John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Malcom Crowe (Bruce Willis)is a child psychologist who receives an award on the same night that he is visited by a very unhappy ex-patient. After this encounter, Crowe takes on the task of curing a young boy with the same ills as the ex-patient (Donnie Wahlberg) . This boy "sees dead people". Crowe spends a lot of time with the boy much to the dismay of his wife (Olivia Williams). Cole's mom (Toni Collette) is at her wit's end with what to do about her son's increasing problems. Crowe is the boy's only hope.Written by
Jeff Mellinger <email@example.com>
Cole and Vincent both have a patch of grey/white hair, both on the right side of their heads. Vincent's is to the side and Cole's is behind the ear. See more »
Malcolm is translating "De profundus clamo ad te domine" and begins "Out of the depths". But he's translating the phrase word by word from a Latin dictionary, and it's more natural to translate "De profundus" as "From the deep" before refining the phrase after the whole of it is understood. See more »
It's getting cold.
That is one fine frame; one fine frame that is. How much...
[he sits down with a grunt]
See more »
The Spanish phrase "I don't want to die" that was played on the tape recorder in Malcolm's office is repeated after the credits. See more »
DVD version features four cut scenes;
Cole visits an old man that lost his wife a long time ago and is lonely. Cole finds some diaries that belonged to his wife and the old man is happy.
After Malcom hears the voice on the tape recorder he goes back to the old man's house to see if he is doing better, which he is.
Cole playing with his figurines: two are underneath a red cloth, Malcom asks Cole why and Cole gives him the men's name, rank, why they were there, and information about their wives.
Extendend ending: after Malcom is gone, the camera pans from Anna to the television featuring Malcom on video expressing his love for her.
This is an incredibly powerful film. Awash with emotion but never stooping to sentimentality this is the story of one frightened little boy you will never forget. All your worst childhood nightmares: the noises in the attic, the intruder in your house, that cold breath that makes your hair stand on end are here and then some.
Bruce Willis gives one of the best performances of his career as the child psychologist trying to get himself back on track after a violent encounter with a former patient and it would be a crime if Haley Joel Osment were overlooked at coming awards ceremonies for his powerful performance here. It has been a long time since a child actor displayed such maturity in a role. Cole's innocent little face hidden behind his absent father's large-framed spectacles betrays a child coming to terms with a terrifying secret in the only way he can.
You don't need to go and see this film again to realise why the end is such a surprise but you will rush out to watch it again purely because it's an almost perfect example of it's genre.
Laugh, cry, jump a mile out of your seat, sigh with relief - but not too early... We did!
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