Directed by
Richard Eyre | ... | (directed by) |
Writing Credits
Alan Bennett | ... | (based on the play by) |
Heidi Thomas | ... | (screenplay by) |
Cast (in credits order)
Produced by
Alan Bennett | ... | executive producer |
Jenny Borgars | ... | executive producer |
Rose Garnett | ... | executive producer |
Paul Grindey | ... | executive producer |
Nicholas Hytner | ... | executive producer |
Damian Jones | ... | producer (produced by) |
Kevin Loader | ... | producer (produced by) |
Akshat Malik | ... | creative producer: Indian unit |
Cameron McCracken | ... | executive producer |
Charles Moore | ... | executive producer |
Nicola Morrow | ... | co-producer |
Andrea Scarso | ... | executive producer |
Music by
George Fenton | ... | (music by) |
Cinematography by
Ben Smithard | ... | director of photography |
Editing by
John Wilson |
Casting By
Nina Gold | ... | (casting by) |
Martin Ware | ... | (casting by) |
Production Design by
Donal Woods |
Art Direction by
Mark Kebby | ... | supervising art director |
Set Decoration by
Linda Wilson |
Costume Design by
Jacqueline Durran |
Makeup Department
Emma Barua | ... | makeup trainee |
Rebecca Cole | ... | key makeup artist |
Andrea Cracknell | ... | Hair and Makeup Artist |
Naomi Donne | ... | hair designer / makeup designer |
Ann Fenton | ... | makeup supervisor: crowd |
Chloe Gibbs | ... | Crowd Daily Makeup & Hair Artist |
Sophia Mascarenhas | ... | makeup junior |
Helen McGinty | ... | makeup junior |
Eyesha Yates | ... | makeup junior: crowd |
Production Management
Alfie Atkins | ... | trainee assistant unit manager |
Jason Atkins | ... | unit manager |
Imogen Bell | ... | head of physical production: Pathé |
John Bush | ... | head of production: dailies: Cinelab Film & Digital |
Declan Gossling | ... | assistant unit manager |
Danish Hurzook | ... | production head: Indian unit |
Laura Metcalfe | ... | head of production: Company 3 |
Robert Platt-Higgins | ... | post production supervisor |
Tony Singh | ... | unit manager |
Rebecca Smith | ... | production manager |
Michael Wood | ... | head of production: BBC Film |
Rowena Woolford | ... | production manager |
Second Unit Director or Assistant Director
Daniel Cox | ... | second assistant director (as Dan Cox) |
Katie Henry | ... | associate director |
Charu Khosla | ... | creative director: Indian unit |
Mriidu Khosla | ... | director: Indian unit |
Barrie McCulloch | ... | first assistant director |
Ross McGowan | ... | additional third assistant director: dailies |
Gemma Read | ... | second assistant director: crowd |
Ella Wood | ... | third assistant director |
Art Department
Naomi Bailey | ... | assistant art director |
Dominic Byles | ... | standby props |
Will Cann | ... | standby props |
John Condron | ... | dressing props |
Matt Curtis | ... | titles designed by |
Craig Elderfield | ... | standby carpenter |
Sophie Harris | ... | production buyer |
Eli Knox | ... | Set Dec Trainee / art department trainee |
Tom Pleydell-Pearce | ... | prop master |
Brett Ridge | ... | dressing props driver |
Don Santos | ... | dressing props |
George Syborn | ... | assistant set decorator (as Georgina Syborn) |
Paul Whale | ... | standby props |
Sound Department
Nicholas A. Ager | ... | second assistant sound (as Nick Ager) |
Francesca Bourne | ... | foley mixer: Sound24 |
Simon Clark | ... | production sound mixer |
Bálint Csáki | ... | first assistant sound (as Balint Csaki) |
Gillian Dodders | ... | supervising dialogue editor: Sound24 |
Mike Dowson | ... | re-recording mixer |
Glenn Freemantle | ... | sound design consultant: Sound24 |
Glen Gathard | ... | foley mixer |
Kirsty Graham | ... | foley editor: Sound24 |
Rebecca Heathcote | ... | foley artist: Sound24 |
Mark Heslop | ... | supervising sound editor: Sound24 |
Robert Karlsson | ... | sound consultant: Dolby |
Zoe King | ... | foley artist: Sound24 |
Dominic Lawrence | ... | foley editor |
Heather Linnie | ... | mix technician: Pinewood Studios |
Sophie Madden | ... | client coordinator: Pinewood Studios |
