The story of a geriatric ward in a small Yorkshire hospital threatened with closure.
Director:
Writers:
Photos and Videos
Cast
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Jesse Akele | ... |
Nurse Pinkney
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| Lorraine Ashbourne | ... |
Mrs Earnshaw
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Nivedita Bhargava | ... |
Mother
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| David Bradley | ... |
Joe Colman
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| Nicholas Burns | ... |
Minister
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| Paul Butterworth | ... |
Richard
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| JP Conway | ... |
Kieran
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| Eileen Davies | ... |
Molly
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| Judi Dench | ... |
Mary
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Nishu Dikshit | ... |
Ruha
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Patricia England | ... |
Mavis
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| Vincent Franklin | ... |
Mr Salter
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| Bally Gill | ... |
Dr Valentine
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| Gerard Horan | ... |
Mr Earnshaw
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| Derek Jacobi | ... |
Ambrose
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Catherine Jayes | ... |
Pianist
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Rajinder Kaur | ... |
Nani
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Harsheen Kaur | ... |
Shirina
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| Jeffery Kissoon | ... |
Neville
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| Julia McKenzie | ... |
Mrs Maudsley
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| Arian Nik | ... |
Abdul
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| Amanda Root | ... |
Cynthia
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| Jennifer Saunders | ... |
Sister Gilpin
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| Louis Ashbourne Serkis | ... |
Andy
(as Louis Ashbourne-Serkis)
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| Rhea Sharma | ... |
Juneeta
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| Marlene Sidaway | ... |
Lucille
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Ross Tomlinson | ... |
Gerald
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| Russell Tovey | ... |
Colin Colman
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Alex Williams | ... |
Police Officer
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Marjorie Yates | ... |
Hazel
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| Rest of cast listed alphabetically: | |||
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Dawn Batty | ... |
Passer by (creditOnly)
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| Jessica Baglow | ... |
Dr Jess (uncredited)
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| Ray Burnet | ... |
Opera Goer (uncredited)
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| Darren Charman | ... |
George (uncredited)
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Liam Edwards | ... |
Audience Member at the Opera (uncredited)
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| Minouche Kaftel | ... |
Mayor (uncredited)
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| Christopher Moore | ... |
Nurse (uncredited)
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| Dennis O'Donnell | ... |
Patient (uncredited)
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Linus Scheithauer | ... |
Opera Guest / Junior Board Member (uncredited)
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| Alfredo Tavares | ... |
Politician (uncredited)
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Jon Wennington | ... |
Mayor's Husband (uncredited)
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Directed by
| Richard Eyre | ... | (directed by) |
Written by
| Alan Bennett | ... | (based on the play by) |
| Heidi Thomas | ... | (screenplay by) |
Produced by
