The Royal Hotel (2023)
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- R
- 1h 31min
- Drama, Thriller
- 06 Oct 2023 (USA)
- Movie
Backpackers Hanna and Liv take a job in a remote Australian pub for some extra cash and are confronted with a bunch of unruly locals and a situation that rapidly leaps out of their control.
Director:
Writers:
Awards:
- 4 wins & 22 nominations.
- See more »
Reviews:
Photos and Videos
Cast
| Julia Garner | ... |
Hanna
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| Jessica Henwick | ... |
Liv
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| Herbert Nordrum | ... |
Torsten
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Dylan River | ... |
Bartender
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Keylan Devine-Ingerson | ... |
French Man
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| Bree Bain | ... |
Office Woman
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| Ursula Yovich | ... |
Carol
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| Alex Malone | ... |
Jules
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Kate Cheel | ... |
Cassie
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| Hugo Weaving | ... |
Billy
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| James Frecheville | ... |
Teeth
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| Nic Darrigo | ... |
Kev
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| Adam Morgan | ... |
Keith
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| Adam MacNeill | ... |
Macca
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Ben Eggleton | ... |
Spanners
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Barbara Lowing | ... |
Glenda
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| Daniel Henshall | ... |
Dolly
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| Bruce R. Carter | ... |
Darren
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| Toby Wallace | ... |
Matty
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Craig McArdle | ... |
Simmo
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Len Firth | ... |
Wayne
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Joel Hartgen | ... |
Crackers
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| Baykali Ganambarr | ... |
Tommy
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Valerie Berry | ... |
Suzie
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| Chrissie Page | ... |
Wife
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Patrick Frost | ... |
Husband
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Greg Morrison | ... |
Mick
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| Jonathan auf der Heide | ... |
Policeman
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| Rest of cast listed alphabetically: | |||
| Todd Gray | ... |
Pub Patron (uncredited)
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| Ben Kobs | ... |
Miner (uncredited)
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| Trisha Lindgren | ... |
Miner (uncredited)
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| Stephen Schofield | ... |
Pub Patron (uncredited)
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Directed by
| Kitty Green | ... | (directed by) |
Written by
| Kitty Green | ... | (written by) and |
| Oscar Redding | ... | (written by) |
Produced by
| Billy Bowring | ... | associate producer |
| Katherine Bridle | ... | associate producer |
| Iain Canning | ... | producer |
| Simon Gillis | ... | executive producer |
| Libby Sharpe | ... | co-producer |
| Kath Shelper | ... | producer |
| Emile Sherman | ... | producer |
| Liz Watts | ... | producer |
Music by
| Jed Palmer | ||
Cinematography by
| Michael Latham | ||
Editing by
| Kasra Rassoulzadegan | ||
Editorial Department
| Varinya Eammano | ... | first assistant editor |
| Matt Fezz | ... | colorist |
| Joel Plunkett | ... | on-line editor |
| Shaun Richards | ... | post-production manager |
| Marie Setiawan | ... | on-line editor |
| Aaron Thebridge | ... | di assist |
Casting By
| Kirsty McGregor | ||
Production Design by
| Leah Popple | ||
Art Direction by
| Troy Dignon | ||
Set Decoration by
| Quinn Delany-Veldhuis | ||
Costume Design by
| Mariot Kerr | ||
