100 Feet (2008)
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- R
- 1h 36min
- Horror, Mystery
- 24 Jul 2008 (South Korea)
- Movie
After Marnie Watson kills her abusive husband in self-defense, she is condemned to house arrest - only to discover that the house is possessed by the enraged and violent spirit of her dead husband.
Director:
Writer:
Photos and Videos
Cast
| Famke Janssen | ... |
Marnie
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| Bobby Cannavale | ... |
Shanks
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| Ed Westwick | ... |
Joey
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| Michael Paré | ... |
The Ghost - Mike
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| Patricia Charbonneau | ... |
Frances
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John Fallon | ... |
Jimmy
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| Kevin Geer | ... |
Priest
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Tibor Pálffy | ... |
Homeless Man
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Kembe Sorel | ... |
Patrolman
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Evelyne Kandech | ... |
Patrolwoman
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Ken Kelsch | ... |
Garbage Man
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| Rest of cast listed alphabetically: | |||
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Jonathan Sanger | ... |
Man on Bus with Newspaper (uncredited)
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Eric Walkuski | ... |
Shocked Guy (uncredited)
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Directed by
| Eric Red | ||
Written by
| Eric Red | ... | (written by) |
Produced by
| Sarah Black | ... | producer (as Sarah Ryan Black) |
| Chris Bongirne | ... | line producer: New York |
| Christopher Courtney | ... | line producer: Hungary (as Chris Courtney) |
| Billy Dietrich | ... | executive producer (as William Dietrich) |
| Ed Elbert | ... | producer |
| Matthew Gratzner | ... | co-producer |
| Avi Haas | ... | co-producer |
| Zsófia Kende | ... | co-producer: Laurin Productions |
| Stephen L'Heureux | ... | executive producer / producer |
| Michele LeBlanc | ... | executive producer |
| Rick Morse | ... | associate producer |
| Jonathan Sanger | ... | producer |
| Holly Schepisi | ... | co-executive producer |
| Steven Schneider | ... | co-executive producer |
| Kornél Sipos | ... | co-producer |
| David Steiner | ... | executive producer |
| Michael Theurer | ... | digital producer |
Music by
| John Frizzell | ||
Cinematography by
| Ken Kelsch | ... | director of photography |
Editing by
| Janice Hampton | ||
| Anthony Redman | ||
Editorial Department
| Paul Allia | ... | colorist |
| Lisa A Arpino | ... | music editor |
| Brian Beard | ... | digital intermediate editor |
| Gilbert Carreras | ... | color timer / film color timer |
| Adam Hawkey | ... | digital intermediate colorist |
| Dávid Jancsó | ... | assistant editor |
| Benedek Kabán | ... | colorist: dailies |
| Michael John Koetter | ... | software engineer |
| Michael Nouryeh | ... | associate editor |
| George Papuashvili | ... | additional editor |
Casting By
| Nancy Foy | ||
Production Design by
| Márton Ágh | ... | (as Marton Agh) |
Art Direction by
| Judit Varga | ||
Costume Design by
| Melinda Domán | ||
| Éva Vass | ||
Makeup Department
| Patrick Baxter | ... | makeup effects lab technician |
| Graham Chivers | ... | special makeup effects technician |
| Jessee J. Clarkson | ... | special makeup effects artist |
| Jason Detheridge | ... | makeup effects technician |
| C.J. Goldman | ... | special makeup effects artist |
| Réka Görgényi | ... | makeup artist |
| Paul Jones | ... | makeup effects designer / makeup effects / special makeup effects designer |
| Eileen Kastner-Delago | ... | makeup artist / personal makeup artist: Famke Janssen |
| Mark Keetch | ... | makeup effects mechanics |
| Tina LaSpina | ... | key makeup artist |
| Kelly Marazzi | ... | hair stylist / personal hair stylist: Famke Jannsen |
| Steve Newburn | ... | special makeup effects artist |
| Bridget O'Neill | ... | effects makeup department head: New Deal Studios / makeup department head |
| Sean Sansom | ... | special makeup effects artist |
Production Management
| Renátó Horváth | ... | unit manager: Hungary |
| Károly Rozsnyay | ... | unit production manager: Hungary |
| Jonathan Sanger | ... | unit production manager |
| Sándor Szabó | ... | unit production manager: Hungary |
| Michael Toji | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Michelangelo Csaba Bolla | ... | first assistant director |
| Louis Guerra | ... | key second assistant director: New York |
