AT LEAST be nominated for an Academy Award. (If they could give it to Anna Paquin, they just might consider Haley). In any instance, this little man has given a performance that many adult actors can rightly be very jealous of. The other performances are all outstanding too, and I'm sure now that no one could have betterred Bruce Willis in this role.

Then, the direction and photography are far superior to anything I have seen in ages. The film is dark. Literally black sometimes. There is hardly any sunlight anywhere, and the rooms are all pale and depressing. This is Cole's world, and we are put right in there the entire time. Shyamalan also sneaks some very clever shots in the back door. Look for a trace of Cole's sweat vanishing from the table, his reflection in a shiny doorknob etc. These and many more find their way into the film, and every one of them fits perfectly where they are put. In short - there is not a single frame out of place in this film.

The human elements are also strikingly detailed. Note the parents at the school concert whip out their camcorders when they see their kids on stage. The cleverest scene of all, is between Willis and Haley. They play a "mind-reading" game, and although one of them wins this battle of wills and wits, they both end up losing it in a way.

These are just a few examples of the quality that this film boasts. It is an extremely well made and unbelievably well thought out suspense film. It has been years since a film has given me physical, literal chills, and this film has done exactly that. It managed to scare me -- something that a macho twentysomething man like me wouldn't like to admit.

A final word: firstly, if you plan on seeing this film, read as little about it as you can. Do not talk about it with friends who have seen it, because the less you know about it the better. Let it unfold and take you over in it's own time. And secondly, go see it in the theater if you can. The unbearably tense music and huge dark screen add something very special to the experience.

I think this film is a masterpiece in its own right, and if you can appreciate a good story with terrific acting, go watch The Sixth Sense.
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The worst of all?
3 October 1999
I won't pretend for a moment to be a real Bond expert. I'm only just working through the series now. But having watched the films chronologically up to this point, "Diamonds Are Forever" shines as the absolute worst of the lot.

Connery looks truly old, the atmosphere is dull and stuffy, and the plot (?) tags along with a big yawn. The car chases look like they were cut from bad episodes of the Dukes Of Hazzard.

The worst atrocity of it all is the PATHETIC Blofeld potrayal by Gray. Everything we've come to know and love about Blofeld is turned on its head by this smirking know-it-all who throws his one-liners around as if he were 007 himself. Where is the scar-faced, neurotic, criminal genius of Pleasance?

I have yet to watch all the Moore films again before I make my final decision, but for now "Diamonds Are Forever" is #1 on my All Time Worst list.
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Law & Order (1990– )
Television's finest
22 September 1999
What you would consider quality television to be, would depend completely on your intelligence. For instance, you might think that Ally MacBeal is a solid, worthy series. This would indicate to me that you are a moron.

Similarly, you might be an avid South Park follower, which would suggest that you are a moron with a bad sense of humour.

But perhaps you are an intelligent creature after all. You can appreciate the real world you live in, with its real people, its real crimes, and its real tragic endings. You can stay focussed on a densely plotted story for an hour. And you prefer to see real people at work rather than neurotic lawyers doing back-flips from a unisex bathroom stall-door, or two-dimensionally drawn cartoons whose heads explode repeatedly.

This is why you watch Law & Order. Because it is the closest that television will ever bring you to real life crime, and the real life tragedy of the guilty going free.

Nothing can ever touch it.
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Jim Profit's kin?
21 July 1999
I was very surprised to find that House of Cards was made several years (6 in fact) before the brilliant series "Profit".

Watching H.o.C. I was sure that it had taken its cues from the cancelled FOX show. The same quiet narrations. The same sickly schemes and hunger for power. In fact, I was sure that Francis Urquhart was a clone of Jim Profit. To my surprise, it seems the other way around. Congrats to the makers of H.o.C. - imitation is the sincerest form of flattery!

I have only seen the final 2 episodes of the series version, and I'm very sorry for having missed the first ones. The series is dark and twisted, and deliciously evil. I will not attempt to comment on its political truths/fibs, but for a thriller series alone, it's a gem. It is followed by "To Play the King", which promises to be as good.

I love a good bad guy...
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Ally McBeal (1997–2002)
BRAINDEAD!!!!!!
11 May 1999
After two seasons of this crud I am still amazed at the following it has. And after two seasons am still unable to word just how incredible pathetic this series really is.

Whatever I can come up with to say, it can't describe graphically enough the nausea that Ally McBeal incites in me. Every frame of every scene of every episode is so unbelieveably trite that it leaves one braindead at the first commercial break (assuming you weren't this already when you started watching).

From the pig-squealing noises Vonda Shepard makes (I believe it's being referred to now as a "theme song"), right through to the very last credits-frame at the end, this garbage relentlessly comes at you, throwing the most one-sided and shallow characters on 90's televison at the viewer. The plot of every, EVERY episode is so lame that you can't help feeling you're watching a cross-over between LA Law and Loving. Instead of offering an honest look at the legal profession, the makers have decided that this would be far too demanding for the likes of the Ally Mcbeal fan. People switch off their brains when they sit down in front of the TV, after all... And instead of creating a romantic leading lady, we are stuck with a klutz who has no self-esteem, poor morals, and is about as fascinating as your check-out girl at the 7-eleven.