Ian Morgan | ... | adr editor / dialogue editor: Sound24 |
Fergus Pateman | ... | mix technician: Pinewood Studios |
Robert Searl | ... | adr mixer |
Lara Stoffers | ... | sound trainee |
Alex Stylianou | ... | adr recordist |
Jasper Thorn | ... | Re-Recording Mixer: Pinewood Studios |
Arthur Turner | ... | dialogue editor: Sound24 |
Isa Yousufzai | ... | mix technician: Pinewood Studios |
Special Effects by
Steve Bowman | ... | special effects supervisor |
Visual Effects by
Simon Arnold | ... | head of editorial: Union |
Jonathan Atkins-Potts | ... | compositor: Union (as Jon Atkins-Potts) |
Jennifer Carter | ... | prep artist: Union / roto artist: Union |
Lucy Cooper | ... | managing director: Union |
Adam Gascoyne | ... | visual effects supervisor: Union |
John Hardwick | ... | senior compositor: Invisible Arts Collective |
Will Hardwick | ... | lead compositor: Invisible Arts Collective |
Kevin Norris | ... | roto lead: Union |
Emm Rouse | ... | compositor: Union |
Stephanie Jean Staunton | ... | compositor: Invisible Arts Collective (as Stephanie Staunton) / producer: Invisible Arts Collective (as Stephanie Staunton) |
Robert Vassie | ... | visual effects producer: Union (as Rob Vassie) |
Nicholas Zissimos | ... | 2D lead compositor: Union |
Camera and Electrical Department
Jamie Brittain | ... | grip: B camera |
Elliot Burley | ... | grip assistant: B camera |
Derek William Carlow | ... | first assistant: B camera (as Derek Carlow) |
Nathan Carson | ... | electrician |
Peter Chatterton | ... | grip assistant: A camera (as Pete Chatterton) |
Ashley Connell | ... | head of department rigger |
Ben Gregory-Ring | ... | still photographer: dailies |
Danny Griffiths | ... | best boy |
Edward Harper-Jones | ... | grip trainee: dailies |
Danny Hughes | ... | standby rigger |
Matt Hutchings | ... | digital imaging technician |
Matthew Hutchings | ... | electrician |
Andy Jones | ... | second assistant: A camera |
Sven Joukes | ... | B camera operator / steadicam operator |
Elizabeth Khan-Greig | ... | second assistant: B camera |
Danny Mills | ... | genny operator |
Jason Moss | ... | cinematographer: Indian unit |
Jack S. O'Leary | ... | camera trainee (as Jack O'Leary) |
David O'Shaughnessy | ... | electrician (as David O'Shaugnessy) |
Kyle Perry | ... | digital imaging technician assistant / video assistant |
Ben Piper | ... | electrician |
Tony Sankey | ... | key grip: A camera |
Alfie Smith | ... | rigger |
Rozemarijn Stokkel | ... | first assistant: A camera |
Mark Taylor | ... | gaffer |
Pacu Trautvetter | ... | video playback operator |
Trevino Williams | ... | grip trainee |
Rob Youngson | ... | unit stills photographer |
Casting Department
Rahul Batra | ... | casting associate: India |
Jenni Carvell | ... | cast assistant |
Atif Ally Dagman | ... | casting associate: India |
Sacha Garrett | ... | casting assistant: UK |
Tess Joseph | ... | casting director: India |
Penny Ryder | ... | cast assistant |
Costume and Wardrobe Department
Emily Bowen | ... | assistant costume designer |
Avani Gaur | ... | principal standby daily |
Nadia Jeljeli | ... | costume trainee |
Orla Kelleher | ... | costume standby |
Leo Peart | ... | costume standby |
Editorial Department
Shing Hong Chan | ... | colour assistant: Company 3 |
Simon Chubbock | ... | chief operating officer: cinelab film & digital |
Alessio David Ciattini | ... | dailies technical manager |
Jeremy Crichton | ... | data io operator |
Theresa Crooks | ... | colour assistant: Company 3 |
Caleb Gibson | ... | technologist: Company 3 |
Dan Helme | ... | data i/o: Company 3 |
Warren Ince | ... | technologist: Company 3 |
Jonas Jangvad | ... | colour assistant: Company 3 |
Agne Janusaityte | ... | data i/o: Company 3 |
Ben Jones | ... | technologist: Company 3 |
Francois Kamffer | ... | finishing coordinator: Company 3 |
Thomas Lambert | ... | finishing editor: Company 3 |
Julien Mathus | ... | finishing editor: Company 3 |
Claire McGrane | ... | head of operations: Company 3 |
