"Doctor Who" Genesis of the Daleks: Part Six (TV Episode 1975) Poster

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10/10
A fantastic conclusion, the serial deserves it's place as an all time classic.
Sleepin_Dragon23 April 2018
This fantastic, gripping, engaging, fast paced classic ends in some style, the cliffhanger in the previous episode was one of the show's best, meaning this one starts off brilliantly, and ends in the same manner. It oozes quality from start to finish, it truly is everything Dr Who should be, wonderful drama, gripping, and scary enough to have the kids hiding behind the sofa. Definite Nazi inspired torture, a context that would have been very memorable for many of the older viewers, the cruelty, uniforms, salutes, style of torture etc. all chilling. I love the way that the ending of Genesis ties into both 'The Daleks' from Hartnell's era, and Destiny of the Daleks, which Tom would appear in a few years later. The writing is impeccable, the performances first rate, Baker shining through in commanding fashion, he's definitely playing this one with a straight bat, I've criticised him a little in stories like Creature in the Pit and Destiny of the Daleks, as I didn't feel he was taking it all that seriously, in these early years he was definitely on point and some. Some pretty decent special effects for the time too.

Perfect finale to the perfect story, would The Daleks ever reach these heights or level of impact again? I genuinely don't think so. If new executive producer Chris Chibnall plans to use the Daleks, I urge him to watch this.

Perfect, 10/10
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8/10
Bloodridden, Epic, Brilliant, but Not for Faint-Hearts
philip20171 July 2014
Warning: Spoilers
I've probably seen this dozens of times, but before rushing to give it a 10 (which I would on all recent viewings) I have to say that watching it on TV for the first time as a child in 1975 I felt betrayed by Doctor Who, which had never before seemed so bloodthirsty.

I think what marked the Tom Baker period was not just the extraordinary character that Baker brought (in itself truly an extension of Baker himself, he improvises as on so many TV interviews...watch them then watch him as the Doctor... he doesn't actually... ACT..) but also the shift in the the writing and direction to far bleaker and horrific story lines.

The spoiler alert is never more necessary than here; what stunned my child self was that in Doctor Who quite so many (like dozens, many characters we've seen painstakingly developed) hapless souls could be gunned down in such cold blood. The final part of GOTD is classic death-knell of liberalism; Gharman (earlier present as Davros's closest confidante as the first Dalek is unveiled) wants a bloodless revolution in which much is decided by vote..

Davros swiftly sees this and plays it to the max, delays things as he needs and once the necessary force of Daleks is assembled, dispatches his over-idealistic foes.

The extra twist is of course that Davros himself is then also exterminated (and he is, watch it, listen to the screams, he really is, and later claims by DW writers that he survived are not plausible) and he is thus, himself, also discarded as a tool by the real forces of evil.

