Last Passenger (2013)
Reference View | Change View
- R
- 1h 37min
- Action, Mystery
- 25 Apr 2014 (USA)
- Movie
A small group of everyday passengers on a speeding London commuter train battle their warped driver who has a dark plan for everyone on-board.
Directors:
Writers:
Stars:
Awards:
- 3 nominations.
- See more »
Photos and Videos
Cast verified as complete
| Dougray Scott | ... |
Lewis Shaler
|
|
| Kara Tointon | ... |
Sarah Barwell
|
|
| Iddo Goldberg | ... |
Jan Klimowski
|
|
| David Schofield | ... |
Peter Carmichael
|
|
| Lindsay Duncan | ... |
Elaine Middleton
|
|
 |
Joshua Kaynama | ... |
Max Shaler
|
|
|
Samuel Geker-Kawle | ... |
Train Guard
|
| Rest of cast listed alphabetically: | |||
|
|
Hunter Hamilton | ... |
Man At Train Station (uncredited)
|
|
|
Mark Hammett | ... |
Driver (uncredited) (voice)
|
Directed by
| Omid Nooshin | ||
| Ridoin El Aissati | ... | (video segments) |
Written by
| Omid Nooshin | ... | (written by) & |
| Andy Love | ... | (written by) (as Andrew Love) |
| Kas Graham | ... | (additional material) |
Produced by
| Max Adler | ... | executive producer |
| Carola Ash | ... | executive producer |
| Kwesi Dickson | ... | executive producer |
| Ben Friedman | ... | associate producer |
| James Ashley-Turner Hall | ... | associate producer |
| Daniel Hubbard | ... | co-producer (as Dan Hubbard) |
| Stephen Margolis | ... | executive producer |
| Donall McCusker | ... | line producer |
| Fumio Nagase | ... | executive producer |
| Steve Norris | ... | executive producer (as Stephen Norris) |
| Mike Runagall | ... | executive producer |
| Ruben Samuel Sachs | ... | executive producer |
| Nick Smith | ... | executive producer |
| Olivier Sonnier | ... | executive producer |
| Zack Winfield | ... | producer |
| Masako Yoshida | ... | associate executive producer |
| Ado Yoshizaki Cassuto | ... | producer |
| Michiyo Yoshizaki | ... | executive producer |
Music by
| Liam Bates | ||
Cinematography by
| Angus Hudson | ... | director of photography |
Editing by
| Joe Walker | ||
Editorial Department
| Mike Andrews | ... | digital intermediate technician |
| Paul Apted | ... | assembly editor |
| Len Brown | ... | film consultant |
| Michelle Cort | ... | digital intermediate technician |
| Theresa Crooks | ... | digital intermediate technician |
| Eve Doherty | ... | assistant editor |
| Tim Drewett | ... | digital intermediate technician |
| Ruth Halliday | ... | negative checks |
| Nadia Iqbal | ... | digital intermediate editor |
| Matt James | ... | digital intermediate supervisor |
| Steve Knight | ... | digital intermediate coordinator |
| Sze-Wun Li | ... | assembly editor (as Sze-Wun Lee) |
| Rebecca Lloyd | ... | assistant editor |
| Steve Owen | ... | data transfer |
| Gareth Parry | ... | digital intermediate editor |
| Daniel Passes | ... | editing trainee: skillset |
| Gareth Spensley | ... | digital intermediate colorist |
| Tom Sugden | ... | digital intermediate technician |
| Jamie Welsh | ... | digital intermediate technician |
| Katelin Westwood | ... | data transfer |
Casting By
| Daniel Hubbard | ... | (as Dan Hubbard) |
Production Design by
| Jon Bunker | ||
Set Decoration by
| Lucy Howe | ||
Costume Design by
| Alison Mitchell | ... | (as Ali Mitchell) |
Makeup Department
| Liz Barlow | ... | makeup artist |
| Lara Dunleavy | ... | hair stylist: additional photography / makeup artist: additional photography |
| Lisa Kennedy | ... | makeup artist |
| Florence May Carter | ... | hair designer (as Florence Carter) / makeup designer (as Florence Carter) |
Production Management
| Nigel Bennett | ... | post production: Pinewood Films |
| Ruth Hodgson | ... | post production executive: Film Finances |
| Donall McCusker | ... | unit production manager |
| Fiona Morham | ... | head of production: BFI |
| Claire Otway | ... | production manager: additional photography |
| Linda Pather | ... | production supervisor: Film Finances |
| Katie Shahrokh | ... | post-production manager |
| Emma Zee | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Ben Burt | ... | first assistant director: additional photography |
| David Crabtree | ... | first assistant director |
| Ben Davidson | ... | third assistant director |
| Lucy Thomas | ... | second assistant director |
| Elliot Michael Turner | ... | co-third assistant director (as Elliot Turner) |
| Stephanie Zari | ... | first assistant director: additional photography |