| Alan Bennett | ... | executive producer |
| Jenny Borgars | ... | executive producer |
| Rose Garnett | ... | executive producer |
| Paul Grindey | ... | executive producer |
| Nicholas Hytner | ... | executive producer |
| Damian Jones | ... | producer (produced by) |
| Kevin Loader | ... | producer (produced by) |
| Akshat Malik | ... | creative producer: Indian unit |
| Cameron McCracken | ... | executive producer |
| Charles Moore | ... | executive producer |
| Nicola Morrow | ... | co-producer |
| Andrea Scarso | ... | executive producer |
Music by
| George Fenton | ... | (music by) |
Cinematography by
| Ben Smithard | ... | director of photography |
Editing by
| John Wilson | ||
Editorial Department
| Shing Hong Chan | ... | colour assistant: Company 3 |
| Simon Chubbock | ... | chief operating officer: cinelab film & digital |
| Alessio David Ciattini | ... | dailies technical manager |
| Jeremy Crichton | ... | data io operator |
| Theresa Crooks | ... | colour assistant: Company 3 |
| Caleb Gibson | ... | technologist: Company 3 |
| Dan Helme | ... | data i/o: Company 3 |
| Warren Ince | ... | technologist: Company 3 |
| Jonas Jangvad | ... | colour assistant: Company 3 |
| Agne Janusaityte | ... | data i/o: Company 3 |
| Ben Jones | ... | technologist: Company 3 |
| Francois Kamffer | ... | finishing coordinator: Company 3 |
| Thomas Lambert | ... | finishing editor: Company 3 |
| Julien Mathus | ... | finishing editor: Company 3 |
| Claire McGrane | ... | head of operations: Company 3 |
| Leigh Myers | ... | finishing producer: Company 3 |
| Mark Neale | ... | first assistant editor |
| Leon Ryder Potter | ... | data i/o: Company 3 (as Leon-Ray Ryder-Potter) |
| John Quartel | ... | image science: Company 3 (as Dr. John Quartel) |
| Brett Rayner | ... | image science: Company 3 |
| Daniel Rosenberg | ... | senior lab operator: Cinelab Film & Digital |
| Dylan Saville | ... | junior lab operator: Cinelab Film & Digital |
| Louise Seymour | ... | post consultant |
| Gareth Spensley | ... | colourist |
| Stephen Thomas Walsh | ... | post production coordinator (as Stephen Walsh) |
| Michael Ritter | ... | supervising digital cinema producer: Company 3 London (uncredited) |
Casting By
| Nina Gold | ... | (casting by) |
| Martin Ware | ... | (casting by) |
Production Design by
| Donal Woods | ||
Art Direction by
| Mark Kebby | ... | supervising art director |
Set Decoration by
| Linda Wilson | ||
Costume Design by
| Jacqueline Durran | ||
Makeup Department
| Emma Barua | ... | makeup trainee |
| Rebecca Cole | ... | key makeup artist |
| Andrea Cracknell | ... | Hair and Makeup Artist |
| Naomi Donne | ... | hair designer / makeup designer |
| Ann Fenton | ... | makeup supervisor: crowd |
| Chloe Gibbs | ... | crowd daily makeup & hair artist |
| Sophia Mascarenhas | ... | makeup junior |
| Helen McGinty | ... | makeup junior |
| Eyesha Yates | ... | makeup junior: crowd |
Production Management
| Alfie Atkins | ... | trainee assistant unit manager |
| Jason Atkins | ... | unit manager |
| Imogen Bell | ... | head of physical production: Pathé |
| John Bush | ... | head of production: dailies: Cinelab Film & Digital |
| Declan Gossling | ... | assistant unit manager |
| Danish Hurzook | ... | production head: Indian unit |
| Laura Metcalfe | ... | head of production: Company 3 |
| Robert Platt-Higgins | ... | post production supervisor |
| Tony Singh | ... | unit manager |
| Rebecca Smith | ... | production manager |
| Michael Wood | ... | head of production: BBC Film |
| Rowena Woolford | ... | production manager |
Second Unit Director or Assistant Director
| Daniel Cox | ... | second assistant director (as Dan Cox) |
| Katie Henry | ... | associate director |
| Charu Khosla | ... | creative director: Indian unit |
| Mriidu Khosla | ... | director: Indian unit |
| Barrie McCulloch | ... | first assistant director |
| Ross McGowan | ... | additional third assistant director: dailies |
| Gemma Read | ... | second assistant director: crowd |
| Ella Wood | ... | floor third assistant director |
Art Department
| Naomi Bailey | ... | assistant art director |
| Dominic Byles | ... | standby props |