| Thomas K. Lee | ... | second second assistant director: New York (as Tom Lee) |
| Maurizio Maffei | ... | second assistant director |
| Peter Palka | ... | first assistant director (as Peter Pálka) / first assistant director / first assistant director: second unit |
Art Department
| Mike DiGrazia | ... | key art designer |
| József Kiss | ... | construction manager |
| Victor Littlejohn | ... | props |
| Scott Schneider | ... | digital set designer: New Deal Studios |
| Gábor Zoltán Szabó | ... | stand-by props (as Gábor Szabó) |
| Richard Tenewitz | ... | construction coordinator |
| Rachael Weinzimer | ... | property master / property master: New York |
Sound Department
| Ethan Beigel | ... | sound recordist |
| John D'Aquino | ... | production sound mixer: New York |
| Stephen Hunter Flick | ... | supervising sound editor |
| Matt Hovland | ... | foley mixer / sound recordist |
| William Jacobs | ... | sound editor |
| Tony Margulies | ... | foley artist / foley |
| Michael Matta | ... | foley mixer / foley recordist |
| Rick Norman | ... | re-recording mixer |
| Terry O'Bright | ... | re-recording mixer |
| Mac Ruth | ... | sound recordist |
| Peter Michael Sullivan | ... | re-recording mixer |
| Aaron Wilcox | ... | sound re-recording projectionist |
Special Effects by
| Ferenc Gombás | ... | pyrotechnician |
| Corey Helmer | ... | pyrotechnician |
| Ferenc Hábetler | ... | pyrotechnician |
| Paul Jones | ... | special effects makeup |
| Mark Keetch | ... | puppet technician |
| Matt Kutcher | ... | special effects supervisor (as Matthew Kutcher) / special effects supervisor |
| Norbert Orosz | ... | pyrotechnician |
| Attila Török | ... | pyrotechnician |
| Ferenc Török | ... | pyrotechnics supervisor |
| Attila Vásári | ... | pyrotechnician |
| Robert G. Willard | ... | special effects coordinator |
Visual Effects by
| Jeffrey Benoit | ... | digital effects artist |
| Robert Chapin | ... | digital supervisor |
| Christopher Dusendschon | ... | digital imaging supervisor: iO FILM |
| Lori Freitag-Hild | ... | compositor |
| Shannon Blake Gans | ... | visual effects executive producer: New Deal Studios Inc |
| Matthew Gratzner | ... | visual effects supervisor |
| Nicholas Hiegel | ... | roto artist |
| Chris Holmes | ... | visual effects |
| Leigh-Alexandra Jacob | ... | lead model painter: New Deal Studios |
| Jeffrey Jasper | ... | digital compositor |
| Llyr Tobias Johansen | ... | visual effects coordinator |
| Matt Kelly | ... | digital compositor |
| Iain Marcks | ... | digital imaging technician: iO FILM (as Iain Stasukevich) |
| James Pastorius | ... | digital compositor |
| David Sanger | ... | visual effects producer |
| Michael Theurer | ... | digital producer |
| Randy Bosh | ... | digital archivist: New Deal Studios (uncredited) |
Stunts
| Erika Cziráky | ... | stunt double: Marnie |
| Balázs Farkas | ... | stunt rigger |
| Zoltán Gulyás Kiss | ... | stunt coordinator / stunt double: Shanks |
| Gergö Horpácsi | ... | stunt rigger (as Gergely Horpácsi) |
| Norbert Kovács | ... | stunt rigger |
| László Kósa | ... | stunt double: Joey |
| Gábor Pesta | ... | stunt double: Ghost |
| Daniel Browning Smith | ... | contortionist (as Daniel Smith) / stunt double (as Daniel Smith) |
Camera and Electrical Department
| Gábor Garai | ... | second assistant camera |
| István Gottmann | ... | assistant camera |
| Ákos Gulyás | ... | assistant camera |
| Károly Kamerda | ... | assistant camera |
| Vilmos Keszler | ... | grip |
| Gusztáv Kirsch | ... | focus puller |
| Rob Koch | ... | first assistant camera: "a" camera: New York |
| Zsolt Big Nagy | ... | epk cameraman (as Zsolt Nagy) |
| Zoltán Pataki | ... | video technician |
| Péter Pozsonyi | ... | electrician |
| Brian Pryzpek | ... | gaffer |
| Liz Sales | ... | second assistant camera: "a" camera: New York |
| Zoltán Sallai | ... | loader |
| Bálint Seress | ... | film loader |
| Péter Sidló | ... | gaffer |
| Michelle Sun | ... | film loader: New York |
| Attila Szûcs | ... | dolly grip (as Attila Szücs) |
| Chris Zizzo | ... | best boy electric / best boy electric: New York |
Animation Department
| Jeffrey Jasper | ... | digital compositor |
| Matt Kelly | ... | digital compositor |
| James Pastorius | ... | digital compositor |
Casting Department
| Lee Genick | ... | extras casting / extras casting: New York |
| Bryan Riley | ... | casting associate |
Costume and Wardrobe Department
| Melinda Domán | ... | assistant costume designer |
| Shelby Saboy | ... | key costumer |
| Veronika Szigeti | ... | key costumer |
Location Management
| Nelson Khoury | ... | location manager: New York |
| John Perez | ... | location scout |