Art Department
| Connor Bede | ... | rigger |
| Steven Bede | ... | stagehand (as Steve Bede) |
| John Bevans | ... | rigging |
| Guy Bevitt | ... | standby art director |
| David Carter | ... | scenic painter |
| Bob Cheshire | ... | concept artist |
| Richard Denver | ... | carpenter |
| Garry Fisher | ... | carpenter / joiner |
| James Foster | ... | rigging |
| James Gilbert | ... | carpenter |
| Martin Griffiths | ... | prop master |
| Andrew Harvey | ... | scenic painter |
| Lucy Howe | ... | production buyer |
| Douglas Ingram | ... | storyboard artist |
| John Maher | ... | construction manager |
| Meike Maher | ... | construction manager |
| Anthony Mansey | ... | carpenter |
| Christopher Mansey | ... | carpenter (as Chris Mansey) |
| Kate Montagne | ... | art department trainee: skillset |
| Wolfgang Osterholzer | ... | standby carpenter |
| Bernard Ryan | ... | carpenter |
| Andrew Sandback | ... | fibrous plasterer |
| Dennis Watson | ... | construction rigger |
| Brian Western | ... | painter |
| Tony Marks | ... | carpenter (uncredited) |
Sound Department
| Luke Brown | ... | assistant foley mixer |
| Peter Burgis | ... | foley artist |
| Gillian Dodders | ... | adr editor / dialogue editor |
| Glenn Freemantle | ... | sound supervisor |
| Nick Freemantle | ... | assistant sound editor (as Nicholas Freemantle) |
| Glen Gathard | ... | foley editor / foley mixer |
| Robin Gerrard | ... | sound maintenance engineer |
| Eilam Hoffman | ... | sound design editor |
| Henry Milliner | ... | sound recordist |
| Brendan Nicholson | ... | re-recording mixer |
| Emilie O'Connor | ... | dialogue editor |
| Adam Scrivener | ... | re-recording mixer |
| Timothy Siddall | ... | assistant foley editor (as Tim Sidall) |
| Jason Stevens | ... | sound negative |
| Paul Talbott | ... | adr recordist: Toronto |
| Elliott Gilhooly | ... | boom operator (uncredited) |
Special Effects by
| Kingsley Fryer | ... | special effects standby |
| Bob Hollow | ... | special effects supervisor / special effects: provided by (uncredited) |
Visual Effects by
| Tim Field | ... | consultant vfx producer |
| Tim Smit | ... | visual effects |
Stunts
| David Anders | ... | stunt double |
| Peter Pedrero | ... | stunt coordinator |
| Douglas Smith | ... | stunt double |
Camera and Electrical Department
| Kirsti Abernethy | ... | first assistant camera |
| Eva Arnold | ... | additional first assistant camera |
| Simon Beach | ... | electrician: additional photography |
| Robbie Bryant | ... | second assistant camera |
| Alastair Bury | ... | electrician |
| Karl Clarke | ... | first assistant camera: additional photography |
| Shell Coe | ... | electronic press kit |
| Stephen Cornacchia | ... | first assistant camera: additional photography |
| Mike Drury | ... | jimmy jib operator: additional photography |
| Andy Edridge | ... | grip: additional photography |
| Lee Eldred | ... | gaffer |
| Alejandra Fernandez | ... | additional second assistant camera |
| Jaime Fletcher | ... | electrician (as Jamie Fletcher) |
| Angus Hudson | ... | camera operator |
| Oscar Hudson | ... | camera trainee: additional photography |
| Chris Jacques | ... | electrician: additional photography |
| Giles Keyte | ... | additional stills photography |
| Martyna Knitter | ... | camera trainee: skillset |
| Tanya Marar | ... | camera assistant: additional photography |
| Pat Miller | ... | gaffer: additional photography |
| Gemma Mount | ... | stills photographer |
| Roz Naylor | ... | additional first assistant camera |
| Omid Nooshin | ... | camera operator |
| Glen Patrick | ... | electrician: additional photography |
| Claire Pie | ... | additional second assistant camera |
| Chris Polden | ... | electrician |
| Richard Porter | ... | technician: d3 |
| George Powell | ... | remote head technician: additional photography |
| Nick Ray | ... | grip |
| James Ray-Leary | ... | additional grip (as James Ray) |
| Paul Sharp | ... | electrician: additional photography |
| Martin Smith | ... | second gaffer |
| Greg Thomas | ... | electrician |
| Mitch Whiskers | ... | best boy: additional photography (as Mitch Whisker) |
| Terry Williams | ... | grip: additional photography |
| Sophie Wilson | ... | additional first assistant camera |
Casting Department
| Lucy Nooshin | ... | child casting (as Lucy Barwell) |
| Gemma Sykes | ... | casting associate |