| Will Cann | ... | standby props |
| John Condron | ... | dressing props |
| Matt Curtis | ... | titles designed by |
| Craig Elderfield | ... | standby carpenter |
| Sophie Harris | ... | production buyer |
| Eli Knox | ... | Set Dec Trainee / art department trainee |
| Tom Pleydell-Pearce | ... | prop master |
| Brett Ridge | ... | dressing props driver |
| Don Santos | ... | dressing props |
| George Syborn | ... | assistant set decorator (as Georgina Syborn) |
| Paul Whale | ... | standby props |
Sound Department
| Nicholas A. Ager | ... | second assistant sound (as Nick Ager) |
| Francesca Bourne | ... | foley mixer: Sound24 |
| Simon Clark | ... | production sound mixer |
| Bálint Csáki | ... | first assistant sound (as Balint Csaki) |
| Gillian Dodders | ... | supervising dialogue editor: Sound24 |
| Mike Dowson | ... | re-recording mixer |
| Glenn Freemantle | ... | sound design consultant: Sound24 |
| Glen Gathard | ... | foley mixer |
| Kirsty Graham | ... | foley editor: Sound24 |
| Rebecca Heathcote | ... | foley artist: Sound24 |
| Mark Heslop | ... | supervising sound editor: Sound24 |
| Robert Karlsson | ... | sound consultant: Dolby |
| Zoe King | ... | foley artist: Sound24 |
| Dominic Lawrence | ... | foley editor |
| Heather Linnie | ... | mix technician: Pinewood Studios |
| Sophie Madden | ... | client coordinator: Pinewood Studios |
| Ian Morgan | ... | adr editor / dialogue editor: Sound24 |
| Fergus Pateman | ... | mix technician: Pinewood Studios |
| Robert Searl | ... | adr mixer |
| Lara Stoffers | ... | sound trainee |
| Alex Stylianou | ... | adr recordist |
| Jasper Thorn | ... | Re-Recording Mixer: Pinewood Studios |
| Arthur Turner | ... | dialogue editor: Sound24 |
| Isa Yousufzai | ... | mix technician: Pinewood Studios |
Special Effects by
| Steve Bowman | ... | special effects supervisor |
Visual Effects by
| Simon Arnold | ... | head of editorial: Union |
| Jonathan Atkins-Potts | ... | compositor: Union (as Jon Atkins-Potts) |
| Jennifer Carter | ... | prep artist: Union / roto artist: Union |
| Lucy Cooper | ... | managing director: Union |
| Adam Gascoyne | ... | visual effects supervisor: Union |
| John Hardwick | ... | senior compositor: Invisible Arts Collective |
| Will Hardwick | ... | lead compositor: Invisible Arts Collective |
| Kevin Norris | ... | roto lead: Union |
| Emm Rouse | ... | compositor: Union |
| Stephanie Jean Staunton | ... | compositor: Invisible Arts Collective (as Stephanie Staunton) / producer: Invisible Arts Collective (as Stephanie Staunton) |
| Robert Vassie | ... | visual effects producer: Union (as Rob Vassie) |
| Nicholas Zissimos | ... | 2D lead compositor: Union |
Camera and Electrical Department
| Jamie Brittain | ... | grip: B camera |
| Elliot Burley | ... | grip assistant: B camera |
| Derek William Carlow | ... | first assistant: B camera (as Derek Carlow) |
| Nathan Carson | ... | electrician |
| Peter Chatterton | ... | grip assistant: A camera (as Pete Chatterton) |
| Ashley Connell | ... | head of department rigger |
| Ben Gregory-Ring | ... | still photographer: dailies |
| Danny Griffiths | ... | best boy |
| Edward Harper-Jones | ... | grip trainee: dailies |
| Danny Hughes | ... | standby rigger |
| Matt Hutchings | ... | digital imaging technician |
| Matthew Hutchings | ... | electrician |
| Andy Jones | ... | second assistant: A camera |
| Sven Joukes | ... | B camera operator / steadicam operator |
| Elizabeth Khan-Greig | ... | second assistant: B camera |
| Danny Mills | ... | genny operator |
| Jason Moss | ... | cinematographer: Indian unit |
| Jack S. O'Leary | ... | camera trainee (as Jack O'Leary) |
| David O'Shaughnessy | ... | electrician (as David O'Shaugnessy) |
| Kyle Perry | ... | digital imaging technician assistant / video assistant |
| Ben Piper | ... | electrician |
| Tony Sankey | ... | key grip: A camera |
| Alfie Smith | ... | rigger |
| Rozemarijn Stokkel | ... | first assistant: A camera |
| Mark Taylor | ... | gaffer |
| Pacu Trautvetter | ... | video playback operator |
| Trevino Williams | ... | grip trainee |
| Rob Youngson | ... | unit stills photographer |
Casting Department
