It is not unusual that a woman enjoys working with Manuel Ferrara, but a small minority of female performers seem to go beyond that. Kristina Rose and Angela White especially seem to connect with him on an otherwordly level, and Scene 4 of Slutwoman is no exception. It is certainly an intense scene, but this is not simply because of the high energy or the extremity of the acts on display (no *sports, ropes, etc), but because there is a clear emotional connection between the two stars. Kristina gives in to her passions with such abandon that Manuel, gentleman as he is, must stop her and calm her down. This is simply transcendental, an amazing view for open-minded couples.
I feel it necessary to address the other review of this title, which revels in a particularly vile sort of dehumanization. That a woman enjoys sex, particularly rough sex, is not indicative of a lack of character, neither is her choice to be a sex worker. This attitude has been an anachronism for centuries, and is now weaponized towards robbing sex workers of agency and legislating them into the shadows, where they become less safe every day. It is therefore not simply hypocritical, but dangerous to engage in such discourse. Any man who does it is frankly far more 'crass' than anyone else in such a context.
I feel it necessary to address the other review of this title, which revels in a particularly vile sort of dehumanization. That a woman enjoys sex, particularly rough sex, is not indicative of a lack of character, neither is her choice to be a sex worker. This attitude has been an anachronism for centuries, and is now weaponized towards robbing sex workers of agency and legislating them into the shadows, where they become less safe every day. It is therefore not simply hypocritical, but dangerous to engage in such discourse. Any man who does it is frankly far more 'crass' than anyone else in such a context.