A lot for a young lad to take!! Genesis of the Daleks is no picnic; my older self gives it a 10 for true brilliance, realism, quality of writing and drama, and by later standards it's relatively tame, but for a youngster used to earlier more subtle Doctor Who it was brutal stuff.
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10/10
A Much Darker 'Doctor Who' featuring eccentric Tom Baker with Intense Excitement & Insight at nearly every Turn!
Ed-from-HI10 May 2019
Warning: Spoilers
Surprisingly serious, intense (and perhaps even prescient) outing for the Fourth-Doctor Who (the exceedingly eccentric & brilliantly-quirky master-thespian Tom Baker!) on a critically secret Time-Lord' mission to stop the inception/catalytic-creation of those genocidally warped + weaponized 'Daleks' (embedded with a conscience-deficiency by their deranged Leader 'Davros')! Note: I was too young to see the original Tom Baker episodes beginning circa 1974 (also they were not originally shown Stateside/HI until much after - I got to see many of them on VHS or DVD many years later.) Even though Tom Baker 1970's Era Doctor Who outings do not possess the modern-day technical polish (i.e. sans high-tech costly special effects and no trace of CGI of course), the superlative, Eccentrically charismatic acting by Tom Baker and Elisabeth Sladen as 'Sarah Jane' (and featured thespian Villains) along with wildly imaginative & literate Stories (e.g. Daleks by Terry Nation) more than made up for any budgetary shortfalls! This Story begins with Good Doctor Who/ Baker transported to 'Skaro' a World on the verge of imminent Armageddon plagued by incessant war waged over Centuries by the 'Thals' against 'Kaleds' (as the Doctor points out representing an anagram of Daleks). The unremitting warfare has laid waste to the surface world and made the atmosphere extremely poisonous to all but hideous acid-breathing mutations (known as 'Mutos'). Meanwhile the remnants of both the 'Thal' and "Kaled' civilizations can only exist within heavily-fortified biosphere-Domes with all resources focused on total annihilation of the 'other' (in fatalistic 'kill-or-be-killed' fashion) The Doctor becomes intricately enmeshed in the endless belligerence of Kaleds against Thals. The most frightening character encountered being 'Davros' the deformed/ deranged mad-genius who creates/ programs the 'Daleks' to become perfectly-efficient annihilators (heartless/soulless mechanized-terminators) that are not in any way hindered by impulses of conscience or compassion, since Davros sees those specific 'human' traits as mortal weaknesses that must be eradicated at all costs. Frightening concepts indeed because they hit so close to home in terms of reflecting on actual horrors of human-history (whether evoking images of Nazi-SS storm-troopers or other self-righteous violent extremists evoking the worship of mass death as highest endeavor & most rewarding achievement). All-in-all the "Genesis of the Daleks" written by Terry Nation, manages to be both entertaining & insightful although substantially darker than most other 'Dr. Who' outings lacking much of the requisite humor (but absolutely engrossing nonetheless) = since this harrowing tale requires the good Doctor to fully-utilize all his brains (and more than a bit of genuine 'heart') in order to defeat (at least momentarily) Davros + murderous Daleks before their ambitiously evil plans for total annihilation can fully take root in the Universe.
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S12: Genesis of the Daleks: Dark, industrial, cruel, grimy, and really well done
bob the moo26 September 2015
Although I am gradually watching Doctor Who from the start, I am no great fan and there is an element of OCD in my decision to watch it all in order. So, in the case of this serial, although I had been aware of Davros as a character, I certainly had not seen this serial before. In addition to this, the previous Dalek stories, and their use in the modern seasons, had taught me that they were almost a novelty, brought in as a series favorite to help boost ratings whenever a brand-name villain was needed. So, when I saw the next serial in season 12 was one relating to the Daleks, I really did not expect anything particularly special – which is why I think it caught me off guard about just how strong it was.

The plot provides a very strong bed, with a plot which has plenty of drama (as opposed to manufactured cliff-hangers), and yet also plenty of thoughtful material around morality, fascism, and other elements. The Daleks are really supporting players next to the character of Davros – who is essentially Hitler. His is such a strong presence that it is hard not to be taken by every scene he is in. Baker's Doctor matches this approach with a quite serious performance throughout; and the whole thing is played straight and means that the Daleks are genuinely more menacing due to the context. Of course it helps that the serial has a particularly mean streak in its specifics and in its general delivery.

Specifically we see cruel deaths, Nazi-style characters, scenes that are genuinely unsettling in their tone and content, and a delivery that never plays it for laughs or comedic japes. This is continued by the design of the sets, characters, and general 'feel' of the serial; it is futuristic but yet industrial – and a type of industry build on the suffering of many for the benefit of the few. It feels grimy, cruel and dark – and it combines this very well with the material. I had never seen this serial before even if I was aware of Davros et al from later seasons; nor had I heard the hype for this as one of the best of the show. I was glad I had not because I came in without any knowledge or preconceptions, and it grabbed me from the start to the end by how well done it was. I'm not sure how long it can keep this up, but at the minute this season is shaping up to be one of the strongest of the lot thus far.
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10/10
Rightly considered one of the true classic stories in Doctor Who.
A_Kind_Of_CineMagic19 November 2014
Review of all 6 episodes:

One of the most famous and most loved stories in Doctor Who history, this really deserves the fame and praise it receives. It is a fabulous story with brilliance in every aspect of its production.