Leigh Myers | ... | finishing producer: Company 3 |
Mark Neale | ... | first assistant editor |
Leon Ryder Potter | ... | data i/o: Company 3 (as Leon-Ray Ryder-Potter) |
John Quartel | ... | image science: Company 3 (as Dr. John Quartel) |
Brett Rayner | ... | image science: Company 3 |
Daniel Rosenberg | ... | senior lab operator: Cinelab Film & Digital |
Dylan Saville | ... | junior lab operator: Cinelab Film & Digital |
Louise Seymour | ... | post consultant |
Gareth Spensley | ... | colourist |
Stephen Thomas Walsh | ... | post production coordinator (as Stephen Walsh) |
Michael Ritter | ... | supervising digital cinema producer: Company 3 London (uncredited) |
Location Management
Billy Bridger | ... | location marshal |
Jonathan Church | ... | location manager: St Anne's |
Kim Fenton | ... | supervising location manager |
Anthony Garside | ... | location assistant |
Lottie Turner | ... | assistant location manager |
Music Department
Geoff Alexander | ... | orchestrations (as Geoffrey Alexander) |
Harold Arlen | ... | written by: "Get Happy" |
Mat Bartram | ... | mixed by: AIR Studios Lyndhurst Hall / recorded by: AIR Studios Lyndhurst Hall |
Kully Bhamra | ... | by: "Jaana Jogi De Naal" (as Kully B) |
Nacio Herb Brown | ... | written by: "Good Morning" (as Nacio Brown) |
Scott Chamberlain | ... | piano |
Sze Ying Chan | ... | music preparation |
Perry Como | ... | by: "For the Good Times" |
Ray Conniff | ... | by: "Besame Mucho" |
Phil Coulter | ... | written by: "Congratulations" |
Grace Davidson | ... | soprano |
Ann De Renais | ... | sung by: "La Traviata - Parigi O Cara" |
Caroline Dearnley | ... | cello |
Michael Dore | ... | singer |
George Fenton | ... | conducted by |
David Fish | ... | music supervisor |
Arthur Freed | ... | written by: "Good Morning" |
Susie Gillis | ... | musicians contracted by: Isobel Griffiths Ltd |
Joanna Goldsmith-Eteson | ... | vocalist |
Gussy G | ... | by: "Jaana Jogi De Naal" |
Sumudu Jayatilaka | ... | singer |
Ted Koehler | ... | written by: "Get Happy" |
Kris Kristofferson | ... | written by: "For the Good Times" (as Kristoffer Kristofferson) |
London Voices | ... | choir |
Bill Martin | ... | written by: "Congratulations" |
Joseph McCarthy | ... | written by: "You Made Me Love You" (as Joe McCarthy) |
Jack Mills | ... | protools |
James V. Monaco | ... | written by: "You Made Me Love You" (as James Monaco) |
Ben Parry | ... | choirmaster |
Tom Pigott Smith | ... | orchestra leader (as Tom Pigott-Smith) |
Barnaby Robson | ... | Clarinet Solos |
Augustin Rodriguez | ... | written by: "Yours" |
Gonzalo Roig | ... | written by: "Yours" |
Jack Sherr | ... | written by: "Yours" |
Graham Sutton | ... | music editor |
Benjamin Vischal Thapa | ... | sung by: "La Traviata - Parigi O Cara" |
Steve Trowell | ... | singer |
Consuelo Velázquez | ... | written by: "Besame Mucho" (as Consuelo Velazquez) |
Giuseppe Verdi | ... | by: "La Traviata - Parigi O Cara" |
Hugh Webb | ... | harp |
Bruce White | ... | Viola (uncredited) |
Roger Linley | ... | musician: double bass (uncredited) |
Script and Continuity Department
Susanna Lenton | ... | script supervisor |
Transportation Department
Sam Clarke | ... | facilities: Translux |
Page Freeman | ... | driver: Translux |
Michael Geary | ... | picture car supervisor |
Ollie Mann | ... | driver: Translux |
Simon Mann | ... | facilities head of department: Translux |
Ronald Marchant | ... | unit driver |
Valentin Soares | ... | driver: Translux |
Stanislav Tiscenco | ... | driver: Translux |
Musa Uysal | ... | unit driver |
Barrie Williams | ... | transportation captain |
Dennis Boon | ... | transportation (uncredited) |
Additional Crew
Geraldine Atlee | ... | head of legal & business affairs: BBC Film |
Nancy Awad | ... | legal services provided by: Great Bison Productions: Wiggin LLP |
Adam Bara-Laskowski | ... | For Pathé |
Shane Barry | ... | Unit Medic |
Sam Blacker | ... | runner: Pinewood Studios |
Lee Bye | ... | head of theatrical distribution: Pathé |