| Rahul Batra | ... | casting associate: India |
| Jenni Carvell | ... | cast assistant |
| Atif Ally Dagman | ... | casting associate: India |
| Sacha Garrett | ... | casting assistant: UK |
| Tess Joseph | ... | casting director: India |
| Tara Keenan | ... | extras casting: For Key Casting |
| Penny Ryder | ... | cast assistant |
Costume and Wardrobe Department
| Emily Bowen | ... | assistant costume designer |
| Avani Gaur | ... | principal standby daily |
| Nadia Jeljeli | ... | costume trainee |
| Orla Kelleher | ... | costume standby |
| Leo Peart | ... | costume standby |
Location Management
| Billy Bridger | ... | location marshal |
| Jonathan Church | ... | location manager: St Anne's |
| Kim Fenton | ... | supervising location manager |
| Anthony Garside | ... | location assistant |
| Lottie Turner | ... | assistant location manager |
Music Department
| Geoff Alexander | ... | orchestrations (as Geoffrey Alexander) |
| Harold Arlen | ... | written by: "Get Happy" |
| Mat Bartram | ... | mixed by: AIR Studios Lyndhurst Hall / recorded by: AIR Studios Lyndhurst Hall |
| Kully Bhamra | ... | by: "Jaana Jogi De Naal" (as Kully B) |
| Nacio Herb Brown | ... | written by: "Good Morning" (as Nacio Brown) |
| Scott Chamberlain | ... | piano |
| Sze Ying Chan | ... | music preparation |
| Perry Como | ... | by: "For the Good Times" |
| Ray Conniff | ... | by: "Besame Mucho" |
| Phil Coulter | ... | written by: "Congratulations" |
| Grace Davidson | ... | soprano |
| Ann De Renais | ... | sung by: "La Traviata - Parigi O Cara" |
| Caroline Dearnley | ... | cello |
| Michael Dore | ... | singer |
| George Fenton | ... | conducted by |
| David Fish | ... | music supervisor |
| Arthur Freed | ... | written by: "Good Morning" |
| Susie Gillis | ... | musicians contracted by: Isobel Griffiths Ltd |
| Jo Goldsmith-Eteson | ... | vocalist (as Joanna Goldsmith-Eteson) |
| Gussy G | ... | by: "Jaana Jogi De Naal" |
| Sumudu Jayatilaka | ... | singer |
| Ted Koehler | ... | written by: "Get Happy" |
| Kris Kristofferson | ... | written by: "For the Good Times" (as Kristoffer Kristofferson) |
| London Voices | ... | choir |
| Bill Martin | ... | written by: "Congratulations" |
| Joseph McCarthy | ... | written by: "You Made Me Love You" (as Joe McCarthy) |
| Jack Mills | ... | protools |
| James V. Monaco | ... | written by: "You Made Me Love You" (as James Monaco) |
| Ben Parry | ... | choirmaster |
| Tom Pigott Smith | ... | orchestra leader (as Tom Pigott-Smith) |
| Barnaby Robson | ... | Clarinet Solos |
| Augustin Rodriguez | ... | written by: "Yours" |
| Gonzalo Roig | ... | written by: "Yours" |
| Jack Sherr | ... | written by: "Yours" |
| Graham Sutton | ... | music editor |
| Benjamin Vischal Thapa | ... | sung by: "La Traviata - Parigi O Cara" |
| Steve Trowell | ... | singer |
| Consuelo Velázquez | ... | written by: "Besame Mucho" (as Consuelo Velazquez) |
| Giuseppe Verdi | ... | by: "La Traviata - Parigi O Cara" |
| Hugh Webb | ... | harp |
| Bruce White | ... | Viola (uncredited) |
| Roger Linley | ... | musician: double bass (uncredited) |
Script and Continuity Department
| Susanna Lenton | ... | script supervisor |
Transportation Department
| Sam Clarke | ... | facilities: Translux |
| Page Freeman | ... | driver: Translux |
| Michael Geary | ... | picture car supervisor |
| Ollie Mann | ... | driver: Translux |
| Simon Mann | ... | facilities head of department: Translux |
| Ronald Marchant | ... | unit driver |
| Valentin Soares | ... | driver: Translux |
| Stanislav Tiscenco | ... | driver: Translux |
| Musa Uysal | ... | unit driver |
| Barrie Williams | ... | transportation captain |
| Dennis Boon | ... | transportation (uncredited) |
Additional Crew
| Geraldine Atlee | ... | head of legal & business affairs: BBC Film |
| Nancy Awad | ... | legal services provided by: Great Bison Productions: Wiggin LLP |
| Adam Bara-Laskowski | ... | For Pathé |
| Shane Barry | ... | Unit Medic |
| Imogen Bell | ... | Head of Production: Pathe |
| Sam Blacker | ... | runner: Pinewood Studios |
| Lee Bye | ... | head of theatrical distribution: Pathé |
| Cody Cardarelli | ... | production coordinator: Company 3 |