Music Department
| Lisa Brochet | ... | music editor |
| John Frizzell | ... | music |
| Frederik Wiedmann | ... | score mixer |
| Laurent Ziliani | ... | assistant to composer |
Script and Continuity Department
| Orsolya Vercz | ... | script supervisor |
Transportation Department
| Dezso Pócsik | ... | production driver |
| Gabe Turiello | ... | driver: camera car and process trailer |
Additional Crew
| Adi Amit | ... | production coordinator: New York |
| Wendy Benge | ... | production attorney |
| Bernadett Both | ... | assistant to actor |
| Jennifer Bushnell | ... | legal assistant |
| Joe Facey | ... | Craft Service |
| Tibor Gedö | ... | assistant accountant |
| Sarah Berge Giarraffa | ... | assistant: Ms. Janssen, New York (as Sarah Berge) |
| Walter Josten | ... | Bridge Lending |
| Géza Jánossy | ... | caterer (2008) |
| Viktor Kovács | ... | set production assistant |
| Philip Lewis | ... | unit publicist |
| Paula Diane Lopez | ... | body double (as Paula D. Lopez) |
| Rick Morse | ... | Production Counsel |
| Richard Szabó | ... | facilities manager |
Thanks
| Meredith Red | ... | special thanks (as Meredith Casey) |
Production Companies
- Grand Illusions Entertainment (presents)
- Film Visions Funding (in association with)
- New Deal Studios (in association with)
- Blue Rider Pictures (in association with)
- Blue Rider Pictures (production company)
- 100 Feet Productions
- Laurinfilm
- Solipsist Film
Distributors
- Long Shong Entertainment Multimedia Company (2009) (Taiwan) (theatrical)
- Sidus (2009) (Korea) (theatrical)
- Universum Film (UFA) (2009) (Germany) (theatrical)
- Dutch FilmWorks (DFW) (2009) (Netherlands) (DVD)
- Dutch FilmWorks (DFW) (2009) (Netherlands) (Blu-ray) (DVD)
- Gativideo (2009) (Argentina) (DVD)
- IPA Asia Pacific (2009) (Thailand) (DVD)
- The Asylum (2009) (United States) (DVD)
- The Asylum (2009) (United States) (Blu-ray) (DVD)
- Top Film (2009) (Russia)
- Eurofilms (2010) (Peru) (theatrical)
- RTL Entertainment (2011) (Netherlands) (tv) (RTL5)
- Excesso Entertainment (2012) (Netherlands) (Blu-ray) (double feature with "Hush")
- Excesso Entertainment (2012) (Netherlands) (DVD) (double feature with "Hush")
- RTL (2013) (Germany) (tv)
- Rai Movie (2016) (Italy) (tv)
- GoQuest Media Ventures (2023) (India) (video) (VOD)
- Oldies.com (United States) (DVD)
Special Effects
- New Deal Studios (digital effects)
- Paul Jones Effects Studio (special make-up effects and animatronics)
- Spectrum Effects
- Spectrum FX
Other Companies
- iO Films (digital intermediate)
- Abacus Consult (accounting: audit)
- Fintage CAM (collection account management)
- FocusFox Studio (dailies)
- Hungarian Filmlab / Magyar Filmlabor (post-production facilities)
- Magic Film and Video Works (negative pull and data management)
- NovaStar Digital (sound post-production)
- Open Casting (casting)
- Runway (post-production)
- Sparks (camera equipment provided by)
- Sparks (grip and lighting equipment)
- Steiner Studios (sound stages)
- Sylvia Fay/Lee Genick & Associates Casting (extras casting New York)
- Visual Data Media Services (digital asset servicing)
- Visual Icon (exclusive clip and still licensing)
- iO Film (digital intermediate)
Storyline
| Plot Summary |
A young woman, Marnie Watson, is granted early release from her prison sentence for manslaughter (killing her husband - a violent NYC cop - in self defense) on condition she wear an electronic ankle bracelet and remain within her home, effectively under house arrest, for the remainder of her sentence. Her late husband's partner keeps tabs on her from a patrol car parked across the street, hoping she'll violate probation and he can send her back to prison. But the 100-foot radius her ankle bracelet allows isn't the worst of her problems. Written by Grand Ilusions |
| Plot Keywords | |
| Taglines | Till Death Do Us Part Wasn't Enough See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Box Office
| Budget | $10,000,000 (estimated) |
Did You Know?
| Trivia | Michael Parè has stated multiple times that he loved working with director Eric Red in "Bad Moon". Eric Red also stated how proud he was of Parè's work and commitment during the shooting of that movie. That's why Red thought of Michael Parè to play the ghost in this movie. Second time they work together and second time Parè is directed by Red as the villain in a female lead horror film. See more » |
| Goofs | When Marnie goes into the basement, her ankle bracelet starts chirping that she is more than 100 feet from the transmitter, when in actuality it is only about 20 to 30 feet above her head. See more » |
| Movie Connections | Featured in Quick Takes Volume 2 (2017). See more » |