Cody Cardarelli | ... | production coordinator: Company 3 |
Isobel Carter | ... | for: Pathé |
Ed Chalk | ... | production legal: Wiggin LLP |
Tasneem Chowdhury | ... | for: Great Bison Productions / for: Ingenious Media |
James Clarke | ... | finance director: Pathé |
Tonia Cohen | ... | clearances: Reviewed & Cleared |
Christelle Conan | ... | for: Great Bison Productions / for: Ingenious Media |
Molly Crisp | ... | production secretary |
Eve Dautremant-Tomas | ... | first assistant accountant |
Mayalen de Croisoeuil | ... | international sales: Pathé International (as Mayalen De Croisoeuil) |
Rebecca Draper | ... | Covid on-set assistant |
Pierre Du Plessis | ... | director of business affairs: Pathé |
Alessia Bologna Finkelstein | ... | for: Pathé |
Hannah Flynn | ... | Stand-In: Jennifer Saunders |
Agar Forjan | ... | production monitoring services provided by: Great Bison Productions: Golden Arrow Entertainment (as Agar Forján) |
Nicki Foster | ... | unit publicist: Premier |
Annie Gaudet | ... | post accountant: Trevanna London |
Sophie Glover | ... | for: Pathé |
Jon Gray | ... | account executive: Company 3 |
Jen Hawley | ... | for: Pathé |
Nick Heley | ... | Covid medical advisor |
Emma Hewitt | ... | head of communications: BBC Film |
Paul Hillier | ... | media insurance: Tysers Insurance Brokers |
Leigh Hills | ... | for: Great Bison Productions / for: Ingenious Media |
Lindsey Hunt | ... | for: Great Bison Productions / for: Ingenious Media |
Mick Hurrell | ... | health & safety advisor |
Sophie Alexandra Hyde | ... | for: Great Bison Productions / for: Ingenious Media |
Toby James | ... | EPK producer: Push the Button Media |
Symone Johnson | ... | base runner |
Ijaz Kato | ... | production secretary |
Alex Laney | ... | head of security: Greenscreen Locations |
Nigel Laughton | ... | medic: construction |
Alexander Lea | ... | production legal: Wiggin LLP |
Stacy Liu | ... | Covid assistant |
Nadine Luque | ... | production monitoring services provided by: Great Bison Productions: Golden Arrow Entertainment |
Scarlett Mackmin | ... | choreographer |
Tiago Di Mauro | ... | Accounts Assistant/clerk |
John McGrory | ... | for: Pathé |
Riccardo Melis | ... | crowd pa: dailies |
Mohsin | ... | spot: Indian unit |
Marie-Laure Montironi | ... | international sales: Pathé International |
Matthew Morse | ... | production assistant |
Jack Myles | ... | for: Pathé |
Yinka Obisesan | ... | assistant production coordinator |
Shobha Pandya | ... | studio operations manager: Union |
Malcolm Pearce | ... | health & safety officer |
Sally Powell | ... | unit medic |
Guillermo Quintanilla | ... | post accountant: Trevanna London |
David Quli | ... | legal services provided by: Great Bison Productions: Wiggin LLP |
Kimberly Richards | ... | accounts junior |
Mickey Rogers | ... | for: Great Bison Productions / for: Ingenious Media |
Shawney Ross | ... | Covid on-set officer |
Amy Rudling-Harvey | ... | accounts trainee (as Amy Rudling) |
Richard Ryder | ... | dialect coach |
Ruth Sanders | ... | legal & production assistant: BBC Film |
Martin Scurr | ... | medical consultant |
Ash Smith | ... | pre-production Covid supervisor |
Maxine Stanley | ... | production accountant |
Ellen Steers | ... | unit publicist: Premier |
Wai-Hun Tang | ... | for: Pathé (as Waihun Tang) |
Faith Taylor | ... | for: Pathé |
Agathe Théodore | ... | international sales: Pathé International |
Peter Touche | ... | for: Great Bison Productions / for: Ingenious Media |
Viktorija Tupikaite | ... | editorial department runner |
Sarah Jayne Van Parys | ... | Covid supervisor (as Sarah Van Parys) |
Lloyd Vanson | ... | for: Pathé |
Daniela Vizuete | ... | for: Pathé |
Brodie Walker | ... | unit publicist: Premier |
Joe Willis | ... | floor runner |
Michael Wood | ... | head of finance: BBC Film |
Salina Zaher | ... | runner: Pinewood Studios |
Thanks
Kal Biggins | ... | thanks to: sadly missed |
Anthony Jones | ... | thanks to |
Milo Jones | ... | thanks to |