| Isobel Carter | ... | for: Pathé |
| Ed Chalk | ... | production legal: Wiggin LLP |
| Tasneem Chowdhury | ... | for: Great Bison Productions / for: Ingenious Media |
| James Clarke | ... | finance director: Pathé |
| Tonia Cohen | ... | clearances: Reviewed & Cleared |
| Christelle Conan | ... | for: Great Bison Productions / for: Ingenious Media |
| Molly Crisp | ... | production secretary |
| Eve Dautremant-Tomas | ... | first assistant accountant |
| Mayalen de Croisoeuil | ... | international sales: Pathé International (as Mayalen De Croisoeuil) |
| Rebecca Draper | ... | Covid on-set assistant |
| Pierre Du Plessis | ... | director of business affairs: Pathé |
| Alessia Bologna Finkelstein | ... | for: Pathé |
| Hannah Flynn | ... | Stand-In: Jennifer Saunders |
| Agar Forjan | ... | production monitoring services provided by: Great Bison Productions: Golden Arrow Entertainment (as Agar Forján) |
| Nicki Foster | ... | unit publicist: Premier |
| Annie Gaudet | ... | post accountant: Trevanna London |
| Sophie Glover | ... | for: Pathé |
| Jon Gray | ... | account executive: Company 3 |
| Jen Hawley | ... | for: Pathé |
| Nick Heley | ... | Covid medical advisor |
| Emma Hewitt | ... | head of communications: BBC Film |
| Paul Hillier | ... | media insurance: Tysers Insurance Brokers |
| Leigh Hills | ... | for: Great Bison Productions / for: Ingenious Media |
| Lindsey Hunt | ... | for: Great Bison Productions / for: Ingenious Media |
| Mick Hurrell | ... | health & safety advisor |
| Sophie Alexandra Hyde | ... | for: Great Bison Productions / for: Ingenious Media |
| Toby James | ... | EPK producer: Push the Button Media |
| Symone Johnson | ... | base runner |
| Ijaz Kato | ... | production secretary |
| Alex Laney | ... | head of security: Greenscreen Locations |
| Nigel Laughton | ... | medic: construction |
| Alexander Lea | ... | production legal: Wiggin LLP |
| Stacy Liu | ... | Covid assistant |
| Nadine Luque | ... | production monitoring services provided by: Great Bison Productions: Golden Arrow Entertainment |
| Scarlett Mackmin | ... | choreographer |
| Tiago Di Mauro | ... | Accounts Assistant/clerk |
| John McGrory | ... | for: Pathé |
| Riccardo Melis | ... | crowd pa: dailies |
| Mohsin | ... | spot: Indian unit |
| Marie-Laure Montironi | ... | international sales: Pathé International |
| Matthew Morse | ... | production assistant |
| Jack Myles | ... | for: Pathé |
| Scott Nicholls | ... | Stand In Russell Tovey |
| Yinka Obisesan | ... | assistant production coordinator |
| Shobha Pandya | ... | studio operations manager: Union |
| Malcolm Pearce | ... | health & safety officer |
| Sally Powell | ... | unit medic |
| Guillermo Quintanilla | ... | post accountant: Trevanna London |
| David Quli | ... | legal services provided by: Great Bison Productions: Wiggin LLP |
| Kimberly Richards | ... | accounts junior |
| Mickey Rogers | ... | for: Great Bison Productions / for: Ingenious Media |
| Shawney Ross | ... | Covid on-set officer |
| Amy Rudling-Harvey | ... | accounts trainee (as Amy Rudling) |
| Richard Ryder | ... | dialect coach |
| Ruth Sanders | ... | legal & production assistant: BBC Film |
| Martin Scurr | ... | medical consultant |
| Ash Smith | ... | pre-production Covid supervisor |
| Maxine Stanley | ... | production accountant |
| Ellen Steers | ... | unit publicist: Premier |
| Wai-Hun Tang | ... | for: Pathé (as Waihun Tang) |
| Faith Taylor | ... | for: Pathé |
| Agathe Théodore | ... | international sales: Pathé International |
| Peter Touche | ... | for: Great Bison Productions / for: Ingenious Media |
| Viktorija Tupikaite | ... | editorial department runner |
| Sarah Jayne Van Parys | ... | Covid supervisor (as Sarah Van Parys) |
| Lloyd Vanson | ... | for: Pathé |
| Daniela Vizuete | ... | for: Pathé |
| Brodie Walker | ... | unit publicist: Premier |
| Joe Willis | ... | floor runner |
| Michael Wood | ... | head of finance: BBC Film |
| Salina Zaher | ... | runner: Pinewood Studios |
Thanks
| Kal Biggins | ... | thanks to: sadly missed |
| Anthony Jones | ... | thanks to |
| Milo Jones | ... | thanks to |
Production Companies
- Warner Bros.
