News

Warning: Spoilers for chapter #78 of BorutoSasuke finally steps back into action in the latest chapter of Boruto, but it's too already too late. Not even the intervention of the powerful Uchiha was enough to stop Kawaki from getting away after betraying Konoha, which proves that Sasuke should have taken a more active role from the beginning.

In chapter #78 of Boruto, Kawaki suddenly strikes at the protagonist, after imprisoning both Naruto and Hinata in the Daikokuten dimension. Taken aback by this betrayal, Boruto has trouble fighting back, and he gets hit while defending Sarada from a lethal strike. Right when the situation seems desperate, the Konoha shinobi arrive, including Shikamaru, Mitsuki, and Sasuke, who steps in to save his disciple and his daughter from Kawaki. However, due to Momoshiki's sudden awakening inside Boruto's body, Kawaki manages to get away.

Related: Boruto Has Just Guaranteed That Sasuke Will Recover His Rinnegan

Boruto...

In the early moments of “Commitment Hasan,” Turkish writer-director Semih Kaplanoglu’s slow-burning morality tale, one could mistake the titular character for a weak, vulnerable individual others routinely walk all over. Portrayed with a quiet sense of stealth by Umut Karadag, Hasan is a fairly prosperous farmer and gardener tending to the family land he inherited from his father, a windswept, fecund place of tomato fields and apple orchards. In the opening sequence, he puts up a silent and losing fight against an arrogant engineer who drops by his plot unannounced and informs Hasan that an electrical pylon would soon be erected right in the middle of his field as part of the government’s plan to enhance the region’s power grid. Hasan sheepishly protests: Why wouldn’t they reroute the expansion and choose the vacant neighboring field instead? Predictably, his objections fall on deaf ears.

Soon though, Kaplanoglu...

Every year since its creation in 1956, the Academy of Motion Picture Arts and Sciences (AMPAS) invites the film industries of various countries to submit their best film for the Academy Award for Best International Feature Film. The award is presented annually by the Academy to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue and that was released theatrically in their respective countries between 1 January 2021 and 31 December 2021. The shortlist of fifteen finalists is scheduled to be announced on 21 December 2021. The final five nominees are scheduled to be announced on 8 February 2022.

Here are the Asian Submissions for Best International Feature Film. There are some excellent movies in this bunch and we have seen and reviewed already some of them.

Armenia

“Should the Wind Drop” by Nora Martirosyan

Azerbaijan

“The Island Within” by Ru Hasanov

Bangladesh

“Rehana” by Abdullah Mohammad Saad

Bhutan

“Lunana: A Yak in the Classroom...

“Commitment Hasan,” a Turkish drama by Semih Kaplanoğlu that world premiered at Cannes’ Un Certain Regard, has been sold by Films Boutique to several key markets.

The movie is part of a trilogy that began with “Commitment Asli,” Turkey’s official entry for the Oscar international feature film race in 2020. Kaplanoglu, one of Turkey’s most celebrated filmmaker, previously directed the trilogy “Grain,” “Honey” and “Milk.” “Grain” won Berlin’s Golden Bear award in 2010.

“Commitment Hasan” is now being buzzed about as Turkey’s potential Oscar submission. Films Boutique has closed a raft of deals on the movie to Spain (Paco Poch Cinema), Ex Yugoslavia (Five Stars Distribution), Israel (Lev Cinemas) and Portugal (Leopardo). Arp Selection will release the film in France and Cgv Mars will distribute it in Turkey.

“Commitment Hasan” follows a man who makes his living from gardening and farming in the land he inherited from his father.

Cannes' Official Selection for its 74th edition, running July 6-17.

In Competition

Annette, Leos Carax (France) - Opening Film

The Story of My Wife, Ildikó Enyedi (Hungary)

Benedetta, Paul Verhoeven (Netherlands)

Bergman Island, Mia-Hansen-Love (France)

Drive My Car, Rysuke Hamaguchi (Japan)

Ha’Berech (Ahed’s Knee), Nadav Lapid

Casablanca Beats, Nabil Ayouch (Morocco)

Compartment No. 6, Juho Kuosmanen (Finland)

The Worst Person in the World, Joachim Trier (Norway)

La Fracture, Catherine Corsini (France)

The Restless, Joachim Lafosse (Belgium)

Paris 13th District, Jacques Audiard (France)

Lingui, Mahamat-Saleh Haroun (Chad)

Memoria, Apichatpong Weerasethakul (Thailand)

Nitram, Justin Kurzel (Australia)

France, Bruno Dumont (France)

Petrov’s Flu, Kirill Serebrennikov (Russia)

Red Rocket, Sean Baker (USA)

Flag Day, Sean Penn (USA)

The French Dispatch, Wes Anderson (USA)

Titane, Julia Ducournau (France)

Tre Piani, Nanni Moretti (Italy)

Tout s'est Bien Passé, François Ozon (France)

A Hero, Asghar Farhadi (Iran)

Un Certain Regard

Moneyboys, C.B. Yi (Austria)

Blue Bayou, Justin Chon (USA)

Freda, Gessica Geneus (Haiti)

Delo (House Arrest), Alexey German Jr. (Russia)

Bonne Mere, Hafsia Herzi (France)

Noche de Fuego, Tatiana Huezo (Mexico)

Lamb, Valdimar Johansson (Iceland)

Commitment Hasan, Hasan Semih Kaplanoglu (Turkey)

After Yang, Kogonada (USA)

Let There Be Morning, Eran Kolirin (Israel)

Unclenching the Fists, Kira Kovalenko (Russia)

Women Do Cry, Mina Mileva, Vesela Kazakova (Bulgaria)

Rehana Maryam Noor, Abdullah Mohammad Saad (Bangladesh)

Great Freedom, Sebastian Meise (Austria)

La Civil, Teodora Ana Mihai (Romania / Belgium)

Gaey’s Wa’r, Na Jiazuo (China)

The Innocents, Eskil Vogt (Norway)

Un Monde, Laura Wandel (Belgium)

Out of Competition

De Son Vivant, Emmanuelle Bercot (France)

Emergency Declaration, Han Jae-Rim (Korea)

The Velvet Underground, Todd Haynes (USA)

Bac Nord, Cédric Jimenez (France)

Aline, The Voice of Love, Valérie Lemercier (France)

Stillwater, Tom McCarthy (USA)...