Makeup Department
| Monique Muskens | ... | hair and makeup artist |
| Cassie O'Brien Pollard | ... | additional make up & hair stylist |
| Jennifer Rossiter | ... | makeup & hair designer |
Production Management
| Grainne Brunsdon | ... | head of content: Screen Australia |
| Rachael Havercroft | ... | post-production supervisor |
| Carly Maple | ... | unit production manager |
| Fiona Pakes | ... | production supervisor |
Second Unit Director or Assistant Director
| James Dubay | ... | second assistant director |
| Kate Larmer | ... | third assistant director |
| Peter McLennan | ... | first assistant director |
Art Department
| Robyn Cunneen | ... | scenic artist |
| Ashleigh D'Antonio | ... | set finisher |
| Edel Garipov | ... | assistant property master |
| Rachael Gates | ... | art department coordinator |
| Thomas Healey | ... | assistant standby props |
| Jonathon Hyde-Neary | ... | property master |
| Karen Macey-Mort | ... | animal wrangler |
| Stewart Marsh | ... | draftsperson / graphic designer |
| Anna McEwan | ... | graphic designer |
| Max Nadilo | ... | set designer |
| Rupert Smissen | ... | storyboard artist |
| Geoffrey Tarr | ... | standby props |
| Emily Brockbank | ... | swing gang (uncredited) |
Sound Department
| Cameron Brooks | ... | boom operator |
| Adam Connelly | ... | foley artist |
| Alan Freedman | ... | sound mixer: ADR |
| Owen Grieve | ... | sound recordist: ADR |
| Megan Howieson | ... | foley editor |
| Grace Newman | ... | sound attachment |
| Michael Newton | ... | additional sound design / sound effects editor |
| Jed Palmer | ... | sound designer |
| Keilah Rafel Motta Pirotelli | ... | post producer |
| Shaun Richards | ... | post-production manager |
| Alexander Roberts | ... | sound recordist: ADR (as Alex Roberts) |
| Cihan Saral | ... | dialogue editor |
| Ben Stewart | ... | sound recordist: adr |
| Chloe Turner | ... | foley recordist |
| Nikola van de Wetering | ... | utility sound technician |
| Travis Williamson | ... | boom operator |
| Andy Wright | ... | re-recording mixer / supervising sound editor |
Visual Effects by
| Naomi Anderlini | ... | compositing visual effects artist |
| Vivienne Baker | ... | compositing visual effects artist |
| Niki Bern | ... | head: 2D |
| Ming Bong | ... | junior visual effects artist: 3D |
| Tina Thitinuch Chongko | ... | compositing visual effects artist |
| Peter Commins | ... | visual effects artist: 3D |
| Courtenay Cooper | ... | visual effects producer |
| Troy Darben | ... | compositing visual effects artist |
| Christian Debney | ... | visual effects executive producer: Stage23 |
| Ben Dickson | ... | pipeline TD |
| Tessa Eden | ... | rigging artist |
| Julia Egerton | ... | compositing visual effects artist |
| Jonathan Hairman | ... | visual effects executive producer: Stage23 |
| Jeremy Howdin | ... | Head of CG |
| Freddie Jiang | ... | visual effects artist |
| Melinda Jones | ... | operations manager |
| Michael Koorey | ... | compositing visual effects artist |
| Serge Kovalenko | ... | lighting artist |
| Phillip Lange | ... | visual effects supervisor |
| Samantha Alexis Laughton | ... | visual effects coordinator |
| Rui Li | ... | visual effects artist |
| Jared Pejkovic | ... | artist: FX / compositor |
| Dean Richichi | ... | compositing visual effects artist |
| Andrew Sanderson | ... | artist: FX |
| Marco Sgubin | ... | track and matchmove |
| Matthew Smith | ... | lead: 3D |
| Grace Testa | ... | compositing visual effects artist |
| Jeye Wilkins | ... | production assistant |
| Mitchell Woodin | ... | pipeline TD |
Stunts
| Tianna Cooper | ... | Stand In |
Camera and Electrical Department
| Thomas Clark | ... | lighting technician |
| Joseph Clarke | ... | digital imaging technician: video split operator |
| Peter Giuliani | ... | best boy electric |
| Scott Heysen | ... | digital imaging technician: data wrangler |
| Henry Reimer Meaney | ... | electrician |
| Mark Rogers | ... | Key Art Photographer |
| Ian Routledge | ... | still photographer |
| Bec Taylor | ... | second assistant camera |
| Jake Viskic | ... | second assistant camera: second unit |
Casting Department
| Joshua Algie | ... | casting associate |
| Taylor Johnson | ... | casting assistant |