- Pathe UK
- BBC Film
- Ingenious
- Pathe UK (present)
- BBC Film (present)
- Ingenious Media (present)
- DJ Films (production)
- Redstart (production)
- Pathe UK (developed by)
- Viewfinder (executive producing services provided by)
- UK Government
- HM Treasury (this production was made possible by the support of)
- Department for Culture, Media and Sport (this production was made possible by the support of)
- Film & TV Production Restart Scheme (this production was made possible by the support of)
- Pathe UK (for)
- BBC Film (for)
- Great Bison Productions (for)
Distributors
- Pathe UK (2023) (United Kingdom) (theatrical)
- Transmission Films (2023) (Australia) (theatrical)
- Transmission Films (2023) (New Zealand) (theatrical)
- Cinéart (2023) (Netherlands) (theatrical)
- Max (2024) (Poland) (video) (VOD)
Special Effects
Other Companies
- Revolver, Sheffield (on-screen graphics)
- Trevanna London (post accountants)
- St Ann's Hospital, Haringey, London (location manager)
- Greenscreen Locations (head of security & security)
- Sound 24 (sound design by & supervising sound editor)
- Sound 24 (supervising dialogue editor & dialogue editors)
- Sound 24 (foley mixer & foley artists)
- Sound 24 (foley editor & sound design consultant)
- Pinewood Studios (sound re-recorded at & mix technicians)
- Pinewood Studios (client coordinator & runners)
- Dolby Laboratories (sound consultant)
- Invisible Arts Collective (visual effects by)
- Invisible Arts Collective (senior compositor & lead compositor)
- Invisible Arts Collective (compositor & producer)
- Union Visual Effects (visual effects by)
- Union Visual Effects (visual effects supervisor & visual effects producer)
- Union Visual Effects (2D lead compositor & compositors)
- Union Visual Effects (roto lead & roto artist)
- Union Visual Effects (prep artist & head of editorial)
- Union Visual Effects (managing director & studio operations manager)
- Company 3, London (colour & finish by)
- Company 3, London (finishing editors & finishing producer)
- Company 3, London (finishing coordinator & production coordinator)
- Company 3, London (colour assistants & data input/output)
- Company 3, London (image science & technologists)
- Company 3, London (head of production & account executive)
- Company 3, London (head of operations)
- Cinelab Film & Digital (digital dailies & dailies head of production)
- Cinelab Film & Digital (senior lab operator & junior lab operator)
- Premier PR (unit publicity & unit publicists)
- Push The Button Media (EPK producer)
- Cignpost Diagnostics (post production Covid testing)
- Translux (facilities & facilities head of department)
- Translux (drivers & service crew)
- Pathe UK (material from "Africa United" copyright)
- British Broadcasting Corporation (BBC) (material from "Africa United" copyright)
- UK Film Council (material from "Africa United" copyright)
- Africa United (material from "Africa United" copyright)
- Dudu Productions (material from "Africa United" copyright)
- Manbury Trading (Proprietary) (material from "Africa United" copyright)
- The Times (acknowledgement)
- News Licensing (acknowledgement)
- iStock (acknowledgement)
- Getty Images (acknowledgement)
- ARRI Rental (camera equipment)
- Alpha Grip (grip equipment)
- Panalux (lighting equipment)
- Audiolink Radio Communications (on set radios & mobile phones)
- Foxtrot (costumes)
- Props Galore (costumes)
- ScreenSkills (department trainees provided by)
- J&J International (catering)
- Reviewed & Cleared (clearances)
- Elstree Script Services (post-production script)
- Shipleys (audit)
- Freeway CAM B.V. (world revenues collected by)
- Wiggin (production legals)
- Tysers Insurance Brokers (media insurance)
- Pathé International (international sales)
- Pathe UK (director of business affairs & finance director)
- Pathe UK (head of physical production & head of theatrical distribution)
- Pathe UK (for)
- BBC Film (head of production & finance)
- BBC Film (head of legal & business affairs)
- BBC Film (head of communications)
- BBC Film (legal & production assistant)
- Great Bison Productions (for)
- Ingenious Media (for)
- Golden Arrow Entertainment (production monitoring services provided by: Great Bison Productions)
