Rebecca Lord had both a European and American career as porn actress, highlights including co-starring in A CLOCKWORK ORGY and a featured role in the classic FANTASY CHAMBER. But her Dorcel feature as auteur, THE SECRETARY, is dullsville.
Coincidentally, I recently watched Nica Noelle's excellent Sweet Sinner video THE SECRETARY made in the same time frame, and featuring an excellent performance by Kristina Rose. By comparison, Lord's feature is strictly sex filler vignettes revolving around the hook of sex in the office
Bosomy brunette Bijou has a threesome with an exec and another girl. Gimmick tossed in has someone spying with a camera using a telephoto lens. Semblance of a plot has Elisha Cross supposedly being a traitor to the company.
Tarra White gets top billing and does her thing, but I never got involved at all in the action on-screen. As a left-handed compliment, the best thing about the video is the imaginative opening credits sequence where the female cast members are introduced one by one sitting nude, illuminated by the brightest light of the copy machine beneath them -each girl feigning a shocked expression. During the feature, the models frequently stare directly at the camera during sex, joining the popular P.O.V. movement but ruining any semblance of this being a story or even the telephoto eavesdropping element.
Coincidentally, I recently watched Nica Noelle's excellent Sweet Sinner video THE SECRETARY made in the same time frame, and featuring an excellent performance by Kristina Rose. By comparison, Lord's feature is strictly sex filler vignettes revolving around the hook of sex in the office
Bosomy brunette Bijou has a threesome with an exec and another girl. Gimmick tossed in has someone spying with a camera using a telephoto lens. Semblance of a plot has Elisha Cross supposedly being a traitor to the company.
Tarra White gets top billing and does her thing, but I never got involved at all in the action on-screen. As a left-handed compliment, the best thing about the video is the imaginative opening credits sequence where the female cast members are introduced one by one sitting nude, illuminated by the brightest light of the copy machine beneath them -each girl feigning a shocked expression. During the feature, the models frequently stare directly at the camera during sex, joining the popular P.O.V. movement but ruining any semblance of this being a story or even the telephoto eavesdropping element.