The Doctor, Sarah and Harry are intercepted by the Time Lords as they try to return to the Nerva space station via Transmat. The Time Lord who speaks to The Doctor gives him a mission to interfere with the creation of the Daleks as they are considered a threat to the Universe. He is told he can stop their creation or influence their nature for the better. They find themselves in the middle of a war on Skaro between the Thals and the Kaleds. The war has gone on for a very long time and scientist Davros has created the Daleks in order to bring the war to an end. Davros is power crazed and has evil intent for his Daleks to become all powerful creatures. There are adventures as The Doctor seeks to interfere with Davros' plans. Finally when he has the chance to destroy the Daleks, The Doctor has a moral dilemma as to whether to destroy the Dalek race is excusable due to their evil or if it makes him as bad as the Daleks with such a genocidal act.

The script, story and acting are top class throughout. Davros is an inspired creation, a villain of the finest quality and acted amazingly well by Michael Wisher. Baker is on top form and his scenes with Davros and their intellectual duelling is gripping. The scene with the dilemma of conscience for The Doctor trying to decide whether to destroy the Daleks is genius and the story as a whole is exceptionally well written.

One of the most exceptional stories in Doctor Who and therefore television history.
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9/10
We'll Meet Again...
Xstal21 June 2022
The Daleks have control of the asylum, new walls are built to contain and surround them, the start has been delayed, but they will still have all their days, all their torture, torment, cruelty, carnage, mayhem.

Definitely one of the best of old Who.
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10/10
78: Genesis of the Daleks
Tom-Gentile816 July 2018
"Do I have the right?"

I am not just conforming to mainstream sci-fi culture when I say that this is a masterpiece. Six parters always have a sad tendency to be dense and repetitive yet, similarly to The Green Death, every part had a purpose and a slightly different motivation and plot that fit in to the grander story. And speaking of grander story, these six episodes are probably some of the most integral of the show's history. Not many scripts have introduced an additional aspect to an already intriguing and beloved villain, explored and mapped out our protagonist's moral compass, featured several story threads not containing any of our main characters, and have all of it work out in the best way possible. With Davros, Terry Nation presents us with a mirror for the Doctor both character and confrontation wise. Every time he appears in the program, he makes the Doctor and the audience stop and reflect on events the Doctor has witnessed, and aspects of his character in a new light. He makes our sometimes god-like protagonist vulnerable, which is always exciting and is never more present here in it's first attempt. This will always go down as one of the best serials in all of sci-fi television, and rightfully so. It's Terry Nation's magnum opus.

Part One - July 12th Part Two/Three - July 13th Part Four - July 14th Part Five/Six - July 15th
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9/10
Excellent six parter
joestevensus-1072711 December 2019
Whos that run longer than 4 episodes tend to be weak in the middle, but this seriel was strong all the way through. The action is crisp, the writing is good and the fourth doctor was in good form early in his career. The story is dark especially for what was a kid's show, but it isn't much by modern standards. Definitely an essential Who.
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9/10
Why criticism is important and how to do war/political themes right.
mbellfield8 August 2021
Warning: Spoilers
Possibly the most political and not so subtle story in who history, with it's incredibly dark, powerful world and beautifully written statements and characters it's a very honest reflection of its parody. It's a perfect example of passion and teamwork. Everyone from the brilliant main cast/supporting cast, the excellent writing team to Terry Nation, Terrance dicks and Phillip Hincliffs willing to push the show to be great and new, but making sure it works. To the amazing direction by David Maloney to make some beautiful and yet horrific imagery and shadowing. Plus the sets, music and sounds too. When you work as a team with strong passionate players you can create gold.

Nowadays your not allowed to have fair critism, which will slowly kill great art, as an actor you are right to defend your work etc but you need to be open to others ideas/opinions because that feedback could make it far better. Id never turn around to my fellow actors/directors and say well your just a hater! Feedback/criticism is fair just dont be a Davros about it. The sole reason this story was made as great as it is was is due to Terrance Dicks critically asking for Terry Nation to try something new. Terry did and using some of his orignal ideas for the origin of the Daleks in the tv 21 centary comics "Genesis of Evil" the story was born.