- Wiggin (legal services provided by: Great Bison Productions)
- Isobel Griffiths Limited (musicians contracted by)
- AIR Studios (recorded & mixed by)
- EMI Robbins Catalog (published by: "Good Morning")
- Edward B. Marks Music Company (published by: "Yours")
- Broadway Music (copyright: "You Made Me Love You")
- Kassner Music (copyright: "You Made Me Love You")
- Promotora Hispano Americana de Música (PHAM) (published by: "Besame Mucho")
- Peer International Corporation (administered by: "Besame Mucho")
- Columbia Records (courtesy of: "Besame Mucho": originally released 1960)
- Sony Music Entertainment (courtesy of: "Besame Mucho": originally released 1960)
- Columbia Records (all rights reserved by: "Besame Mucho")
- Sony Music Entertainment (all rights reserved by: "Besame Mucho")
- Sony Music Entertainment UK (licensed by: "Besame Mucho")
- Universal Music Publishing MGB (published by: "For the Good Times")
- Universal Music (on behalf of: "For the Good Times")
- RCA Records (courtesy of: "For the Good Times": 1973)
- Sony Music Entertainment (courtesy of: "For the Good Times": 1973)
- Sony Music Entertainment UK (licensed by: "For the Good Times")
- Peter Maurice Music Co (published by: "Congratulations")
- Remick Music (published by: "Get Happy")
- Reel Muzik Werks (administered by: "Get Happy")
- Reel Muzik Werks (used by permission: "Get Happy")
- Reel Muzik Werks (all rights reserved: "Get Happy")
- Carlin Music Delaware (used by kind permission of: "Get Happy")
- Redwood Music (on behalf of: "Get Happy")
- Cavendish Music (licensed courtesy of: "Jaana Jogi De Naal")
- Bridge Theatre, London (thanks to)
- St Ann's Hospital, Haringey, London (thanks to)
- Memorial Hospital, Shooters Hill, London (thanks to)
- London Coliseum (thanks to)
- Dolby Atmos (acknowledgement)
- Wakefield, West Yorkshire (filmed on location in)
- London, Greater London (filmed on location in)
- Pathé Productions (copyright: 2022)
- British Broadcasting Corporation (BBC) (copyright: 2022)
- Pathe UK (logo)
- BBC Film (logo)
- Ingenious (logo)
- Pathe UK (distributed by)
- Warner Bros. (logo)
- Freeway CAM B.V. (collection account management)
- HireWorks (Avid rental and support)
- Key Casting (extras casting)
- MovieScore Media (soundtrack)
- S A Music (published by: "Get Happy")
- Setkeeper (production office software)
- Team Engine (production software provided by)
Storyline
| Plot Summary |
ALLELUJAH is a warm and deeply moving story about old age. When the geriatric ward in a small Yorkshire hospital is threatened with closure, the hospital decides to fight back by galvanizing the local community: they invite a news crew to film their preparations for a concert in honour of the hospital's most distinguished nurse. What could go wrong? ALLELUJAH celebrates the spirit of the elderly patients whilst paying tribute to the deep humanity of the medical staff battling with limited resources and ever-growing demand. |
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| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | The point about the Earnshaws needing their mother to hang on for another three months relates to UK Inheritance Tax. No tax is payable on any gift given more than seven years before the giver dies. If however, the giver dies within seven years, tax can be applied retrospectively. There is a sliding scale, known as taper relief, so that if the giver dies six years after the gift (as here), the tax rate is 8% (from a maximum of 40%). In the case of large transfers (eg a property), even after various allowances are taken into account, 8% can amount to a significant sum. See more » |
| Goofs | After a death, a pulse is checked using a thumb. You should never take a pulse using your thumb as it has its own pulse. See more » |
| Movie Connections | Featured in Dame Judi Dench/Hugh Jackman/Michael B. Jordan/Eugene Levy/Paul Rudd/Michael Douglas/Pink (2023). See more » |
| Soundtracks | For the Good Times See more » |
| Quotes |
Sister Gilpin:
I mean, all these managers, all they think about is movement isn't it? Like the hospital system is just some giant bowel that has to keep pumping out shit. See more » |