The co-characters are even worse (if that's possible). Not a single one emanates even a whiff of a real lawyer. A neurotic solicitor, a jealous wife (who should rather have been a hair shampoo model), an ex-boyfriend who has nothing to offer the show except a boyish face, a fetish-obsessed boss, an obtrusive secretary and a feminist roommate - this is what the so-called supporting cast consists of. Not a single performance worth mentioning. Just like the stuttering lead "actress", they're all just there as window-dressing. And just to make sure your ears take the beating properly EVERY week, the "gang" hangs out at Vonda Shepard's own little domain, where she gets to blurt out more squealing noises to her heart's content (and your sanity's detriment). I've never seen such a blatant display of self-promotion by any "artist".

David E. Kelly (producer) has picked up with this show, exactly where he left off with the equally trivial Picket Fences. He tries to make us "think" by dishing up some controversial topics every week, and then having the "gang" tackle the problem in their usual haphazard way. Throw in a couple of see-through antagonists, a little emotional moment now and then, and voila! - we have another hit series. One with "flair", and "originality", and "humour" (if anyone still thinks a computer-generated baby-hallucination is funny, I'd seriously advise them to get out more).

Ever notice how the gang NEVER loses a case? (except of course if they're advocating a case that's just a little bit too controversial for the average couch-potato slob). Notice how the opposing lawyer is ALWAYS a stuck-up jerk, or a slimy bitch? And the gang are always the heroes, no-matter what. They sleep with hookers, but it's okay. They defend their own buddies (who are explicitly guilty), and get them off the hook - of course. They advocate bigamy, and this is okay too. Because they're the good guys. And they're ALWAYS right.

While season after dreadful season of this garbage is being made, true quality shows (Brimstone, Vengeance Unlimited, Profit) have to put up the fight of their lives to stay on the air (if they haven't lost it already). And yet the audience is packing in. The Golden Globes keep coming.

It must be serene not to have any higher expectation of your entertainment. To sit there, week after week, and marvel at Calista Flockheart's cute little mannerisms while munching away at a pack of crisps.

Ignorance is bliss, after all, eh fans?
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8/10
This is what a western should be like
9 May 1999
I'm no western buff. Heck, I haven't even seen a John Wayne movie through to the end. But if I can imagine a western, it should be like The Good, The Bad, And The Ugly. This movie (yes, it's a plain, down to earth, good old-fashioned MOVIE), was histerically funny at times. It was sharp and witty at other times. And it was even sad at some points. But overall, it was fun to watch, which is a lot more than could be said for most of today's "entertainment". Whether it's historically accurate, I don't know. And I don't care. It was just too much fun to worry about anything else! Hee-haw!
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Brimstone (1998–1999)
Another lost treasure
6 May 1999
Discerning television viewers will agree that really good shows are few and far between. Sure there's enough fast food around to keep our jaws working, but eventually we all long for a wholesome, home-cooked meal. And few things rival the satisfaction of sitting down to such a meal. Brimstone is one show that delivers this kind of satisfaction. Just when I had become used to the fast-track glitz and shallow humour of late 90's TV, Brimstone comes along and opens my eyes. It is an extremely enjoyable series. It's dark, grim, sad, but very intelligent, and often very funny. The razor-sharp innuendoes are the wittiest I've come across in a long time. The story is captivating. The dark blue shining in almost every scene is eerie, and sets the mood just right. To top it all off, we have a deliciously enjoyable bad guy (the Devil, played by John Glover), and interesting episodal villains. But, for me, who steals the show is Peter Horton. He plays the taciturn, unwilling hero so convincingly and honestly that he became a favourite of mine right from the first episode. He is MARVELLOUS. But, sadly, this gem is another scalp on the belt of the Network Butchers. The network that cancelled Brimstone have proven again that they have NO idea what quality viewing is. Their complete disregard for innovation and originality propels them into a new realm of ignorance. You will always be followers FOX, because, perhaps, you were never destined to lead. I mourn for Brimstone.
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Profit (1996–1997)
Psycho in Armani suits.
22 October 1998
Once in a while, a film or TV series comes along that re-draws the lines of ingenuity. Often this film or series is a popular hit with audiences, but every now and then it just doesn't get the credit it deserves. Profit is one of those programs. It not only offers us a peak into the dark world of the psychopath, but it pulls us into this world, and we enjoy every moment of it.

Jim Profit (Adrian Pasdar) is a super-succesful urban professional, that has a past too dark to mention to anyone. He was an abused child, and as a teenager, took revenge on his father by murdering him. Years later he's working for a giant company, and the series focusses on his doings in and outside of the office. He is a power-hungry thief that ruthlessly, but with tremendous ingenuity, rids himself of all his opponents. Whether he has them committed to asylums, or frames them for murder, he always gets what he wants, and never gets his hands dirty.

Profit is a dark, chilling story that plays games with your mind, and before you know it, you are rooting for the evil Jim Profit. Not because he has any redeeming qualities, not because you like him, but because among the immoral characters in his grey city, he is the fittest for survival.
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