Costume and Wardrobe Department
| Olivia Iacobelli | ... | costume supervisor |
| Tuesdaii Scopazzi | ... | Costume Buyer |
| Eliza Stafford | ... | costumer |
Location Management
| Jesse Goninon | ... | location manager |
Music Department
| Jemma Burns | ... | music consultant |
| Kim Green | ... | music clearances |
| Jed Palmer | ... | music editor |
Script and Continuity Department
| Taera Shroff | ... | script supervisor |
Additional Crew
| Davina Colquhoun | ... | legal services / production legals |
| Jaimie Conlon | ... | Assistant To Liz Watts |
| Emily Cook | ... | production executive |
| Clement Dunn | ... | legal services |
| Ruth Natalie Fallon | ... | intimacy coordinator |
| Melissa Fish | ... | Legal & Business Affairs |
| Poppy Fitzpatrick | ... | production secretary |
| Rebecca Hardman | ... | head of legal & business affairs: See-Saw Films |
| Michael Harpas | ... | production runner |
| Douglas N. Honorof | ... | dialect coach: Ms Henwick (as Doug Honorof) |
| Sam Joly | ... | head of marketing and publicity: see-saw films |
| Ria Kelly | ... | assistant production coordinator |
| Alysia Kwan | ... | production assistant |
| Emma Marshall | ... | production coordinator |
| Nikola Pecar | ... | insurance broker |
| Danielle Roffe | ... | voice and dialect coach |
| Jeremy Saunders | ... | title design |
| Taess Sivalingam | ... | production assistant |
Thanks
| Lauren Chen | ... | special thanks |
| Michelle Pearce | ... | the producers wish to thank |
Production Companies
- See-Saw Films
- See-Saw Films
- Universal Pictures (presents)
- Screen Australia (presents)
- The South Australian Film Corporation (in association with)
- Screen New South Wales (in association with)
- HanWay Films (in association with)
- Cross City Films (in association with)
- Alma Margo (in association with)
- Fulcrum Media Finance (financed in association with)
- Scarlett Pictures
Distributors
- HanWay Films (2023) (World-wide) (international sales)
- Neon (2023) (United States) (theatrical)
- The Film Group (2023) (Greece) (theatrical)
- Transmission Films (2023) (Australia) (theatrical)
- Universal Pictures International (UPI) (2024) (Germany) (theatrical)
- Universal Pictures International (UPI) (2023) (United Kingdom) (theatrical)
- Universal Pictures International (UPI) (2024) (Netherlands) (theatrical)
- Cross City Films (2023) (United States) (international sales)
- Elevation Pictures (2023) (Canada)
- F & P Media (2024) (Spain)
- Mediumrare Entertainment (2024) (United Kingdom) (Blu-ray)
- Mediumrare Entertainment (2024) (United Kingdom) (DVD)
- UTA Independent Film Group (2023) (United States) (co-representative for sales in North America)
Special Effects
Other Companies
- Fintage CAM (collection account management)
- Lakeshore Records (soundtrack)
- Marc Graue Recording Studios (post-production sound services)
- Screen Australia (major production investment)
- Screen Australia (principal investor)
- Screen New South Wales (financed with support from)
- Screen New South Wales (financed with the assistance of)
- Screen New South Wales (production investment)
- Setkeeper (production office software)
- The South Australian Film Corporation (financed with the assistance of)
- The South Australian Film Corporation (production investment) (in association with)
Storyline
| Plot Summary |
Hanna and Liv are best friends backpacking in Australia. After they run out of money, Liv, looking for an adventure, convinces Hanna to take a temporary live-in job behind the bar of a pub called 'The Royal Hotel' in a remote Outback mining town. Bar owner Billy and a host of locals give the girls a riotous introduction to Down Under drinking culture, but soon Hanna and Liv find themselves trapped in an unnerving situation that rapidly leaps out of their control. |
| Plot Keywords | |
| Taglines | A fun adventure is all they wanted See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $10,000,000 (estimated) |
Did You Know?
| Trivia | ''The Royal Hotel'' is the most common pub name in Australia according to publicity for this movie. See more » |
| Movie Connections | Featured in Episode dated 24 November 2023 (2023). See more » |
| Soundtracks | Down Under (Luude Remix) See more » |