Terry Nation has written some excellent stories such as "The Daleks" and although i enjoy "The Dalek Invasion of earth" i dont think his Dalek work is anything too out standing, heres deffintaly good and makes it fun and spooky but part from the original two Dalek stories theres not alot of themes, or much character development or world building. "The Daleks master-plan" was only idea of his so i wouldnt class that as apart of my point. I personally perfer David Whittakers writing for the Daleks, hes does something new and does some brillant character writting as everyone is reflected through each other.

Howerever here Terry Nation has done very similar and brought back the themes from his original Dalek story and made some stronger characters and world building here too. Immeditaly once we hear what the drs mission is, this world is bleak and horrific. We see soldiers being gun down in slow motion, dead bodies being used as fake real solders in the trenches and we meet a young, voilent and loud Kaled whos really been sold/corrupted this idea of a perfect new world. Shown brillantly as he screams across the map of skaro and acts very simalir to Hitler/Davros himself and his followers. The kaleds all wear black suits with seeing eyes on there collars and some with a band across there arms, they also stamp and salute. Talk about not so subtle and with themes like this it shouldn't have to be. We sadly dont see much of him later on but he was a perfect first character for us to meet, it sells this harsh world and reflects/forshadows how Davros/nazis/fascits can miniuplte you with an unrealstic view.

We see three sides to this war. The Kaleds, the Thals and the mutos. It was brillant that Terry at the start of this story showed us how both sides are no better then each other, both horrfic. We see Davros's side and the mutants/travel machines he's creating and the slow fear he has over the scientists. Then we see the thals rough nature and how they have many prisoners in a camp forced to make the rocket missile. It was very clever to show at the start the Thals being more physically bullying and have the kaleds be more mentally bullying. It shows the two sides of fascism and really makes you think Davros side isn't really that bad, almost like the story leads you to there side. Of course throught we see this really amazing arc for the thals as they change there nature and become more friendly and try stop Davros and help the drs and his friends. It does happen to quickly though and the only reason why is because of Davros tricking them into thinking they made peace and then has his Daleks slaughter them. It's a good enough reason but I do feel a scene with the thals and the mutos after all there nasty talk to them, needed to show them making pace or one muto maybe saving the other to show respect and sportsmanship. As it's really fascinating to see how the thals will eventually take on there morals of keeping life and not destroying it.

Davros is played beautifully by Michael Wisher. A truly dedicated actor. Hearing the stories of how he used to sit a chair with a bag on his head in rehearsals really shows he wanted to nailed this very limited performance to show how even in his crippled small scale he's got lots of power and influence. The way this Davros shouts and speaks is so creepy and really did scare me as a kid.

Davros is an incredibly interesting character throughout, he starts out as dedicated to saving his race but becomes utterly ruthless about achieving it and eventually becomes joyous about the idea of not only will it save his race it will give him power. We see this through the many incredible scenes with the Dr as he suggests to Davros after telling him all the Daleks defeats why not be remembered for doing some good and how the Daleks are evil. What makes Davros such a great character and a perfect fascist is that he doesn't see how there evil. He views life in his realistic way which turns out to be very unrealistic as we know the Daleks. One life must survive, survival needs dominance, ruthlessness and power. He even willingly destorys his own peoples city dome to fake a peaceful end and fear his people, which is what alot of facists do, lie and abuse there own people. The innocent must become a warrior to be safe. Its brilliant writing that makes the final moments of how he nearly achieve this but only to have his creation see him as someone in the way so perfectly satisfying.

The side characters are also great here, mainly from the kaleds which is a shame from the thals Pov but we do get an excellent thal soldier Bettan who takes charge in the end and plans to seal Davros in his chamber. Shes great fun. I do wish there was more women characters here because it's not like there wasn't many apart the Nazi regime. Nyder is an excellent character too he's incredibly loyal/dedicated to Davros and his plans. While we sadly don't get too much development wise or learn more about him, there is a hint that he does fear Davros and I do think it was best to keep one character very loyal to Davros and be killed off by the Daleks. It's incredibly creepy to see just he close he acts like Davros, almost as if like the Daleks he sees him as a child of his. The scientist Raven is also great we see his excitement and enthusiasm for Davros's creations then start to doubt and then fear him which something all of the other scientist begin to do, fear and then appose him. Which leads to one of my favourite scenes. Davros and Nyder hold a vote for continuing the Daleks or destory them. He's incredibly minuplute to the people/scientists here, including one who Davros gave a replacement heart and asks "will you now turn that heart against me" it's brilliant.