| Carly Lewisohn | ... | extras casting (uncredited) |
Costume and Wardrobe Department
| Marianne Agertoft | ... | costume assistant |
| Emily Curtis | ... | costume supervisor (as Emily Newbold) |
| Sarah H.L. Fuller | ... | costume assistant (as Sarah Fuller) |
| Michael Weldon | ... | costume assistant |
Location Management
| Graeme Mackenzie | ... | location scout: additional photography |
| Tim Maw | ... | location manager |
Music Department
| Liam Bates | ... | conductor / music producer |
| Damian Chennell | ... | assistant engineer (as Damien Chennels) |
| Elaine Clarke | ... | orchestra leader |
| James Collins | ... | score engineer / score mixer / score recordist |
| Joe Csibi | ... | score preparation |
| Nicola Fletcher | ... | music supervisor / score supervisor |
| Haim Frank Ilfman | ... | additional music (as Frank Ilfman) |
| The Orchestra of Ireland | ... | music performed by |
| Simon Platz | ... | executive music producer: for Bucks Music Group |
| Emily Rice | ... | scoring assistant |
| Amanda Street | ... | composer agent / score supervisor |
Script and Continuity Department
| Caroline O'Reilly | ... | script supervisor |
Transportation Department
| Martin Birmingham | ... | unit driver |
| Graeme Downie | ... | unit driver (as Graeme Downey) |
| Gideon Mullins | ... | unit driver |
| Mark Richards | ... | unit driver |
| Daniel Smith | ... | truck driver: electrician/generator, additional photography |
| Terry Wilde | ... | unit driver |
Additional Crew
| Jenny Allenby | ... | production accountant |
| Elisa Alvares | ... | director of structured finance: Future Films |
| Sarah Caughey | ... | senior business affairs executive: BFI |
| Niccolò Cioni | ... | production executive: 2B Pictures (as Niccolo Cioni) |
| Cristen Clague Reading | ... | production assistant: additional photography (as Cristen Reading) |
| Christopher Collins | ... | senior production and development executive: BFI |
| Jon Croker | ... | story editor: BFI |
| Mayalen de Croisoeuil | ... | for: Pathé International |
| Francesca Dowd | ... | production coordinator (as Francesca O'Dowd) |
| Magdalena Duke | ... | legal counsel: Pinewood Films |
| Al Eales | ... | cinematography equipment account manager |
| Rob Galloway | ... | medical consultant (as Dr. Rob Galloway) |
| Simon Graham-Clare | ... | production executive: 2B Pictures |
| Yasmina Hadded | ... | legal services: Sheridans |
| Mark Hamilton | ... | unit publicist: Pinewood Films |
| Clare Hardwick | ... | legal executive: Film Finances |
| Julia Hillsdon | ... | production executive: Pinewood Studios |
| Nick Howe | ... | floor runner |
| Sayako Huddleston | ... | for: Pathé International |
| Steve Joberns | ... | auditor |
| James Kay | ... | legal services: Sheridans |
| Ian Kirk | ... | head of production finance: BFI |
| David Korda | ... | production executive: Film Finances |
| David Kwong | ... | magic consultant |
| Daniel Lennox | ... | unit publicist: Pinewood Films |
| Reece Lipman | ... | finance assistant: Future Films |
| Kasia Jander Majewska | ... | production assistant (as Kasia Majewska) |
| Daniel Margolis | ... | business affairs: Future Films |
| Ricky Margolis | ... | production executive: 2B Pictures |
| Richard McDougall | ... | hand double: magician |
| Matt Mead | ... | production coordinator: additional photography (as Matthew Mead) |
| Ali Moshref | ... | production executive: Film Finances |
| Erline O'Donovan-Clarke | ... | rear projectionist: additional photography (as Erline O'Donovan) |
| Hugo Peers | ... | rear projection supervisor |
| Charlie Reid | ... | set runner: additional photography |
| Muriel Sauzay | ... | for: Pathé International |
| Andrew Smith | ... | unit publicist: Pinewood Films |
| Peter James Spokes | ... | provider: train carriages |
| Katrina Stagner | ... | director of structured finance: Future Films |
| Avni Thakrar | ... | finance executive: Future Films |
| Diana Thompson | ... | chaperone / tutor |
| Agathe Théodore | ... | for: Pathé International |
| Noel Tovey | ... | studio manager: Pinewood Films |
| Jessica Turner | ... | production executive: 2B Pictures |
| Jack Welsby | ... | tax credit services |
| Catherine Laine | ... | body double (uncredited) |
Thanks
| Jack Arbuthnott | ... | thanks |
| Chris Bird | ... | special thanks |
| Reinhard Brundig | ... | special thanks |
| Bob Cheshire | ... | special thanks |
| Clay Delauney | ... | with thanks to |
| Elizabeth Dench | ... | special thanks |
| Charles Hannah | ... | special thanks |
| James Higginson | ... | with thanks to |
| Vicki Jackways | ... | special thanks |
| Ram Khat | ... | special thanks (as a different name) |
| Joyce Nettles | ... | with thanks to |
| Hoshyar Nooshin | ... | special thanks |
| Pooran Nooshin | ... | special thanks |
| Jess Rosenthal | ... | special thanks |
| Kim Sinclair | ... | special thanks |
| Peter James Spokes | ... | special thanks |
| Mike Stephens | ... | special thanks |
| Alexandra Stone | ... | with thanks to |
| Richard Taylor | ... | special thanks |
| Jeremy Thomas | ... | special thanks |
| Joseph Thompson | ... | with thanks to |
| Peter Watson | ... | special thanks |
| Dave Whitehead | ... | special thanks |
| Paul Wigfield | ... | special thanks |
| Marlene Winfield | ... | special thanks |
| Roger Winfield | ... | special thanks |
Production Companies
- NDF International
- Future Films (executive production)
- UK Film Council (developed with the support of)
- Pinewood Studios (production company)
- 2B Pictures
Distributors
- Cohen Media Group (2014) (United States) (theatrical)
- SquareOne Entertainment (2012) (Germany)
- Paradise Group (2012) (Russia)
- Lusomundo (2012) (Portugal)
- Best Film (2012) (Poland)
- PlayArte Pictures (2012) (Brazil)
- Camilla Internusa PT (2012) (Indonesia)
- M Pictures (2012) (Thailand)
- Shaw Organisation (2014) (Singapore) (theatrical)
- A Contracorriente Films (2014) (Spain) (DVD)
- Chantier Films (2012) (Turkey)
- Culture Publishers (CP) (2014) (Japan) (DVD)
- Encripta (2018) (Brazil) (video) (VOD)
- HBO Polska (2014) (Poland) (tv)
- Nu Metro Cinemas (2013) (South Africa)
- Phars Film (2013) (United Arab Emirates)
- Umbrella Entertainment (2013) (Australia)
- Umbrella Entertainment (2013) (New Zealand)
- Universum Film (UFA) (2014) (Germany) (DVD)
- Universum Film (UFA) (2014) (Germany) (Blu-ray) (DVD)
Special Effects
Other Companies
- Audiolink Radio Communications (walkie talkies)
- Bucks Music Group (music publishers)
- DNA Music (score coordination)
- Dolby Laboratories (sound mix)
- Fatts (post production script services)
- Film Finances (film completion guarantor)
- HireWorks (HD Avid equipment rental)
- Max Callum Chaperones & Tutors (chaperone and tutor supplier)
- MovieScore Media (soundtrack)
- Onsight (camera equipment provided by)
- Onsight (post-production facilities)
- Panalux (lighting equipment by)
- Pinewood Shepperton (sound stages)
- Production Copier Company (production equipment and services)
Storyline
| Plot Summary |
Dr. Lewis Shaler and his son Max are traveling by train to London. Lewis will leave Max to attend the funeral for victims of a great accident at the hospital where he works. When Max accidentally spills coffee on Sarah Barwell, Lewis offers to pay for the cleaning, and soon they start a talking. When the train stops, Lewis sees a man on the track apparently fixing the brakes. When the trains moves, he sees another man crawling on the tracks. Lewis seeks out the train conductor and finds he's missing. When the train bypasses a stop, he tries to contact the driver. After talking with the few passengers onboard, they realise the train has no brake and the driver's suicidal. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
| Plot Keywords | |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
Additional Details
| Also Known As |
|
| Runtime |
|
| Official Sites | |
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Sound Mix | |
| Filming Locations |
Box Office
| Budget | $2,500,000 (estimated) |
Did You Know?
| Trivia | Andy Love used to be a presenter on the Ideal World shopping channel with his wife Loen. See more » |
| Goofs | When Jan is about to climb out the speeding train to try to unhook the cars, Lewis warns him about the wind chill he will experience at 70 mph, yet both Lewis and Sarah take turns sticking their heads out the window to see his progress and they show no effects of the cold. See more » |
| Movie Connections | Featured in Episode #1.3 (2013). See more » |
| Quotes |
[last lines]
Jan Klimowski: If I had bought ticket, I could have got refund. [laughter] Max Shaler: It's okay dad, the ambulance is coming. Sarah Barwell: You're determined to go into a hospital tonight, aren't you? See more » |