The dr here also goes on an incredibly interesting arc and it shows how strong of actor/Dr Tom was to nail the serious tones of this story. Especially in one scene as he believed Sarah and Harry died, he's expressions are so heartbreaking. Throughout he has one mission, to destory or slightly change the Daleks, although I would liked more scenes of the Dr trying to get Davros to change to really expand this theme, what we get works just as well. Arguably the Dr is the one who gives Davros the ego/idea to push for the Daleks here. We see Davros take the drs moral questions of would you break the glass of infection that could wipe out everything. Davros becomes full of ego of the idea of how much power that pressure of his thumb could do, even though he's already doing this. He also gives him the ego of how his Daleks go on, meaning if Dr was more careful he wouldn't have been pushed to make them become so superior and only as a means to keep the thals/kaleds alive.

Which leads the one of the greatest moments in doctor who history. "Do I have the right". It's an incredibly honest/beautifully written scene that sets this show higher than other science fiction. Most are the baddies are bad and must die because I'm a hero I'm good. That's it and yet here we see why I love the Dr. The Dr isn't a hero, he does what he thinks is right and tries to give everything another way and hopes they'll take it. I utterly love the way this scene is written having Sarah Jane be so innocent about it all and say what us the audience feels. It's the Daleks how can you not do it Dr! Because if he did he'd be no better than Davros, no better than the persure of the thumb and no better than the Daleks. We also see how although the Daleks cause pain and destruction we do know they can create hope. Hope for peace, races teaming up with another to stop them when they never thought they would. Look at earth and draconia, they became friends to stop the Daleks. It's just brilliant subtext. My only issue with this scene is that it's slightly ruined near the end. The Dr goes back to finish the job this time and a Dalek catches him and instead the Dalek blows up the Dalek mutants. Which is fine however if that said Dalek didn't come would he of killed them? It slightly undermines that original struggle of the "do I have the right" for me.

Music and directions here also very good, David Maloney creates some amazing imagery with the Daleks, such as having there shadows appear in the scene first, the Dalek looking over the trenches and Davros lightly tapping his control panel in the darkness with explosions in the background. It's incredibly creepy. The music adds to this grim tension too. Especially as the Daleks journey through the city to Davros.

Genesis Is an excellent story and although it ties with "Power of the Daleks" I still love it. There's only minor things that lower it.
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7/10
Great Doctor Who story.
poolandrews27 March 2007
Warning: Spoilers
Doctor Who: Genesis of the Daleks: Part 6 starts as the Doctor (Tom Baker) cannot bring himself to detonate the bomb & completely destroy the Daleks, he then learns that the evil Davros has apparently agreed to surrender & his moral problem suddenly becomes irrelevant. However Davros is luring all his enemies into a trap, with all of the people who dared stand against him dead Davros is free to unleash his Dalek creation on an unsuspecting universe...

This Doctor Who adventure was episode 16 from season 12 that aired here in the UK during early 1975, directed by David Maloney Genesis of the Daleks is a classic Doctor Who story. The script by Terry Nation comes to it's conclusion but obviously leaves things open so the Daleks can return, which they do. This one has had it all, moral dilemmas, politics, double crosses, action, fights, monsters some half decent dialogue & all the usual stuff which makes Doctor Who so much fun to watch. As I always think with these mammoth six parters I felt Genesis of the Daleks started to run out of ideas & sagged towards the end after it began like a rocket over it's first three episodes, I prefer the four part stories but that's just my personal preference. Overall a top story though & one I would probably recommend for those new to the show & seasoned fans alike.

The special effects haven't been too bad during Genesis of the Daleks although there's not been too many of them so that's probably why. This one has focused on it's story more than creating atmosphere & there's not many out-and-out scares although Davros is pretty creepy & has an effective make-up job. The acting always varies in Doctor Who, the principal cast did a decent enough job though & of course Tom Baker is just brilliant to watch with Sarah Jane as the eye candy.

Genesis of the Daleks is a great Doctor Who story & is well worth a watch although it couldn't quite keep the pace & excitement up over it's six episodes.
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